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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA7437 it is the complementary color #558BC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA7437. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA7437 shade: #AF7432, #C08645, #D19858, #E2AA6B and #F3BC7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA7437. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA7437 shade: #AA7437, #996224, #885011, #773E00 and #662C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA7437 shade: #A97437, #A95537 and #A93737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA7437 shade: #A97437, #A99337, #A1A937, #83A937 and #64A937

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA7437 shade matches the following richer shades: #A97437, #BC7525, #CE7613 and #E07701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA7437 shade: #A97437, #977349, #85715B, #73706D and #616F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA7437 shade: #A93739, #A95437, #A97237, #A99137 and #A4A937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA7437 shade: #6B4923, #8A5E2D, #A97437, #C38947 and #CD9D66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA7437 shade: #AA7437, #57A937 and #4437A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA7437 shade: #AA7437, #37A972 and #7237A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA7437 shade: #AA7437, #57A937, #376EA9 and #8937A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA7437 shade: #AA7437, #37A939, #376EA9 and #A937A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 68 / 33

HEX #AA7437

RGB 170 116 55

HSL 31.83, 0.51%, 0.44%

LAB 53.29, 15.21, 41.34

 

Complementary color

CMYK 58 / 31 / 0 / 22

HEX #558BC8

RGB 85 139 200

HSL 211.83, 0.51%, 0.56%

LAB 56.65, 0.24, -37.01

 

CMYK 0 / 34 / 71 / 31

HEX #AF7432

RGB 175 116 50

HSL 31.68, 0.56%, 0.44%

LAB 53.85, 17.13, 44.58

 

CMYK 0 / 30 / 64 / 25

HEX #C08645

RGB 192 134 69

HSL 31.71, 0.49%, 0.51%

LAB 60.5, 15.66, 43.15

 

CMYK 0 / 27 / 58 / 18

HEX #D19858

RGB 209 152 88

HSL 31.74, 0.57%, 0.58%

LAB 67.06, 14.41, 41.67

 

CMYK 0 / 25 / 53 / 11

HEX #E2AA6B

RGB 226 170 107

HSL 31.76, 0.67%, 0.65%

LAB 73.53, 13.34, 40.23

 

CMYK 0 / 23 / 48 / 5

HEX #F3BC7E

RGB 243 188 126

HSL 31.79, 0.83%, 0.72%

LAB 79.91, 12.41, 38.86

 

CMYK 0 / 32 / 68 / 33

HEX #AA7437

RGB 170 116 55

HSL 31.83, 0.51%, 0.44%

LAB 53.29, 15.21, 41.34

 

CMYK 0 / 36 / 76 / 40

HEX #996224

RGB 153 98 36

HSL 31.79, 0.62%, 0.37%

LAB 46.49, 16.83, 42.69

 

CMYK 0 / 41 / 88 / 47

HEX #885011

RGB 136 80 17

HSL 31.76, 0.78%, 0.3%

LAB 39.6, 18.77, 43.41

 

CMYK 0 / 48 / 100 / 53

HEX #773E00

RGB 119 62 0

HSL 31.26, 1%, 0.23%

LAB 32.63, 21.05, 42.95

 

CMYK 0 / 57 / 100 / 60

HEX #662C00

RGB 102 44 0

HSL 25.88, 1%, 0.2%

LAB 25.64, 23.71, 36.25

 

CMYK 0 / 31 / 67 / 34

HEX #A97437

RGB 169 116 55

HSL 32.11, 0.51%, 0.44%

LAB 53.17, 14.77, 41.18

 

CMYK 0 / 50 / 67 / 34

HEX #A95537

RGB 169 85 55

HSL 15.79, 0.51%, 0.44%

LAB 45.92, 31.99, 32.91

 

CMYK 0 / 67 / 67 / 34

HEX #A93737

RGB 169 55 55

HSL 0, 0.51%, 0.44%

LAB 40.32, 46.59, 26.19

 

CMYK 0 / 31 / 67 / 34

HEX #A97437

RGB 169 116 55

HSL 32.11, 0.51%, 0.44%

LAB 53.17, 14.77, 41.18

 

CMYK 0 / 13 / 67 / 34

HEX #A99337

RGB 169 147 55

HSL 48.42, 0.51%, 0.44%

LAB 61.29, -2.5, 49.93

 

CMYK 5 / 0 / 67 / 34

HEX #A1A937

RGB 161 169 55

HSL 64.21, 0.51%, 0.44%

LAB 66.69, -17.62, 55.3

 

CMYK 22 / 0 / 67 / 34

HEX #83A937

RGB 131 169 55

HSL 80, 0.51%, 0.44%

LAB 64.55, -30.11, 52.4

 

CMYK 41 / 0 / 67 / 34

HEX #64A937

RGB 100 169 55

HSL 96.32, 0.51%, 0.44%

LAB 62.81, -41.65, 50.05

 

CMYK 0 / 31 / 67 / 34

HEX #A97437

RGB 169 116 55

HSL 32.11, 0.51%, 0.44%

LAB 53.17, 14.77, 41.18

 

CMYK 0 / 38 / 80 / 26

HEX #BC7525

RGB 188 117 37

HSL 31.79, 0.67%, 0.44%

LAB 55.63, 21.68, 52.61

 

CMYK 0 / 43 / 91 / 19

HEX #CE7613

RGB 206 118 19

HSL 31.76, 0.83%, 0.44%

LAB 58.16, 28.38, 61.54

 

CMYK 0 / 47 / 100 / 12

HEX #E07701

RGB 224 119 1

HSL 31.75, 0.99%, 0.44%

LAB 60.82, 35.09, 67.86

 

