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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA6C01CE it is the complementary color #5593FECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA6C01CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA6C01CE shade: #AF6C00CE, #C07E0FCE, #D19022CE, #E2A235CE and #F3B448CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA6C01CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA6C01CE shade: #AA6C01CE, #995A00CE, #884800CE, #773600CE and #662400CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA6C01CE shade: #AD6E01, #AD3F01, #AD1101 and #AD0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA6C01CE shade: #AD6E01, #AD9C01, #8FAD01, #61AD01 and #32AD01

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA6C01CE shade matches the following richer shades: #AD6E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA6C01CE shade: #AD6E01, #9F6A0F, #90661D, #82622B and #745F39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA6C01CE shade: #AD0F01, #AD3D01, #AD6B01, #AD9901 and #93AD01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA6C01CE shade: #5A3900, #835301, #AD6E01, #D68801 and #FEA102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA6C01CE shade: #AA6C01, #20AD01 and #2601AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA6C01CE shade: #AA6C01, #01AD6B and #6B01AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA6C01CE shade: #AA6C01, #20AD01, #0143AD and #8D01AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA6C01CE shade: #AA6C01, #01AD15, #0143AD and #AD0199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 81 / 27

HEX #AA6C01CE

RGBA 170 108 1 0.81

HSLA 37.99, 0.99%, 0.34%, 0.81

LABA 51.01, 17.93, 57.99, 0.81

 

Complementary color

CMYK 54 / 34 / 0 / 0

HEX #5593FECE

RGBA 85 147 254 0.81

HSLA 217.99, 0.99%, 0.66%, 0.81

LABA 61.61, 13.54, -59.19, 0.81

 

CMYK 0 / 31 / 81 / 25

HEX #AF6C00CE

RGBA 175 108 0 0.81

HSLA 37.03, 1%, 0.34%, 0.81

LABA 51.65, 20.15, 58.94, 0.81

 

CMYK 0 / 28 / 75 / 20

HEX #C07E0FCE

RGBA 192 126 15 0.81

HSLA 37.63, 0.86%, 0.41%, 0.81

LABA 58.19, 17.92, 61.66, 0.81

 

CMYK 0 / 25 / 68 / 15

HEX #D19022CE

RGBA 209 144 34 0.81

HSLA 37.71, 0.72%, 0.48%, 0.81

LABA 64.66, 15.96, 62.64, 0.81

 

CMYK 0 / 23 / 62 / 9

HEX #E2A235CE

RGBA 226 162 53 0.81

HSLA 37.8, 0.75%, 0.55%, 0.81

LABA 71.05, 14.25, 62.46, 0.81

 

CMYK 0 / 21 / 57 / 4

HEX #F3B448CE

RGBA 243 180 72 0.81

HSLA 37.89, 0.88%, 0.62%, 0.81

LABA 77.38, 12.77, 61.69, 0.81

 

CMYK 0 / 30 / 81 / 27

HEX #AA6C01CE

RGBA 170 108 1 0.81

HSLA 37.99, 0.99%, 0.34%, 0.81

LABA 51.01, 17.93, 57.99, 0.81

 

CMYK 0 / 33 / 81 / 32

HEX #995A00CE

RGBA 153 90 0 0.81

HSLA 35.29, 1%, 0.3%, 0.81

LABA 44.35, 20.42, 52.8, 0.81

 

CMYK 0 / 38 / 81 / 38

HEX #884800CE

RGBA 136 72 0 0.81

HSLA 31.76, 1%, 0.27%, 0.81

LABA 37.61, 23.01, 47.34, 0.81

 

CMYK 0 / 44 / 81 / 43

HEX #773600CE

RGBA 119 54 0 0.81

HSLA 27.23, 1%, 0.23%, 0.81

LABA 30.78, 25.62, 41.69, 0.81

 

CMYK 0 / 52 / 81 / 49

HEX #662400CE

RGBA 102 36 0 0.81

HSLA 21.18, 1%, 0.2%, 0.81

LABA 23.96, 28.08, 34.63, 0.81

 

