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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8A8C it is the complementary color #557573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8A8C shade: #AF8A87, #C09C9A, #D1AEAD, #E2C0C0 and #F3D2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8A8C shade: #AA8A8C, #997879, #886666, #775453 and #664240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8A8C shade: #A9898B and #A98989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8A8C shade: #A9898B, #A98994, #A9899C, #A989A5 and #A589A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8A8C shade matches the following richer shades: #A9898B, #BA787C, #CA686E, #DB575F and #EB4751

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8A8C shade: #A9898B, #999999, #88AAA8, #78BAB6 and #67CBC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8A8C shade: #A9899C, #A98994, #A9898B, #A98F89 and #A99889

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8A8C shade: #825E60, #987173, #A9898B, #BBA1A2 and #CCB9BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8A8C shade: #AA8A8C, #A5A989 and #8998A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8A8C shade: #AA8A8C, #8BA989 and #898BA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8A8C shade: #AA8A8C, #A5A989, #89A9A7 and #8D89A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8A8C shade: #AA8A8C, #9BA989, #89A9A7 and #9789A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 18 / 33

HEX #AA8A8C

RGB 170 138 140

HSL 356.25, 0.16%, 0.6%

LAB 60.44, 12.45, 3.51

 

Complementary color

CMYK 27 / 0 / 2 / 54

HEX #557573

RGB 85 117 115

HSL 176.25, 0.16%, 0.4%

LAB 46.83, -11.88, -2.62

 

CMYK 0 / 21 / 23 / 31

HEX #AF8A87

RGB 175 138 135

HSL 4.5, 0.2%, 0.61%

LAB 60.82, 13.59, 6.97

 

CMYK 0 / 19 / 20 / 25

HEX #C09C9A

RGB 192 156 154

HSL 3.16, 0.23%, 0.68%

LAB 67.51, 13.03, 6.08

 

CMYK 0 / 17 / 17 / 18

HEX #D1AEAD

RGB 209 174 173

HSL 1.67, 0.28%, 0.75%

LAB 74.09, 12.53, 5.26

 

CMYK 0 / 15 / 15 / 11

HEX #E2C0C0

RGB 226 192 192

HSL 0, 0.37%, 0.82%

LAB 80.56, 12.07, 4.49

 

CMYK 0 / 14 / 13 / 5

HEX #F3D2D3

RGB 243 210 211

HSL 358.18, 0.58%, 0.89%

LAB 86.92, 11.66, 3.76

 

CMYK 0 / 19 / 18 / 33

HEX #AA8A8C

RGB 170 138 140

HSL 356.25, 0.16%, 0.6%

LAB 60.44, 12.45, 3.51

 

CMYK 0 / 22 / 21 / 40

HEX #997879

RGB 153 120 121

HSL 358.18, 0.14%, 0.54%

LAB 53.58, 13.01, 4.37

 

CMYK 0 / 25 / 25 / 47

HEX #886666

RGB 136 102 102

HSL 0, 0.14%, 0.47%

LAB 46.57, 13.66, 5.31

 

CMYK 0 / 29 / 30 / 53

HEX #775453

RGB 119 84 83

HSL 1.67, 0.18%, 0.4%

LAB 39.39, 14.43, 6.38

 

CMYK 0 / 35 / 37 / 60

HEX #664240

RGB 102 66 64

HSL 3.16, 0.23%, 0.33%

LAB 32.01, 15.34, 7.62

 

CMYK 0 / 19 / 18 / 34

HEX #A9898B

RGB 169 137 139

HSL 356.25, 0.16%, 0.6%

LAB 60.06, 12.47, 3.52

 

CMYK 0 / 19 / 19 / 34

HEX #A98989

RGB 169 137 137

HSL 0, 0.16%, 0.6%

LAB 60.01, 12.14, 4.59

 

CMYK 0 / 19 / 18 / 34

HEX #A9898B

RGB 169 137 139

HSL 356.25, 0.16%, 0.6%

LAB 60.06, 12.47, 3.52

 

CMYK 0 / 19 / 12 / 34

HEX #A98994

RGB 169 137 148

HSL 339.38, 0.16%, 0.6%

LAB 60.31, 13.98, -1.26

 

CMYK 0 / 19 / 8 / 34

HEX #A9899C

RGB 169 137 156

HSL 324.38, 0.16%, 0.6%

LAB 60.54, 15.4, -5.49

 

CMYK 0 / 19 / 2 / 34

HEX #A989A5

RGB 169 137 165

HSL 307.5, 0.16%, 0.6%

LAB 60.82, 17.08, -10.21

 

CMYK 2 / 19 / 0 / 34

HEX #A589A9

RGB 165 137 169

HSL 292.5, 0.16%, 0.6%

LAB 60.56, 16.45, -12.91

 

CMYK 0 / 19 / 18 / 34

HEX #A9898B

RGB 169 137 139

HSL 356.25, 0.16%, 0.6%

LAB 60.06, 12.47, 3.52

 

CMYK 0 / 35 / 33 / 27

HEX #BA787C

RGB 186 120 124

HSL 356.36, 0.32%, 0.6%

LAB 57.39, 26.35, 8.57

 

CMYK 0 / 49 / 46 / 21

HEX #CA686E

RGB 202 104 110

HSL 356.33, 0.48%, 0.6%

LAB 55.67, 39.36, 14.6

 

CMYK 0 / 60 / 57 / 14

HEX #DB575F

RGB 219 87 95

HSL 356.36, 0.65%, 0.6%

LAB 54.76, 52.29, 22.57

 

CMYK 0 / 70 / 66 / 8

HEX #EB4751

RGB 235 71 81

HSL 356.34, 0.8%, 0.6%

LAB 54.83, 63.05, 31.36

 

