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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AABBC7 it is the complementary color #554438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AABBC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AABBC7 shade: #AFBBC2, #C0CDD5, #D1DFE8, #E2F1FB and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AABBC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AABBC7 shade: #AABBC7, #99A9B4, #8897A1, #77858E and #66737B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AABBC7 shade: #A9BAC7, #A9B2C7, #A9AAC7, #AFA9C7 and #B7A9C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AABBC7 shade: #A9BAC7, #A9B2C7, #A9AAC7 and #A9A9C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AABBC7 shade matches the following richer shades: #A9BAC7, #9DBCD2, #92BEDE, #86C0E9 and #7AC2F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AABBC7 shade: #A9BAC7, #B4B8BB, #C0B6AF, #CBB4A4 and #D7B298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AABBC7 shade: #A9C7C3, #A9C3C7, #A9BBC7, #A9B3C7 and #A9ABC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AABBC7 shade: #7792A6, #90A6B6, #A9BAC7, #C2CED7 and #DBE2E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AABBC7 shade: #AABBC7, #BBA9C7 and #C7C7A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AABBC7 shade: #AABBC7, #C7A9BB and #BBC7A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AABBC7 shade: #AABBC7, #BBA9C7, #C7B5A9 and #B5C7A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AABBC7 shade: #AABBC7, #C4A9C7, #C7B5A9 and #ACC7A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 6 / 0 / 22

HEX #AABBC7

RGB 170 187 199

HSL 204.83, 0.21%, 0.72%

LAB 74.96, -3.35, -8.04

 

Complementary color

CMYK 0 / 20 / 34 / 67

HEX #554438

RGB 85 68 56

HSL 24.83, 0.21%, 0.28%

LAB 30.28, 5.27, 10.02

 

CMYK 10 / 4 / 0 / 24

HEX #AFBBC2

RGB 175 187 194

HSL 202.11, 0.13%, 0.72%

LAB 75.17, -2.74, -4.96

 

CMYK 10 / 4 / 0 / 16

HEX #C0CDD5

RGB 192 205 213

HSL 202.86, 0.2%, 0.79%

LAB 81.66, -2.83, -5.49

 

CMYK 10 / 4 / 0 / 9

HEX #D1DFE8

RGB 209 223 232

HSL 203.48, 0.33%, 0.86%

LAB 88.04, -2.93, -6.01

 

CMYK 10 / 4 / 0 / 2

HEX #E2F1FB

RGB 226 241 251

HSL 204, 0.76%, 0.94%

LAB 94.33, -3.02, -6.51

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 15 / 6 / 0 / 22

HEX #AABBC7

RGB 170 187 199

HSL 204.83, 0.21%, 0.72%

LAB 74.96, -3.35, -8.04

 

CMYK 15 / 6 / 0 / 29

HEX #99A9B4

RGB 153 169 180

HSL 204.44, 0.15%, 0.65%

LAB 68.35, -3.27, -7.55

 

CMYK 16 / 6 / 0 / 37

HEX #8897A1

RGB 136 151 161

HSL 204, 0.12%, 0.58%

LAB 61.6, -3.18, -7.06

 

CMYK 16 / 6 / 0 / 44

HEX #77858E

RGB 119 133 142

HSL 203.48, 0.09%, 0.51%

LAB 54.71, -3.1, -6.56

 

CMYK 17 / 7 / 0 / 52

HEX #66737B

RGB 102 115 123

HSL 202.86, 0.09%, 0.44%

LAB 47.64, -3.02, -6.05

 

CMYK 15 / 7 / 0 / 22

HEX #A9BAC7

RGB 169 186 199

HSL 206, 0.21%, 0.72%

LAB 74.62, -3.14, -8.55

 

CMYK 15 / 11 / 0 / 22

HEX #A9B2C7

RGB 169 178 199

HSL 222, 0.21%, 0.72%

LAB 72.49, 1.17, -11.72

 

CMYK 15 / 15 / 0 / 22

HEX #A9AAC7

RGB 169 170 199

HSL 238, 0.21%, 0.72%

LAB 70.39, 5.56, -14.87

 

