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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB8DB it is the complementary color #554724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB8DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB8DB shade: #AFB8D6, #C0CAE9, #D1DCFC, #E2EEFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB8DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB8DB shade: #AAB8DB, #99A6C8, #8894B5, #7782A2 and #66708F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB8DB shade: #A9B7DA, #A9AADA, #B6A9DA, #C3A9DA and #D0A9DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB8DB shade: #A9B7DA, #A9AADA and #A9A9DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB8DB shade matches the following richer shades: #A9B7DA, #9FB3E4, #96AFEE and #8CABF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB8DB shade: #A9B7DA, #B3BCD0, #BDC0C6, #C7C4BD and #D1C8B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB8DB shade: #A9D2DA, #A9C5DA, #A9B8DA, #A9ABDA and #B5A9DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB8DB shade: #7087C2, #8C9FCE, #A9B7DA, #C6CFE7 and #E3E8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB8DB shade: #AAB8DB, #D5A9DA and #CCDAA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB8DB shade: #AAB8DB, #DAA9B8 and #B8DAA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB8DB shade: #AAB8DB, #D5A9DA, #DACCA9 and #AEDAA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB8DB shade: #AAB8DB, #DAA9D0, #DACCA9 and #A9DAB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 16 / 0 / 14

HEX #AAB8DB

RGB 170 184 219

HSL 222.86, 0.4%, 0.76%

LAB 74.79, 2.66, -19.17

 

Complementary color

CMYK 0 / 16 / 58 / 67

HEX #554724

RGB 85 71 36

HSL 42.86, 0.4%, 0.24%

LAB 30.8, 0.84, 23.07

 

CMYK 18 / 14 / 0 / 16

HEX #AFB8D6

RGB 175 184 214

HSL 226.15, 0.32%, 0.76%

LAB 74.98, 3.1, -16.12

 

CMYK 18 / 13 / 0 / 9

HEX #C0CAE9

RGB 192 202 233

HSL 225.37, 0.48%, 0.83%

LAB 81.47, 2.9, -16.46

 

CMYK 17 / 13 / 0 / 1

HEX #D1DCFC

RGB 209 220 252

HSL 224.65, 0.88%, 0.9%

LAB 87.86, 2.7, -16.81

 

CMYK 11 / 7 / 0 / 0

HEX #E2EEFF

RGB 226 238 255

HSL 215.17, 1%, 0.94%

LAB 93.68, -0.71, -9.55

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 22 / 16 / 0 / 14

HEX #AAB8DB

RGB 170 184 219

HSL 222.86, 0.4%, 0.76%

LAB 74.79, 2.66, -19.17

 

CMYK 24 / 17 / 0 / 22

HEX #99A6C8

RGB 153 166 200

HSL 223.4, 0.3%, 0.69%

LAB 68.18, 2.89, -18.89

 

CMYK 25 / 18 / 0 / 29

HEX #8894B5

RGB 136 148 181

HSL 224, 0.23%, 0.62%

LAB 61.44, 3.15, -18.62

 

CMYK 27 / 20 / 0 / 36

HEX #7782A2

RGB 119 130 162

HSL 224.65, 0.19%, 0.55%

LAB 54.55, 3.42, -18.38

 

CMYK 29 / 22 / 0 / 44

HEX #66708F

RGB 102 112 143

HSL 225.37, 0.17%, 0.48%

LAB 47.49, 3.74, -18.16

 

CMYK 22 / 16 / 0 / 15

HEX #A9B7DA

RGB 169 183 218

HSL 222.86, 0.4%, 0.76%

LAB 74.42, 2.67, -19.19

 

CMYK 22 / 22 / 0 / 15

HEX #A9AADA

RGB 169 170 218

HSL 238.78, 0.4%, 0.76%

LAB 71.04, 9.82, -24.33

 

CMYK 17 / 22 / 0 / 15

HEX #B6A9DA

RGB 182 169 218

HSL 255.92, 0.4%, 0.76%

LAB 71.81, 14.44, -23.06

 