CMYK 0 / 19 / 18 / 34

HEX #A9898B

RGB 169 137 139

HSL 356.25, 0.16%, 0.6%

LAB 60.06, 12.47, 3.52

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 20 / 0 / 1 / 33

HEX #88AAA8

RGB 136 170 168

HSL 176.47, 0.17%, 0.6%

LAB 67.13, -11.97, -2.81

 

CMYK 35 / 0 / 2 / 27

HEX #78BAB6

RGB 120 186 182

HSL 176.36, 0.32%, 0.6%

LAB 71.21, -21.83, -4.64

 

CMYK 49 / 0 / 3 / 20

HEX #67CBC4

RGB 103 203 196

HSL 175.8, 0.49%, 0.6%

LAB 75.81, -30.94, -5.54

 

CMYK 0 / 19 / 8 / 34

HEX #A9899C

RGB 169 137 156

HSL 324.38, 0.16%, 0.6%

LAB 60.54, 15.4, -5.49

 

CMYK 0 / 19 / 12 / 34

HEX #A98994

RGB 169 137 148

HSL 339.38, 0.16%, 0.6%

LAB 60.31, 13.98, -1.26

 

CMYK 0 / 19 / 18 / 34

HEX #A9898B

RGB 169 137 139

HSL 356.25, 0.16%, 0.6%

LAB 60.06, 12.47, 3.52

 

CMYK 0 / 15 / 19 / 34

HEX #A98F89

RGB 169 143 137

HSL 11.25, 0.16%, 0.6%

LAB 61.56, 8.77, 6.81

 

CMYK 0 / 10 / 19 / 34

HEX #A99889

RGB 169 152 137

HSL 28.13, 0.16%, 0.6%

LAB 63.92, 3.76, 10.17

 

CMYK 0 / 28 / 26 / 49

HEX #825E60

RGB 130 94 96

HSL 356.67, 0.16%, 0.44%

LAB 43.65, 15.01, 4.65

 

CMYK 0 / 26 / 24 / 40

HEX #987173

RGB 152 113 115

HSL 356.92, 0.16%, 0.52%

LAB 51.52, 15.71, 4.91

 

CMYK 0 / 19 / 18 / 34

HEX #A9898B

RGB 169 137 139

HSL 356.25, 0.16%, 0.6%

LAB 60.06, 12.47, 3.52

 

CMYK 0 / 14 / 13 / 27

HEX #BBA1A2

RGB 187 161 162

HSL 357.69, 0.16%, 0.68%

LAB 68.51, 9.69, 3

 

CMYK 0 / 9 / 9 / 20

HEX #CCB9BA

RGB 204 185 186

HSL 356.84, 0.16%, 0.76%

LAB 76.73, 6.91, 1.94

 

CMYK 0 / 19 / 18 / 33

HEX #AA8A8C

RGB 170 138 140

HSL 356.25, 0.16%, 0.6%

LAB 60.44, 12.45, 3.51

 

CMYK 2 / 0 / 19 / 34

HEX #A5A989

RGB 165 169 137

HSL 67.5, 0.16%, 0.6%

LAB 68.15, -7.03, 16.07

 

CMYK 19 / 10 / 0 / 34

HEX #8998A9

RGB 137 152 169

HSL 211.88, 0.16%, 0.6%

LAB 62.2, -1.61, -10.68

 

CMYK 0 / 19 / 18 / 33

HEX #AA8A8C

RGB 170 138 140

HSL 356.25, 0.16%, 0.6%

LAB 60.44, 12.45, 3.51

 

CMYK 18 / 0 / 19 / 34

HEX #8BA989

RGB 139 169 137

HSL 116.25, 0.16%, 0.6%

LAB 66.27, -16.64, 13.15

 

CMYK 19 / 18 / 0 / 34

HEX #898BA9

RGB 137 139 169

HSL 236.25, 0.16%, 0.6%

LAB 58.65, 5.75, -16.04

 

CMYK 0 / 19 / 18 / 33

HEX #AA8A8C

RGB 170 138 140

HSL 356.25, 0.16%, 0.6%

LAB 60.44, 12.45, 3.51

 

CMYK 2 / 0 / 19 / 34

HEX #A5A989

RGB 165 169 137

HSL 67.5, 0.16%, 0.6%

LAB 68.15, -7.03, 16.07

 

CMYK 19 / 0 / 1 / 34

HEX #89A9A7

RGB 137 169 167

HSL 176.25, 0.16%, 0.6%

LAB 66.89, -11.34, -2.61

 

CMYK 17 / 19 / 0 / 34

HEX #8D89A9

RGB 141 137 169

HSL 247.5, 0.16%, 0.6%

LAB 58.43, 8.23, -16.34

 

CMYK 0 / 19 / 18 / 33

HEX #AA8A8C

RGB 170 138 140

HSL 356.25, 0.16%, 0.6%

LAB 60.44, 12.45, 3.51

 

CMYK 8 / 0 / 19 / 34

HEX #9BA989

RGB 155 169 137

HSL 86.25, 0.16%, 0.6%

LAB 67.39, -10.81, 14.89

 

CMYK 19 / 0 / 1 / 34

HEX #89A9A7

RGB 137 169 167

HSL 176.25, 0.16%, 0.6%

LAB 66.89, -11.34, -2.61

 

CMYK 11 / 19 / 0 / 34

HEX #9789A9

RGB 151 137 169

HSL 266.25, 0.16%, 0.6%

LAB 59.28, 11.6, -14.97

 

Description

Color code: HEX #AA8A8C | qconv.com Color code: HEX #AA8A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 138 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 138 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 18 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 18% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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