CMYK 12 / 15 / 0 / 22

HEX #AFA9C7

RGB 175 169 199

HSL 252, 0.21%, 0.72%

LAB 70.6, 8.08, -14.51

 

CMYK 8 / 15 / 0 / 22

HEX #B7A9C7

RGB 183 169 199

HSL 268, 0.21%, 0.72%

LAB 71.26, 10.74, -13.46

 

CMYK 15 / 7 / 0 / 22

HEX #A9BAC7

RGB 169 186 199

HSL 206, 0.21%, 0.72%

LAB 74.62, -3.14, -8.55

 

CMYK 15 / 11 / 0 / 22

HEX #A9B2C7

RGB 169 178 199

HSL 222, 0.21%, 0.72%

LAB 72.49, 1.17, -11.72

 

CMYK 15 / 15 / 0 / 22

HEX #A9AAC7

RGB 169 170 199

HSL 238, 0.21%, 0.72%

LAB 70.39, 5.56, -14.87

 

CMYK 15 / 15 / 0 / 22

HEX #A9A9C7

RGB 169 169 199

HSL 240, 0.21%, 0.72%

LAB 70.13, 6.11, -15.27

 

CMYK 15 / 7 / 0 / 22

HEX #A9BAC7

RGB 169 186 199

HSL 206, 0.21%, 0.72%

LAB 74.62, -3.14, -8.55

 

CMYK 25 / 10 / 0 / 18

HEX #9DBCD2

RGB 157 188 210

HSL 204.91, 0.37%, 0.72%

LAB 74.69, -5.53, -14.51

 

CMYK 34 / 14 / 0 / 13

HEX #92BEDE

RGB 146 190 222

HSL 205.26, 0.54%, 0.72%

LAB 74.96, -6.88, -20.68

 

CMYK 42 / 18 / 0 / 9

HEX #86C0E9

RGB 134 192 233

HSL 204.85, 0.69%, 0.72%

LAB 75.23, -8.26, -26.27

 

CMYK 50 / 21 / 0 / 4

HEX #7AC2F5

RGB 122 194 245

HSL 204.88, 0.86%, 0.72%

LAB 75.65, -8.83, -32.15

 

CMYK 15 / 7 / 0 / 22

HEX #A9BAC7

RGB 169 186 199

HSL 206, 0.21%, 0.72%

LAB 74.62, -3.14, -8.55

 

CMYK 4 / 2 / 0 / 27

HEX #B4B8BB

RGB 180 184 187

HSL 205.71, 0.05%, 0.72%

LAB 74.55, -0.82, -2.01

 

CMYK 0 / 5 / 9 / 25

HEX #C0B6AF

RGB 192 182 175

HSL 24.71, 0.12%, 0.72%

LAB 74.67, 2.32, 4.82

 

CMYK 0 / 11 / 19 / 20

HEX #CBB4A4

RGB 203 180 164

HSL 24.62, 0.27%, 0.72%

LAB 74.84, 5.66, 11.17

 

CMYK 0 / 17 / 29 / 16

HEX #D7B298

RGB 215 178 152

HSL 24.76, 0.44%, 0.72%

LAB 75.17, 9.59, 18.31

 

CMYK 15 / 0 / 2 / 22

HEX #A9C7C3

RGB 169 199 195

HSL 172, 0.21%, 0.72%

LAB 78.01, -10.83, -1.38

 

CMYK 15 / 2 / 0 / 22

HEX #A9C3C7

RGB 169 195 199

HSL 188, 0.21%, 0.72%

LAB 77.03, -7.92, -4.97

 

CMYK 15 / 6 / 0 / 22

HEX #A9BBC7

RGB 169 187 199

HSL 204, 0.21%, 0.72%

LAB 74.89, -3.68, -8.15

 

CMYK 15 / 10 / 0 / 22

HEX #A9B3C7

RGB 169 179 199

HSL 220, 0.21%, 0.72%

LAB 72.76, 0.63, -11.32

 

