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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA812ACE it is the complementary color #557ED5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA812ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA812ACE shade: #AF8125CE, #C09338CE, #D1A54BCE, #E2B75ECE and #F3C971CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA812ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA812ACE shade: #AA812ACE, #996F17CE, #885D04CE, #774B00CE and #663900CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA812ACE shade: #AB822B, #AB602B, #AB3D2B and #AB2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA812ACE shade: #AB822B, #ABA52B, #8FAB2B, #6DAB2B and #4AAB2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA812ACE shade matches the following richer shades: #AB822B, #BD881A and #CE8F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA812ACE shade: #AB822B, #9A7C3C, #89764D, #77705F and #666970

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA812ACE shade: #AB3C2B, #AB5E2B, #AB812B, #ABA32B and #92AB2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA812ACE shade: #69501A, #8A6923, #AB822B, #CC9B33 and #D4AB54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA812ACE shade: #AA812A, #3CAB2B and #4D2BAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA812ACE shade: #AA812A, #2BAB81 and #812BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA812ACE shade: #AA812A, #3CAB2B, #2B56AB and #9A2BAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA812ACE shade: #AA812A, #2BAB40, #2B56AB and #AB2B96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 61 / 27

HEX #AA812ACE

RGBA 170 129 42 0.81

HSLA 40.78, 0.6%, 0.42%, 0.81

LABA 56.5, 7.2, 50.65, 0.81

 

Complementary color

CMYK 49 / 33 / 0 / 13

HEX #557ED5CE

RGBA 85 126 213 0.81

HSLA 220.78, 0.6%, 0.58%, 0.81

LABA 53.66, 12.29, -49.08, 0.81

 

CMYK 0 / 21 / 64 / 25

HEX #AF8125CE

RGBA 175 129 37 0.81

HSLA 40, 0.65%, 0.42%, 0.81

LABA 57.02, 9.24, 53.33, 0.81

 

CMYK 0 / 19 / 57 / 20

HEX #C09338CE

RGBA 192 147 56 0.81

HSLA 40.15, 0.55%, 0.49%, 0.81

LABA 63.64, 7.74, 52.66, 0.81

 

CMYK 0 / 17 / 52 / 15

HEX #D1A54BCE

RGBA 209 165 75 0.81

HSLA 40.3, 0.59%, 0.56%, 0.81

LABA 70.16, 6.48, 51.6, 0.81

 

CMYK 0 / 15 / 47 / 9

HEX #E2B75ECE

RGBA 226 183 94 0.81

HSLA 40.45, 0.69%, 0.63%, 0.81

LABA 76.58, 5.41, 50.37, 0.81

 

CMYK 0 / 14 / 43 / 4

HEX #F3C971CE

RGBA 243 201 113 0.81

HSLA 40.62, 0.84%, 0.7%, 0.81

LABA 82.92, 4.49, 49.1, 0.81

 

CMYK 0 / 20 / 61 / 27

HEX #AA812ACE

RGBA 170 129 42 0.81

HSLA 40.78, 0.6%, 0.42%, 0.81

LABA 56.5, 7.2, 50.65, 0.81

 

CMYK 0 / 22 / 69 / 32

HEX #996F17CE

RGBA 153 111 23 0.81

HSLA 40.62, 0.74%, 0.35%, 0.81

LABA 49.74, 8.86, 50.84, 0.81

 

CMYK 0 / 26 / 79 / 38

HEX #885D04CE

RGBA 136 93 4 0.81

HSLA 40.45, 0.94%, 0.27%, 0.81

LABA 42.87, 10.87, 49.67, 0.81

 

CMYK 0 / 30 / 81 / 43

HEX #774B00CE

RGBA 119 75 0 0.81

HSLA 37.82, 1%, 0.23%, 0.81

LABA 35.9, 13.32, 45.03, 0.81

 

CMYK 0 / 36 / 81 / 49

HEX #663900CE

RGBA 102 57 0 0.81

HSLA 33.53, 1%, 0.2%, 0.81

LABA 28.78, 16.01, 38.97, 0.81

 

