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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAAF18 it is the complementary color #5550E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAAF18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAAF18 shade: #AFAF13, #C0C126, #D1D339, #E2E54C and #F3F75F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAAF18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAAF18 shade: #AAAF18, #999D05, #888B00, #777900 and #666700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAAF18 shade: #AAAF18, #AF8B18, #AF6318, #AF3A18 and #AF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAAF18 shade: #AAAF18, #81AF18, #58AF18, #30AF18 and #18AF29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAAF18 shade matches the following richer shades: #AAAF18 and #B9BF08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAAF18 shade: #AAAF18, #9B9F28, #8C8F38, #7D7F48 and #6E6F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAAF18 shade: #AF6118, #AF8918, #ADAF18, #84AF18 and #5CAF18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAAF18 shade: #63660E, #878B13, #AAAF18, #CDD31D and #DEE436

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAAF18 shade: #AAAF18, #18AF39 and #7518AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAAF18 shade: #AAAF18, #18ADAF and #AF18AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAAF18 shade: #AAAF18, #18AF39, #1A18AF and #AF188E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAAF18 shade: #AAAF18, #18AF66, #1A18AF and #AF1861

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

Complementary color

CMYK 63 / 65 / 0 / 9

HEX #5550E7

RGB 85 80 231

HSL 241.99, 0.76%, 0.61%

LAB 43.42, 46.35, -75.81

 

CMYK 0 / 0 / 89 / 31

HEX #AFAF13

RGB 175 175 19

HSL 60, 0.8%, 0.38%

LAB 69.34, -15.98, 68.75

 

CMYK 1 / 0 / 80 / 24

HEX #C0C126

RGB 192 193 38

HSL 60.39, 0.67%, 0.45%

LAB 75.75, -17.21, 70.38

 

CMYK 1 / 0 / 73 / 17

HEX #D1D339

RGB 209 211 57

HSL 60.78, 0.64%, 0.53%

LAB 82.08, -18.24, 70.91

 

CMYK 1 / 0 / 67 / 10

HEX #E2E54C

RGB 226 229 76

HSL 61.18, 0.75%, 0.6%

LAB 88.32, -19.1, 70.75

 

CMYK 2 / 0 / 62 / 3

HEX #F3F75F

RGB 243 247 95

HSL 61.58, 0.9%, 0.67%

LAB 94.48, -19.82, 70.19

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 3 / 0 / 97 / 38

HEX #999D05

RGB 153 157 5

HSL 61.58, 0.94%, 0.32%

LAB 62.42, -16.72, 64.66

 

CMYK 2 / 0 / 100 / 45

HEX #888B00

RGB 136 139 0

HSL 61.29, 1%, 0.27%

LAB 55.79, -15.1, 59.86

 

CMYK 2 / 0 / 100 / 53

HEX #777900

RGB 119 121 0

HSL 60.99, 1%, 0.24%

LAB 49, -13.36, 54.22

 

CMYK 1 / 0 / 100 / 60

HEX #666700

RGB 102 103 0

HSL 60.58, 1%, 0.2%

LAB 42.04, -11.56, 48.44

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 0 / 21 / 86 / 31

HEX #AF8B18

RGB 175 139 24

HSL 45.7, 0.76%, 0.39%

LAB 59.57, 3.28, 59.77

 

CMYK 0 / 43 / 86 / 31

HEX #AF6318

RGB 175 99 24

HSL 29.8, 0.76%, 0.39%

LAB 49.62, 25.56, 51.53

 

CMYK 0 / 67 / 86 / 31

HEX #AF3A18

RGB 175 58 24

HSL 13.51, 0.76%, 0.39%

LAB 41.54, 46.15, 44.74

 

CMYK 0 / 86 / 86 / 31

HEX #AF1818

RGB 175 24 24

HSL 0, 0.76%, 0.39%

LAB 37.54, 57.26, 41.32

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 26 / 0 / 86 / 31

HEX #81AF18

RGB 129 175 24

HSL 78.28, 0.76%, 0.39%

LAB 66.05, -35.26, 63.7

 

CMYK 50 / 0 / 86 / 31

HEX #58AF18

RGB 88 175 24

HSL 94.57, 0.76%, 0.39%

LAB 64, -49.83, 61.12

 

CMYK 73 / 0 / 86 / 31

HEX #30AF18

RGB 48 175 24

HSL 110.46, 0.76%, 0.39%

LAB 62.81, -59.56, 59.62

 

CMYK 86 / 0 / 77 / 31

HEX #18AF29

RGB 24 175 41

HSL 126.75, 0.76%, 0.39%

LAB 62.52, -61.76, 54.37

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 3 / 0 / 96 / 25

HEX #B9BF08

RGB 185 191 8

HSL 61.97, 0.92%, 0.39%

LAB 74.57, -19.84, 74.62

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 3 / 0 / 75 / 38

HEX #9B9F28

RGB 155 159 40

HSL 62.02, 0.6%, 0.39%

LAB 63.28, -15.89, 57.4

 

