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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7A7F it is the complementary color #558580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7A7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7A7F shade: #AF7A7A, #C08C8D, #D19EA0, #E2B0B3 and #F3C2C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7A7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7A7F shade: #AA7A7F, #99686C, #885659, #774446 and #663233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7A7F shade: #A9797E and #A97979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7A7F shade: #A9797E, #A9798B, #A97998, #A979A5 and #A179A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7A7F shade matches the following richer shades: #A9797E, #BB6770, #CD5662, #DF4454 and #F03246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7A7F shade: #A9797E, #988B8C, #869D9A, #74AEA8 and #63C0B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7A7F shade: #A97999, #A9798C, #A9797F, #A98079 and #A98D79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7A7F shade: #7F5156, #986167, #A9797E, #BA9296 and #CAACAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7A7F shade: #AA7A7F, #A5A979 and #7992A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7A7F shade: #AA7A7F, #7FA979 and #797FA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7A7F shade: #AA7A7F, #A5A979, #79A9A4 and #7D79A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7A7F shade: #AA7A7F, #97A979, #79A9A4 and #8C79A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 25 / 33

HEX #AA7A7F

RGB 170 122 127

HSL 353.75, 0.22%, 0.57%

LAB 56.09, 19.46, 4.71

 

Complementary color

CMYK 36 / 0 / 4 / 48

HEX #558580

RGB 85 133 128

HSL 173.75, 0.22%, 0.43%

LAB 52.14, -17.44, -2.47

 

CMYK 0 / 30 / 30 / 31

HEX #AF7A7A

RGB 175 122 122

HSL 0, 0.25%, 0.58%

LAB 56.52, 20.69, 8.32

 

CMYK 0 / 27 / 27 / 25

HEX #C08C8D

RGB 192 140 141

HSL 358.85, 0.29%, 0.65%

LAB 63.25, 19.92, 7.28

 

CMYK 0 / 24 / 23 / 18

HEX #D19EA0

RGB 209 158 160

HSL 357.65, 0.36%, 0.72%

LAB 69.86, 19.24, 6.34

 

CMYK 0 / 22 / 21 / 11

HEX #E2B0B3

RGB 226 176 179

HSL 356.4, 0.46%, 0.79%

LAB 76.36, 18.62, 5.47

 

CMYK 0 / 20 / 19 / 5

HEX #F3C2C6

RGB 243 194 198

HSL 355.1, 0.67%, 0.86%

LAB 82.76, 18.06, 4.65

 

CMYK 0 / 28 / 25 / 33

HEX #AA7A7F

RGB 170 122 127

HSL 353.75, 0.22%, 0.57%

LAB 56.09, 19.46, 4.71

 

CMYK 0 / 32 / 29 / 40

HEX #99686C

RGB 153 104 108

HSL 355.1, 0.19%, 0.5%

LAB 49.2, 20.25, 5.74

 

CMYK 0 / 37 / 35 / 47

HEX #885659

RGB 136 86 89

HSL 356.4, 0.23%, 0.44%

LAB 42.17, 21.16, 6.92

 

CMYK 0 / 43 / 41 / 53

HEX #774446

RGB 119 68 70

HSL 357.65, 0.27%, 0.37%

LAB 35, 22.2, 8.32

 

CMYK 0 / 51 / 50 / 60

HEX #663233

RGB 102 50 51

HSL 358.85, 0.34%, 0.3%

LAB 27.7, 23.39, 10.08

 

CMYK 0 / 28 / 25 / 34

HEX #A9797E

RGB 169 121 126

HSL 353.75, 0.22%, 0.57%

LAB 55.7, 19.49, 4.73

 

CMYK 0 / 28 / 28 / 34

HEX #A97979

RGB 169 121 121

HSL 0, 0.22%, 0.57%

LAB 55.57, 18.75, 7.45

 

CMYK 0 / 28 / 25 / 34

HEX #A9797E

RGB 169 121 126

HSL 353.75, 0.22%, 0.57%

LAB 55.7, 19.49, 4.73

 

CMYK 0 / 28 / 18 / 34

HEX #A9798B

RGB 169 121 139

HSL 337.5, 0.22%, 0.57%

LAB 56.06, 21.53, -2.31

 

CMYK 0 / 28 / 10 / 34

HEX #A97998

RGB 169 121 152

HSL 321.25, 0.22%, 0.57%

LAB 56.46, 23.75, -9.26

 

CMYK 0 / 28 / 2 / 34

HEX #A979A5

RGB 169 121 165

HSL 305, 0.22%, 0.57%

LAB 56.91, 26.15, -16.1

 

CMYK 5 / 28 / 0 / 34

HEX #A179A9

RGB 161 121 169

HSL 290, 0.22%, 0.57%

LAB 56.2, 24.2, -19.56

 

CMYK 0 / 28 / 25 / 34

HEX #A9797E

RGB 169 121 126

HSL 353.75, 0.22%, 0.57%

LAB 55.7, 19.49, 4.73

 

CMYK 0 / 45 / 40 / 27

HEX #BB6770

RGB 187 103 112

HSL 353.57, 0.38%, 0.57%

LAB 53.42, 34.52, 9.98

 

CMYK 0 / 58 / 52 / 20

HEX #CD5662

RGB 205 86 98

HSL 353.95, 0.54%, 0.57%

LAB 52.42, 48.2, 17.26

 

CMYK 0 / 70 / 62 / 13

HEX #DF4454

RGB 223 68 84

HSL 353.81, 0.71%, 0.57%

LAB 52.36, 60.64, 26.02

 

CMYK 0 / 79 / 71 / 6

HEX #F03246

RGB 240 50 70

HSL 353.68, 0.86%, 0.57%

LAB 53.22, 70.56, 35.99

 

