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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAACD5 it is the complementary color #55532A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAACD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAACD5 shade: #AFACD0, #C0BEE3, #D1D0F6, #E2E2FF and #F3F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAACD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAACD5 shade: #AAACD5, #999AC2, #8888AF, #77769C and #666489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAACD5 shade: #AAACD5, #B3AAD5, #BFAAD5, #CBAAD5 and #D5AAD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAACD5 shade: #AAACD5 and #AAAAD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAACD5 shade matches the following richer shades: #AAACD5, #9FA2DF, #9599EA, #8B90F4 and #8086FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAACD5 shade: #AAACD5, #B4B5CB, #BEBEC0, #C9C8B6 and #D3D1AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAACD5 shade: #AAC3D5, #AAB7D5, #AAACD5, #B3AAD5 and #BFAAD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAACD5 shade: #7276BA, #8E91C7, #AAACD5, #C5C7E3 and #E1E2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAACD5 shade: #AAACD5, #D5AACE and #BDD5AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAACD5 shade: #AAACD5, #D5AAAC and #ACD5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAACD5 shade: #AAACD5, #D5AACE, #D5D3AA and #AAD5B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAACD5 shade: #AAACD5, #D5AAC1, #D5D3AA and #AAD5BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

Complementary color

CMYK 0 / 2 / 51 / 67

HEX #55532A

RGB 85 83 42

HSL 57.21, 0.34%, 0.25%

LAB 34.57, -5.85, 24.16

 

CMYK 16 / 17 / 0 / 18

HEX #AFACD0

RGB 175 172 208

HSL 245, 0.28%, 0.75%

LAB 71.67, 8.35, -17.84

 

CMYK 15 / 16 / 0 / 11

HEX #C0BEE3

RGB 192 190 227

HSL 243.24, 0.4%, 0.82%

LAB 78.22, 8.06, -18.16

 

CMYK 15 / 15 / 0 / 4

HEX #D1D0F6

RGB 209 208 246

HSL 241.58, 0.68%, 0.89%

LAB 84.65, 7.78, -18.48

 

CMYK 11 / 11 / 0 / 0

HEX #E2E2FF

RGB 226 226 255

HSL 240, 1%, 0.94%

LAB 90.68, 5.49, -14.03

 

CMYK 5 / 4 / 0 / 0

HEX #F3F4FF

RGB 243 244 255

HSL 235, 1%, 0.98%

LAB 96.4, 1.66, -5.4

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 21 / 21 / 0 / 24

HEX #999AC2

RGB 153 154 194

HSL 238.54, 0.25%, 0.68%

LAB 64.79, 8.21, -20.71

 

CMYK 22 / 22 / 0 / 31

HEX #8888AF

RGB 136 136 175

HSL 240, 0.2%, 0.61%

LAB 57.98, 8.57, -20.49

 

CMYK 24 / 24 / 0 / 39

HEX #77769C

RGB 119 118 156

HSL 241.58, 0.16%, 0.54%

LAB 51.01, 8.98, -20.3

 

CMYK 26 / 27 / 0 / 46

HEX #666489

RGB 102 100 137

HSL 243.24, 0.16%, 0.46%

LAB 43.87, 9.44, -20.15

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 16 / 20 / 0 / 16

HEX #B3AAD5

RGB 179 170 213

HSL 252.56, 0.34%, 0.75%

LAB 71.65, 11.83, -20.59

 

CMYK 10 / 20 / 0 / 16

HEX #BFAAD5

RGB 191 170 213

HSL 269.3, 0.34%, 0.75%

LAB 72.65, 15.71, -18.98

 

CMYK 5 / 20 / 0 / 16

HEX #CBAAD5

RGB 203 170 213

HSL 286.05, 0.34%, 0.75%

LAB 73.71, 19.67, -17.28

 

CMYK 0 / 20 / 0 / 16

HEX #D5AAD4

RGB 213 170 212

HSL 301.4, 0.34%, 0.75%

LAB 74.6, 22.81, -15.29

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 20 / 20 / 0 / 16

HEX #AAAAD5

RGB 170 170 213

HSL 240, 0.34%, 0.75%

LAB 70.94, 8.99, -21.74

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 29 / 27 / 0 / 13

HEX #9FA2DF

RGB 159 162 223

HSL 237.19, 0.5%, 0.75%

LAB 68.42, 12.5, -31.17

 

CMYK 36 / 35 / 0 / 8

HEX #9599EA

RGB 149 153 234

HSL 237.18, 0.67%, 0.75%

LAB 65.84, 17.65, -41.3

 

CMYK 43 / 41 / 0 / 4

HEX #8B90F4

RGB 139 144 244

HSL 237.14, 0.83%, 0.75%

LAB 63.32, 23.04, -50.81

 