CMYK 11 / 22 / 0 / 15

HEX #C3A9DA

RGB 195 169 218

HSL 271.84, 0.4%, 0.76%

LAB 72.92, 18.6, -21.28

 

CMYK 5 / 22 / 0 / 15

HEX #D0A9DA

RGB 208 169 218

HSL 287.76, 0.4%, 0.76%

LAB 74.09, 22.84, -19.38

 

CMYK 22 / 16 / 0 / 15

HEX #A9B7DA

RGB 169 183 218

HSL 222.86, 0.4%, 0.76%

LAB 74.42, 2.67, -19.19

 

CMYK 22 / 22 / 0 / 15

HEX #A9AADA

RGB 169 170 218

HSL 238.78, 0.4%, 0.76%

LAB 71.04, 9.82, -24.33

 

CMYK 22 / 22 / 0 / 15

HEX #A9A9DA

RGB 169 169 218

HSL 240, 0.4%, 0.76%

LAB 70.78, 10.38, -24.72

 

CMYK 22 / 16 / 0 / 15

HEX #A9B7DA

RGB 169 183 218

HSL 222.86, 0.4%, 0.76%

LAB 74.42, 2.67, -19.19

 

CMYK 30 / 21 / 0 / 11

HEX #9FB3E4

RGB 159 179 228

HSL 222.61, 0.56%, 0.76%

LAB 73.03, 4.26, -26.81

 

CMYK 37 / 26 / 0 / 7

HEX #96AFEE

RGB 150 175 238

HSL 222.95, 0.72%, 0.76%

LAB 71.77, 6.53, -34.24

 

CMYK 44 / 31 / 0 / 3

HEX #8CABF8

RGB 140 171 248

HSL 222.78, 0.89%, 0.76%

LAB 70.51, 8.92, -41.68

 

CMYK 22 / 16 / 0 / 15

HEX #A9B7DA

RGB 169 183 218

HSL 222.86, 0.4%, 0.76%

LAB 74.42, 2.67, -19.19

 

CMYK 14 / 10 / 0 / 18

HEX #B3BCD0

RGB 179 188 208

HSL 221.38, 0.24%, 0.76%

LAB 76.13, 0.93, -11.11

 

CMYK 5 / 3 / 0 / 22

HEX #BDC0C6

RGB 189 192 198

HSL 220, 0.07%, 0.76%

LAB 77.64, 0.1, -3.38

 

CMYK 0 / 2 / 5 / 22

HEX #C7C4BD

RGB 199 196 189

HSL 42, 0.08%, 0.76%

LAB 79.21, -0.21, 3.87

 

CMYK 0 / 4 / 14 / 18

HEX #D1C8B3

RGB 209 200 179

HSL 42, 0.25%, 0.76%

LAB 80.8, -0.39, 11.62

 

CMYK 22 / 4 / 0 / 15

HEX #A9D2DA

RGB 169 210 218

HSL 189.8, 0.4%, 0.76%

LAB 81.61, -11.65, -8.4

 

CMYK 22 / 10 / 0 / 15

HEX #A9C5DA

RGB 169 197 218

HSL 205.71, 0.4%, 0.76%

LAB 78.13, -4.85, -13.6

 

CMYK 22 / 16 / 0 / 15

HEX #A9B8DA

RGB 169 184 218

HSL 221.63, 0.4%, 0.76%

LAB 74.68, 2.13, -18.79

 

CMYK 22 / 22 / 0 / 15

HEX #A9ABDA

RGB 169 171 218

HSL 237.55, 0.4%, 0.76%

LAB 71.3, 9.27, -23.94

 

CMYK 17 / 22 / 0 / 15

HEX #B5A9DA

RGB 181 169 218

HSL 254.69, 0.4%, 0.76%

LAB 71.73, 14.12, -23.19

 