CMYK 0 / 24 / 75 / 33

HEX #AB822B

RGB 171 130 43

HSL 40.78, 0.6%, 0.42%

LAB 56.88, 7.14, 50.65

 

CMYK 0 / 44 / 75 / 33

HEX #AB602B

RGB 171 96 43

HSL 24.84, 0.6%, 0.42%

LAB 48.51, 26.19, 42.19

 

CMYK 0 / 64 / 75 / 33

HEX #AB3D2B

RGB 171 61 43

HSL 8.44, 0.6%, 0.42%

LAB 41.48, 44.06, 34.69

 

CMYK 0 / 75 / 75 / 33

HEX #AB2B2B

RGB 171 43 43

HSL 0, 0.6%, 0.42%

LAB 38.83, 51.3, 31.74

 

CMYK 0 / 24 / 75 / 33

HEX #AB822B

RGB 171 130 43

HSL 40.78, 0.6%, 0.42%

LAB 56.88, 7.14, 50.65

 

CMYK 0 / 4 / 75 / 33

HEX #ABA52B

RGB 171 165 43

HSL 57.19, 0.6%, 0.42%

LAB 66.32, -11.83, 59.71

 

CMYK 16 / 0 / 75 / 33

HEX #8FAB2B

RGB 143 171 43

HSL 73.13, 0.6%, 0.42%

LAB 65.86, -26.91, 58.5

 

CMYK 36 / 0 / 75 / 33

HEX #6DAB2B

RGB 109 171 43

HSL 89.06, 0.6%, 0.42%

LAB 63.8, -40.22, 55.79

 

CMYK 57 / 0 / 75 / 33

HEX #4AAB2B

RGB 74 171 43

HSL 105.47, 0.6%, 0.42%

LAB 62.3, -51.32, 53.82

 

CMYK 0 / 24 / 75 / 33

HEX #AB822B

RGB 171 130 43

HSL 40.78, 0.6%, 0.42%

LAB 56.88, 7.14, 50.65

 

CMYK 0 / 28 / 86 / 26

HEX #BD881A

RGB 189 136 26

HSL 40.49, 0.76%, 0.42%

LAB 60.34, 11.3, 60.49

 

CMYK 0 / 31 / 96 / 19

HEX #CE8F08

RGB 206 143 8

HSL 40.91, 0.93%, 0.42%

LAB 63.99, 14.7, 67.77

 

CMYK 0 / 24 / 75 / 33

HEX #AB822B

RGB 171 130 43

HSL 40.78, 0.6%, 0.42%

LAB 56.88, 7.14, 50.65

 

CMYK 0 / 19 / 61 / 40

HEX #9A7C3C

RGB 154 124 60

HSL 40.85, 0.44%, 0.42%

LAB 53.61, 3.89, 38.69

 

CMYK 0 / 14 / 44 / 46

HEX #89764D

RGB 137 118 77

HSL 41, 0.28%, 0.42%

LAB 50.47, 1.36, 25.28

 

CMYK 0 / 6 / 20 / 53

HEX #77705F

RGB 119 112 95

HSL 42.5, 0.11%, 0.42%

LAB 47.41, -0.35, 10.44

 

CMYK 9 / 6 / 0 / 56

HEX #666970

RGB 102 105 112

HSL 222, 0.05%, 0.42%

LAB 44.37, 0.36, -4.32

 

CMYK 0 / 65 / 75 / 33

HEX #AB3C2B

RGB 171 60 43

HSL 7.97, 0.6%, 0.42%

LAB 41.32, 44.5, 34.51

 

CMYK 0 / 45 / 75 / 33

HEX #AB5E2B

RGB 171 94 43

HSL 23.91, 0.6%, 0.42%

LAB 48.05, 27.29, 41.72

 

CMYK 0 / 25 / 75 / 33

HEX #AB812B

RGB 171 129 43

HSL 40.31, 0.6%, 0.42%

LAB 56.62, 7.7, 50.39

 

CMYK 0 / 5 / 75 / 33

HEX #ABA32B

RGB 171 163 43

HSL 56.25, 0.6%, 0.42%

LAB 65.77, -10.79, 59.19

 

