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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAAA75 it is the complementary color #55558A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAAA75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAAA75 shade: #AFAA70, #C0BC83, #D1CE96, #E2E0A9 and #F3F2BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAAA75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAAA75 shade: #AAAA75, #999862, #88864F, #77743C and #666229

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAAA75 shade: #AAAA74, #AA9B74, #AA8D74, #AA7E74 and #AA7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAAA75 shade: #AAAA74, #9BAA74, #8DAA74, #7EAA74 and #74AA78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAAA75 shade matches the following richer shades: #AAAA74, #BCBC62, #CECE50, #E0E03D and #F2F22B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAAA75 shade: #AAAA74, #989886, #858598, #7373AA and #6161BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAAA75 shade: #AA8D74, #AA9B74, #AAAA74, #9BAA74 and #8DAA74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAAA75 shade: #7E7E4D, #97975D, #AAAA74, #B9B98D and #C9C9A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAAA75 shade: #AAAA75, #74AA7F and #9474AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAAA75 shade: #AAAA75, #74AAAA and #AA74AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAAA75 shade: #AAAA75, #74AA7F, #7474AA and #AA749F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAAA75 shade: #AAAA75, #74AA8F, #7474AA and #AA748F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 31 / 33

HEX #AAAA75

RGB 170 170 117

HSL 60, 0.24%, 0.56%

LAB 68.45, -8.49, 27.4

 

Complementary color

CMYK 38 / 38 / 0 / 46

HEX #55558A

RGB 85 85 138

HSL 240, 0.24%, 0.44%

LAB 38.31, 13.79, -29.5

 

CMYK 0 / 3 / 36 / 31

HEX #AFAA70

RGB 175 170 112

HSL 55.24, 0.28%, 0.56%

LAB 68.78, -7.1, 30.57

 

CMYK 0 / 2 / 32 / 25

HEX #C0BC83

RGB 192 188 131

HSL 56.07, 0.33%, 0.63%

LAB 75.33, -7.42, 29.41

 

CMYK 0 / 1 / 28 / 18

HEX #D1CE96

RGB 209 206 150

HSL 56.95, 0.39%, 0.7%

LAB 81.78, -7.7, 28.31

 

CMYK 0 / 1 / 25 / 11

HEX #E2E0A9

RGB 226 224 169

HSL 57.89, 0.5%, 0.77%

LAB 88.13, -7.93, 27.26

 

CMYK 0 / 0 / 23 / 5

HEX #F3F2BC

RGB 243 242 188

HSL 58.91, 0.7%, 0.85%

LAB 94.39, -8.13, 26.26

 

CMYK 0 / 0 / 31 / 33

HEX #AAAA75

RGB 170 170 117

HSL 60, 0.24%, 0.56%

LAB 68.45, -8.49, 27.4

 

CMYK 0 / 1 / 36 / 40

HEX #999862

RGB 153 152 98

HSL 58.91, 0.22%, 0.49%

LAB 61.75, -8.2, 28.58

 

CMYK 0 / 1 / 42 / 47

HEX #88864F

RGB 136 134 79

HSL 57.89, 0.27%, 0.42%

LAB 54.92, -7.83, 29.84

 

CMYK 0 / 3 / 50 / 53

HEX #77743C

RGB 119 116 60

HSL 56.95, 0.33%, 0.35%

LAB 47.93, -7.36, 31.14

 

CMYK 0 / 4 / 60 / 60

HEX #666229

RGB 102 98 41

HSL 56.07, 0.43%, 0.28%

LAB 40.77, -6.72, 32.4

 

CMYK 0 / 0 / 32 / 33

HEX #AAAA74

RGB 170 170 116

HSL 60, 0.24%, 0.56%

LAB 68.43, -8.62, 27.91

 

CMYK 0 / 9 / 32 / 33

HEX #AA9B74

RGB 170 155 116

HSL 43.33, 0.24%, 0.56%

LAB 64.36, -0.55, 22.49

 

CMYK 0 / 17 / 32 / 33

HEX #AA8D74

RGB 170 141 116

HSL 27.78, 0.24%, 0.56%

LAB 60.65, 7.18, 17.44

 

CMYK 0 / 26 / 32 / 33

HEX #AA7E74

RGB 170 126 116

HSL 11.11, 0.24%, 0.56%

LAB 56.81, 15.62, 12.11

 

CMYK 0 / 32 / 32 / 33

HEX #AA7474

RGB 170 116 116

HSL 0, 0.24%, 0.56%

LAB 54.34, 21.28, 8.63

 

CMYK 0 / 0 / 32 / 33

HEX #AAAA74

RGB 170 170 116

HSL 60, 0.24%, 0.56%

LAB 68.43, -8.62, 27.91

 

