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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA717D it is the complementary color #558E82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA717D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA717D shade: #AF7178, #C0838B, #D1959E, #E2A7B1 and #F3B9C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA717D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA717D shade: #AA717D, #995F6A, #884D57, #773B44 and #662931

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA717D shade: #A9707C and #A97070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA717D shade: #A9707C, #A9708B, #A9709B, #A870A9 and #9870A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA717D shade matches the following richer shades: #A9707C, #BC5D71, #CE4A66, #E1385B and #F32551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA717D shade: #A9707C, #968286, #849591, #71A79C and #5FBAA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA717D shade: #A9709B, #A9708B, #A9707C, #A97270 and #A98270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA717D shade: #7C4A55, #965A66, #A9707C, #B88993 and #C8A3AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA717D shade: #AA717D, #A9A870 and #7093A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA717D shade: #AA717D, #7CA970 and #707CA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA717D shade: #AA717D, #A9A870, #70A99D and #7071A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA717D shade: #AA717D, #99A970, #70A99D and #8070A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 26 / 33

HEX #AA717D

RGB 170 113 125

HSL 347.37, 0.25%, 0.55%

LAB 53.85, 24.25, 2.66

 

Complementary color

CMYK 40 / 0 / 8 / 44

HEX #558E82

RGB 85 142 130

HSL 167.37, 0.25%, 0.45%

LAB 54.96, -21.68, 0.5

 

CMYK 0 / 35 / 31 / 31

HEX #AF7178

RGB 175 113 120

HSL 353.23, 0.28%, 0.56%

LAB 54.32, 25.46, 6.34

 

CMYK 0 / 32 / 28 / 25

HEX #C0838B

RGB 192 131 139

HSL 352.13, 0.33%, 0.63%

LAB 61.05, 24.61, 5.26

 

CMYK 0 / 29 / 24 / 18

HEX #D1959E

RGB 209 149 158

HSL 351, 0.39%, 0.7%

LAB 67.66, 23.85, 4.29

 

CMYK 0 / 26 / 22 / 11

HEX #E2A7B1

RGB 226 167 177

HSL 349.83, 0.5%, 0.77%

LAB 74.18, 23.15, 3.41

 

CMYK 0 / 24 / 19 / 5

HEX #F3B9C4

RGB 243 185 196

HSL 348.62, 0.71%, 0.84%

LAB 80.59, 22.52, 2.59

 

CMYK 0 / 34 / 26 / 33

HEX #AA717D

RGB 170 113 125

HSL 347.37, 0.25%, 0.55%

LAB 53.85, 24.25, 2.66

 

CMYK 0 / 38 / 31 / 40

HEX #995F6A

RGB 153 95 106

HSL 348.62, 0.23%, 0.49%

LAB 46.97, 25.13, 3.74

 

CMYK 0 / 43 / 36 / 47

HEX #884D57

RGB 136 77 87

HSL 349.83, 0.28%, 0.42%

LAB 39.97, 26.1, 5.01

 

CMYK 0 / 50 / 43 / 53

HEX #773B44

RGB 119 59 68

HSL 351, 0.34%, 0.35%

LAB 32.85, 27.17, 6.57

 

CMYK 0 / 60 / 52 / 60

HEX #662931

RGB 102 41 49

HSL 352.13, 0.43%, 0.28%

LAB 25.66, 28.27, 8.6

 

CMYK 0 / 34 / 27 / 34

HEX #A9707C

RGB 169 112 124

HSL 347.37, 0.25%, 0.55%

LAB 53.47, 24.28, 2.67

 

CMYK 0 / 34 / 34 / 34

HEX #A97070

RGB 169 112 112

HSL 0, 0.25%, 0.55%

LAB 53.16, 22.6, 9.28

 

CMYK 0 / 34 / 27 / 34

HEX #A9707C

RGB 169 112 124

HSL 347.37, 0.25%, 0.55%

LAB 53.47, 24.28, 2.67

 

CMYK 0 / 34 / 18 / 34

HEX #A9708B

RGB 169 112 139

HSL 331.58, 0.25%, 0.55%

LAB 53.91, 26.61, -5.49

 

CMYK 0 / 34 / 8 / 34

HEX #A9709B

RGB 169 112 155

HSL 314.74, 0.25%, 0.55%

LAB 54.44, 29.37, -14.04

 

CMYK 1 / 34 / 0 / 34

HEX #A870A9

RGB 168 112 169

HSL 298.95, 0.25%, 0.55%

LAB 54.84, 31.65, -21.57

 

CMYK 10 / 34 / 0 / 34

HEX #9870A9

RGB 152 112 169

HSL 282.11, 0.25%, 0.55%

LAB 53.09, 26.38, -24.42

 

CMYK 0 / 34 / 27 / 34

HEX #A9707C

RGB 169 112 124

HSL 347.37, 0.25%, 0.55%

LAB 53.47, 24.28, 2.67

 

CMYK 0 / 51 / 40 / 26

HEX #BC5D71

RGB 188 93 113

HSL 347.37, 0.41%, 0.55%

LAB 51.51, 40.24, 6.69

 

CMYK 0 / 64 / 50 / 19

HEX #CE4A66

RGB 206 74 102

HSL 347.27, 0.57%, 0.55%

LAB 50.66, 54.23, 12.48

 

CMYK 0 / 75 / 60 / 12

HEX #E1385B

RGB 225 56 91

HSL 347.57, 0.74%, 0.55%

LAB 51.37, 65.77, 20.62

 

CMYK 0 / 85 / 67 / 5

HEX #F32551

RGB 243 37 81

HSL 347.18, 0.9%, 0.55%

LAB 52.92, 74.83, 29.28

 

