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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA7D64C it is the complementary color #5558294C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA7D64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA7D64C shade: #AFA7D14C, #C0B9E44C, #D1CBF74C, #E2DDFF4C and #F3EFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA7D64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA7D64C shade: #AAA7D64C, #9995C34C, #8883B04C, #77719D4C and #665F8A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA7D64C shade: #ABA8D6, #B8A8D6, #C4A8D6, #D0A8D6 and #D6A8D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA7D64C shade: #ABA8D6 and #A8A8D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA7D64C shade matches the following richer shades: #ABA8D6, #A29EE1, #9994EB and #9089F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA7D64C shade: #ABA8D6, #B4B3CC, #BDBDC2, #C6C7B7 and #CFD2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA7D64C shade: #A8BED6, #A8B2D6, #ABA8D6, #B7A8D6 and #C3A8D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA7D64C shade: #7570BC, #908CC9, #ABA8D6, #C6C4E3 and #E1E0F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA7D64C shade: #AAA7D6, #D6A8CB and #B8D6A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA7D64C shade: #AAA7D6, #D6ABA8 and #A8D6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA7D64C shade: #AAA7D6, #D6A8CB, #D4D6A8 and #A8D6B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA7D64C shade: #AAA7D6, #D6A8BD, #D4D6A8 and #A8D6C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 7 / 0 / 5

HEX #AAA7D64C

RGBA 170 167 214 0.3

HSLA 243.83, 0.36%, 0.75%, 0.3

LABA 70.2, 10.88, -23.41, 0.3

 

Complementary color

CMYK 1 / 0 / 16 / 20

HEX #5558294C

RGBA 85 88 41 0.3

HSLA 63.83, 0.36%, 0.25%, 0.3

LABA 36.12, -8.91, 26.6, 0.3

 

CMYK 5 / 6 / 0 / 5

HEX #AFA7D14C

RGBA 175 167 209 0.3

HSLA 251.43, 0.31%, 0.74%, 0.3

LABA 70.42, 11.34, -20.29, 0.3

 

CMYK 5 / 6 / 0 / 3

HEX #C0B9E44C

RGBA 192 185 228 0.3

HSLA 249.77, 0.44%, 0.81%, 0.3

LABA 76.98, 10.98, -20.56, 0.3

 

CMYK 5 / 5 / 0 / 1

HEX #D1CBF74C

RGBA 209 203 247 0.3

HSLA 248.18, 0.73%, 0.88%, 0.3

LABA 83.43, 10.65, -20.84, 0.3

 

CMYK 3 / 4 / 0 / 0

HEX #E2DDFF4C

RGBA 226 221 255 0.3

HSLA 248.82, 1%, 0.93%, 0.3

LABA 89.44, 8.11, -15.89, 0.3

 

CMYK 1 / 2 / 0 / 0

HEX #F3EFFF4C

RGBA 243 239 255 0.3

HSLA 255, 1%, 0.97%, 0.3

LABA 95.16, 4.22, -7.22, 0.3

 

CMYK 6 / 7 / 0 / 5

HEX #AAA7D64C

RGBA 170 167 214 0.3

HSLA 243.83, 0.36%, 0.75%, 0.3

LABA 70.2, 10.88, -23.41, 0.3

 

CMYK 6 / 7 / 0 / 7

HEX #9995C34C

RGBA 153 149 195 0.3

HSLA 245.22, 0.28%, 0.67%, 0.3

LABA 63.51, 11.28, -23.21, 0.3

 

CMYK 7 / 8 / 0 / 9

HEX #8883B04C

RGBA 136 131 176 0.3

HSLA 246.67, 0.22%, 0.6%, 0.3

LABA 56.68, 11.72, -23.04, 0.3

 

CMYK 7 / 8 / 0 / 12

HEX #77719D4C

RGBA 119 113 157 0.3

HSLA 248.18, 0.18%, 0.53%, 0.3

LABA 49.7, 12.21, -22.91, 0.3

 

CMYK 8 / 9 / 0 / 14

HEX #665F8A4C

RGBA 102 95 138 0.3

HSLA 249.77, 0.18%, 0.46%, 0.3

LABA 42.53, 12.78, -22.82, 0.3

 