CMYK 9 / 0 / 32 / 33

HEX #9BAA74

RGB 155 170 116

HSL 76.67, 0.24%, 0.56%

LAB 67.26, -14.55, 26.15

 

CMYK 17 / 0 / 32 / 33

HEX #8DAA74

RGB 141 170 116

HSL 92.22, 0.24%, 0.56%

LAB 66.27, -19.9, 24.65

 

CMYK 26 / 0 / 32 / 33

HEX #7EAA74

RGB 126 170 116

HSL 108.89, 0.24%, 0.56%

LAB 65.32, -25.38, 23.21

 

CMYK 32 / 0 / 29 / 33

HEX #74AA78

RGB 116 170 120

HSL 124.44, 0.24%, 0.56%

LAB 64.82, -28.13, 20.26

 

CMYK 0 / 0 / 32 / 33

HEX #AAAA74

RGB 170 170 116

HSL 60, 0.24%, 0.56%

LAB 68.43, -8.62, 27.91

 

CMYK 0 / 0 / 48 / 26

HEX #BCBC62

RGB 188 188 98

HSL 60, 0.4%, 0.56%

LAB 74.53, -12.66, 45.17

 

CMYK 0 / 0 / 61 / 19

HEX #CECE50

RGB 206 206 80

HSL 60, 0.56%, 0.56%

LAB 80.65, -15.76, 60.72

 

CMYK 0 / 0 / 73 / 12

HEX #E0E03D

RGB 224 224 61

HSL 60, 0.72%, 0.56%

LAB 86.75, -18.2, 74.41

 

CMYK 0 / 0 / 82 / 5

HEX #F2F22B

RGB 242 242 43

HSL 60, 0.88%, 0.56%

LAB 92.82, -20.1, 85.27

 

CMYK 0 / 0 / 32 / 33

HEX #AAAA74

RGB 170 170 116

HSL 60, 0.24%, 0.56%

LAB 68.43, -8.62, 27.91

 

CMYK 0 / 0 / 12 / 40

HEX #989886

RGB 152 152 134

HSL 60, 0.08%, 0.56%

LAB 62.38, -3.28, 9.48

 

CMYK 13 / 13 / 0 / 40

HEX #858598

RGB 133 133 152

HSL 240, 0.08%, 0.56%

LAB 56.12, 3.98, -10.13

 

CMYK 32 / 32 / 0 / 33

HEX #7373AA

RGB 115 115 170

HSL 240, 0.24%, 0.56%

LAB 50.46, 13.17, -29.34

 

CMYK 48 / 48 / 0 / 26

HEX #6161BC

RGB 97 97 188

HSL 240, 0.4%, 0.56%

LAB 45.25, 24.61, -48.13

 

CMYK 0 / 17 / 32 / 33

HEX #AA8D74

RGB 170 141 116

HSL 27.78, 0.24%, 0.56%

LAB 60.65, 7.18, 17.44

 

CMYK 0 / 9 / 32 / 33

HEX #AA9B74

RGB 170 155 116

HSL 43.33, 0.24%, 0.56%

LAB 64.36, -0.55, 22.49

 

CMYK 0 / 0 / 32 / 33

HEX #AAAA74

RGB 170 170 116

HSL 60, 0.24%, 0.56%

LAB 68.43, -8.62, 27.91

 

CMYK 9 / 0 / 32 / 33

HEX #9BAA74

RGB 155 170 116

HSL 76.67, 0.24%, 0.56%

LAB 67.26, -14.55, 26.15

 

CMYK 17 / 0 / 32 / 33

HEX #8DAA74

RGB 141 170 116

HSL 92.22, 0.24%, 0.56%

LAB 66.27, -19.9, 24.65

 

CMYK 0 / 0 / 39 / 51

HEX #7E7E4D

RGB 126 126 77

HSL 60, 0.24%, 0.4%

LAB 51.72, -7.95, 26.69

 

CMYK 0 / 0 / 38 / 41

HEX #97975D

RGB 151 151 93

HSL 60, 0.24%, 0.48%

LAB 61.22, -9.1, 30.56

 

CMYK 0 / 0 / 32 / 33

HEX #AAAA74

RGB 170 170 116

HSL 60, 0.24%, 0.56%

LAB 68.43, -8.62, 27.91

 

CMYK 0 / 0 / 24 / 27

HEX #B9B98D

RGB 185 185 141

HSL 60, 0.24%, 0.64%

LAB 74.15, -7.24, 22.41

 

CMYK 0 / 0 / 17 / 21

HEX #C9C9A7

RGB 201 201 167

HSL 60, 0.24%, 0.72%

LAB 80.17, -5.72, 17.03

 

Description

Color code: HEX #AAAA75 | qconv.com Color code: HEX #AAAA75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 170 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 170 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 31 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 31% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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