CMYK 15 / 0 / 75 / 33

HEX #92AB2B

RGB 146 171 43

HSL 71.72, 0.6%, 0.42%

LAB 66.07, -25.65, 58.77

 

CMYK 0 / 24 / 75 / 59

HEX #69501A

RGB 105 80 26

HSL 41.01, 0.6%, 0.26%

LAB 35.63, 4.36, 34.45

 

CMYK 0 / 24 / 75 / 46

HEX #8A6923

RGB 138 105 35

HSL 40.78, 0.6%, 0.34%

LAB 46.48, 5.81, 42.53

 

CMYK 0 / 24 / 75 / 33

HEX #AB822B

RGB 171 130 43

HSL 40.78, 0.6%, 0.42%

LAB 56.88, 7.14, 50.65

 

CMYK 0 / 24 / 75 / 20

HEX #CC9B33

RGB 204 155 51

HSL 40.78, 0.6%, 0.5%

LAB 66.91, 8.42, 58.43

 

CMYK 0 / 19 / 60 / 17

HEX #D4AB54

RGB 212 171 84

HSL 40.78, 0.6%, 0.58%

LAB 72.07, 5.16, 49.59

 

CMYK 0 / 24 / 75 / 33

HEX #AA812A

RGB 170 129 42

HSL 40.78, 0.6%, 0.42%

LAB 56.5, 7.2, 50.65

 

CMYK 65 / 0 / 75 / 33

HEX #3CAB2B

RGB 60 171 43

HSL 112.03, 0.6%, 0.42%

LAB 61.88, -54.73, 53.26

 

CMYK 55 / 75 / 0 / 33

HEX #4D2BAB

RGB 77 43 171

HSL 255.94, 0.6%, 0.42%

LAB 30.02, 47.3, -62.85

 

CMYK 0 / 24 / 75 / 33

HEX #AA812A

RGB 170 129 42

HSL 40.78, 0.6%, 0.42%

LAB 56.5, 7.2, 50.65

 

CMYK 75 / 0 / 25 / 33

HEX #2BAB81

RGB 43 171 129

HSL 160.31, 0.6%, 0.42%

LAB 62.7, -44.2, 11.98

 

CMYK 25 / 75 / 0 / 33

HEX #812BAB

RGB 129 43 171

HSL 280.31, 0.6%, 0.42%

LAB 36.62, 56.37, -51.82

 

CMYK 0 / 24 / 75 / 33

HEX #AA812A

RGB 170 129 42

HSL 40.78, 0.6%, 0.42%

LAB 56.5, 7.2, 50.65

 

CMYK 65 / 0 / 75 / 33

HEX #3CAB2B

RGB 60 171 43

HSL 112.03, 0.6%, 0.42%

LAB 61.88, -54.73, 53.26

 

CMYK 75 / 50 / 0 / 33

HEX #2B56AB

RGB 43 86 171

HSL 219.84, 0.6%, 0.42%

LAB 38.04, 15.62, -49.91

 

CMYK 10 / 75 / 0 / 33

HEX #9A2BAB

RGB 154 43 171

HSL 292.03, 0.6%, 0.42%

LAB 40.47, 61.43, -45.42

 

CMYK 0 / 24 / 75 / 33

HEX #AA812A

RGB 170 129 42

HSL 40.78, 0.6%, 0.42%

LAB 56.5, 7.2, 50.65

 

CMYK 75 / 0 / 63 / 33

HEX #2BAB40

RGB 43 171 64

HSL 129.84, 0.6%, 0.42%

LAB 61.66, -55.92, 44.35

 

CMYK 75 / 50 / 0 / 33

HEX #2B56AB

RGB 43 86 171

HSL 219.84, 0.6%, 0.42%

LAB 38.04, 15.62, -49.91

 

CMYK 0 / 75 / 12 / 33

HEX #AB2B96

RGB 171 43 150

HSL 309.84, 0.6%, 0.42%

LAB 42.14, 61.73, -30

 

Description

Color code: HEX #AA812ACE | qconv.com Color code: HEX #AA812ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 129 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 129 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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