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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA2DACE it is the complementary color #555D25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA2DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA2DACE shade: #AFA2D5CE, #C0B4E8CE, #D1C6FBCE, #E2D8FFCE and #F3EAFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA2DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA2DACE shade: #AAA2DACE, #9990C7CE, #887EB4CE, #776CA1CE and #665A8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA2DACE shade: #ACA4DB, #BAA4DB, #C9A4DB, #D8A4DB and #DBA4CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA2DACE shade: #ACA4DB and #A4A4DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA2DACE shade matches the following richer shades: #ACA4DB, #A49AE5, #9D8FEF and #9685FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA2DACE shade: #ACA4DB, #B3AED0, #BAB8C6, #C2C3BC and #C9CDB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA2DACE shade: #A4BADB, #A4ABDB, #ABA4DB, #BAA4DB and #C8A4DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA2DACE shade: #7669C3, #9186CF, #ACA4DB, #C7C1E6 and #E2DFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA2DACE shade: #AAA2DA, #DBA4C8 and #B2DBA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA2DACE shade: #AAA2DA, #DBABA4 and #A4DBAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA2DACE shade: #AAA2DA, #DBA4C8, #D3DBA4 and #A4DBB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA2DACE shade: #AAA2DA, #DBA4B8, #D3DBA4 and #A4DBC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 21 / 0 / 12

HEX #AAA2DACE

RGBA 170 162 218 0.81

HSLA 248.57, 0.43%, 0.75%, 0.81

LABA 69.08, 14.6, -27.34, 0.81

 

Complementary color

CMYK 7 / 0 / 49 / 51

HEX #555D25CE

RGBA 85 93 37 0.81

HSLA 68.57, 0.43%, 0.25%, 0.81

LABA 37.65, -12.18, 30.53, 0.81

 

CMYK 14 / 19 / 0 / 13

HEX #AFA2D5CE

RGBA 175 162 213 0.81

HSLA 255.29, 0.38%, 0.74%, 0.81

LABA 69.3, 15.01, -24.21, 0.81

 

CMYK 14 / 18 / 0 / 7

HEX #C0B4E8CE

RGBA 192 180 232 0.81

HSLA 253.85, 0.53%, 0.81%, 0.81

LABA 75.87, 14.58, -24.42, 0.81

 

CMYK 14 / 17 / 0 / 1

HEX #D1C6FBCE

RGBA 209 198 251 0.81

HSLA 252.45, 0.87%, 0.88%, 0.81

LABA 82.33, 14.19, -24.65, 0.81

 

CMYK 9 / 12 / 0 / 0

HEX #E2D8FFCE

RGBA 226 216 255 0.81

HSLA 255.38, 1%, 0.92%, 0.81

LABA 88.21, 10.74, -17.74, 0.81

 

CMYK 4 / 7 / 0 / 0

HEX #F3EAFFCE

RGBA 243 234 255 0.81

HSLA 265.71, 1%, 0.96%, 0.81

LABA 93.93, 6.8, -9.04, 0.81

 

CMYK 18 / 21 / 0 / 12

HEX #AAA2DACE

RGBA 170 162 218 0.81

HSLA 248.57, 0.43%, 0.75%, 0.81

LABA 69.08, 14.6, -27.34, 0.81

 

CMYK 19 / 22 / 0 / 18

HEX #9990C7CE

RGBA 153 144 199 0.81

HSLA 249.82, 0.33%, 0.67%, 0.81

LABA 62.37, 15.08, -27.21, 0.81

 

CMYK 20 / 24 / 0 / 24

HEX #887EB4CE

RGBA 136 126 180 0.81

HSLA 251.11, 0.26%, 0.6%, 0.81

LABA 55.53, 15.62, -27.11, 0.81

 

CMYK 21 / 27 / 0 / 30

HEX #776CA1CE

RGBA 119 108 161 0.81

HSLA 252.45, 0.22%, 0.53%, 0.81

LABA 48.54, 16.23, -27.05, 0.81

 

CMYK 23 / 30 / 0 / 36

HEX #665A8ECE

RGBA 102 90 142 0.81

HSLA 253.85, 0.22%, 0.45%, 0.81

LABA 41.36, 16.94, -27.04, 0.81

 

