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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA8425 it is the complementary color #557BDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA8425. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA8425 shade: #AF8420, #C09633, #D1A846, #E2BA59 and #F3CC6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA8425. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA8425 shade: #AA8425, #997212, #886000, #774E00 and #663C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA8425 shade: #AB8526, #AB6126, #AB3D26 and #AB2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA8425 shade: #AB8526, #ABA926, #8AAB26, #65AB26 and #41AB26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA8425 shade matches the following richer shades: #AB8526, #BC8C15 and #CD9404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA8425 shade: #AB8526, #9B7E37, #8A7747, #796F58 and #686869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA8425 shade: #AB3C26, #AB6026, #AB8326, #ABA726 and #8CAB26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA8425 shade: #685117, #8A6B1E, #AB8526, #CDA02D and #D8B04C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA8425 shade: #AA8425, #33AB26 and #4E26AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA8425 shade: #AA8425, #26AB83 and #8326AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA8425 shade: #AA8425, #33AB26, #264EAB and #9E26AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA8425 shade: #AA8425, #26AB40, #264EAB and #AB2691

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 78 / 33

HEX #AA8425

RGB 170 132 37

HSL 42.86, 0.64%, 0.41%

LAB 57.25, 5.31, 53.34

 

Complementary color

CMYK 61 / 44 / 0 / 15

HEX #557BDA

RGB 85 123 218

HSL 222.86, 0.64%, 0.59%

LAB 53.12, 15.8, -52.76

 

CMYK 0 / 25 / 82 / 31

HEX #AF8420

RGB 175 132 32

HSL 41.96, 0.69%, 0.41%

LAB 57.77, 7.39, 55.81

 

CMYK 0 / 22 / 73 / 25

HEX #C09633

RGB 192 150 51

HSL 42.13, 0.58%, 0.48%

LAB 64.37, 5.86, 55.51

 

CMYK 0 / 20 / 67 / 18

HEX #D1A846

RGB 209 168 70

HSL 42.3, 0.6%, 0.55%

LAB 70.87, 4.57, 54.64

 

CMYK 0 / 18 / 61 / 11

HEX #E2BA59

RGB 226 186 89

HSL 42.48, 0.7%, 0.62%

LAB 77.29, 3.48, 53.53

 

CMYK 0 / 16 / 56 / 5

HEX #F3CC6C

RGB 243 204 108

HSL 42.67, 0.85%, 0.69%

LAB 83.61, 2.54, 52.32

 

CMYK 0 / 22 / 78 / 33

HEX #AA8425

RGB 170 132 37

HSL 42.86, 0.64%, 0.41%

LAB 57.25, 5.31, 53.34

 

CMYK 0 / 25 / 88 / 40

HEX #997212

RGB 153 114 18

HSL 42.67, 0.79%, 0.34%

LAB 50.51, 7.01, 52.98

 

CMYK 0 / 29 / 100 / 47

HEX #886000

RGB 136 96 0

HSL 42.35, 1%, 0.27%

LAB 43.65, 9.03, 51.26

 

CMYK 0 / 34 / 100 / 53

HEX #774E00

RGB 119 78 0

HSL 39.33, 1%, 0.23%

LAB 36.69, 11.52, 45.55

 

CMYK 0 / 41 / 100 / 60

HEX #663C00

RGB 102 60 0

HSL 35.29, 1%, 0.2%

LAB 29.55, 14.17, 39.58

 

CMYK 0 / 22 / 78 / 33

HEX #AB8526

RGB 171 133 38

HSL 42.86, 0.64%, 0.41%

LAB 57.63, 5.25, 53.36

 

CMYK 0 / 43 / 78 / 33

HEX #AB6126

RGB 171 97 38

HSL 26.62, 0.64%, 0.41%

LAB 48.69, 25.41, 44.76

 

CMYK 0 / 64 / 78 / 33

HEX #AB3D26

RGB 171 61 38

HSL 10.38, 0.64%, 0.41%

LAB 41.43, 43.85, 37.4

 

CMYK 0 / 78 / 78 / 33

HEX #AB2626

RGB 171 38 38

HSL 0, 0.64%, 0.41%

LAB 38.17, 52.77, 33.95

 

CMYK 0 / 22 / 78 / 33

HEX #AB8526

RGB 171 133 38

HSL 42.86, 0.64%, 0.41%

LAB 57.63, 5.25, 53.36

 

CMYK 0 / 1 / 78 / 33

HEX #ABA926

RGB 171 169 38

HSL 59.1, 0.64%, 0.41%

LAB 67.41, -14.11, 62.34

 

CMYK 19 / 0 / 78 / 33

HEX #8AAB26

RGB 138 171 38

HSL 74.89, 0.64%, 0.41%

LAB 65.49, -29.22, 59.67

 

CMYK 41 / 0 / 78 / 33

HEX #65AB26

RGB 101 171 38

HSL 91.58, 0.64%, 0.41%

LAB 63.37, -43.34, 56.92

 

CMYK 62 / 0 / 78 / 33

HEX #41AB26

RGB 65 171 38

HSL 107.82, 0.64%, 0.41%

LAB 61.99, -53.93, 55.12

 

CMYK 0 / 22 / 78 / 33

HEX #AB8526

RGB 171 133 38

HSL 42.86, 0.64%, 0.41%

LAB 57.63, 5.25, 53.36

 

CMYK 0 / 26 / 89 / 26

HEX #BC8C15

RGB 188 140 21

HSL 42.75, 0.8%, 0.41%

LAB 61.22, 8.53, 62.44

 

CMYK 0 / 28 / 98 / 20

HEX #CD9404

RGB 205 148 4

HSL 42.99, 0.96%, 0.41%

LAB 65.1, 11.5, 69.05

 

