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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA080 it is the complementary color #555F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA080 shade: #AFA07B, #C0B28E, #D1C4A1, #E2D6B4 and #F3E8C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA080 shade: #AAA080, #998E6D, #887C5A, #776A47 and #665834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA080 shade: #A99F7E, #A9947E, #A9887E and #A97E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA080 shade: #A99F7E, #A8A97E, #9CA97E, #91A97E and #85A97E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA080 shade matches the following richer shades: #A99F7E, #BBA86D, #CCB15C, #DDBA4A and #EFC339

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA080 shade: #A99F7E, #989690, #878DA1, #7584B2 and #647BC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA080 shade: #A9887E, #A9937E, #A99F7E, #A9A97E and #9DA97E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA080 shade: #807655, #998D66, #A99F7E, #BAB297 and #CAC4B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA080 shade: #AAA080, #81A97E and #8D7EA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA080 shade: #AAA080, #7EA99F and #9F7EA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA080 shade: #AAA080, #81A97E, #7E89A9 and #A77EA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA080 shade: #AAA080, #7EA989, #7E89A9 and #A97E9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 25 / 33

HEX #AAA080

RGB 170 160 128

HSL 45.71, 0.2%, 0.58%

LAB 65.94, -1.61, 18.02

 

Complementary color

CMYK 33 / 25 / 0 / 50

HEX #555F7F

RGB 85 95 127

HSL 225.71, 0.2%, 0.42%

LAB 40.65, 4.32, -19.17

 

CMYK 0 / 9 / 30 / 31

HEX #AFA07B

RGB 175 160 123

HSL 42.69, 0.25%, 0.58%

LAB 66.28, -0.32, 21.31

 

CMYK 0 / 7 / 26 / 25

HEX #C0B28E

RGB 192 178 142

HSL 43.2, 0.28%, 0.65%

LAB 72.89, -0.69, 20.24

 

CMYK 0 / 6 / 23 / 18

HEX #D1C4A1

RGB 209 196 161

HSL 43.75, 0.34%, 0.73%

LAB 79.39, -1.01, 19.24

 

CMYK 0 / 5 / 20 / 11

HEX #E2D6B4

RGB 226 214 180

HSL 44.35, 0.44%, 0.8%

LAB 85.78, -1.28, 18.3

 

CMYK 0 / 5 / 18 / 5

HEX #F3E8C7

RGB 243 232 199

HSL 45, 0.65%, 0.87%

LAB 92.08, -1.53, 17.4

 

CMYK 0 / 6 / 25 / 33

HEX #AAA080

RGB 170 160 128

HSL 45.71, 0.2%, 0.58%

LAB 65.94, -1.61, 18.02

 

CMYK 0 / 7 / 29 / 40

HEX #998E6D

RGB 153 142 109

HSL 45, 0.18%, 0.51%

LAB 59.18, -1.27, 19.1

 

CMYK 0 / 9 / 34 / 47

HEX #887C5A

RGB 136 124 90

HSL 44.35, 0.2%, 0.44%

LAB 52.27, -0.87, 20.26

 

CMYK 0 / 11 / 40 / 53

HEX #776A47

RGB 119 106 71

HSL 43.75, 0.25%, 0.37%

LAB 45.2, -0.37, 21.53

 

CMYK 0 / 14 / 49 / 60

HEX #665834

RGB 102 88 52

HSL 43.2, 0.32%, 0.3%

LAB 37.94, 0.28, 22.92

 

CMYK 0 / 6 / 25 / 34

HEX #A99F7E

RGB 169 159 126

HSL 46.05, 0.2%, 0.58%

LAB 65.54, -1.75, 18.57

 

CMYK 0 / 12 / 25 / 34

HEX #A9947E

RGB 169 148 126

HSL 30.7, 0.2%, 0.58%

LAB 62.61, 4.29, 14.51

 

CMYK 0 / 20 / 25 / 34

HEX #A9887E

RGB 169 136 126

HSL 13.95, 0.2%, 0.58%

LAB 59.48, 11, 10.12

 

