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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7710 it is the complementary color #5588EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7710. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7710 shade: #AF770B, #C0891E, #D19B31, #E2AD44 and #F3BF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7710. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7710 shade: #AA7710, #996500, #885300, #774100 and #662F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7710 shade: #A87610, #A84C10, #A82310 and #A81010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7710 shade: #A87610, #A89F10, #88A810, #5FA810 and #36A810

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7710 shade matches the following richer shades: #A87610 and #B77B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7710 shade: #A87610, #99711E, #8A6B2D, #7B663C and #6D614B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7710 shade: #A82410, #A84D10, #A87510, #A89E10 and #8AA810

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7710 shade: #5C4109, #825B0C, #A87610, #CE9013 and #EAA720

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7710 shade: #AA7710, #24A810 and #3810A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7710 shade: #AA7710, #10A875 and #7510A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7710 shade: #AA7710, #24A810, #1042A8 and #9410A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7710 shade: #AA7710, #10A829, #1042A8 and #A8108F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 91 / 33

HEX #AA7710

RGB 170 119 16

HSL 40.13, 0.83%, 0.36%

LAB 53.79, 11.97, 56.93

 

Complementary color

CMYK 64 / 43 / 0 / 6

HEX #5588EF

RGB 85 136 239

HSL 220.13, 0.83%, 0.64%

LAB 57.82, 15.02, -56.99

 

CMYK 0 / 32 / 94 / 31

HEX #AF770B

RGB 175 119 11

HSL 39.51, 0.88%, 0.36%

LAB 54.38, 14.15, 58.71

 

CMYK 0 / 29 / 84 / 25

HEX #C0891E

RGB 192 137 30

HSL 39.63, 0.73%, 0.44%

LAB 60.95, 12.19, 59.96

 

CMYK 0 / 26 / 77 / 18

HEX #D19B31

RGB 209 155 49

HSL 39.75, 0.63%, 0.51%

LAB 67.44, 10.51, 59.9

 

CMYK 0 / 23 / 70 / 11

HEX #E2AD44

RGB 226 173 68

HSL 39.87, 0.73%, 0.58%

LAB 73.85, 9.08, 59.18

 

CMYK 0 / 21 / 64 / 5

HEX #F3BF57

RGB 243 191 87

HSL 40, 0.87%, 0.65%

LAB 80.18, 7.84, 58.14

 

CMYK 0 / 30 / 91 / 33

HEX #AA7710

RGB 170 119 16

HSL 40.13, 0.83%, 0.36%

LAB 53.79, 11.97, 56.93

 

CMYK 0 / 34 / 100 / 40

HEX #996500

RGB 153 101 0

HSL 39.61, 1%, 0.3%

LAB 47.08, 14.12, 54.57

 

CMYK 0 / 39 / 100 / 47

HEX #885300

RGB 136 83 0

HSL 36.62, 1%, 0.27%

LAB 40.28, 16.65, 49.02

 

CMYK 0 / 45 / 100 / 53

HEX #774100

RGB 119 65 0

HSL 32.77, 1%, 0.23%

LAB 33.36, 19.29, 43.41

 

CMYK 0 / 54 / 100 / 60

HEX #662F00

RGB 102 47 0

HSL 27.65, 1%, 0.2%

LAB 26.33, 21.99, 36.87

 

CMYK 0 / 30 / 90 / 34

HEX #A87610

RGB 168 118 16

HSL 40.26, 0.83%, 0.36%

LAB 53.3, 11.62, 56.45

 

CMYK 0 / 55 / 90 / 34

HEX #A84C10

RGB 168 76 16

HSL 23.68, 0.83%, 0.36%

LAB 43.55, 34.77, 48.96

 

CMYK 0 / 79 / 90 / 34

HEX #A82310

RGB 168 35 16

HSL 7.5, 0.83%, 0.36%

LAB 37.05, 52.18, 44.07

 

CMYK 0 / 90 / 90 / 34

HEX #A81010

RGB 168 16 16

HSL 0, 0.83%, 0.36%

LAB 35.46, 56.68, 42.9

 

CMYK 0 / 30 / 90 / 34

HEX #A87610

RGB 168 118 16

HSL 40.26, 0.83%, 0.36%

LAB 53.3, 11.62, 56.45

 

CMYK 0 / 5 / 90 / 34

HEX #A89F10

RGB 168 159 16

HSL 56.45, 0.83%, 0.36%

LAB 64.29, -10.86, 65.03

 

CMYK 19 / 0 / 90 / 34

HEX #88A810

RGB 136 168 16

HSL 72.63, 0.83%, 0.36%

LAB 64.38, -29.36, 64.06

 

CMYK 43 / 0 / 90 / 34

HEX #5FA810

RGB 95 168 16

HSL 88.82, 0.83%, 0.36%

LAB 62.06, -45.07, 61.2

 

CMYK 68 / 0 / 90 / 34

HEX #36A810

RGB 54 168 16

HSL 105, 0.83%, 0.36%

LAB 60.63, -56.44, 59.41

 

CMYK 0 / 30 / 90 / 34

HEX #A87610

RGB 168 118 16

HSL 40.26, 0.83%, 0.36%

LAB 53.3, 11.62, 56.45

 

CMYK 0 / 33 / 99 / 28

HEX #B77B01

RGB 183 123 1

HSL 40.22, 0.99%, 0.36%

LAB 56.32, 15.39, 62.31

 

CMYK 0 / 30 / 90 / 34

HEX #A87610

RGB 168 118 16

HSL 40.26, 0.83%, 0.36%

LAB 53.3, 11.62, 56.45

 

