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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAABCD it is the complementary color #555432. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAABCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAABCD shade: #AFABC8, #C0BDDB, #D1CFEE, #E2E1FF and #F3F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAABCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAABCD shade: #AAABCD, #9999BA, #8887A7, #777594 and #666381

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAABCD shade: #ABACCE, #B4ABCE, #BDABCE, #C6ABCE and #CEABCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAABCD shade: #ABACCE and #ABABCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAABCD shade matches the following richer shades: #ABACCE, #A1A2D9, #9698E3, #8B8EEE and #8184F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAABCD shade: #ABACCE, #B6B7C3, #C1C1B8, #CCCBAE and #D6D5A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAABCD shade: #ABBFCE, #ABB6CE, #ABADCE, #B4ABCE and #BDABCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAABCD shade: #7779AF, #9193BF, #ABACCE, #C5C6DD and #DFE0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAABCD shade: #AAABCD, #CEABC8 and #BACEAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAABCD shade: #AAABCD, #CEABAD and #ADCEAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAABCD shade: #AAABCD, #CEABC8, #CECDAB and #ABCEB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAABCD shade: #AAABCD, #CEABBE, #CECDAB and #ABCEBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 17 / 0 / 20

HEX #AAABCD

RGB 170 171 205

HSL 238.29, 0.26%, 0.74%

LAB 70.93, 6.64, -17.36

 

Complementary color

CMYK 0 / 1 / 41 / 67

HEX #555432

RGB 85 84 50

HSL 58.29, 0.26%, 0.26%

LAB 35.01, -5.47, 20.03

 

CMYK 13 / 15 / 0 / 22

HEX #AFABC8

RGB 175 171 200

HSL 248.28, 0.21%, 0.73%

LAB 71.15, 7.19, -14.23

 

CMYK 12 / 14 / 0 / 14

HEX #C0BDDB

RGB 192 189 219

HSL 246, 0.29%, 0.8%

LAB 77.71, 6.91, -14.6

 

CMYK 12 / 13 / 0 / 7

HEX #D1CFEE

RGB 209 207 238

HSL 243.87, 0.48%, 0.87%

LAB 84.15, 6.66, -14.98

 

CMYK 11 / 12 / 0 / 0

HEX #E2E1FF

RGB 226 225 255

HSL 242, 1%, 0.94%

LAB 90.43, 6.02, -14.4

 

CMYK 5 / 5 / 0 / 0

HEX #F3F3FF

RGB 243 243 255

HSL 240, 1%, 0.98%

LAB 96.15, 2.17, -5.76

 

CMYK 17 / 17 / 0 / 20

HEX #AAABCD

RGB 170 171 205

HSL 238.29, 0.26%, 0.74%

LAB 70.93, 6.64, -17.36

 

CMYK 18 / 18 / 0 / 27

HEX #9999BA

RGB 153 153 186

HSL 240, 0.19%, 0.66%

LAB 64.24, 6.93, -17.06

 

CMYK 19 / 19 / 0 / 35

HEX #8887A7

RGB 136 135 167

HSL 241.88, 0.15%, 0.59%

LAB 57.42, 7.26, -16.77

 

CMYK 20 / 21 / 0 / 42

HEX #777594

RGB 119 117 148

HSL 243.87, 0.13%, 0.52%

LAB 50.43, 7.61, -16.5

 

CMYK 21 / 23 / 0 / 49

HEX #666381

RGB 102 99 129

HSL 246, 0.13%, 0.45%

LAB 43.26, 8.01, -16.26

 

CMYK 17 / 17 / 0 / 19

HEX #ABACCE

RGB 171 172 206

HSL 238.29, 0.26%, 0.74%

LAB 71.3, 6.63, -17.35

 

CMYK 13 / 17 / 0 / 19

HEX #B4ABCE

RGB 180 171 206

HSL 255.43, 0.26%, 0.74%

LAB 71.75, 10.1, -16.59

 

