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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA133 it is the complementary color #555ECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA133 shade: #AFA12E, #C0B341, #D1C554, #E2D767 and #F3E97A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA133 shade: #AAA133, #998F20, #887D0D, #776B00 and #665900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA133 shade: #A9A032, #A98032, #A96032, #A94032 and #A93232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA133 shade: #A9A032, #92A932, #72A932, #52A932 and #32A933

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA133 shade matches the following richer shades: #A9A032, #BBAF21 and #CCBE0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA133 shade: #A9A032, #979144, #858256, #747368 and #626479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA133 shade: #A96032, #A97F32, #A99F32, #93A932 and #74A932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA133 shade: #69641F, #898229, #A9A032, #C6BB3F and #CFC75F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA133 shade: #AAA133, #32A940 and #7032A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA133 shade: #AAA133, #32A99F and #9F32A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA133 shade: #AAA133, #32A940, #323CA9 and #A9329B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA133 shade: #AAA133, #32A964, #323CA9 and #A93278

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 70 / 33

HEX #AAA133

RGB 170 161 51

HSL 55.46, 0.54%, 0.43%

LAB 65.18, -9.78, 55.61

 

Complementary color

CMYK 58 / 54 / 0 / 20

HEX #555ECC

RGB 85 94 204

HSL 235.46, 0.54%, 0.57%

LAB 44.65, 29.09, -58.39

 

CMYK 0 / 8 / 74 / 31

HEX #AFA12E

RGB 175 161 46

HSL 53.49, 0.58%, 0.43%

LAB 65.59, -7.83, 58.07

 

CMYK 0 / 7 / 66 / 25

HEX #C0B341

RGB 192 179 65

HSL 53.86, 0.5%, 0.5%

LAB 72.11, -8.85, 57.61

 

CMYK 0 / 6 / 60 / 18

HEX #D1C554

RGB 209 197 84

HSL 54.24, 0.58%, 0.57%

LAB 78.54, -9.7, 56.77

 

CMYK 0 / 5 / 54 / 11

HEX #E2D767

RGB 226 215 103

HSL 54.63, 0.68%, 0.65%

LAB 84.87, -10.4, 55.74

 

CMYK 0 / 4 / 50 / 5

HEX #F3E97A

RGB 243 233 122

HSL 55.04, 0.83%, 0.72%

LAB 91.12, -11, 54.63

 

CMYK 0 / 5 / 70 / 33

HEX #AAA133

RGB 170 161 51

HSL 55.46, 0.54%, 0.43%

LAB 65.18, -9.78, 55.61

 

CMYK 0 / 7 / 79 / 40

HEX #998F20

RGB 153 143 32

HSL 55.04, 0.65%, 0.36%

LAB 58.53, -8.68, 55.65

 

CMYK 0 / 8 / 90 / 47

HEX #887D0D

RGB 136 125 13

HSL 54.63, 0.83%, 0.29%

LAB 51.76, -7.29, 54.45

 

CMYK 0 / 10 / 100 / 53

HEX #776B00

RGB 119 107 0

HSL 53.95, 1%, 0.23%

LAB 44.85, -5.58, 51.21

 

CMYK 0 / 13 / 100 / 60

HEX #665900

RGB 102 89 0

HSL 52.35, 1%, 0.2%

LAB 37.79, -3.51, 45.36

 

CMYK 0 / 5 / 70 / 34

HEX #A9A032

RGB 169 160 50

HSL 55.46, 0.54%, 0.43%

LAB 64.81, -9.75, 55.6

 

CMYK 0 / 24 / 70 / 34

HEX #A98032

RGB 169 128 50

HSL 39.33, 0.54%, 0.43%

LAB 56.19, 7.72, 46.83

 

CMYK 0 / 43 / 70 / 34

HEX #A96032

RGB 169 96 50

HSL 23.19, 0.54%, 0.43%

LAB 48.3, 25.7, 38.34

 