CMYK 42 / 30 / 0 / 24

HEX #7087C2

RGB 112 135 194

HSL 223.17, 0.4%, 0.6%

LAB 56.75, 7.14, -33.34

 

CMYK 32 / 23 / 0 / 19

HEX #8C9FCE

RGB 140 159 206

HSL 222.73, 0.4%, 0.68%

LAB 65.61, 4.38, -26.21

 

CMYK 22 / 16 / 0 / 15

HEX #A9B7DA

RGB 169 183 218

HSL 222.86, 0.4%, 0.76%

LAB 74.42, 2.67, -19.19

 

CMYK 14 / 10 / 0 / 9

HEX #C6CFE7

RGB 198 207 231

HSL 223.64, 0.41%, 0.84%

LAB 83.13, 1.71, -12.87

 

CMYK 7 / 5 / 0 / 5

HEX #E3E8F3

RGB 227 232 243

HSL 221.25, 0.4%, 0.92%

LAB 91.92, 0.38, -5.91

 

CMYK 22 / 16 / 0 / 14

HEX #AAB8DB

RGB 170 184 219

HSL 222.86, 0.4%, 0.76%

LAB 74.79, 2.66, -19.17

 

CMYK 2 / 22 / 0 / 15

HEX #D5A9DA

RGB 213 169 218

HSL 293.88, 0.4%, 0.76%

LAB 74.56, 24.49, -18.63

 

CMYK 6 / 0 / 22 / 15

HEX #CCDAA9

RGB 204 218 169

HSL 77.14, 0.4%, 0.76%

LAB 84.92, -13.01, 22.59

 

CMYK 22 / 16 / 0 / 14

HEX #AAB8DB

RGB 170 184 219

HSL 222.86, 0.4%, 0.76%

LAB 74.79, 2.66, -19.17

 

CMYK 0 / 22 / 16 / 15

HEX #DAA9B8

RGB 218 169 184

HSL 341.63, 0.4%, 0.76%

LAB 74.02, 20.25, -0.76

 

CMYK 16 / 0 / 22 / 15

HEX #B8DAA9

RGB 184 218 169

HSL 101.63, 0.4%, 0.76%

LAB 83.55, -20.14, 20.49

 

CMYK 22 / 16 / 0 / 14

HEX #AAB8DB

RGB 170 184 219

HSL 222.86, 0.4%, 0.76%

LAB 74.79, 2.66, -19.17

 

CMYK 2 / 22 / 0 / 15

HEX #D5A9DA

RGB 213 169 218

HSL 293.88, 0.4%, 0.76%

LAB 74.56, 24.49, -18.63

 

CMYK 0 / 6 / 22 / 15

HEX #DACCA9

RGB 218 204 169

HSL 42.86, 0.4%, 0.76%

LAB 82.35, -0.66, 19.22

 

CMYK 20 / 0 / 22 / 15

HEX #AEDAA9

RGB 174 218 169

HSL 113.88, 0.4%, 0.76%

LAB 82.92, -23.58, 19.52

 

CMYK 22 / 16 / 0 / 14

HEX #AAB8DB

RGB 170 184 219

HSL 222.86, 0.4%, 0.76%

LAB 74.79, 2.66, -19.17

 

CMYK 0 / 22 / 5 / 15

HEX #DAA9D0

RGB 218 169 208

HSL 312.24, 0.4%, 0.76%

LAB 74.72, 24.32, -12.88

 

CMYK 0 / 6 / 22 / 15

HEX #DACCA9

RGB 218 204 169

HSL 42.86, 0.4%, 0.76%

LAB 82.35, -0.66, 19.22

 

CMYK 22 / 0 / 18 / 15

HEX #A9DAB3

RGB 169 218 179

HSL 132.24, 0.4%, 0.76%

LAB 82.82, -23.5, 14.09

 

Description

Color code: HEX #AAB8DB | qconv.com Color code: HEX #AAB8DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 184 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 184 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 16 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 16% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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