CMYK 0 / 28 / 25 / 34

HEX #A9797E

RGB 169 121 126

HSL 353.75, 0.22%, 0.57%

LAB 55.7, 19.49, 4.73

 

CMYK 0 / 9 / 8 / 40

HEX #988B8C

RGB 152 139 140

HSL 355.38, 0.06%, 0.57%

LAB 59.01, 5.04, 1.22

 

CMYK 15 / 0 / 2 / 38

HEX #869D9A

RGB 134 157 154

HSL 172.17, 0.11%, 0.57%

LAB 62.94, -8.68, -1.15

 

CMYK 33 / 0 / 3 / 32

HEX #74AEA8

RGB 116 174 168

HSL 173.79, 0.26%, 0.57%

LAB 67.14, -20.17, -2.94

 

CMYK 48 / 0 / 5 / 25

HEX #63C0B6

RGB 99 192 182

HSL 173.55, 0.42%, 0.57%

LAB 72.05, -30.1, -3.5

 

CMYK 0 / 28 / 9 / 34

HEX #A97999

RGB 169 121 153

HSL 320, 0.22%, 0.57%

LAB 56.5, 23.93, -9.79

 

CMYK 0 / 28 / 17 / 34

HEX #A9798C

RGB 169 121 140

HSL 336.25, 0.22%, 0.57%

LAB 56.09, 21.69, -2.85

 

CMYK 0 / 28 / 25 / 34

HEX #A9797F

RGB 169 121 127

HSL 352.5, 0.22%, 0.57%

LAB 55.73, 19.64, 4.18

 

CMYK 0 / 24 / 28 / 34

HEX #A98079

RGB 169 128 121

HSL 8.75, 0.22%, 0.57%

LAB 57.32, 14.79, 9.93

 

CMYK 0 / 17 / 28 / 34

HEX #A98D79

RGB 169 141 121

HSL 25, 0.22%, 0.57%

LAB 60.66, 7.47, 14.61

 

CMYK 0 / 36 / 32 / 50

HEX #7F5156

RGB 127 81 86

HSL 353.48, 0.22%, 0.41%

LAB 39.7, 20, 5.09

 

CMYK 0 / 36 / 32 / 40

HEX #986167

RGB 152 97 103

HSL 353.45, 0.22%, 0.49%

LAB 47.24, 23.17, 5.92

 

CMYK 0 / 28 / 25 / 34

HEX #A9797E

RGB 169 121 126

HSL 353.75, 0.22%, 0.57%

LAB 55.7, 19.49, 4.73

 

CMYK 0 / 22 / 19 / 27

HEX #BA9296

RGB 186 146 150

HSL 354, 0.22%, 0.65%

LAB 64.32, 15.66, 3.65

 

CMYK 0 / 15 / 13 / 21

HEX #CAACAF

RGB 202 172 175

HSL 354, 0.22%, 0.73%

LAB 72.99, 11.36, 2.5

 

CMYK 0 / 28 / 25 / 33

HEX #AA7A7F

RGB 170 122 127

HSL 353.75, 0.22%, 0.57%

LAB 56.09, 19.46, 4.71

 

CMYK 2 / 0 / 28 / 34

HEX #A5A979

RGB 165 169 121

HSL 65, 0.22%, 0.57%

LAB 67.84, -9.4, 24.36

 

CMYK 28 / 14 / 0 / 34

HEX #7992A9

RGB 121 146 169

HSL 208.75, 0.22%, 0.57%

LAB 59.42, -3.35, -14.98

 

CMYK 0 / 28 / 25 / 33

HEX #AA7A7F

RGB 170 122 127

HSL 353.75, 0.22%, 0.57%

LAB 56.09, 19.46, 4.71

 

CMYK 25 / 0 / 28 / 34

HEX #7FA979

RGB 127 169 121

HSL 112.5, 0.22%, 0.57%

LAB 65.18, -23.7, 20.31

 

CMYK 28 / 25 / 0 / 34

HEX #797FA9

RGB 121 127 169

HSL 232.5, 0.22%, 0.57%

LAB 54.14, 7.59, -23.03

 

CMYK 0 / 28 / 25 / 33

HEX #AA7A7F

RGB 170 122 127

HSL 353.75, 0.22%, 0.57%

LAB 56.09, 19.46, 4.71

 

CMYK 2 / 0 / 28 / 34

HEX #A5A979

RGB 165 169 121

HSL 65, 0.22%, 0.57%

LAB 67.84, -9.4, 24.36

 

CMYK 28 / 0 / 3 / 34

HEX #79A9A4

RGB 121 169 164

HSL 173.75, 0.22%, 0.57%

LAB 65.84, -17.04, -2.59

 

CMYK 26 / 28 / 0 / 34

HEX #7D79A9

RGB 125 121 169

HSL 245, 0.22%, 0.57%

LAB 52.84, 12.38, -25.01

 

CMYK 0 / 28 / 25 / 33

HEX #AA7A7F

RGB 170 122 127

HSL 353.75, 0.22%, 0.57%

LAB 56.09, 19.46, 4.71

 

CMYK 11 / 0 / 28 / 34

HEX #97A979

RGB 151 169 121

HSL 82.5, 0.22%, 0.57%

LAB 66.78, -14.85, 22.75

 

CMYK 28 / 0 / 3 / 34

HEX #79A9A4

RGB 121 169 164

HSL 173.75, 0.22%, 0.57%

LAB 65.84, -17.04, -2.59

 

CMYK 17 / 28 / 0 / 34

HEX #8C79A9

RGB 140 121 169

HSL 263.75, 0.22%, 0.57%

LAB 54.15, 17.2, -22.88

 

Description

Color code: HEX #AA7A7F | qconv.com Color code: HEX #AA7A7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 122 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 122 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 25 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 25% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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