CMYK 0 / 31 / 67 / 34

HEX #A97437

RGB 169 116 55

HSL 32.11, 0.51%, 0.44%

LAB 53.17, 14.77, 41.18

 

CMYK 0 / 24 / 52 / 41

HEX #977349

RGB 151 115 73

HSL 32.31, 0.35%, 0.44%

LAB 51.06, 8.81, 28.59

 

CMYK 0 / 15 / 32 / 48

HEX #85715B

RGB 133 113 91

HSL 31.43, 0.19%, 0.44%

LAB 48.95, 4.32, 15.13

 

CMYK 0 / 3 / 5 / 55

HEX #73706D

RGB 115 112 109

HSL 30, 0.03%, 0.44%

LAB 47.41, 0.57, 2.07

 

CMYK 24 / 13 / 0 / 50

HEX #616F80

RGB 97 111 128

HSL 212.9, 0.14%, 0.44%

LAB 46.27, -1.17, -11.13

 

CMYK 0 / 67 / 66 / 34

HEX #A93739

RGB 169 55 57

HSL 358.95, 0.51%, 0.44%

LAB 40.35, 46.71, 25.01

 

CMYK 0 / 50 / 67 / 34

HEX #A95437

RGB 169 84 55

HSL 15.26, 0.51%, 0.44%

LAB 45.7, 32.52, 32.66

 

CMYK 0 / 33 / 67 / 34

HEX #A97237

RGB 169 114 55

HSL 31.05, 0.51%, 0.44%

LAB 52.67, 15.9, 40.62

 

CMYK 0 / 14 / 67 / 34

HEX #A99137

RGB 169 145 55

HSL 47.37, 0.51%, 0.44%

LAB 60.75, -1.41, 49.36

 

CMYK 3 / 0 / 67 / 34

HEX #A4A937

RGB 164 169 55

HSL 62.63, 0.51%, 0.44%

LAB 66.93, -16.33, 55.62

 

CMYK 0 / 32 / 67 / 58

HEX #6B4923

RGB 107 73 35

HSL 31.67, 0.51%, 0.28%

LAB 34.01, 10.21, 28.08

 

CMYK 0 / 32 / 67 / 46

HEX #8A5E2D

RGB 138 94 45

HSL 31.61, 0.51%, 0.36%

LAB 43.65, 12.83, 34.64

 

CMYK 0 / 31 / 67 / 34

HEX #A97437

RGB 169 116 55

HSL 32.11, 0.51%, 0.44%

LAB 53.17, 14.77, 41.18

 

CMYK 0 / 30 / 64 / 24

HEX #C38947

RGB 195 137 71

HSL 31.94, 0.51%, 0.52%

LAB 61.61, 15.43, 43.5

 

CMYK 0 / 23 / 50 / 20

HEX #CD9D66

RGB 205 157 102

HSL 32.04, 0.51%, 0.6%

LAB 68.06, 11.22, 35.52

 

CMYK 0 / 32 / 68 / 33

HEX #AA7437

RGB 170 116 55

HSL 31.83, 0.51%, 0.44%

LAB 53.29, 15.21, 41.34

 

CMYK 49 / 0 / 67 / 34

HEX #57A937

RGB 87 169 55

HSL 103.16, 0.51%, 0.44%

LAB 62.23, -45.85, 49.26

 

CMYK 60 / 67 / 0 / 34

HEX #4437A9

RGB 68 55 169

HSL 246.84, 0.51%, 0.44%

LAB 31.41, 38.67, -59.42

 

CMYK 0 / 32 / 68 / 33

HEX #AA7437

RGB 170 116 55

HSL 31.83, 0.51%, 0.44%

LAB 53.29, 15.21, 41.34

 

CMYK 67 / 0 / 33 / 34

HEX #37A972

RGB 55 169 114

HSL 151.05, 0.51%, 0.44%

LAB 62, -44.88, 19.3

 

CMYK 33 / 67 / 0 / 34

HEX #7237A9

RGB 114 55 169

HSL 271.05, 0.51%, 0.44%

LAB 36.32, 47.47, -51.21

 

CMYK 0 / 32 / 68 / 33

HEX #AA7437

RGB 170 116 55

HSL 31.83, 0.51%, 0.44%

LAB 53.29, 15.21, 41.34

 

CMYK 49 / 0 / 67 / 34

HEX #57A937

RGB 87 169 55

HSL 103.16, 0.51%, 0.44%

LAB 62.23, -45.85, 49.26

 

CMYK 67 / 35 / 0 / 34

HEX #376EA9

RGB 55 110 169

HSL 211.05, 0.51%, 0.44%

LAB 45.4, 1.36, -36.95

 

CMYK 19 / 67 / 0 / 34

HEX #8937A9

RGB 137 55 169

HSL 283.16, 0.51%, 0.44%

LAB 39.44, 52.6, -46.03

 

CMYK 0 / 32 / 68 / 33

HEX #AA7437

RGB 170 116 55

HSL 31.83, 0.51%, 0.44%

LAB 53.29, 15.21, 41.34

 

CMYK 67 / 0 / 66 / 34

HEX #37A939

RGB 55 169 57

HSL 121.05, 0.51%, 0.44%

LAB 61.21, -53.85, 47

 

CMYK 67 / 35 / 0 / 34

HEX #376EA9

RGB 55 110 169

HSL 211.05, 0.51%, 0.44%

LAB 45.4, 1.36, -36.95

 

CMYK 0 / 67 / 1 / 34

HEX #A937A8

RGB 169 55 168

HSL 300.53, 0.51%, 0.44%

LAB 44.23, 59.9, -37.52

 

Description

Color code: HEX #AA7437 | qconv.com Color code: HEX #AA7437 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 116 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 116 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 68 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 68% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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