CMYK 50 / 47 / 0 / 0

HEX #8086FE

RGB 128 134 254

HSL 237.14, 0.98%, 0.75%

LAB 60.6, 29.29, -60.68

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 11 / 11 / 0 / 20

HEX #B4B5CB

RGB 180 181 203

HSL 237.39, 0.18%, 0.75%

LAB 74.23, 4, -11.22

 

CMYK 1 / 1 / 0 / 25

HEX #BEBEC0

RGB 190 190 192

HSL 240, 0.02%, 0.75%

LAB 77.03, 0.38, -1.01

 

CMYK 0 / 0 / 9 / 21

HEX #C9C8B6

RGB 201 200 182

HSL 56.84, 0.15%, 0.75%

LAB 80.24, -2.8, 9.12

 

CMYK 0 / 1 / 18 / 17

HEX #D3D1AC

RGB 211 209 172

HSL 56.92, 0.31%, 0.75%

LAB 83.14, -5.41, 18.64

 

CMYK 20 / 8 / 0 / 16

HEX #AAC3D5

RGB 170 195 213

HSL 205.12, 0.34%, 0.75%

LAB 77.51, -4.59, -11.82

 

CMYK 20 / 14 / 0 / 16

HEX #AAB7D5

RGB 170 183 213

HSL 221.86, 0.34%, 0.75%

LAB 74.33, 1.85, -16.6

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 16 / 20 / 0 / 16

HEX #B3AAD5

RGB 179 170 213

HSL 252.56, 0.34%, 0.75%

LAB 71.65, 11.83, -20.59

 

CMYK 10 / 20 / 0 / 16

HEX #BFAAD5

RGB 191 170 213

HSL 269.3, 0.34%, 0.75%

LAB 72.65, 15.71, -18.98

 

CMYK 39 / 37 / 0 / 27

HEX #7276BA

RGB 114 118 186

HSL 236.67, 0.34%, 0.59%

LAB 51.93, 15.51, -36.31

 

CMYK 29 / 27 / 0 / 22

HEX #8E91C7

RGB 142 145 199

HSL 236.84, 0.34%, 0.67%

LAB 61.76, 11.16, -28.22

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 13 / 12 / 0 / 11

HEX #C5C7E3

RGB 197 199 227

HSL 236, 0.35%, 0.83%

LAB 80.88, 4.81, -14.1

 

CMYK 6 / 6 / 0 / 6

HEX #E1E2F0

RGB 225 226 240

HSL 236, 0.33%, 0.91%

LAB 90.18, 2.26, -6.92

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 0 / 20 / 3 / 16

HEX #D5AACE

RGB 213 170 206

HSL 309.77, 0.34%, 0.75%

LAB 74.41, 21.71, -12.29

 

CMYK 11 / 0 / 20 / 16

HEX #BDD5AA

RGB 189 213 170

HSL 93.49, 0.34%, 0.75%

LAB 82.54, -15.73, 18.62

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 0 / 20 / 19 / 16

HEX #D5AAAC

RGB 213 170 172

HSL 357.21, 0.34%, 0.75%

LAB 73.46, 16.01, 4.96

 

CMYK 19 / 0 / 20 / 16

HEX #ACD5AA

RGB 172 213 170

HSL 117.21, 0.34%, 0.75%

LAB 81.44, -21.63, 16.91

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 0 / 20 / 3 / 16

HEX #D5AACE

RGB 213 170 206

HSL 309.77, 0.34%, 0.75%

LAB 74.41, 21.71, -12.29

 

CMYK 0 / 1 / 20 / 16

HEX #D5D3AA

RGB 213 211 170

HSL 57.21, 0.34%, 0.75%

LAB 83.78, -6, 20.6

 

CMYK 20 / 0 / 17 / 16

HEX #AAD5B0

RGB 170 213 176

HSL 128.37, 0.34%, 0.75%

LAB 81.44, -21.25, 13.73

 

CMYK 20 / 19 / 0 / 16

HEX #AAACD5

RGB 170 172 213

HSL 237.21, 0.34%, 0.75%

LAB 71.46, 7.88, -20.95

 

CMYK 0 / 20 / 9 / 16

HEX #D5AAC1

RGB 213 170 193

HSL 327.91, 0.34%, 0.75%

LAB 74.03, 19.42, -5.75

 

CMYK 0 / 1 / 20 / 16

HEX #D5D3AA

RGB 213 211 170

HSL 57.21, 0.34%, 0.75%

LAB 83.78, -6, 20.6

 

CMYK 20 / 0 / 11 / 16

HEX #AAD5BD

RGB 170 213 189

HSL 146.51, 0.34%, 0.75%

LAB 81.73, -18.84, 7.25

 

Description

Color code: HEX #AAACD5 | qconv.com Color code: HEX #AAACD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 172 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 172 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 19 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 19% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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