CMYK 0 / 62 / 70 / 34

HEX #A94032

RGB 169 64 50

HSL 7.06, 0.54%, 0.43%

LAB 41.74, 42.3, 30.87

 

CMYK 0 / 70 / 70 / 34

HEX #A93232

RGB 169 50 50

HSL 0, 0.54%, 0.43%

LAB 39.49, 48.37, 28.22

 

CMYK 0 / 5 / 70 / 34

HEX #A9A032

RGB 169 160 50

HSL 55.46, 0.54%, 0.43%

LAB 64.81, -9.75, 55.6

 

CMYK 14 / 0 / 70 / 34

HEX #92A932

RGB 146 169 50

HSL 71.6, 0.54%, 0.43%

LAB 65.53, -24.29, 55.71

 

CMYK 33 / 0 / 70 / 34

HEX #72A932

RGB 114 169 50

HSL 87.73, 0.54%, 0.43%

LAB 63.49, -37.04, 52.99

 

CMYK 51 / 0 / 70 / 34

HEX #52A932

RGB 82 169 50

HSL 103.87, 0.54%, 0.43%

LAB 62, -47.78, 50.98

 

CMYK 70 / 0 / 70 / 34

HEX #32A933

RGB 50 169 51

HSL 120.5, 0.54%, 0.43%

LAB 61.04, -55.41, 49.28

 

CMYK 0 / 5 / 70 / 34

HEX #A9A032

RGB 169 160 50

HSL 55.46, 0.54%, 0.43%

LAB 64.81, -9.75, 55.6

 

CMYK 0 / 6 / 82 / 27

HEX #BBAF21

RGB 187 175 33

HSL 55.32, 0.7%, 0.43%

LAB 70.41, -10.36, 66.94

 

CMYK 0 / 7 / 93 / 20

HEX #CCBE0F

RGB 204 190 15

HSL 55.56, 0.86%, 0.43%

LAB 75.88, -11.02, 75.51

 

CMYK 0 / 5 / 70 / 34

HEX #A9A032

RGB 169 160 50

HSL 55.46, 0.54%, 0.43%

LAB 64.81, -9.75, 55.6

 

CMYK 0 / 4 / 55 / 41

HEX #979144

RGB 151 145 68

HSL 55.66, 0.38%, 0.43%

LAB 59.2, -8.42, 41.06

 

CMYK 0 / 2 / 35 / 48

HEX #858256

RGB 133 130 86

HSL 56.17, 0.21%, 0.43%

LAB 53.63, -6.05, 24.26

 

CMYK 0 / 1 / 10 / 55

HEX #747368

RGB 116 115 104

HSL 55, 0.05%, 0.43%

LAB 48.23, -1.73, 6.22

 

CMYK 19 / 17 / 0 / 53

HEX #626479

RGB 98 100 121

HSL 234.78, 0.11%, 0.43%

LAB 42.9, 4.03, -12

 

CMYK 0 / 43 / 70 / 34

HEX #A96032

RGB 169 96 50

HSL 23.19, 0.54%, 0.43%

LAB 48.3, 25.7, 38.34

 

CMYK 0 / 25 / 70 / 34

HEX #A97F32

RGB 169 127 50

HSL 38.82, 0.54%, 0.43%

LAB 55.93, 8.28, 46.55

 

CMYK 0 / 6 / 70 / 34

HEX #A99F32

RGB 169 159 50

HSL 54.96, 0.54%, 0.43%

LAB 64.53, -9.22, 55.33

 

CMYK 13 / 0 / 70 / 34

HEX #93A932

RGB 147 169 50

HSL 71.09, 0.54%, 0.43%

LAB 65.6, -23.87, 55.81

 

CMYK 31 / 0 / 70 / 34

HEX #74A932

RGB 116 169 50

HSL 86.72, 0.54%, 0.43%

LAB 63.61, -36.29, 53.14

 

