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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA6B2E it is the complementary color #5594D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA6B2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA6B2E shade: #AF6B29, #C07D3C, #D18F4F, #E2A162 and #F3B375

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA6B2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA6B2E shade: #AA6B2E, #99591B, #884708, #773500 and #662300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA6B2E shade: #A86A2E, #A8492E and #A82E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA6B2E shade: #A86A2E, #A88B2E, #A4A82E, #83A82E and #62A82E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA6B2E shade matches the following richer shades: #A86A2E, #B9691C and #CA690B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA6B2E shade: #A86A2E, #966A3F, #856A50, #746A62 and #626B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA6B2E shade: #A82E34, #A8482E, #A8692E, #A8892E and #A6A82E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA6B2E shade: #67411C, #875525, #A86A2E, #C87E37 and #D19357

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA6B2E shade: #AA6B2E, #54A82E and #382EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA6B2E shade: #AA6B2E, #2EA869 and #692EA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA6B2E shade: #AA6B2E, #54A82E, #2E6DA8 and #812EA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA6B2E shade: #AA6B2E, #30A82E, #2E6DA8 and #A62EA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 73 / 33

HEX #AA6B2E

RGB 170 107 46

HSL 29.52, 0.57%, 0.42%

LAB 50.99, 19.77, 43.28

 

Complementary color

CMYK 59 / 29 / 0 / 18

HEX #5594D1

RGB 85 148 209

HSL 209.52, 0.57%, 0.58%

LAB 59.63, -2.06, -37.41

 

CMYK 0 / 39 / 77 / 31

HEX #AF6B29

RGB 175 107 41

HSL 29.55, 0.62%, 0.42%

LAB 51.6, 21.72, 46.45

 

CMYK 0 / 35 / 69 / 25

HEX #C07D3C

RGB 192 125 60

HSL 29.55, 0.52%, 0.49%

LAB 58.23, 20.07, 45.07

 

CMYK 0 / 32 / 62 / 18

HEX #D18F4F

RGB 209 143 79

HSL 29.54, 0.59%, 0.56%

LAB 64.78, 18.64, 43.55

 

CMYK 0 / 29 / 57 / 11

HEX #E2A162

RGB 226 161 98

HSL 29.53, 0.69%, 0.64%

LAB 71.24, 17.41, 42.04

 

CMYK 0 / 26 / 52 / 5

HEX #F3B375

RGB 243 179 117

HSL 29.52, 0.84%, 0.71%

LAB 77.63, 16.34, 40.59

 

CMYK 0 / 37 / 73 / 33

HEX #AA6B2E

RGB 170 107 46

HSL 29.52, 0.57%, 0.42%

LAB 50.99, 19.77, 43.28

 

CMYK 0 / 42 / 82 / 40

HEX #99591B

RGB 153 89 27

HSL 29.52, 0.7%, 0.35%

LAB 44.23, 21.6, 44.48

 

CMYK 0 / 48 / 94 / 47

HEX #884708

RGB 136 71 8

HSL 29.53, 0.89%, 0.28%

LAB 37.41, 23.74, 44.59

 

CMYK 0 / 55 / 100 / 53

HEX #773500

RGB 119 53 0

HSL 26.72, 1%, 0.23%

LAB 30.56, 26.18, 41.53

 

CMYK 0 / 66 / 100 / 60

HEX #662300

RGB 102 35 0

HSL 20.59, 1%, 0.2%

LAB 23.76, 28.59, 34.43

 

CMYK 0 / 37 / 73 / 34

HEX #A86A2E

RGB 168 106 46

HSL 29.51, 0.57%, 0.42%

LAB 50.49, 19.46, 42.68

 

CMYK 0 / 57 / 73 / 34

HEX #A8492E

RGB 168 73 46

HSL 13.28, 0.57%, 0.42%

LAB 43.19, 37.34, 34.77

 

CMYK 0 / 73 / 73 / 34

HEX #A82E2E

RGB 168 46 46

HSL 0, 0.57%, 0.42%

LAB 38.68, 49.38, 29.63

 

CMYK 0 / 37 / 73 / 34

HEX #A86A2E

RGB 168 106 46

HSL 29.51, 0.57%, 0.42%

LAB 50.49, 19.46, 42.68

 

CMYK 0 / 17 / 73 / 34

HEX #A88B2E

RGB 168 139 46

HSL 45.74, 0.57%, 0.42%

LAB 58.96, 0.94, 51.36

 

CMYK 2 / 0 / 73 / 34

HEX #A4A82E

RGB 164 168 46

HSL 61.97, 0.57%, 0.42%

LAB 66.59, -16.31, 58.7

 

CMYK 22 / 0 / 73 / 34

HEX #83A82E

RGB 131 168 46

HSL 78.2, 0.57%, 0.42%

LAB 64.18, -30.22, 55.53

 

CMYK 42 / 0 / 73 / 34

HEX #62A82E

RGB 98 168 46

HSL 94.43, 0.57%, 0.42%

LAB 62.34, -42.6, 53.08

 

CMYK 0 / 37 / 73 / 34

HEX #A86A2E

RGB 168 106 46

HSL 29.51, 0.57%, 0.42%

LAB 50.49, 19.46, 42.68

 

CMYK 0 / 43 / 85 / 27

HEX #B9691C

RGB 185 105 28

HSL 29.43, 0.74%, 0.42%

LAB 52.4, 26.68, 53.01

 

CMYK 0 / 48 / 95 / 21

HEX #CA690B

RGB 202 105 11

HSL 29.53, 0.9%, 0.42%

LAB 54.75, 33.48, 60.63

 

CMYK 0 / 37 / 73 / 34

HEX #A86A2E

RGB 168 106 46

HSL 29.51, 0.57%, 0.42%

LAB 50.49, 19.46, 42.68

 