CMYK 0 / 25 / 25 / 34

HEX #A97E7E

RGB 169 126 126

HSL 0, 0.2%, 0.58%

LAB 56.94, 16.65, 6.51

 

CMYK 0 / 6 / 25 / 34

HEX #A99F7E

RGB 169 159 126

HSL 46.05, 0.2%, 0.58%

LAB 65.54, -1.75, 18.57

 

CMYK 1 / 0 / 25 / 34

HEX #A8A97E

RGB 168 169 126

HSL 61.4, 0.2%, 0.58%

LAB 68.17, -7.52, 22.14

 

CMYK 8 / 0 / 25 / 34

HEX #9CA97E

RGB 156 169 126

HSL 78.14, 0.2%, 0.58%

LAB 67.24, -12.18, 20.72

 

CMYK 14 / 0 / 25 / 34

HEX #91A97E

RGB 145 169 126

HSL 93.49, 0.2%, 0.58%

LAB 66.45, -16.34, 19.5

 

CMYK 21 / 0 / 25 / 34

HEX #85A97E

RGB 133 169 126

HSL 110.23, 0.2%, 0.58%

LAB 65.65, -20.72, 18.28

 

CMYK 0 / 6 / 25 / 34

HEX #A99F7E

RGB 169 159 126

HSL 46.05, 0.2%, 0.58%

LAB 65.54, -1.75, 18.57

 

CMYK 0 / 10 / 42 / 27

HEX #BBA86D

RGB 187 168 109

HSL 45.38, 0.36%, 0.58%

LAB 69.24, -1.48, 32.96

 

CMYK 0 / 13 / 55 / 20

HEX #CCB15C

RGB 204 177 92

HSL 45.54, 0.52%, 0.58%

LAB 72.93, -0.8, 46.53

 

CMYK 0 / 16 / 67 / 13

HEX #DDBA4A

RGB 221 186 74

HSL 45.71, 0.68%, 0.58%

LAB 76.67, 0.42, 59.42

 

CMYK 0 / 18 / 76 / 6

HEX #EFC339

RGB 239 195 57

HSL 45.49, 0.85%, 0.58%

LAB 80.56, 2.59, 70.43

 

CMYK 0 / 6 / 25 / 34

HEX #A99F7E

RGB 169 159 126

HSL 46.05, 0.2%, 0.58%

LAB 65.54, -1.75, 18.57

 

CMYK 0 / 1 / 5 / 40

HEX #989690

RGB 152 150 144

HSL 45, 0.04%, 0.58%

LAB 62.08, -0.39, 3.41

 

CMYK 16 / 12 / 0 / 37

HEX #878DA1

RGB 135 141 161

HSL 226.15, 0.12%, 0.58%

LAB 58.76, 2.1, -11.31

 

CMYK 34 / 26 / 0 / 30

HEX #7584B2

RGB 117 132 178

HSL 225.25, 0.28%, 0.58%

LAB 55.58, 5.82, -26.01

 

CMYK 49 / 37 / 0 / 23

HEX #647BC4

RGB 100 123 196

HSL 225.63, 0.45%, 0.58%

LAB 52.8, 11.86, -40.74

 

CMYK 0 / 20 / 25 / 34

HEX #A9887E

RGB 169 136 126

HSL 13.95, 0.2%, 0.58%

LAB 59.48, 11, 10.12

 

CMYK 0 / 13 / 25 / 34

HEX #A9937E

RGB 169 147 126

HSL 29.3, 0.2%, 0.58%

LAB 62.35, 4.85, 14.14

 

CMYK 0 / 6 / 25 / 34

HEX #A99F7E

RGB 169 159 126

HSL 46.05, 0.2%, 0.58%

LAB 65.54, -1.75, 18.57

 

CMYK 0 / 0 / 25 / 34

HEX #A9A97E

RGB 169 169 126

HSL 60, 0.2%, 0.58%

LAB 68.25, -7.13, 22.27

 

