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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA6186 it is the complementary color #559E79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA6186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA6186 shade: #AF6181, #C07394, #D185A7, #E297BA and #F3A9CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA6186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA6186 shade: #AA6186, #994F73, #883D60, #772B4D and #66193A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA6186 shade: #A96085, #A96071 and #A96060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA6186 shade: #A96085, #A96099, #A660A9, #9260A9 and #7E60A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA6186 shade matches the following richer shades: #A96085, #BD4C85, #D13886, #E52486 and #F91186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA6186 shade: #A96085, #967485, #828785, #6E9B84 and #5AAF84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA6186 shade: #A660A9, #A96099, #A96086, #A96072 and #A96160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA6186 shade: #77405C, #924E70, #A96085, #B87B9A and #C696AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA6186 shade: #AA6186, #A99260 and #60A3A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA6186 shade: #AA6186, #86A960 and #6086A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA6186 shade: #AA6186, #A99260, #60A983 and #6077A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA6186 shade: #AA6186, #A9A860, #60A983 and #6061A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 21 / 33

HEX #AA6186

RGB 170 97 134

HSL 329.59, 0.3%, 0.52%

LAB 50.47, 34.5, -7.63

 

Complementary color

CMYK 46 / 0 / 23 / 38

HEX #559E79

RGB 85 158 121

HSL 149.59, 0.3%, 0.48%

LAB 59.68, -31.68, 12.37

 

CMYK 0 / 45 / 26 / 31

HEX #AF6181

RGB 175 97 129

HSL 335.38, 0.33%, 0.53%

LAB 50.98, 35.53, -3.84

 

CMYK 0 / 40 / 23 / 25

HEX #C07394

RGB 192 115 148

HSL 334.29, 0.38%, 0.6%

LAB 57.66, 34.68, -4.86

 

CMYK 0 / 36 / 20 / 18

HEX #D185A7

RGB 209 133 167

HSL 333.16, 0.45%, 0.67%

LAB 64.26, 33.86, -5.76

 

CMYK 0 / 33 / 18 / 11

HEX #E297BA

RGB 226 151 186

HSL 332, 0.56%, 0.74%

LAB 70.77, 33.09, -6.56

 

CMYK 0 / 30 / 16 / 5

HEX #F3A9CD

RGB 243 169 205

HSL 330.81, 0.76%, 0.81%

LAB 77.18, 32.37, -7.3

 

CMYK 0 / 43 / 21 / 33

HEX #AA6186

RGB 170 97 134

HSL 329.59, 0.3%, 0.52%

LAB 50.47, 34.5, -7.63

 

CMYK 0 / 48 / 25 / 40

HEX #994F73

RGB 153 79 115

HSL 330.81, 0.32%, 0.45%

LAB 43.66, 35.35, -6.59

 

CMYK 0 / 55 / 29 / 47

HEX #883D60

RGB 136 61 96

HSL 332, 0.38%, 0.39%

LAB 36.77, 36.17, -5.3

 

CMYK 0 / 64 / 35 / 53

HEX #772B4D

RGB 119 43 77

HSL 333.16, 0.47%, 0.32%

LAB 29.88, 36.81, -3.6

 

CMYK 0 / 75 / 43 / 60

HEX #66193A

RGB 102 25 58

HSL 334.29, 0.61%, 0.25%

LAB 23.09, 36.94, -1.21

 

CMYK 0 / 43 / 21 / 34

HEX #A96085

RGB 169 96 133

HSL 329.59, 0.3%, 0.52%

LAB 50.09, 34.54, -7.62

 

CMYK 0 / 43 / 33 / 34

HEX #A96071

RGB 169 96 113

HSL 346.03, 0.3%, 0.52%

LAB 49.49, 31.66, 3.44

 

CMYK 0 / 43 / 43 / 34

HEX #A96060

RGB 169 96 96

HSL 0, 0.3%, 0.52%

LAB 49.06, 29.57, 13

 

