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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA9724 it is the complementary color #5568DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA9724. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA9724 shade: #AF971F, #C0A932, #D1BB45, #E2CD58 and #F3DF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA9724. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA9724 shade: #AA9724, #998511, #887300, #776100 and #664F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA9724 shade: #A89524, #A87224, #A84E24, #A82A24 and #A82424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA9724 shade: #A89524, #97A824, #74A824, #50A824 and #2CA824

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA9724 shade matches the following richer shades: #A89524, #B9A113 and #C9AD03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA9724 shade: #A89524, #988A34, #877E45, #777255 and #666666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA9724 shade: #A84E24, #A87124, #A89424, #99A824 and #75A824

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA9724 shade: #645915, #86771C, #A89524, #CAB42B and #D8C347

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA9724 shade: #AA9724, #24A82A and #5F24A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA9724 shade: #AA9724, #24A894 and #9424A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA9724 shade: #AA9724, #24A82A, #2438A8 and #A824A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA9724 shade: #AA9724, #24A852, #2438A8 and #A8247A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 79 / 33

HEX #AA9724

RGB 170 151 36

HSL 51.49, 0.65%, 0.4%

LAB 62.34, -5.15, 58.37

 

Complementary color

CMYK 61 / 53 / 0 / 14

HEX #5568DB

RGB 85 104 219

HSL 231.49, 0.65%, 0.6%

LAB 48.19, 27.88, -61.24

 

CMYK 0 / 14 / 82 / 31

HEX #AF971F

RGB 175 151 31

HSL 50, 0.7%, 0.4%

LAB 62.8, -3.07, 60.53

 

CMYK 0 / 12 / 74 / 25

HEX #C0A932

RGB 192 169 50

HSL 50.28, 0.59%, 0.47%

LAB 69.34, -4.39, 60.73

 

CMYK 0 / 11 / 67 / 18

HEX #D1BB45

RGB 209 187 69

HSL 50.57, 0.6%, 0.55%

LAB 75.78, -5.49, 60.24

 

CMYK 0 / 9 / 61 / 11

HEX #E2CD58

RGB 226 205 88

HSL 50.87, 0.7%, 0.62%

LAB 82.13, -6.42, 59.38

 

CMYK 0 / 8 / 56 / 5

HEX #F3DF6B

RGB 243 223 107

HSL 51.18, 0.85%, 0.69%

LAB 88.4, -7.21, 58.35

 

CMYK 0 / 11 / 79 / 33

HEX #AA9724

RGB 170 151 36

HSL 51.49, 0.65%, 0.4%

LAB 62.34, -5.15, 58.37

 

CMYK 0 / 13 / 89 / 40

HEX #998511

RGB 153 133 17

HSL 51.18, 0.8%, 0.33%

LAB 55.67, -3.69, 57.4

 

CMYK 0 / 15 / 100 / 47

HEX #887300

RGB 136 115 0

HSL 50.74, 1%, 0.27%

LAB 48.88, -1.95, 54.87

 

CMYK 0 / 18 / 100 / 53

HEX #776100

RGB 119 97 0

HSL 48.91, 1%, 0.23%

LAB 41.96, 0.2, 49.16

 

CMYK 0 / 23 / 100 / 60

HEX #664F00

RGB 102 79 0

HSL 46.47, 1%, 0.2%

LAB 34.84, 2.49, 43.28

 

CMYK 0 / 11 / 79 / 34

HEX #A89524

RGB 168 149 36

HSL 51.36, 0.65%, 0.4%

LAB 61.61, -4.97, 57.64

 

CMYK 0 / 32 / 79 / 34

HEX #A87224

RGB 168 114 36

HSL 35.45, 0.65%, 0.4%

LAB 52.38, 14.48, 49.07

 

CMYK 0 / 54 / 79 / 34

HEX #A84E24

RGB 168 78 36

HSL 19.09, 0.65%, 0.4%

LAB 44.09, 34.32, 40.99

 

CMYK 0 / 75 / 79 / 34

HEX #A82A24

RGB 168 42 36

HSL 2.73, 0.65%, 0.4%

LAB 38.04, 50.42, 34.78

 

CMYK 0 / 79 / 79 / 34

HEX #A82424

RGB 168 36 36

HSL 0, 0.65%, 0.4%

LAB 37.32, 52.41, 34.03

 

CMYK 0 / 11 / 79 / 34

HEX #A89524

RGB 168 149 36

HSL 51.36, 0.65%, 0.4%

LAB 61.61, -4.97, 57.64

 

CMYK 10 / 0 / 79 / 34

HEX #97A824

RGB 151 168 36

HSL 67.73, 0.65%, 0.4%

LAB 65.52, -22.37, 60.66

 

CMYK 31 / 0 / 79 / 34

HEX #74A824

RGB 116 168 36

HSL 83.64, 0.65%, 0.4%

LAB 63.22, -36.68, 57.69

 

CMYK 52 / 0 / 79 / 34

HEX #50A824

RGB 80 168 36

HSL 100, 0.65%, 0.4%

LAB 61.51, -48.97, 55.48

 

CMYK 74 / 0 / 79 / 34

HEX #2CA824

RGB 44 168 36

HSL 116.36, 0.65%, 0.4%

LAB 60.49, -57.34, 54.14

 

CMYK 0 / 11 / 79 / 34

HEX #A89524

RGB 168 149 36

HSL 51.36, 0.65%, 0.4%

LAB 61.61, -4.97, 57.64

 

CMYK 0 / 13 / 90 / 27

HEX #B9A113

RGB 185 161 19

HSL 51.33, 0.81%, 0.4%

LAB 66.41, -4.24, 66.81

 