CMYK 0 / 36 / 99 / 32

HEX #AD6E01

RGB 173 110 1

HSL 38.02, 0.99%, 0.34%

LAB 51.88, 18.15, 58.76

 

CMYK 0 / 64 / 99 / 32

HEX #AD3F01

RGB 173 63 1

HSL 21.63, 0.99%, 0.34%

LAB 41.91, 42.83, 52.68

 

CMYK 0 / 90 / 99 / 32

HEX #AD1101

RGB 173 17 1

HSL 5.58, 0.99%, 0.34%

LAB 36.53, 57.69, 50.08

 

CMYK 0 / 99 / 99 / 32

HEX #AD0101

RGB 173 1 1

HSL 0, 0.99%, 0.34%

LAB 35.81, 59.78, 49.74

 

CMYK 0 / 36 / 99 / 32

HEX #AD6E01

RGB 173 110 1

HSL 38.02, 0.99%, 0.34%

LAB 51.88, 18.15, 58.76

 

CMYK 0 / 10 / 99 / 32

HEX #AD9C01

RGB 173 156 1

HSL 54.07, 0.99%, 0.34%

LAB 63.89, -7.24, 67.09

 

CMYK 17 / 0 / 99 / 32

HEX #8FAD01

RGB 143 173 1

HSL 70.47, 0.99%, 0.34%

LAB 66.31, -29.07, 67.81

 

CMYK 44 / 0 / 99 / 32

HEX #61AD01

RGB 97 173 1

HSL 86.51, 0.99%, 0.34%

LAB 63.7, -46.73, 64.66

 

CMYK 71 / 0 / 99 / 32

HEX #32AD01

RGB 50 173 1

HSL 102.91, 0.99%, 0.34%

LAB 62.14, -59.22, 62.77

 

CMYK 0 / 36 / 99 / 32

HEX #AD6E01

RGB 173 110 1

HSL 38.02, 0.99%, 0.34%

LAB 51.88, 18.15, 58.76

 

CMYK 0 / 36 / 99 / 32

HEX #AD6E01

RGB 173 110 1

HSL 38.02, 0.99%, 0.34%

LAB 51.88, 18.15, 58.76

 

CMYK 0 / 33 / 91 / 38

HEX #9F6A0F

RGB 159 106 15

HSL 37.92, 0.83%, 0.34%

LAB 49.15, 14.28, 53

 

CMYK 0 / 29 / 80 / 44

HEX #90661D

RGB 144 102 29

HSL 38.09, 0.66%, 0.34%

LAB 46.34, 10.08, 45.19

 

CMYK 0 / 25 / 67 / 49

HEX #82622B

RGB 130 98 43

HSL 37.93, 0.5%, 0.34%

LAB 43.73, 6.64, 35.51

 

CMYK 0 / 18 / 51 / 55

HEX #745F39

RGB 116 95 57

HSL 38.64, 0.34%, 0.34%

LAB 41.52, 3.13, 24.84

 

CMYK 0 / 91 / 99 / 32

HEX #AD0F01

RGB 173 15 1

HSL 4.88, 0.99%, 0.34%

LAB 36.42, 58.01, 50.03

 

CMYK 0 / 65 / 99 / 32

HEX #AD3D01

RGB 173 61 1

HSL 20.93, 0.99%, 0.34%

LAB 41.57, 43.73, 52.5

 

CMYK 0 / 38 / 99 / 32

HEX #AD6B01

RGB 173 107 1

HSL 36.98, 0.99%, 0.34%

LAB 51.15, 19.83, 58.28

 

CMYK 0 / 12 / 99 / 32

HEX #AD9901

RGB 173 153 1

HSL 53.02, 0.99%, 0.34%

LAB 63.07, -5.64, 66.5

 

CMYK 15 / 0 / 99 / 32

HEX #93AD01

RGB 147 173 1

HSL 69.07, 0.99%, 0.34%

LAB 66.59, -27.38, 68.14

 