CMYK 0 / 43 / 21 / 34

HEX #A96085

RGB 169 96 133

HSL 329.59, 0.3%, 0.52%

LAB 50.09, 34.54, -7.62

 

CMYK 0 / 43 / 9 / 34

HEX #A96099

RGB 169 96 153

HSL 313.15, 0.3%, 0.52%

LAB 50.8, 37.85, -18.4

 

CMYK 2 / 43 / 0 / 34

HEX #A660A9

RGB 166 96 169

HSL 297.53, 0.3%, 0.52%

LAB 51.08, 39.83, -27.4

 

CMYK 14 / 43 / 0 / 34

HEX #9260A9

RGB 146 96 169

HSL 281.1, 0.3%, 0.52%

LAB 48.69, 33.65, -31.3

 

CMYK 25 / 43 / 0 / 34

HEX #7E60A9

RGB 126 96 169

HSL 264.66, 0.3%, 0.52%

LAB 46.53, 27.6, -34.83

 

CMYK 0 / 43 / 21 / 34

HEX #A96085

RGB 169 96 133

HSL 329.59, 0.3%, 0.52%

LAB 50.09, 34.54, -7.62

 

CMYK 0 / 60 / 30 / 26

HEX #BD4C85

RGB 189 76 133

HSL 329.73, 0.46%, 0.52%

LAB 49.11, 51.28, -8.79

 

CMYK 0 / 73 / 36 / 18

HEX #D13886

RGB 209 56 134

HSL 329.41, 0.62%, 0.52%

LAB 49.62, 65.02, -8.27

 

CMYK 0 / 84 / 41 / 10

HEX #E52486

RGB 229 36 134

HSL 329.53, 0.79%, 0.52%

LAB 51.43, 75.25, -5.19

 

CMYK 0 / 93 / 46 / 2

HEX #F91186

RGB 249 17 134

HSL 329.74, 0.95%, 0.52%

LAB 54.3, 82.49, -0.52

 

CMYK 0 / 43 / 21 / 34

HEX #A96085

RGB 169 96 133

HSL 329.59, 0.3%, 0.52%

LAB 50.09, 34.54, -7.62

 

CMYK 0 / 23 / 11 / 41

HEX #967485

RGB 150 116 133

HSL 330, 0.14%, 0.52%

LAB 52.58, 16.21, -4.16

 

CMYK 4 / 0 / 1 / 47

HEX #828785

RGB 130 135 133

HSL 156, 0.02%, 0.52%

LAB 55.85, -2.24, 0.43

 

CMYK 29 / 0 / 15 / 39

HEX #6E9B84

RGB 110 155 132

HSL 149.33, 0.18%, 0.52%

LAB 60.27, -20.29, 7.2

 

CMYK 49 / 0 / 25 / 31

HEX #5AAF84

RGB 90 175 132

HSL 149.65, 0.35%, 0.52%

LAB 65.36, -35.92, 14.25

 

CMYK 2 / 43 / 0 / 34

HEX #A660A9

RGB 166 96 169

HSL 297.53, 0.3%, 0.52%

LAB 51.08, 39.83, -27.4

 

CMYK 0 / 43 / 9 / 34

HEX #A96099

RGB 169 96 153

HSL 313.15, 0.3%, 0.52%

LAB 50.8, 37.85, -18.4

 

CMYK 0 / 43 / 21 / 34

HEX #A96086

RGB 169 96 134

HSL 328.77, 0.3%, 0.52%

LAB 50.12, 34.7, -8.17

 

CMYK 0 / 43 / 33 / 34

HEX #A96072

RGB 169 96 114

HSL 345.21, 0.3%, 0.52%

LAB 49.52, 31.79, 2.88

 

CMYK 0 / 43 / 43 / 34

HEX #A96160

RGB 169 97 96

HSL 0.82, 0.3%, 0.52%

LAB 49.29, 29.02, 13.31

 