CMYK 20 / 21 / 0 / 16

HEX #ABA8D6

RGB 171 168 214

HSL 243.91, 0.36%, 0.75%

LAB 70.54, 10.64, -22.89

 

CMYK 14 / 21 / 0 / 16

HEX #B8A8D6

RGB 184 168 214

HSL 260.87, 0.36%, 0.75%

LAB 71.59, 14.76, -21.19

 

CMYK 8 / 21 / 0 / 16

HEX #C4A8D6

RGB 196 168 214

HSL 276.52, 0.36%, 0.75%

LAB 72.63, 18.65, -19.52

 

CMYK 3 / 21 / 0 / 16

HEX #D0A8D6

RGB 208 168 214

HSL 292.17, 0.36%, 0.75%

LAB 73.72, 22.61, -17.76

 

CMYK 0 / 21 / 3 / 16

HEX #D6A8D0

RGB 214 168 208

HSL 307.83, 0.36%, 0.75%

LAB 74.1, 23.5, -13.85

 

CMYK 20 / 21 / 0 / 16

HEX #ABA8D6

RGB 171 168 214

HSL 243.91, 0.36%, 0.75%

LAB 70.54, 10.64, -22.89

 

CMYK 21 / 21 / 0 / 16

HEX #A8A8D6

RGB 168 168 214

HSL 240, 0.36%, 0.75%

LAB 70.31, 9.7, -23.27

 

CMYK 20 / 21 / 0 / 16

HEX #ABA8D6

RGB 171 168 214

HSL 243.91, 0.36%, 0.75%

LAB 70.54, 10.64, -22.89

 

CMYK 28 / 30 / 0 / 12

HEX #A29EE1

RGB 162 158 225

HSL 243.58, 0.53%, 0.75%

LAB 67.7, 16.13, -33.36

 

CMYK 35 / 37 / 0 / 8

HEX #9994EB

RGB 153 148 235

HSL 243.45, 0.69%, 0.75%

LAB 64.92, 21.85, -43.26

 

CMYK 41 / 44 / 0 / 4

HEX #9089F5

RGB 144 137 245

HSL 243.89, 0.84%, 0.75%

LAB 62.01, 28.6, -53.41

 

CMYK 20 / 21 / 0 / 16

HEX #ABA8D6

RGB 171 168 214

HSL 243.91, 0.36%, 0.75%

LAB 70.54, 10.64, -22.89

 

CMYK 12 / 12 / 0 / 20

HEX #B4B3CC

RGB 180 179 204

HSL 242.4, 0.2%, 0.75%

LAB 73.74, 5.29, -12.5

 

CMYK 3 / 3 / 0 / 24

HEX #BDBDC2

RGB 189 189 194

HSL 240, 0.04%, 0.75%

LAB 76.75, 0.94, -2.52

 

CMYK 1 / 0 / 8 / 22

HEX #C6C7B7

RGB 198 199 183

HSL 63.75, 0.13%, 0.75%

LAB 79.77, -3.18, 7.88

 

CMYK 1 / 0 / 18 / 18

HEX #CFD2AD

RGB 207 210 173

HSL 64.86, 0.29%, 0.75%

LAB 83.11, -7.24, 18.03

 

CMYK 21 / 11 / 0 / 16

HEX #A8BED6

RGB 168 190 214

HSL 211.3, 0.36%, 0.75%

LAB 76.07, -2.32, -14.53

 

CMYK 21 / 17 / 0 / 16

HEX #A8B2D6

RGB 168 178 214

HSL 226.96, 0.36%, 0.75%

LAB 72.91, 4.18, -19.31

 

CMYK 20 / 21 / 0 / 16

HEX #ABA8D6

RGB 171 168 214

HSL 243.91, 0.36%, 0.75%

LAB 70.54, 10.64, -22.89

 

CMYK 14 / 21 / 0 / 16

HEX #B7A8D6

RGB 183 168 214

HSL 259.57, 0.36%, 0.75%

LAB 71.51, 14.44, -21.33

 