CMYK 0 / 14 / 99 / 21

HEX #C9AD03

RGB 201 173 3

HSL 51.52, 0.97%, 0.4%

LAB 71.08, -3.67, 73.22

 

CMYK 0 / 11 / 79 / 34

HEX #A89524

RGB 168 149 36

HSL 51.36, 0.65%, 0.4%

LAB 61.61, -4.97, 57.64

 

CMYK 0 / 9 / 66 / 40

HEX #988A34

RGB 152 138 52

HSL 51.6, 0.49%, 0.4%

LAB 57.17, -5.38, 46.43

 

CMYK 0 / 7 / 49 / 47

HEX #877E45

RGB 135 126 69

HSL 51.82, 0.32%, 0.4%

LAB 52.4, -4.92, 32.08

 

CMYK 0 / 4 / 29 / 53

HEX #777255

RGB 119 114 85

HSL 51.18, 0.17%, 0.4%

LAB 47.77, -3.08, 16.81

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 0 / 54 / 79 / 34

HEX #A84E24

RGB 168 78 36

HSL 19.09, 0.65%, 0.4%

LAB 44.09, 34.32, 40.99

 

CMYK 0 / 33 / 79 / 34

HEX #A87124

RGB 168 113 36

HSL 35, 0.65%, 0.4%

LAB 52.13, 15.04, 48.83

 

CMYK 0 / 12 / 79 / 34

HEX #A89424

RGB 168 148 36

HSL 50.91, 0.65%, 0.4%

LAB 61.34, -4.43, 57.39

 

CMYK 9 / 0 / 79 / 34

HEX #99A824

RGB 153 168 36

HSL 66.82, 0.65%, 0.4%

LAB 65.67, -21.51, 60.85

 

CMYK 30 / 0 / 79 / 34

HEX #75A824

RGB 117 168 36

HSL 83.18, 0.65%, 0.4%

LAB 63.27, -36.3, 57.77

 

CMYK 0 / 11 / 79 / 61

HEX #645915

RGB 100 89 21

HSL 51.65, 0.65%, 0.24%

LAB 37.68, -3.78, 38.49

 

CMYK 0 / 11 / 79 / 47

HEX #86771C

RGB 134 119 28

HSL 51.51, 0.65%, 0.32%

LAB 49.91, -4.41, 48.5

 

CMYK 0 / 11 / 79 / 34

HEX #A89524

RGB 168 149 36

HSL 51.36, 0.65%, 0.4%

LAB 61.61, -4.97, 57.64

 

CMYK 0 / 11 / 79 / 21

HEX #CAB42B

RGB 202 180 43

HSL 51.7, 0.65%, 0.48%

LAB 73.14, -6.07, 66.96

 

CMYK 0 / 10 / 67 / 15

HEX #D8C347

RGB 216 195 71

HSL 51.31, 0.65%, 0.56%

LAB 78.51, -6.53, 62.44

 

CMYK 0 / 11 / 79 / 33

HEX #AA9724

RGB 170 151 36

HSL 51.49, 0.65%, 0.4%

LAB 62.34, -5.15, 58.37

 

CMYK 79 / 0 / 75 / 34

HEX #24A82A

RGB 36 168 42

HSL 122.73, 0.65%, 0.4%

LAB 60.38, -58.14, 51.94

 

CMYK 43 / 79 / 0 / 34

HEX #5F24A8

RGB 95 36 168

HSL 266.82, 0.65%, 0.4%

LAB 30.69, 52.45, -59.87

 

CMYK 0 / 11 / 79 / 33

HEX #AA9724

RGB 170 151 36

HSL 51.49, 0.65%, 0.4%

LAB 62.34, -5.15, 58.37

 

CMYK 79 / 0 / 12 / 34

HEX #24A894

RGB 36 168 148

HSL 170.91, 0.65%, 0.4%

LAB 62.1, -38.86, 0.52

 

CMYK 12 / 79 / 0 / 34

HEX #9424A8

RGB 148 36 168

HSL 290.91, 0.65%, 0.4%

LAB 38.52, 61.94, -46.8

 

CMYK 0 / 11 / 79 / 33

HEX #AA9724

RGB 170 151 36

HSL 51.49, 0.65%, 0.4%

LAB 62.34, -5.15, 58.37

 

CMYK 79 / 0 / 75 / 34

HEX #24A82A

RGB 36 168 42

HSL 122.73, 0.65%, 0.4%

LAB 60.38, -58.14, 51.94

 

CMYK 79 / 67 / 0 / 34

HEX #2438A8

RGB 36 56 168

HSL 230.91, 0.65%, 0.4%

LAB 29.49, 33.58, -62.04

 

CMYK 0 / 79 / 4 / 34

HEX #A824A2

RGB 168 36 162

HSL 302.73, 0.65%, 0.4%

LAB 41.52, 64.98, -38.22

 

CMYK 0 / 11 / 79 / 33

HEX #AA9724

RGB 170 151 36

HSL 51.49, 0.65%, 0.4%

LAB 62.34, -5.15, 58.37

 

CMYK 79 / 0 / 51 / 34

HEX #24A852

RGB 36 168 82

HSL 140.91, 0.65%, 0.4%

LAB 60.77, -53.39, 34.59

 

CMYK 79 / 67 / 0 / 34

HEX #2438A8

RGB 36 56 168

HSL 230.91, 0.65%, 0.4%

LAB 29.49, 33.58, -62.04

 

CMYK 0 / 79 / 27 / 34

HEX #A8247A

RGB 168 36 122

HSL 320.91, 0.65%, 0.4%

LAB 39.57, 59.33, -16.86

 

Description

Color code: HEX #AA9724 | qconv.com Color code: HEX #AA9724 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 151 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 151 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 79 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 79% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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