CMYK 0 / 26 / 80 / 40

HEX #99711E

RGB 153 113 30

HSL 40.49, 0.67%, 0.36%

LAB 50.31, 7.96, 48.86

 

CMYK 0 / 22 / 67 / 46

HEX #8A6B2D

RGB 138 107 45

HSL 40, 0.51%, 0.36%

LAB 47.12, 5.24, 38.48

 

CMYK 0 / 17 / 51 / 52

HEX #7B663C

RGB 123 102 60

HSL 40, 0.34%, 0.36%

LAB 44.29, 2.51, 26.75

 

CMYK 0 / 11 / 31 / 57

HEX #6D614B

RGB 109 97 75

HSL 38.82, 0.18%, 0.36%

LAB 41.7, 1.08, 14.32

 

CMYK 0 / 79 / 90 / 34

HEX #A82410

RGB 168 36 16

HSL 7.89, 0.83%, 0.36%

LAB 37.16, 51.88, 44.15

 

CMYK 0 / 54 / 90 / 34

HEX #A84D10

RGB 168 77 16

HSL 24.08, 0.83%, 0.36%

LAB 43.76, 34.25, 49.11

 

CMYK 0 / 30 / 90 / 34

HEX #A87510

RGB 168 117 16

HSL 39.87, 0.83%, 0.36%

LAB 53.04, 12.18, 56.25

 

CMYK 0 / 6 / 90 / 34

HEX #A89E10

RGB 168 158 16

HSL 56.05, 0.83%, 0.36%

LAB 64.01, -10.34, 64.82

 

CMYK 18 / 0 / 90 / 34

HEX #8AA810

RGB 138 168 16

HSL 71.84, 0.83%, 0.36%

LAB 64.52, -28.53, 64.23

 

CMYK 0 / 29 / 90 / 64

HEX #5C4109

RGB 92 65 9

HSL 40.48, 0.82%, 0.2%

LAB 29.6, 6.36, 35.44

 

CMYK 0 / 30 / 91 / 49

HEX #825B0C

RGB 130 91 12

HSL 40.17, 0.83%, 0.28%

LAB 41.62, 9.35, 46.33

 

CMYK 0 / 30 / 90 / 34

HEX #A87610

RGB 168 118 16

HSL 40.26, 0.83%, 0.36%

LAB 53.3, 11.62, 56.45

 

CMYK 0 / 30 / 91 / 19

HEX #CE9013

RGB 206 144 19

HSL 40.11, 0.83%, 0.44%

LAB 64.25, 14.31, 66.11

 

CMYK 0 / 29 / 86 / 8

HEX #EAA720

RGB 234 167 32

HSL 40.1, 0.83%, 0.52%

LAB 73.05, 14.38, 71.3

 

CMYK 0 / 30 / 91 / 33

HEX #AA7710

RGB 170 119 16

HSL 40.13, 0.83%, 0.36%

LAB 53.79, 11.97, 56.93

 

CMYK 79 / 0 / 90 / 34

HEX #24A810

RGB 36 168 16

HSL 112.11, 0.83%, 0.36%

LAB 60.26, -59.59, 58.96

 

CMYK 67 / 90 / 0 / 34

HEX #3810A8

RGB 56 16 168

HSL 255.79, 0.83%, 0.36%

LAB 23.8, 55.37, -71.4

 

CMYK 0 / 30 / 91 / 33

HEX #AA7710

RGB 170 119 16

HSL 40.13, 0.83%, 0.36%

LAB 53.79, 11.97, 56.93

 

CMYK 90 / 0 / 30 / 34

HEX #10A875

RGB 16 168 117

HSL 159.87, 0.83%, 0.36%

LAB 61.13, -48.42, 16.37

 

CMYK 30 / 90 / 0 / 34

HEX #7510A8

RGB 117 16 168

HSL 279.87, 0.83%, 0.36%

LAB 31.76, 61.85, -58

 

CMYK 0 / 30 / 91 / 33

HEX #AA7710

RGB 170 119 16

HSL 40.13, 0.83%, 0.36%

LAB 53.79, 11.97, 56.93

 

CMYK 79 / 0 / 90 / 34

HEX #24A810

RGB 36 168 16

HSL 112.11, 0.83%, 0.36%

LAB 60.26, -59.59, 58.96

 

CMYK 90 / 61 / 0 / 34

HEX #1042A8

RGB 16 66 168

HSL 220.26, 0.83%, 0.36%

LAB 31.43, 25.4, -58.89

 

CMYK 12 / 90 / 0 / 34

HEX #9410A8

RGB 148 16 168

HSL 292.11, 0.83%, 0.36%

LAB 36.92, 66.63, -49.39

 

CMYK 0 / 30 / 91 / 33

HEX #AA7710

RGB 170 119 16

HSL 40.13, 0.83%, 0.36%

LAB 53.79, 11.97, 56.93

 

CMYK 90 / 0 / 76 / 34

HEX #10A829

RGB 16 168 41

HSL 129.87, 0.83%, 0.36%

LAB 60.14, -60.3, 51.98

 

CMYK 90 / 61 / 0 / 34

HEX #1042A8

RGB 16 66 168

HSL 220.26, 0.83%, 0.36%

LAB 31.43, 25.4, -58.89

 

CMYK 0 / 90 / 15 / 34

HEX #A8108F

RGB 168 16 143

HSL 309.87, 0.83%, 0.36%

LAB 39.03, 66.45, -30.65

 

Description

Color code: HEX #AA7710 | qconv.com Color code: HEX #AA7710 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 119 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 119 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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