CMYK 8 / 17 / 0 / 19

HEX #BDABCE

RGB 189 171 206

HSL 270.86, 0.26%, 0.74%

LAB 72.5, 13.07, -15.39

 

CMYK 4 / 17 / 0 / 19

HEX #C6ABCE

RGB 198 171 206

HSL 286.29, 0.26%, 0.74%

LAB 73.28, 16.08, -14.14

 

CMYK 0 / 17 / 1 / 19

HEX #CEABCC

RGB 206 171 204

HSL 303.43, 0.26%, 0.74%

LAB 73.94, 18.41, -11.98

 

CMYK 17 / 17 / 0 / 19

HEX #ABACCE

RGB 171 172 206

HSL 238.29, 0.26%, 0.74%

LAB 71.3, 6.63, -17.35

 

CMYK 17 / 17 / 0 / 19

HEX #ABABCE

RGB 171 171 206

HSL 240, 0.26%, 0.74%

LAB 71.04, 7.18, -17.74

 

CMYK 17 / 17 / 0 / 19

HEX #ABACCE

RGB 171 172 206

HSL 238.29, 0.26%, 0.74%

LAB 71.3, 6.63, -17.35

 

CMYK 26 / 25 / 0 / 15

HEX #A1A2D9

RGB 161 162 217

HSL 238.93, 0.42%, 0.74%

LAB 68.33, 11.63, -27.98

 

CMYK 34 / 33 / 0 / 11

HEX #9698E3

RGB 150 152 227

HSL 238.44, 0.58%, 0.74%

LAB 65.35, 16.64, -38.2

 

CMYK 42 / 40 / 0 / 7

HEX #8B8EEE

RGB 139 142 238

HSL 238.18, 0.74%, 0.74%

LAB 62.51, 22.51, -48.78

 

CMYK 48 / 47 / 0 / 2

HEX #8184F9

RGB 129 132 249

HSL 238.5, 0.91%, 0.74%

LAB 59.9, 29.19, -59.05

 

CMYK 17 / 17 / 0 / 19

HEX #ABACCE

RGB 171 172 206

HSL 238.29, 0.26%, 0.74%

LAB 71.3, 6.63, -17.35

 

CMYK 7 / 6 / 0 / 24

HEX #B6B7C3

RGB 182 183 195

HSL 235.38, 0.1%, 0.74%

LAB 74.67, 1.97, -6.19

 

CMYK 0 / 0 / 5 / 24

HEX #C1C1B8

RGB 193 193 184

HSL 60, 0.07%, 0.74%

LAB 77.84, -1.62, 4.52

 

CMYK 0 / 0 / 15 / 20

HEX #CCCBAE

RGB 204 203 174

HSL 58, 0.23%, 0.74%

LAB 81.07, -4.57, 14.61

 

CMYK 0 / 0 / 24 / 16

HEX #D6D5A3

RGB 214 213 163

HSL 58.82, 0.38%, 0.74%

LAB 84.24, -7.64, 24.92

 

CMYK 17 / 7 / 0 / 19

HEX #ABBFCE

RGB 171 191 206

HSL 205.71, 0.26%, 0.74%

LAB 76.3, -3.68, -9.83

 

CMYK 17 / 12 / 0 / 19

HEX #ABB6CE

RGB 171 182 206

HSL 221.14, 0.26%, 0.74%

LAB 73.91, 1.16, -13.4

 

CMYK 17 / 16 / 0 / 19

HEX #ABADCE

RGB 171 173 206

HSL 236.57, 0.26%, 0.74%

LAB 71.56, 6.08, -16.95

 

CMYK 13 / 17 / 0 / 19

HEX #B4ABCE

RGB 180 171 206

HSL 255.43, 0.26%, 0.74%

LAB 71.75, 10.1, -16.59

 

CMYK 8 / 17 / 0 / 19

HEX #BDABCE

RGB 189 171 206

HSL 270.86, 0.26%, 0.74%

LAB 72.5, 13.07, -15.39

 