CMYK 0 / 22 / 78 / 33

HEX #AB8526

RGB 171 133 38

HSL 42.86, 0.64%, 0.41%

LAB 57.63, 5.25, 53.36

 

CMYK 0 / 19 / 65 / 39

HEX #9B7E37

RGB 155 126 55

HSL 42.6, 0.48%, 0.41%

LAB 54.2, 2.84, 41.88

 

CMYK 0 / 14 / 49 / 46

HEX #8A7747

RGB 138 119 71

HSL 42.99, 0.32%, 0.41%

LAB 50.75, 0.57, 29.01

 

CMYK 0 / 8 / 27 / 53

HEX #796F58

RGB 121 111 88

HSL 41.82, 0.16%, 0.41%

LAB 47.16, -0.05, 14.24

 

CMYK 1 / 1 / 0 / 59

HEX #686869

RGB 104 104 105

HSL 240, 0%, 0.41%

LAB 44.04, 0.21, -0.57

 

CMYK 0 / 65 / 78 / 33

HEX #AB3C26

RGB 171 60 38

HSL 9.92, 0.64%, 0.41%

LAB 41.26, 44.3, 37.22

 

CMYK 0 / 44 / 78 / 33

HEX #AB6026

RGB 171 96 38

HSL 26.17, 0.64%, 0.41%

LAB 48.47, 25.97, 44.54

 

CMYK 0 / 23 / 78 / 33

HEX #AB8326

RGB 171 131 38

HSL 41.95, 0.64%, 0.41%

LAB 57.11, 6.36, 52.86

 

CMYK 0 / 2 / 78 / 33

HEX #ABA726

RGB 171 167 38

HSL 58.2, 0.64%, 0.41%

LAB 66.85, -13.08, 61.84

 

CMYK 18 / 0 / 78 / 33

HEX #8CAB26

RGB 140 171 38

HSL 73.98, 0.64%, 0.41%

LAB 65.62, -28.39, 59.85

 

CMYK 0 / 22 / 78 / 59

HEX #685117

RGB 104 81 23

HSL 42.96, 0.64%, 0.25%

LAB 35.77, 3.1, 35.95

 

CMYK 0 / 22 / 78 / 46

HEX #8A6B1E

RGB 138 107 30

HSL 42.78, 0.64%, 0.33%

LAB 46.99, 4.41, 45.15

 

CMYK 0 / 22 / 78 / 33

HEX #AB8526

RGB 171 133 38

HSL 42.86, 0.64%, 0.41%

LAB 57.63, 5.25, 53.36

 

CMYK 0 / 22 / 78 / 20

HEX #CDA02D

RGB 205 160 45

HSL 43.13, 0.64%, 0.49%

LAB 68.25, 5.92, 61.97

 

CMYK 0 / 19 / 65 / 15

HEX #D8B04C

RGB 216 176 76

HSL 42.86, 0.64%, 0.57%

LAB 73.66, 3.68, 55.17

 

CMYK 0 / 22 / 78 / 33

HEX #AA8425

RGB 170 132 37

HSL 42.86, 0.64%, 0.41%

LAB 57.25, 5.31, 53.34

 

CMYK 70 / 0 / 78 / 33

HEX #33AB26

RGB 51 171 38

HSL 114.14, 0.64%, 0.41%

LAB 61.63, -56.94, 54.65

 

CMYK 54 / 78 / 0 / 33

HEX #4E26AB

RGB 78 38 171

HSL 258.05, 0.64%, 0.41%

LAB 29.28, 49.87, -64.08

 

CMYK 0 / 22 / 78 / 33

HEX #AA8425

RGB 170 132 37

HSL 42.86, 0.64%, 0.41%

LAB 57.25, 5.31, 53.34

 

CMYK 78 / 0 / 23 / 33

HEX #26AB83

RGB 38 171 131

HSL 161.95, 0.64%, 0.41%

LAB 62.66, -44.35, 10.8

 

CMYK 23 / 78 / 0 / 33

HEX #8326AB

RGB 131 38 171

HSL 281.95, 0.64%, 0.41%

LAB 36.27, 58.6, -52.36

 

CMYK 0 / 22 / 78 / 33

HEX #AA8425

RGB 170 132 37

HSL 42.86, 0.64%, 0.41%

LAB 57.25, 5.31, 53.34

 

CMYK 70 / 0 / 78 / 33

HEX #33AB26

RGB 51 171 38

HSL 114.14, 0.64%, 0.41%

LAB 61.63, -56.94, 54.65

 

CMYK 78 / 54 / 0 / 33

HEX #264EAB

RGB 38 78 171

HSL 221.95, 0.64%, 0.41%

LAB 35.6, 20.32, -53.86

 

CMYK 8 / 78 / 0 / 33

HEX #9E26AB

RGB 158 38 171

HSL 294.14, 0.64%, 0.41%

LAB 40.57, 63.85, -45.23

 

CMYK 0 / 22 / 78 / 33

HEX #AA8425

RGB 170 132 37

HSL 42.86, 0.64%, 0.41%

LAB 57.25, 5.31, 53.34

 

CMYK 78 / 0 / 63 / 33

HEX #26AB40

RGB 38 171 64

HSL 131.73, 0.64%, 0.41%

LAB 61.57, -56.65, 44.23

 

CMYK 78 / 54 / 0 / 33

HEX #264EAB

RGB 38 78 171

HSL 221.95, 0.64%, 0.41%

LAB 35.6, 20.32, -53.86

 

CMYK 0 / 78 / 15 / 33

HEX #AB2691

RGB 171 38 145

HSL 311.73, 0.64%, 0.41%

LAB 41.36, 62.53, -28.19

 

Description

Color code: HEX #AA8425 | qconv.com Color code: HEX #AA8425 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 132 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 132 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 78% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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