CMYK 0 / 29 / 58 / 41

HEX #966A3F

RGB 150 106 63

HSL 29.66, 0.41%, 0.42%

LAB 48.45, 12.64, 30.88

 

CMYK 0 / 20 / 40 / 48

HEX #856A50

RGB 133 106 80

HSL 29.43, 0.25%, 0.42%

LAB 46.81, 6.92, 18.67

 

CMYK 0 / 9 / 16 / 55

HEX #746A62

RGB 116 106 98

HSL 26.67, 0.08%, 0.42%

LAB 45.5, 2.45, 5.9

 

CMYK 15 / 7 / 0 / 55

HEX #626B73

RGB 98 107 115

HSL 208.24, 0.08%, 0.42%

LAB 44.73, -1.61, -5.63

 

CMYK 0 / 73 / 69 / 34

HEX #A82E34

RGB 168 46 52

HSL 357.05, 0.57%, 0.42%

LAB 38.77, 49.69, 26.09

 

CMYK 0 / 57 / 73 / 34

HEX #A8482E

RGB 168 72 46

HSL 12.79, 0.57%, 0.42%

LAB 43, 37.84, 34.55

 

CMYK 0 / 38 / 73 / 34

HEX #A8692E

RGB 168 105 46

HSL 29.02, 0.57%, 0.42%

LAB 50.25, 20.02, 42.42

 

CMYK 0 / 18 / 73 / 34

HEX #A8892E

RGB 168 137 46

HSL 44.75, 0.57%, 0.42%

LAB 58.43, 2.04, 50.83

 

CMYK 1 / 0 / 73 / 34

HEX #A6A82E

RGB 166 168 46

HSL 60.98, 0.57%, 0.42%

LAB 66.76, -15.44, 58.91

 

CMYK 0 / 37 / 73 / 60

HEX #67411C

RGB 103 65 28

HSL 29.6, 0.57%, 0.26%

LAB 31.23, 12.73, 28.69

 

CMYK 0 / 37 / 73 / 47

HEX #875525

RGB 135 85 37

HSL 29.39, 0.57%, 0.34%

LAB 40.87, 16.24, 35.63

 

CMYK 0 / 37 / 73 / 34

HEX #A86A2E

RGB 168 106 46

HSL 29.51, 0.57%, 0.42%

LAB 50.49, 19.46, 42.68

 

CMYK 0 / 37 / 73 / 22

HEX #C87E37

RGB 200 126 55

HSL 29.38, 0.57%, 0.5%

LAB 59.41, 22.67, 49.02

 

CMYK 0 / 30 / 58 / 18

HEX #D19357

RGB 209 147 87

HSL 29.51, 0.57%, 0.58%

LAB 65.83, 17.05, 40.71

 

CMYK 0 / 37 / 73 / 33

HEX #AA6B2E

RGB 170 107 46

HSL 29.52, 0.57%, 0.42%

LAB 50.99, 19.77, 43.28

 

CMYK 50 / 0 / 73 / 34

HEX #54A82E

RGB 84 168 46

HSL 101.31, 0.57%, 0.42%

LAB 61.73, -47.1, 52.27

 

CMYK 67 / 73 / 0 / 34

HEX #382EA8

RGB 56 46 168

HSL 244.92, 0.57%, 0.42%

LAB 28.44, 41.92, -63.72

 

CMYK 0 / 37 / 73 / 33

HEX #AA6B2E

RGB 170 107 46

HSL 29.52, 0.57%, 0.42%

LAB 50.99, 19.77, 43.28

 

CMYK 73 / 0 / 38 / 34

HEX #2EA869

RGB 46 168 105

HSL 149.02, 0.57%, 0.42%

LAB 61.31, -47.83, 23.23

 

CMYK 38 / 73 / 0 / 34

HEX #692EA8

RGB 105 46 168

HSL 269.02, 0.57%, 0.42%

LAB 33.53, 49.75, -55.19

 

CMYK 0 / 37 / 73 / 33

HEX #AA6B2E

RGB 170 107 46

HSL 29.52, 0.57%, 0.42%

LAB 50.99, 19.77, 43.28

 

CMYK 50 / 0 / 73 / 34

HEX #54A82E

RGB 84 168 46

HSL 101.31, 0.57%, 0.42%

LAB 61.73, -47.1, 52.27

 

CMYK 73 / 35 / 0 / 34

HEX #2E6DA8

RGB 46 109 168

HSL 209.02, 0.57%, 0.42%

LAB 44.72, 0.18, -37.45

 

CMYK 23 / 73 / 0 / 34

HEX #812EA8

RGB 129 46 168

HSL 280.82, 0.57%, 0.42%

LAB 36.83, 54.52, -49.68

 

CMYK 0 / 37 / 73 / 33

HEX #AA6B2E

RGB 170 107 46

HSL 29.52, 0.57%, 0.42%

LAB 50.99, 19.77, 43.28

 

CMYK 71 / 0 / 73 / 34

HEX #30A82E

RGB 48 168 46

HSL 119.02, 0.57%, 0.42%

LAB 60.63, -55.88, 50.8

 

CMYK 73 / 35 / 0 / 34

HEX #2E6DA8

RGB 46 109 168

HSL 209.02, 0.57%, 0.42%

LAB 44.72, 0.18, -37.45

 

CMYK 1 / 73 / 0 / 34

HEX #A62EA8

RGB 166 46 168

HSL 299.02, 0.57%, 0.42%

LAB 42.59, 62.46, -40.13

 

Description

Color code: HEX #AA6B2E | qconv.com Color code: HEX #AA6B2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 107 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 107 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 73 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 73% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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