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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8564 it is the complementary color #557A9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8564. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8564 shade: #AF855F, #C09772, #D1A985, #E2BB98 and #F3CDAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8564. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8564 shade: #AA8564, #997351, #88613E, #774F2B and #663D18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8564 shade: #AA8564, #AA7264 and #AA6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8564 shade: #AA8564, #AA9864, #A9AA64, #96AA64 and #84AA64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8564 shade matches the following richer shades: #AA8564, #BD8451, #D1833E, #E4822A and #F78117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8564 shade: #AA8564, #978678, #83878B, #70889F and #5C8AB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8564 shade: #AA6469, #AA7264, #AA8564, #AA9764 and #AAAA64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8564 shade: #795C43, #947151, #AA8564, #B99A7F and #C7AF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8564 shade: #AA8564, #7CAA64 and #6964AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8564 shade: #AA8564, #64AA85 and #8564AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8564 shade: #AA8564, #7CAA64, #6489AA and #9364AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8564 shade: #AA8564, #67AA64, #6489AA and #A864AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

Complementary color

CMYK 45 / 21 / 0 / 39

HEX #557A9B

RGB 85 122 155

HSL 208.29, 0.29%, 0.47%

LAB 49.76, -3.83, -21.84

 

CMYK 0 / 24 / 46 / 31

HEX #AF855F

RGB 175 133 95

HSL 28.5, 0.33%, 0.53%

LAB 58.71, 11.19, 26.68

 

CMYK 0 / 21 / 41 / 25

HEX #C09772

RGB 192 151 114

HSL 28.46, 0.38%, 0.6%

LAB 65.4, 10.37, 25.34

 

CMYK 0 / 19 / 36 / 18

HEX #D1A985

RGB 209 169 133

HSL 28.42, 0.45%, 0.67%

LAB 71.98, 9.67, 24.12

 

CMYK 0 / 17 / 33 / 11

HEX #E2BB98

RGB 226 187 152

HSL 28.38, 0.56%, 0.74%

LAB 78.45, 9.05, 22.98

 

CMYK 0 / 16 / 30 / 5

HEX #F3CDAB

RGB 243 205 171

HSL 28.33, 0.75%, 0.81%

LAB 84.82, 8.51, 21.92

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 0 / 25 / 47 / 40

HEX #997351

RGB 153 115 81

HSL 28.33, 0.31%, 0.46%

LAB 51.41, 10.5, 24.58

 

CMYK 0 / 29 / 54 / 47

HEX #88613E

RGB 136 97 62

HSL 28.38, 0.37%, 0.39%

LAB 44.42, 11.54, 26.09

 

CMYK 0 / 34 / 64 / 53

HEX #774F2B

RGB 119 79 43

HSL 28.42, 0.47%, 0.32%

LAB 37.28, 12.83, 27.76

 

CMYK 0 / 40 / 76 / 60

HEX #663D18

RGB 102 61 24

HSL 28.46, 0.62%, 0.25%

LAB 29.98, 14.47, 29.48

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 0 / 33 / 41 / 33

HEX #AA7264

RGB 170 114 100

HSL 12, 0.29%, 0.53%

LAB 53.49, 20.37, 16.76

 

CMYK 0 / 41 / 41 / 33

HEX #AA6464

RGB 170 100 100

HSL 0, 0.29%, 0.53%

LAB 50.19, 28.22, 12.21

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 0 / 11 / 41 / 33

HEX #AA9864

RGB 170 152 100

HSL 44.57, 0.29%, 0.53%

LAB 63.28, -0.89, 29.78

 

CMYK 1 / 0 / 41 / 33

HEX #A9AA64

RGB 169 170 100

HSL 60.86, 0.29%, 0.53%

LAB 68.1, -10.94, 35.9

 

CMYK 12 / 0 / 41 / 33

HEX #96AA64

RGB 150 170 100

HSL 77.14, 0.29%, 0.53%

LAB 66.64, -18.61, 33.75

 

CMYK 22 / 0 / 41 / 33

HEX #84AA64

RGB 132 170 100

HSL 92.57, 0.29%, 0.53%

LAB 65.42, -25.57, 31.95

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 0 / 30 / 57 / 26

HEX #BD8451

RGB 189 132 81

HSL 28.33, 0.45%, 0.53%

LAB 59.81, 16.37, 36.03

 

CMYK 0 / 37 / 70 / 18

HEX #D1833E

RGB 209 131 62

HSL 28.16, 0.62%, 0.53%

LAB 61.77, 24.12, 48.56

 

CMYK 0 / 43 / 82 / 11

HEX #E4822A

RGB 228 130 42

HSL 28.39, 0.78%, 0.53%

LAB 63.86, 31.71, 60.09

 