CMYK 2 / 0 / 61 / 44

HEX #8C8F38

RGB 140 143 56

HSL 62.07, 0.44%, 0.39%

LAB 57.57, -13.14, 44.71

 

CMYK 2 / 0 / 43 / 50

HEX #7D7F48

RGB 125 127 72

HSL 62.18, 0.28%, 0.39%

LAB 51.84, -9.53, 29.58

 

CMYK 1 / 0 / 21 / 56

HEX #6E6F58

RGB 110 111 88

HSL 62.61, 0.12%, 0.39%

LAB 46.16, -4.66, 12.72

 

CMYK 0 / 45 / 86 / 31

HEX #AF6118

RGB 175 97 24

HSL 29.01, 0.76%, 0.39%

LAB 49.17, 26.66, 51.15

 

CMYK 0 / 22 / 86 / 31

HEX #AF8918

RGB 175 137 24

HSL 44.9, 0.76%, 0.39%

LAB 59.04, 4.38, 59.33

 

CMYK 1 / 0 / 86 / 31

HEX #ADAF18

RGB 173 175 24

HSL 60.79, 0.76%, 0.39%

LAB 69.19, -16.75, 67.59

 

CMYK 25 / 0 / 86 / 31

HEX #84AF18

RGB 132 175 24

HSL 77.09, 0.76%, 0.39%

LAB 66.24, -34.07, 63.93

 

CMYK 47 / 0 / 86 / 31

HEX #5CAF18

RGB 92 175 24

HSL 92.98, 0.76%, 0.39%

LAB 64.16, -48.58, 61.33

 

CMYK 3 / 0 / 86 / 60

HEX #63660E

RGB 99 102 14

HSL 62.05, 0.76%, 0.23%

LAB 41.51, -12.04, 44.34

 

CMYK 3 / 0 / 86 / 45

HEX #878B13

RGB 135 139 19

HSL 62, 0.76%, 0.31%

LAB 55.75, -15.17, 56.32

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 3 / 0 / 86 / 17

HEX #CDD31D

RGB 205 211 29

HSL 61.98, 0.76%, 0.47%

LAB 81.65, -20.83, 77.8

 

CMYK 3 / 0 / 76 / 11

HEX #DEE436

RGB 222 228 54

HSL 62.07, 0.76%, 0.55%

LAB 87.62, -21.25, 77.32

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 86 / 0 / 67 / 31

HEX #18AF39

RGB 24 175 57

HSL 133.11, 0.76%, 0.39%

LAB 62.63, -60.32, 48.4

 

CMYK 33 / 86 / 0 / 31

HEX #7518AF

RGB 117 24 175

HSL 276.95, 0.76%, 0.39%

LAB 32.98, 61.44, -60.2

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 86 / 1 / 0 / 31

HEX #18ADAF

RGB 24 173 175

HSL 180.79, 0.76%, 0.39%

LAB 64.3, -34.3, -11.34

 

CMYK 0 / 86 / 1 / 31

HEX #AF18AD

RGB 175 24 173

HSL 300.79, 0.76%, 0.39%

LAB 42.44, 70.8, -43.27

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 86 / 0 / 67 / 31

HEX #18AF39

RGB 24 175 57

HSL 133.11, 0.76%, 0.39%

LAB 62.63, -60.32, 48.4

 

CMYK 85 / 86 / 0 / 31

HEX #1A18AF

RGB 26 24 175

HSL 240.79, 0.76%, 0.39%

LAB 23.57, 52.97, -76.06

 

CMYK 0 / 86 / 19 / 31

HEX #AF188E

RGB 175 24 142

HSL 313.11, 0.76%, 0.39%

LAB 40.77, 66.38, -27.22

 

CMYK 3 / 0 / 86 / 31

HEX #AAAF18

RGB 170 175 24

HSL 61.99, 0.76%, 0.39%

LAB 68.95, -18.06, 67.29

 

CMYK 86 / 0 / 42 / 31

HEX #18AF66

RGB 24 175 102

HSL 150.99, 0.76%, 0.39%

LAB 63.19, -53.64, 27.26

 

CMYK 85 / 86 / 0 / 31

HEX #1A18AF

RGB 26 24 175

HSL 240.79, 0.76%, 0.39%

LAB 23.57, 52.97, -76.06

 

CMYK 0 / 86 / 45 / 31

HEX #AF1861

RGB 175 24 97

HSL 330.99, 0.76%, 0.39%

LAB 38.95, 61.35, -1.94

 

Description

Color code: HEX #AAAF18 | qconv.com Color code: HEX #AAAF18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 175 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 175 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 86 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 86% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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