CMYK 0 / 46 / 23 / 53

HEX #77405C

RGB 119 64 92

HSL 329.45, 0.3%, 0.36%

LAB 34.72, 27.74, -6.08

 

CMYK 0 / 47 / 23 / 43

HEX #924E70

RGB 146 78 112

HSL 330, 0.3%, 0.44%

LAB 42.35, 32.94, -6.8

 

CMYK 0 / 43 / 21 / 34

HEX #A96085

RGB 169 96 133

HSL 329.59, 0.3%, 0.52%

LAB 50.09, 34.54, -7.62

 

CMYK 0 / 33 / 16 / 28

HEX #B87B9A

RGB 184 123 154

HSL 329.51, 0.3%, 0.6%

LAB 58.69, 28.37, -6.92

 

CMYK 0 / 24 / 12 / 22

HEX #C696AE

RGB 198 150 174

HSL 330, 0.3%, 0.68%

LAB 67.18, 21.79, -5.51

 

CMYK 0 / 43 / 21 / 33

HEX #AA6186

RGB 170 97 134

HSL 329.59, 0.3%, 0.52%

LAB 50.47, 34.5, -7.63

 

CMYK 0 / 14 / 43 / 34

HEX #A99260

RGB 169 146 96

HSL 41.1, 0.3%, 0.52%

LAB 61.51, 1.54, 29.64

 

CMYK 43 / 4 / 0 / 34

HEX #60A3A9

RGB 96 163 169

HSL 184.93, 0.3%, 0.52%

LAB 62.97, -19.66, -9.79

 

CMYK 0 / 43 / 21 / 33

HEX #AA6186

RGB 170 97 134

HSL 329.59, 0.3%, 0.52%

LAB 50.47, 34.5, -7.63

 

CMYK 21 / 0 / 43 / 34

HEX #86A960

RGB 134 169 96

HSL 88.77, 0.3%, 0.52%

LAB 65.19, -24.84, 33.77

 

CMYK 43 / 21 / 0 / 34

HEX #6086A9

RGB 96 134 169

HSL 208.77, 0.3%, 0.52%

LAB 54.45, -3.76, -22.7

 

CMYK 0 / 43 / 21 / 33

HEX #AA6186

RGB 170 97 134

HSL 329.59, 0.3%, 0.52%

LAB 50.47, 34.5, -7.63

 

CMYK 0 / 14 / 43 / 34

HEX #A99260

RGB 169 146 96

HSL 41.1, 0.3%, 0.52%

LAB 61.51, 1.54, 29.64

 

CMYK 43 / 0 / 22 / 34

HEX #60A983

RGB 96 169 131

HSL 148.77, 0.3%, 0.52%

LAB 63.76, -31.7, 12.59

 

CMYK 43 / 30 / 0 / 34

HEX #6077A9

RGB 96 119 169

HSL 221.1, 0.3%, 0.52%

LAB 50.15, 5.06, -29.35

 

CMYK 0 / 43 / 21 / 33

HEX #AA6186

RGB 170 97 134

HSL 329.59, 0.3%, 0.52%

LAB 50.47, 34.5, -7.63

 

CMYK 0 / 1 / 43 / 34

HEX #A9A860

RGB 169 168 96

HSL 59.18, 0.3%, 0.52%

LAB 67.49, -10.32, 37.21

 

CMYK 43 / 0 / 22 / 34

HEX #60A983

RGB 96 169 131

HSL 148.77, 0.3%, 0.52%

LAB 63.76, -31.7, 12.59

 

CMYK 43 / 43 / 0 / 34

HEX #6061A9

RGB 96 97 169

HSL 239.18, 0.3%, 0.52%

LAB 44.09, 18.55, -38.87

 

Description

Color code: HEX #AA6186 | qconv.com Color code: HEX #AA6186 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 97 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 97 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 21 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 21% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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