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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA9210 it is the complementary color #556DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA9210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA9210 shade: #AF920B, #C0A41E, #D1B631, #E2C844 and #F3DA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA9210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA9210 shade: #AA9210, #998000, #886E00, #775C00 and #664A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA9210 shade: #A89010, #A86710, #A83E10, #A81510 and #A81010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA9210 shade: #A89010, #97A810, #6EA810, #44A810 and #1BA810

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA9210 shade matches the following richer shades: #A89010 and #B79A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA9210 shade: #A89010, #99861E, #8A7C2D, #7B723C and #6D674B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA9210 shade: #A83D10, #A86610, #A88F10, #99A810 and #70A810

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA9210 shade: #5C4F09, #82700C, #A89010, #CEB113 and #EACB20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA9210 shade: #AA9210, #10A815 and #5210A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA9210 shade: #AA9210, #10A88F and #8F10A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA9210 shade: #AA9210, #10A815, #1029A8 and #A810A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA9210 shade: #AA9210, #10A842, #1029A8 and #A81075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 91 / 33

HEX #AA9210

RGB 170 146 16

HSL 50.65, 0.83%, 0.36%

LAB 60.91, -3.01, 62.47

 

Complementary color

CMYK 64 / 54 / 0 / 6

HEX #556DEF

RGB 85 109 239

HSL 230.65, 0.83%, 0.64%

LAB 50.8, 31.53, -68.28

 

CMYK 0 / 17 / 94 / 31

HEX #AF920B

RGB 175 146 11

HSL 49.39, 0.88%, 0.36%

LAB 61.39, -0.82, 63.92

 

CMYK 0 / 15 / 84 / 25

HEX #C0A41E

RGB 192 164 30

HSL 49.63, 0.73%, 0.44%

LAB 67.91, -2.46, 65.81

 

CMYK 0 / 13 / 77 / 18

HEX #D1B631

RGB 209 182 49

HSL 49.88, 0.63%, 0.51%

LAB 74.34, -3.84, 66.35

 

CMYK 0 / 12 / 70 / 11

HEX #E2C844

RGB 226 200 68

HSL 50.13, 0.73%, 0.58%

LAB 80.68, -5.02, 66.11

 

CMYK 0 / 10 / 64 / 5

HEX #F3DA57

RGB 243 218 87

HSL 50.38, 0.87%, 0.65%

LAB 86.94, -6.03, 65.44

 

CMYK 0 / 14 / 91 / 33

HEX #AA9210

RGB 170 146 16

HSL 50.65, 0.83%, 0.36%

LAB 60.91, -3.01, 62.47

 

CMYK 0 / 16 / 100 / 40

HEX #998000

RGB 153 128 0

HSL 50.2, 1%, 0.3%

LAB 54.25, -1.22, 59.48

 

CMYK 0 / 19 / 100 / 47

HEX #886E00

RGB 136 110 0

HSL 48.53, 1%, 0.27%

LAB 47.48, 0.9, 53.89

 

CMYK 0 / 23 / 100 / 53

HEX #775C00

RGB 119 92 0

HSL 46.39, 1%, 0.23%

LAB 40.53, 3.15, 48.16

 

CMYK 0 / 27 / 100 / 60

HEX #664A00

RGB 102 74 0

HSL 43.53, 1%, 0.2%

LAB 33.4, 5.54, 42.29

 

CMYK 0 / 14 / 90 / 34

HEX #A89010

RGB 168 144 16

HSL 50.53, 0.83%, 0.36%

LAB 60.17, -2.84, 61.8

 

CMYK 0 / 39 / 90 / 34

HEX #A86710

RGB 168 103 16

HSL 34.34, 0.83%, 0.36%

LAB 49.57, 20.07, 53.57

 

CMYK 0 / 63 / 90 / 34

HEX #A83E10

RGB 168 62 16

HSL 18.16, 0.83%, 0.36%

LAB 40.91, 41.65, 46.96

 

CMYK 0 / 88 / 90 / 34

HEX #A81510

RGB 168 21 16

HSL 1.97, 0.83%, 0.36%

LAB 35.79, 55.76, 43.14

 

CMYK 0 / 90 / 90 / 34

HEX #A81010

RGB 168 16 16

HSL 0, 0.83%, 0.36%

LAB 35.46, 56.68, 42.9

 

CMYK 0 / 14 / 90 / 34

HEX #A89010

RGB 168 144 16

HSL 50.53, 0.83%, 0.36%

LAB 60.17, -2.84, 61.8

 

CMYK 10 / 0 / 90 / 34

HEX #97A810

RGB 151 168 16

HSL 66.71, 0.83%, 0.36%

LAB 65.45, -22.98, 65.37

 

CMYK 35 / 0 / 90 / 34

HEX #6EA810

RGB 110 168 16

HSL 82.89, 0.83%, 0.36%

LAB 62.81, -39.71, 62.12

 

CMYK 60 / 0 / 90 / 34

HEX #44A810

RGB 68 168 16

HSL 99.47, 0.83%, 0.36%

LAB 61.02, -53.17, 59.9

 

CMYK 84 / 0 / 90 / 34

HEX #1BA810

RGB 27 168 16

HSL 115.66, 0.83%, 0.36%

LAB 60.14, -60.72, 58.8

 

CMYK 0 / 14 / 90 / 34

HEX #A89010

RGB 168 144 16

HSL 50.53, 0.83%, 0.36%

LAB 60.17, -2.84, 61.8

 

CMYK 0 / 16 / 99 / 28

HEX #B79A01

RGB 183 154 1

HSL 50.44, 0.99%, 0.36%

LAB 64.31, -1.65, 67.83

 