CMYK 9 / 21 / 0 / 16

HEX #C3A8D6

RGB 195 168 214

HSL 275.22, 0.36%, 0.75%

LAB 72.54, 18.33, -19.67

 

CMYK 38 / 40 / 0 / 26

HEX #7570BC

RGB 117 112 188

HSL 243.95, 0.36%, 0.59%

LAB 50.69, 20.51, -39.4

 

CMYK 28 / 30 / 0 / 21

HEX #908CC9

RGB 144 140 201

HSL 243.93, 0.36%, 0.67%

LAB 60.7, 15.15, -30.99

 

CMYK 20 / 21 / 0 / 16

HEX #ABA8D6

RGB 171 168 214

HSL 243.91, 0.36%, 0.75%

LAB 70.54, 10.64, -22.89

 

CMYK 13 / 14 / 0 / 11

HEX #C6C4E3

RGB 198 196 227

HSL 243.87, 0.36%, 0.83%

LAB 80.2, 6.74, -15.12

 

CMYK 7 / 7 / 0 / 5

HEX #E1E0F1

RGB 225 224 241

HSL 243.53, 0.38%, 0.91%

LAB 89.71, 3.48, -8.15

 

CMYK 21 / 22 / 0 / 16

HEX #AAA7D6

RGB 170 167 214

HSL 243.83, 0.36%, 0.75%

LAB 70.2, 10.88, -23.41

 

CMYK 0 / 21 / 5 / 16

HEX #D6A8CB

RGB 214 168 203

HSL 314.35, 0.36%, 0.75%

LAB 73.94, 22.6, -11.35

 

CMYK 14 / 0 / 21 / 16

HEX #B8D6A8

RGB 184 214 168

HSL 99.13, 0.36%, 0.75%

LAB 82.44, -18.32, 19.48

 

CMYK 21 / 22 / 0 / 16

HEX #AAA7D6

RGB 170 167 214

HSL 243.83, 0.36%, 0.75%

LAB 70.2, 10.88, -23.41

 

CMYK 0 / 20 / 21 / 16

HEX #D6ABA8

RGB 214 171 168

HSL 3.91, 0.36%, 0.75%

LAB 73.71, 15.24, 7.51

 

CMYK 21 / 0 / 20 / 16

HEX #A8D6AB

RGB 168 214 171

HSL 123.91, 0.36%, 0.75%

LAB 81.49, -23.3, 16.42

 

CMYK 21 / 22 / 0 / 16

HEX #AAA7D6

RGB 170 167 214

HSL 243.83, 0.36%, 0.75%

LAB 70.2, 10.88, -23.41

 

CMYK 0 / 21 / 5 / 16

HEX #D6A8CB

RGB 214 168 203

HSL 314.35, 0.36%, 0.75%

LAB 73.94, 22.6, -11.35

 

CMYK 1 / 0 / 21 / 16

HEX #D4D6A8

RGB 212 214 168

HSL 62.61, 0.36%, 0.75%

LAB 84.44, -8.19, 22.56

 

CMYK 21 / 0 / 16 / 16

HEX #A8D6B4

RGB 168 214 180

HSL 135.65, 0.36%, 0.75%

LAB 81.68, -21.68, 11.93

 

CMYK 21 / 22 / 0 / 16

HEX #AAA7D6

RGB 170 167 214

HSL 243.83, 0.36%, 0.75%

LAB 70.2, 10.88, -23.41

 

CMYK 0 / 21 / 12 / 16

HEX #D6A8BD

RGB 214 168 189

HSL 332.61, 0.36%, 0.75%

LAB 73.53, 20.18, -4.27

 

CMYK 1 / 0 / 21 / 16

HEX #D4D6A8

RGB 212 214 168

HSL 62.61, 0.36%, 0.75%

LAB 84.44, -8.19, 22.56

 

CMYK 21 / 0 / 9 / 16

HEX #A8D6C2

RGB 168 214 194

HSL 153.91, 0.36%, 0.75%

LAB 82.01, -19, 4.97

 

Description

Color code: HEX #AAA7D64C | qconv.com Color code: HEX #AAA7D64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 167 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 167 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 7 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 7% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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