CMYK 7 / 0 / 25 / 34

HEX #9DA97E

RGB 157 169 126

HSL 76.74, 0.2%, 0.58%

LAB 67.31, -11.79, 20.83

 

CMYK 0 / 8 / 34 / 50

HEX #807655

RGB 128 118 85

HSL 46.05, 0.2%, 0.42%

LAB 49.74, -1.54, 19.61

 

CMYK 0 / 8 / 33 / 40

HEX #998D66

RGB 153 141 102

HSL 45.88, 0.2%, 0.5%

LAB 58.77, -1.68, 22.46

 

CMYK 0 / 6 / 25 / 34

HEX #A99F7E

RGB 169 159 126

HSL 46.05, 0.2%, 0.58%

LAB 65.54, -1.75, 18.57

 

CMYK 0 / 4 / 19 / 27

HEX #BAB297

RGB 186 178 151

HSL 46.29, 0.2%, 0.66%

LAB 72.57, -1.67, 14.84

 

CMYK 0 / 3 / 13 / 21

HEX #CAC4B0

RGB 202 196 176

HSL 46.15, 0.2%, 0.74%

LAB 79.14, -1.32, 10.78

 

CMYK 0 / 6 / 25 / 33

HEX #AAA080

RGB 170 160 128

HSL 45.71, 0.2%, 0.58%

LAB 65.94, -1.61, 18.02

 

CMYK 24 / 0 / 25 / 34

HEX #81A97E

RGB 129 169 126

HSL 115.81, 0.2%, 0.58%

LAB 65.4, -22.13, 17.9

 

CMYK 17 / 25 / 0 / 34

HEX #8D7EA9

RGB 141 126 169

HSL 260.93, 0.2%, 0.58%

LAB 55.53, 14.6, -20.75

 

CMYK 0 / 6 / 25 / 33

HEX #AAA080

RGB 170 160 128

HSL 45.71, 0.2%, 0.58%

LAB 65.94, -1.61, 18.02

 

CMYK 25 / 0 / 6 / 34

HEX #7EA99F

RGB 126 169 159

HSL 166.05, 0.2%, 0.58%

LAB 65.99, -16.62, 0.45

 

CMYK 6 / 25 / 0 / 34

HEX #9F7EA9

RGB 159 126 169

HSL 286.05, 0.2%, 0.58%

LAB 57.23, 20.66, -18.01

 

CMYK 0 / 6 / 25 / 33

HEX #AAA080

RGB 170 160 128

HSL 45.71, 0.2%, 0.58%

LAB 65.94, -1.61, 18.02

 

CMYK 24 / 0 / 25 / 34

HEX #81A97E

RGB 129 169 126

HSL 115.81, 0.2%, 0.58%

LAB 65.4, -22.13, 17.9

 

CMYK 25 / 19 / 0 / 34

HEX #7E89A9

RGB 126 137 169

HSL 224.65, 0.2%, 0.58%

LAB 57.26, 3.34, -18.22

 

CMYK 1 / 25 / 0 / 34

HEX #A77EA9

RGB 167 126 169

HSL 297.21, 0.2%, 0.58%

LAB 58.04, 23.4, -16.71

 

CMYK 0 / 6 / 25 / 33

HEX #AAA080

RGB 170 160 128

HSL 45.71, 0.2%, 0.58%

LAB 65.94, -1.61, 18.02

 

CMYK 25 / 0 / 19 / 34

HEX #7EA989

RGB 126 169 137

HSL 135.35, 0.2%, 0.58%

LAB 65.45, -21.15, 11.89

 

CMYK 25 / 19 / 0 / 34

HEX #7E89A9

RGB 126 137 169

HSL 224.65, 0.2%, 0.58%

LAB 57.26, 3.34, -18.22

 

CMYK 0 / 25 / 6 / 34

HEX #A97E9F

RGB 169 126 159

HSL 313.95, 0.2%, 0.58%

LAB 57.9, 22.19, -11.14

 

Description

Color code: HEX #AAA080 | qconv.com Color code: HEX #AAA080 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 160 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 160 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 25 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 25% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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