CMYK 32 / 31 / 0 / 31

HEX #7779AF

RGB 119 121 175

HSL 237.86, 0.26%, 0.58%

LAB 52.61, 12.11, -28.87

 

CMYK 24 / 23 / 0 / 25

HEX #9193BF

RGB 145 147 191

HSL 237.39, 0.26%, 0.66%

LAB 62.21, 8.96, -23.02

 

CMYK 17 / 17 / 0 / 19

HEX #ABACCE

RGB 171 172 206

HSL 238.29, 0.26%, 0.74%

LAB 71.3, 6.63, -17.35

 

CMYK 11 / 10 / 0 / 13

HEX #C5C6DD

RGB 197 198 221

HSL 237.5, 0.26%, 0.82%

LAB 80.45, 4.12, -11.54

 

CMYK 6 / 5 / 0 / 7

HEX #DFE0EC

RGB 223 224 236

HSL 235.38, 0.25%, 0.9%

LAB 89.42, 1.88, -5.97

 

CMYK 17 / 17 / 0 / 20

HEX #AAABCD

RGB 170 171 205

HSL 238.29, 0.26%, 0.74%

LAB 70.93, 6.64, -17.36

 

CMYK 0 / 17 / 3 / 19

HEX #CEABC8

RGB 206 171 200

HSL 310.29, 0.26%, 0.74%

LAB 73.82, 17.68, -9.97

 

CMYK 10 / 0 / 17 / 19

HEX #BACEAB

RGB 186 206 171

HSL 94.29, 0.26%, 0.74%

LAB 80.47, -13.09, 15.17

 

CMYK 17 / 17 / 0 / 20

HEX #AAABCD

RGB 170 171 205

HSL 238.29, 0.26%, 0.74%

LAB 70.93, 6.64, -17.36

 

CMYK 0 / 17 / 16 / 19

HEX #CEABAD

RGB 206 171 173

HSL 356.57, 0.26%, 0.74%

LAB 73.07, 13.05, 3.75

 

CMYK 16 / 0 / 17 / 19

HEX #ADCEAB

RGB 173 206 171

HSL 116.57, 0.26%, 0.74%

LAB 79.6, -17.63, 13.81

 

CMYK 17 / 17 / 0 / 20

HEX #AAABCD

RGB 170 171 205

HSL 238.29, 0.26%, 0.74%

LAB 70.93, 6.64, -17.36

 

CMYK 0 / 17 / 3 / 19

HEX #CEABC8

RGB 206 171 200

HSL 310.29, 0.26%, 0.74%

LAB 73.82, 17.68, -9.97

 

CMYK 0 / 0 / 17 / 19

HEX #CECDAB

RGB 206 205 171

HSL 58.29, 0.26%, 0.74%

LAB 81.69, -5.34, 17.09

 

CMYK 17 / 0 / 14 / 19

HEX #ABCEB1

RGB 171 206 177

HSL 130.29, 0.26%, 0.74%

LAB 79.6, -17.24, 10.6

 

CMYK 17 / 17 / 0 / 20

HEX #AAABCD

RGB 170 171 205

HSL 238.29, 0.26%, 0.74%

LAB 70.93, 6.64, -17.36

 

CMYK 0 / 17 / 8 / 19

HEX #CEABBE

RGB 206 171 190

HSL 327.43, 0.26%, 0.74%

LAB 73.52, 15.89, -4.92

 

CMYK 0 / 0 / 17 / 19

HEX #CECDAB

RGB 206 205 171

HSL 58.29, 0.26%, 0.74%

LAB 81.69, -5.34, 17.09

 

CMYK 17 / 0 / 9 / 19

HEX #ABCEBC

RGB 171 206 188

HSL 149.14, 0.26%, 0.74%

LAB 79.86, -15.17, 5.09

 

Description

Color code: HEX #AAABCD | qconv.com Color code: HEX #AAABCD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 171 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 171 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 17 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 17% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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