CMYK 0 / 14 / 90 / 34

HEX #A89010

RGB 168 144 16

HSL 50.53, 0.83%, 0.36%

LAB 60.17, -2.84, 61.8

 

CMYK 0 / 12 / 80 / 40

HEX #99861E

RGB 153 134 30

HSL 50.73, 0.67%, 0.36%

LAB 56, -3.85, 54.03

 

CMYK 0 / 10 / 67 / 46

HEX #8A7C2D

RGB 138 124 45

HSL 50.97, 0.51%, 0.36%

LAB 51.85, -4.45, 43.55

 

CMYK 0 / 7 / 51 / 52

HEX #7B723C

RGB 123 114 60

HSL 51.43, 0.34%, 0.36%

LAB 47.72, -4.43, 30.96

 

CMYK 0 / 6 / 31 / 57

HEX #6D674B

RGB 109 103 75

HSL 49.41, 0.18%, 0.36%

LAB 43.45, -2.47, 16.69

 

CMYK 0 / 64 / 90 / 34

HEX #A83D10

RGB 168 61 16

HSL 17.76, 0.83%, 0.36%

LAB 40.73, 42.11, 46.83

 

CMYK 0 / 39 / 90 / 34

HEX #A86610

RGB 168 102 16

HSL 33.95, 0.83%, 0.36%

LAB 49.33, 20.64, 53.38

 

CMYK 0 / 15 / 90 / 34

HEX #A88F10

RGB 168 143 16

HSL 50.13, 0.83%, 0.36%

LAB 59.9, -2.29, 61.59

 

CMYK 9 / 0 / 90 / 34

HEX #99A810

RGB 153 168 16

HSL 65.92, 0.83%, 0.36%

LAB 65.6, -22.12, 65.55

 

CMYK 33 / 0 / 90 / 34

HEX #70A810

RGB 112 168 16

HSL 82.11, 0.83%, 0.36%

LAB 62.92, -38.96, 62.25

 

CMYK 0 / 14 / 90 / 64

HEX #5C4F09

RGB 92 79 9

HSL 50.6, 0.82%, 0.2%

LAB 33.75, -2.29, 38.94

 

CMYK 0 / 14 / 91 / 49

HEX #82700C

RGB 130 112 12

HSL 50.85, 0.83%, 0.28%

LAB 47.44, -2.87, 50.98

 

CMYK 0 / 14 / 90 / 34

HEX #A89010

RGB 168 144 16

HSL 50.53, 0.83%, 0.36%

LAB 60.17, -2.84, 61.8

 

CMYK 0 / 14 / 91 / 19

HEX #CEB113

RGB 206 177 19

HSL 50.7, 0.83%, 0.44%

LAB 72.64, -3.36, 72.51

 

CMYK 0 / 13 / 86 / 8

HEX #EACB20

RGB 234 203 32

HSL 50.79, 0.83%, 0.52%

LAB 82.01, -4.4, 78.5

 

CMYK 0 / 14 / 91 / 33

HEX #AA9210

RGB 170 146 16

HSL 50.65, 0.83%, 0.36%

LAB 60.91, -3.01, 62.47

 

CMYK 90 / 0 / 88 / 34

HEX #10A815

RGB 16 168 21

HSL 121.97, 0.83%, 0.36%

LAB 60.04, -61.51, 57.67

 

CMYK 51 / 90 / 0 / 34

HEX #5210A8

RGB 82 16 168

HSL 266.05, 0.83%, 0.36%

LAB 26.71, 57.58, -66.48

 

CMYK 0 / 14 / 91 / 33

HEX #AA9210

RGB 170 146 16

HSL 50.65, 0.83%, 0.36%

LAB 60.91, -3.01, 62.47

 

CMYK 90 / 0 / 15 / 34

HEX #10A88F

RGB 16 168 143

HSL 170.13, 0.83%, 0.36%

LAB 61.74, -41.84, 2.76

 

CMYK 15 / 90 / 0 / 34

HEX #8F10A8

RGB 143 16 168

HSL 290.13, 0.83%, 0.36%

LAB 36.06, 65.81, -50.83

 

CMYK 0 / 14 / 91 / 33

HEX #AA9210

RGB 170 146 16

HSL 50.65, 0.83%, 0.36%

LAB 60.91, -3.01, 62.47

 

CMYK 90 / 0 / 88 / 34

HEX #10A815

RGB 16 168 21

HSL 121.97, 0.83%, 0.36%

LAB 60.04, -61.51, 57.67

 

CMYK 90 / 76 / 0 / 34

HEX #1029A8

RGB 16 41 168

HSL 230.13, 0.83%, 0.36%

LAB 25.33, 41.65, -68.92

 

CMYK 0 / 90 / 3 / 34

HEX #A810A3

RGB 168 16 163

HSL 301.97, 0.83%, 0.36%

LAB 40.15, 69.31, -41.02

 

CMYK 0 / 14 / 91 / 33

HEX #AA9210

RGB 170 146 16

HSL 50.65, 0.83%, 0.36%

LAB 60.91, -3.01, 62.47

 

CMYK 90 / 0 / 61 / 34

HEX #10A842

RGB 16 168 66

HSL 139.74, 0.83%, 0.36%

LAB 60.35, -57.68, 41.83

 

CMYK 90 / 76 / 0 / 34

HEX #1029A8

RGB 16 41 168

HSL 230.13, 0.83%, 0.36%

LAB 25.33, 41.65, -68.92

 

CMYK 0 / 90 / 30 / 34

HEX #A81075

RGB 168 16 117

HSL 320.13, 0.83%, 0.36%

LAB 37.81, 63.2, -16.44

 

Description

Color code: HEX #AA9210 | qconv.com Color code: HEX #AA9210 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 146 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 146 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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