CMYK 21 / 25 / 0 / 14

HEX #ACA4DB

RGB 172 164 219

HSL 248.73, 0.43%, 0.75%

LAB 69.78, 14.32, -26.79

 

CMYK 15 / 25 / 0 / 14

HEX #BAA4DB

RGB 186 164 219

HSL 264, 0.43%, 0.75%

LAB 70.94, 18.69, -24.91

 

CMYK 8 / 25 / 0 / 14

HEX #C9A4DB

RGB 201 164 219

HSL 280.36, 0.43%, 0.75%

LAB 72.28, 23.49, -22.74

 

CMYK 1 / 25 / 0 / 14

HEX #D8A4DB

RGB 216 164 219

HSL 296.73, 0.43%, 0.75%

LAB 73.72, 28.38, -20.43

 

CMYK 0 / 25 / 5 / 14

HEX #DBA4CF

RGB 219 164 207

HSL 313.09, 0.43%, 0.75%

LAB 73.62, 27.18, -13.97

 

CMYK 21 / 25 / 0 / 14

HEX #ACA4DB

RGB 172 164 219

HSL 248.73, 0.43%, 0.75%

LAB 69.78, 14.32, -26.79

 

CMYK 25 / 25 / 0 / 14

HEX #A4A4DB

RGB 164 164 219

HSL 240, 0.43%, 0.75%

LAB 69.15, 11.89, -27.81

 

CMYK 21 / 25 / 0 / 14

HEX #ACA4DB

RGB 172 164 219

HSL 248.73, 0.43%, 0.75%

LAB 69.78, 14.32, -26.79

 

CMYK 28 / 33 / 0 / 10

HEX #A49AE5

RGB 164 154 229

HSL 248, 0.59%, 0.75%

LAB 67.02, 19.96, -36.61

 

CMYK 34 / 40 / 0 / 6

HEX #9D8FEF

RGB 157 143 239

HSL 248.75, 0.75%, 0.75%

LAB 64.2, 26.84, -46.58

 

CMYK 40 / 47 / 0 / 2

HEX #9685FA

RGB 150 133 250

HSL 248.72, 0.92%, 0.75%

LAB 61.79, 33.74, -56.48

 

CMYK 21 / 25 / 0 / 14

HEX #ACA4DB

RGB 172 164 219

HSL 248.73, 0.43%, 0.75%

LAB 69.78, 14.32, -26.79

 

CMYK 14 / 16 / 0 / 18

HEX #B3AED0

RGB 179 174 208

HSL 248.82, 0.27%, 0.75%

LAB 72.5, 8.55, -16.56

 

CMYK 6 / 7 / 0 / 22

HEX #BAB8C6

RGB 186 184 198

HSL 248.57, 0.11%, 0.75%

LAB 75.33, 3.37, -6.82

 

CMYK 1 / 0 / 4 / 24

HEX #C2C3BC

RGB 194 195 188

HSL 68.57, 0.06%, 0.75%

LAB 78.54, -1.61, 3.38

 

CMYK 2 / 0 / 14 / 20

HEX #C9CDB1

RGB 201 205 177

HSL 68.57, 0.22%, 0.75%

LAB 81.43, -6.22, 13.49

 

CMYK 25 / 15 / 0 / 14

HEX #A4BADB

RGB 164 186 219

HSL 216, 0.43%, 0.75%

LAB 74.9, -0.25, -19.03

 

CMYK 25 / 22 / 0 / 14

HEX #A4ABDB

RGB 164 171 219

HSL 232.36, 0.43%, 0.75%

LAB 70.96, 7.98, -25.03

 

CMYK 22 / 25 / 0 / 14

HEX #ABA4DB

RGB 171 164 219

HSL 247.64, 0.43%, 0.75%

LAB 69.7, 14.02, -26.92

 

CMYK 15 / 25 / 0 / 14

HEX #BAA4DB

RGB 186 164 219

HSL 264, 0.43%, 0.75%

LAB 70.94, 18.69, -24.91

 