CMYK 0 / 5 / 70 / 59

HEX #69641F

RGB 105 100 31

HSL 55.95, 0.54%, 0.27%

LAB 41.56, -7.2, 38.21

 

CMYK 0 / 5 / 70 / 46

HEX #898229

RGB 137 130 41

HSL 55.63, 0.54%, 0.35%

LAB 53.43, -8.47, 46.91

 

CMYK 0 / 5 / 70 / 34

HEX #A9A032

RGB 169 160 50

HSL 55.46, 0.54%, 0.43%

LAB 64.81, -9.75, 55.6

 

CMYK 0 / 6 / 68 / 22

HEX #C6BB3F

RGB 198 187 63

HSL 55.11, 0.54%, 0.51%

LAB 74.77, -10.52, 61.31

 

CMYK 0 / 4 / 54 / 19

HEX #CFC75F

RGB 207 199 95

HSL 55.71, 0.54%, 0.59%

LAB 79.01, -10.73, 52.26

 

CMYK 0 / 5 / 70 / 33

HEX #AAA133

RGB 170 161 51

HSL 55.46, 0.54%, 0.43%

LAB 65.18, -9.78, 55.61

 

CMYK 70 / 0 / 62 / 34

HEX #32A940

RGB 50 169 64

HSL 127.06, 0.54%, 0.43%

LAB 61.15, -54.04, 43.81

 

CMYK 34 / 70 / 0 / 34

HEX #7032A9

RGB 112 50 169

HSL 271.26, 0.54%, 0.43%

LAB 35.18, 49.49, -53.06

 

CMYK 0 / 5 / 70 / 33

HEX #AAA133

RGB 170 161 51

HSL 55.46, 0.54%, 0.43%

LAB 65.18, -9.78, 55.61

 

CMYK 70 / 0 / 6 / 34

HEX #32A99F

RGB 50 169 159

HSL 174.96, 0.54%, 0.43%

LAB 62.98, -34.53, -4.33

 

CMYK 6 / 70 / 0 / 34

HEX #9F32A9

RGB 159 50 169

HSL 294.96, 0.54%, 0.43%

LAB 42.03, 59.65, -41.7

 

CMYK 0 / 5 / 70 / 33

HEX #AAA133

RGB 170 161 51

HSL 55.46, 0.54%, 0.43%

LAB 65.18, -9.78, 55.61

 

CMYK 70 / 0 / 62 / 34

HEX #32A940

RGB 50 169 64

HSL 127.06, 0.54%, 0.43%

LAB 61.15, -54.04, 43.81

 

CMYK 70 / 64 / 0 / 34

HEX #323CA9

RGB 50 60 169

HSL 234.96, 0.54%, 0.43%

LAB 31.29, 32.94, -59.66

 

CMYK 0 / 70 / 8 / 34

HEX #A9329B

RGB 169 50 155

HSL 307.06, 0.54%, 0.43%

LAB 42.89, 59.63, -31.86

 

CMYK 0 / 5 / 70 / 33

HEX #AAA133

RGB 170 161 51

HSL 55.46, 0.54%, 0.43%

LAB 65.18, -9.78, 55.61

 

CMYK 70 / 0 / 41 / 34

HEX #32A964

RGB 50 169 100

HSL 145.21, 0.54%, 0.43%

LAB 61.63, -48.54, 26.36

 

CMYK 70 / 64 / 0 / 34

HEX #323CA9

RGB 50 60 169

HSL 234.96, 0.54%, 0.43%

LAB 31.29, 32.94, -59.66

 

CMYK 0 / 70 / 29 / 34

HEX #A93278

RGB 169 50 120

HSL 324.71, 0.54%, 0.43%

LAB 41.33, 54.64, -12.91

 

Description

Color code: HEX #AAA133 | qconv.com Color code: HEX #AAA133 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 161 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 161 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 70 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 70% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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