CMYK 0 / 37 / 100 / 65

HEX #5A3900

RGB 90 57 0

HSL 38, 1%, 0.18%

LAB 27.02, 10.06, 36.78

 

CMYK 0 / 37 / 99 / 49

HEX #835301

RGB 131 83 1

HSL 37.85, 0.98%, 0.26%

LAB 39.6, 14.32, 47.95

 

CMYK 0 / 36 / 99 / 32

HEX #AD6E01

RGB 173 110 1

HSL 38.02, 0.99%, 0.34%

LAB 51.88, 18.15, 58.76

 

CMYK 0 / 36 / 100 / 16

HEX #D68801

RGB 214 136 1

HSL 38.03, 0.99%, 0.42%

LAB 63.27, 21.9, 68.76

 

CMYK 0 / 37 / 99 / 0

HEX #FEA102

RGB 254 161 2

HSL 37.86, 0.99%, 0.5%

LAB 73.91, 25.62, 78

 

CMYK 0 / 36 / 99 / 33

HEX #AA6C01

RGB 170 108 1

HSL 37.99, 0.99%, 0.34%

LAB 51.01, 17.93, 57.99

 

CMYK 82 / 0 / 99 / 32

HEX #20AD01

RGB 32 173 1

HSL 109.19, 0.99%, 0.34%

LAB 61.82, -62.01, 62.38

 

CMYK 78 / 99 / 0 / 32

HEX #2601AD

RGB 38 1 173

HSL 252.91, 0.99%, 0.34%

LAB 21.77, 59.51, -77.84

 

CMYK 0 / 36 / 99 / 33

HEX #AA6C01

RGB 170 108 1

HSL 37.99, 0.99%, 0.34%

LAB 51.01, 17.93, 57.99

 

CMYK 99 / 0 / 38 / 32

HEX #01AD6B

RGB 1 173 107

HSL 156.98, 0.99%, 0.34%

LAB 62.47, -53.19, 23.62

 

CMYK 38 / 99 / 0 / 32

HEX #6B01AD

RGB 107 1 173

HSL 276.98, 0.99%, 0.34%

LAB 29.82, 64.11, -64.24

 

CMYK 0 / 36 / 99 / 33

HEX #AA6C01

RGB 170 108 1

HSL 37.99, 0.99%, 0.34%

LAB 51.01, 17.93, 57.99

 

CMYK 82 / 0 / 99 / 32

HEX #20AD01

RGB 32 173 1

HSL 109.19, 0.99%, 0.34%

LAB 61.82, -62.01, 62.38

 

CMYK 99 / 61 / 0 / 32

HEX #0143AD

RGB 1 67 173

HSL 216.98, 0.99%, 0.34%

LAB 31.89, 26.11, -61.13

 

CMYK 18 / 99 / 0 / 32

HEX #8D01AD

RGB 141 1 173

HSL 288.84, 0.99%, 0.34%

LAB 35.4, 68.4, -54.9

 

CMYK 0 / 36 / 99 / 33

HEX #AA6C01

RGB 170 108 1

HSL 37.99, 0.99%, 0.34%

LAB 51.01, 17.93, 57.99

 

CMYK 99 / 0 / 88 / 32

HEX #01AD15

RGB 1 173 21

HSL 126.98, 0.99%, 0.34%

LAB 61.61, -63.77, 59.02

 

CMYK 99 / 61 / 0 / 32

HEX #0143AD

RGB 1 67 173

HSL 216.98, 0.99%, 0.34%

LAB 31.89, 26.11, -61.13

 

CMYK 0 / 99 / 12 / 32

HEX #AD0199

RGB 173 1 153

HSL 306.98, 0.99%, 0.34%

LAB 39.93, 70.5, -35.27

 

Description

Color code: HEX #AA6C01CE | qconv.com Color code: HEX #AA6C01CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 108 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 108 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 81 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 81% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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