CMYK 0 / 34 / 27 / 34

HEX #A9707C

RGB 169 112 124

HSL 347.37, 0.25%, 0.55%

LAB 53.47, 24.28, 2.67

 

CMYK 0 / 13 / 11 / 41

HEX #968286

RGB 150 130 134

HSL 348, 0.09%, 0.55%

LAB 56.26, 8.32, 0.65

 

CMYK 11 / 0 / 3 / 42

HEX #849591

RGB 132 149 145

HSL 165.88, 0.07%, 0.55%

LAB 60.29, -6.88, 0.04

 

CMYK 32 / 0 / 7 / 35

HEX #71A79C

RGB 113 167 156

HSL 167.78, 0.23%, 0.55%

LAB 64.6, -20.25, 0.01

 

CMYK 49 / 0 / 10 / 27

HEX #5FBAA7

RGB 95 186 167

HSL 167.47, 0.4%, 0.55%

LAB 69.71, -31.86, 1.27

 

CMYK 0 / 34 / 8 / 34

HEX #A9709B

RGB 169 112 155

HSL 314.74, 0.25%, 0.55%

LAB 54.44, 29.37, -14.04

 

CMYK 0 / 34 / 18 / 34

HEX #A9708B

RGB 169 112 139

HSL 331.58, 0.25%, 0.55%

LAB 53.91, 26.61, -5.49

 

CMYK 0 / 34 / 27 / 34

HEX #A9707C

RGB 169 112 124

HSL 347.37, 0.25%, 0.55%

LAB 53.47, 24.28, 2.67

 

CMYK 0 / 33 / 34 / 34

HEX #A97270

RGB 169 114 112

HSL 2.11, 0.25%, 0.55%

LAB 53.64, 21.47, 9.96

 

CMYK 0 / 23 / 34 / 34

HEX #A98270

RGB 169 130 112

HSL 18.95, 0.25%, 0.55%

LAB 57.63, 12.42, 15.52

 

CMYK 0 / 40 / 31 / 51

HEX #7C4A55

RGB 124 74 85

HSL 346.8, 0.25%, 0.39%

LAB 37.55, 22.77, 2.58

 

CMYK 0 / 40 / 32 / 41

HEX #965A66

RGB 150 90 102

HSL 348, 0.25%, 0.47%

LAB 45.3, 26.24, 3.7

 

CMYK 0 / 34 / 27 / 34

HEX #A9707C

RGB 169 112 124

HSL 347.37, 0.25%, 0.55%

LAB 53.47, 24.28, 2.67

 

CMYK 0 / 26 / 20 / 28

HEX #B88993

RGB 184 137 147

HSL 347.23, 0.25%, 0.63%

LAB 61.82, 19.45, 1.69

 

CMYK 0 / 19 / 15 / 22

HEX #C8A3AB

RGB 200 163 171

HSL 347.03, 0.25%, 0.71%

LAB 70.47, 14.88, 1

 

CMYK 0 / 34 / 26 / 33

HEX #AA717D

RGB 170 113 125

HSL 347.37, 0.25%, 0.55%

LAB 53.85, 24.25, 2.66

 

CMYK 0 / 1 / 34 / 34

HEX #A9A870

RGB 169 168 112

HSL 58.95, 0.25%, 0.55%

LAB 67.73, -8.47, 29.12

 

CMYK 34 / 13 / 0 / 34

HEX #7093A9

RGB 112 147 169

HSL 203.16, 0.25%, 0.55%

LAB 59.14, -6.63, -15.46

 

CMYK 0 / 34 / 26 / 33

HEX #AA717D

RGB 170 113 125

HSL 347.37, 0.25%, 0.55%

LAB 53.85, 24.25, 2.66

 

CMYK 27 / 0 / 34 / 34

HEX #7CA970

RGB 124 169 112

HSL 107.37, 0.25%, 0.55%

LAB 64.83, -26.23, 24.69

 

CMYK 34 / 27 / 0 / 34

HEX #707CA9

RGB 112 124 169

HSL 227.37, 0.25%, 0.55%

LAB 52.65, 6.63, -25.39

 

CMYK 0 / 34 / 26 / 33

HEX #AA717D

RGB 170 113 125

HSL 347.37, 0.25%, 0.55%

LAB 53.85, 24.25, 2.66

 

CMYK 0 / 1 / 34 / 34

HEX #A9A870

RGB 169 168 112

HSL 58.95, 0.25%, 0.55%

LAB 67.73, -8.47, 29.12

 

CMYK 34 / 0 / 7 / 34

HEX #70A99D

RGB 112 169 157

HSL 167.37, 0.25%, 0.55%

LAB 65.16, -21.34, 0.26

 

CMYK 34 / 33 / 0 / 34

HEX #7071A9

RGB 112 113 169

HSL 238.95, 0.25%, 0.55%

LAB 49.64, 13.21, -30.06

 

CMYK 0 / 34 / 26 / 33

HEX #AA717D

RGB 170 113 125

HSL 347.37, 0.25%, 0.55%

LAB 53.85, 24.25, 2.66

 

CMYK 9 / 0 / 34 / 34

HEX #99A970

RGB 153 169 112

HSL 76.84, 0.25%, 0.55%

LAB 66.76, -15.36, 27.61

 

CMYK 34 / 0 / 7 / 34

HEX #70A99D

RGB 112 169 157

HSL 167.37, 0.25%, 0.55%

LAB 65.16, -21.34, 0.26

 

CMYK 24 / 34 / 0 / 34

HEX #8070A9

RGB 128 112 169

HSL 256.84, 0.25%, 0.55%

LAB 50.74, 18.67, -28.25

 

Description

Color code: HEX #AA717D | qconv.com Color code: HEX #AA717D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 113 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 113 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 26% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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