CMYK 15 / 14 / 0 / 22

HEX #A9ABC7

RGB 169 171 199

HSL 236, 0.21%, 0.72%

LAB 70.65, 5, -14.48

 

CMYK 28 / 12 / 0 / 35

HEX #7792A6

RGB 119 146 166

HSL 205.53, 0.21%, 0.56%

LAB 59.19, -4.72, -13.64

 

CMYK 21 / 9 / 0 / 29

HEX #90A6B6

RGB 144 166 182

HSL 205.26, 0.21%, 0.64%

LAB 66.96, -4.11, -10.8

 

CMYK 15 / 7 / 0 / 22

HEX #A9BAC7

RGB 169 186 199

HSL 206, 0.21%, 0.72%

LAB 74.62, -3.14, -8.55

 

CMYK 10 / 4 / 0 / 16

HEX #C2CED7

RGB 194 206 215

HSL 205.71, 0.21%, 0.8%

LAB 82.12, -2.31, -5.87

 

CMYK 5 / 2 / 0 / 9

HEX #DBE2E7

RGB 219 226 231

HSL 205, 0.2%, 0.88%

LAB 89.5, -1.41, -3.26

 

CMYK 15 / 6 / 0 / 22

HEX #AABBC7

RGB 170 187 199

HSL 204.83, 0.21%, 0.72%

LAB 74.96, -3.35, -8.04

 

CMYK 6 / 15 / 0 / 22

HEX #BBA9C7

RGB 187 169 199

HSL 276, 0.21%, 0.72%

LAB 71.6, 12.09, -12.91

 

CMYK 0 / 0 / 15 / 22

HEX #C7C7A9

RGB 199 199 169

HSL 60, 0.21%, 0.72%

LAB 79.53, -5.1, 15.05

 

CMYK 15 / 6 / 0 / 22

HEX #AABBC7

RGB 170 187 199

HSL 204.83, 0.21%, 0.72%

LAB 74.96, -3.35, -8.04

 

CMYK 0 / 15 / 6 / 22

HEX #C7A9BB

RGB 199 169 187

HSL 324, 0.21%, 0.72%

LAB 72.3, 13.97, -5.15

 

CMYK 6 / 0 / 15 / 22

HEX #BBC7A9

RGB 187 199 169

HSL 84, 0.21%, 0.72%

LAB 78.62, -9.47, 13.64

 

CMYK 15 / 6 / 0 / 22

HEX #AABBC7

RGB 170 187 199

HSL 204.83, 0.21%, 0.72%

LAB 74.96, -3.35, -8.04

 

CMYK 6 / 15 / 0 / 22

HEX #BBA9C7

RGB 187 169 199

HSL 276, 0.21%, 0.72%

LAB 71.6, 12.09, -12.91

 

CMYK 0 / 9 / 15 / 22

HEX #C7B5A9

RGB 199 181 169

HSL 24, 0.21%, 0.72%

LAB 74.86, 4.42, 8.43

 

CMYK 9 / 0 / 15 / 22

HEX #B5C7A9

RGB 181 199 169

HSL 96, 0.21%, 0.72%

LAB 78.19, -11.61, 12.97

 

CMYK 15 / 6 / 0 / 22

HEX #AABBC7

RGB 170 187 199

HSL 204.83, 0.21%, 0.72%

LAB 74.96, -3.35, -8.04

 

CMYK 2 / 15 / 0 / 22

HEX #C4A9C7

RGB 196 169 199

HSL 294, 0.21%, 0.72%

LAB 72.39, 15.15, -11.65

 

CMYK 0 / 9 / 15 / 22

HEX #C7B5A9

RGB 199 181 169

HSL 24, 0.21%, 0.72%

LAB 74.86, 4.42, 8.43

 

CMYK 14 / 0 / 15 / 22

HEX #ACC7A9

RGB 172 199 169

HSL 114, 0.21%, 0.72%

LAB 77.57, -14.78, 12

 

Description

Color code: HEX #AABBC7 | qconv.com Color code: HEX #AABBC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 187 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 187 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 6 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 6% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - 株式会社 新東京フード
Link: http://www.shintokyo.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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