CMYK 0 / 48 / 91 / 3

HEX #F78117

RGB 247 129 23

HSL 28.39, 0.93%, 0.53%

LAB 66.16, 39.44, 68.98

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 0 / 11 / 21 / 41

HEX #978678

RGB 151 134 120

HSL 27.1, 0.13%, 0.53%

LAB 57.06, 4.06, 9.88

 

CMYK 6 / 3 / 0 / 45

HEX #83878B

RGB 131 135 139

HSL 210, 0.03%, 0.53%

LAB 56.11, -0.65, -2.66

 

CMYK 30 / 14 / 0 / 38

HEX #70889F

RGB 112 136 159

HSL 209.36, 0.2%, 0.53%

LAB 55.64, -3, -15.04

 

CMYK 48 / 22 / 0 / 30

HEX #5C8AB2

RGB 92 138 178

HSL 207.91, 0.36%, 0.53%

LAB 55.75, -4.45, -25.87

 

CMYK 0 / 41 / 38 / 33

HEX #AA6469

RGB 170 100 105

HSL 355.71, 0.29%, 0.53%

LAB 50.31, 28.82, 9.4

 

CMYK 0 / 33 / 41 / 33

HEX #AA7264

RGB 170 114 100

HSL 12, 0.29%, 0.53%

LAB 53.49, 20.37, 16.76

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 0 / 11 / 41 / 33

HEX #AA9764

RGB 170 151 100

HSL 43.71, 0.29%, 0.53%

LAB 63.01, -0.34, 29.43

 

CMYK 0 / 0 / 41 / 33

HEX #AAAA64

RGB 170 170 100

HSL 60, 0.29%, 0.53%

LAB 68.18, -10.53, 36.02

 

CMYK 0 / 24 / 45 / 53

HEX #795C43

RGB 121 92 67

HSL 27.78, 0.29%, 0.37%

LAB 41.41, 8.32, 18.95

 

CMYK 0 / 24 / 45 / 42

HEX #947151

RGB 148 113 81

HSL 28.66, 0.29%, 0.45%

LAB 50.33, 9.49, 23.06

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 0 / 17 / 31 / 27

HEX #B99A7F

RGB 185 154 127

HSL 27.93, 0.29%, 0.61%

LAB 65.72, 7.5, 18.49

 

CMYK 0 / 12 / 23 / 22

HEX #C7AF9A

RGB 199 175 154

HSL 28, 0.29%, 0.69%

LAB 72.98, 5.34, 13.94

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 27 / 0 / 41 / 33

HEX #7CAA64

RGB 124 170 100

HSL 99.43, 0.29%, 0.53%

LAB 64.93, -28.52, 31.22

 

CMYK 38 / 41 / 0 / 33

HEX #6964AA

RGB 105 100 170

HSL 244.29, 0.29%, 0.53%

LAB 45.66, 19.42, -36.93

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 41 / 0 / 22 / 33

HEX #64AA85

RGB 100 170 133

HSL 148.29, 0.29%, 0.53%

LAB 64.28, -30.62, 12.26

 

CMYK 22 / 41 / 0 / 33

HEX #8564AA

RGB 133 100 170

HSL 268.29, 0.29%, 0.53%

LAB 48.26, 27.58, -32.65

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 27 / 0 / 41 / 33

HEX #7CAA64

RGB 124 170 100

HSL 99.43, 0.29%, 0.53%

LAB 64.93, -28.52, 31.22

 

CMYK 41 / 19 / 0 / 33

HEX #6489AA

RGB 100 137 170

HSL 208.29, 0.29%, 0.53%

LAB 55.59, -4.12, -21.51

 

CMYK 14 / 41 / 0 / 33

HEX #9364AA

RGB 147 100 170

HSL 280.29, 0.29%, 0.53%

LAB 49.76, 31.9, -30.2

 

CMYK 0 / 22 / 41 / 33

HEX #AA8564

RGB 170 133 100

HSL 28.29, 0.29%, 0.53%

LAB 58.27, 9.65, 23.2

 

CMYK 39 / 0 / 41 / 33

HEX #67AA64

RGB 103 170 100

HSL 117.43, 0.29%, 0.53%

LAB 63.8, -35.72, 29.54

 

CMYK 41 / 19 / 0 / 33

HEX #6489AA

RGB 100 137 170

HSL 208.29, 0.29%, 0.53%

LAB 55.59, -4.12, -21.51

 

CMYK 1 / 41 / 0 / 33

HEX #A864AA

RGB 168 100 170

HSL 298.29, 0.29%, 0.53%

LAB 52.22, 38.48, -26.19

 

Description

Color code: HEX #AA8564 | qconv.com Color code: HEX #AA8564 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 133 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 133 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 41 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 41% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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