CMYK 9 / 25 / 0 / 14

HEX #C8A4DB

RGB 200 164 219

HSL 279.27, 0.43%, 0.75%

LAB 72.19, 23.17, -22.89

 

CMYK 39 / 46 / 0 / 24

HEX #7669C3

RGB 118 105 195

HSL 248.67, 0.43%, 0.59%

LAB 49.37, 26.96, -45.51

 

CMYK 30 / 35 / 0 / 19

HEX #9186CF

RGB 145 134 207

HSL 249.04, 0.43%, 0.67%

LAB 59.5, 20.44, -36.21

 

CMYK 21 / 25 / 0 / 14

HEX #ACA4DB

RGB 172 164 219

HSL 248.73, 0.43%, 0.75%

LAB 69.78, 14.32, -26.79

 

CMYK 13 / 16 / 0 / 10

HEX #C7C1E6

RGB 199 193 230

HSL 249.73, 0.43%, 0.83%

LAB 79.61, 9.3, -17.61

 

CMYK 7 / 8 / 0 / 5

HEX #E2DFF2

RGB 226 223 242

HSL 249.47, 0.42%, 0.91%

LAB 89.56, 4.52, -8.88

 

CMYK 22 / 26 / 0 / 15

HEX #AAA2DA

RGB 170 162 218

HSL 248.57, 0.43%, 0.75%

LAB 69.08, 14.6, -27.34

 

CMYK 0 / 25 / 9 / 14

HEX #DBA4C8

RGB 219 164 200

HSL 320.73, 0.43%, 0.75%

LAB 73.4, 25.96, -10.45

 

CMYK 19 / 0 / 25 / 14

HEX #B2DBA4

RGB 178 219 164

HSL 104.73, 0.43%, 0.75%

LAB 83.34, -23.52, 22.76

 

CMYK 22 / 26 / 0 / 15

HEX #AAA2DA

RGB 170 162 218

HSL 248.57, 0.43%, 0.75%

LAB 69.08, 14.6, -27.34

 

CMYK 0 / 22 / 25 / 14

HEX #DBABA4

RGB 219 171 164

HSL 7.64, 0.43%, 0.75%

LAB 74.1, 16.53, 10.33

 

CMYK 25 / 0 / 22 / 14

HEX #A4DBAB

RGB 164 219 171

HSL 127.64, 0.43%, 0.75%

LAB 82.64, -27.04, 18

 

CMYK 22 / 26 / 0 / 15

HEX #AAA2DA

RGB 170 162 218

HSL 248.57, 0.43%, 0.75%

LAB 69.08, 14.6, -27.34

 

CMYK 0 / 25 / 9 / 14

HEX #DBA4C8

RGB 219 164 200

HSL 320.73, 0.43%, 0.75%

LAB 73.4, 25.96, -10.45

 

CMYK 4 / 0 / 25 / 14

HEX #D3DBA4

RGB 211 219 164

HSL 68.73, 0.43%, 0.75%

LAB 85.6, -11.66, 26.21

 

CMYK 25 / 0 / 17 / 14

HEX #A4DBB6

RGB 164 219 182

HSL 139.64, 0.43%, 0.75%

LAB 82.88, -25.05, 12.54

 

CMYK 22 / 26 / 0 / 15

HEX #AAA2DA

RGB 170 162 218

HSL 248.57, 0.43%, 0.75%

LAB 69.08, 14.6, -27.34

 

CMYK 0 / 25 / 16 / 14

HEX #DBA4B8

RGB 219 164 184

HSL 338.18, 0.43%, 0.75%

LAB 72.94, 23.32, -2.34

 

CMYK 4 / 0 / 25 / 14

HEX #D3DBA4

RGB 211 219 164

HSL 68.73, 0.43%, 0.75%

LAB 85.6, -11.66, 26.21

 

CMYK 25 / 0 / 9 / 14

HEX #A4DBC7

RGB 164 219 199

HSL 158.18, 0.43%, 0.75%

LAB 83.27, -21.73, 4.11

 

Description

Color code: HEX #AAA2DACE | qconv.com Color code: HEX #AAA2DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 162 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 162 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 21 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 21% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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