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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5E24 it is the complementary color #55A1DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5E24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5E24 shade: #AF5E1F, #C07032, #D18245, #E29458 and #F3A66B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5E24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5E24 shade: #AA5E24, #994C11, #883A00, #772800 and #661600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5E24 shade: #A85D24, #A83924 and #A82424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5E24 shade: #A85D24, #A88124, #A8A524, #88A824 and #64A824

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5E24 shade matches the following richer shades: #A85D24, #B95B13 and #C95903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5E24 shade: #A85D24, #985F34, #876245, #776455 and #666666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5E24 shade: #A82433, #A83824, #A85B24, #A87E24 and #A8A224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5E24 shade: #643715, #864A1C, #A85D24, #CA702B and #D88647

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5E24 shade: #AA5E24, #57A824 and #2624A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5E24 shade: #AA5E24, #24A85B and #5B24A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5E24 shade: #AA5E24, #57A824, #2471A8 and #7524A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5E24 shade: #AA5E24, #2FA824, #2471A8 and #9D24A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 79 / 33

HEX #AA5E24

RGB 170 94 36

HSL 25.97, 0.65%, 0.4%

LAB 47.85, 26.56, 44.81

 

Complementary color

CMYK 61 / 26 / 0 / 14

HEX #55A1DB

RGB 85 161 219

HSL 205.97, 0.65%, 0.6%

LAB 63.78, -6.22, -36.49

 

CMYK 0 / 46 / 82 / 31

HEX #AF5E1F

RGB 175 94 31

HSL 26.25, 0.7%, 0.4%

LAB 48.53, 28.5, 47.89

 

CMYK 0 / 42 / 74 / 25

HEX #C07032

RGB 192 112 50

HSL 26.2, 0.59%, 0.47%

LAB 55.1, 26.66, 46.56

 

CMYK 0 / 38 / 67 / 18

HEX #D18245

RGB 209 130 69

HSL 26.14, 0.6%, 0.55%

LAB 61.61, 25.05, 44.96

 

CMYK 0 / 35 / 61 / 11

HEX #E29458

RGB 226 148 88

HSL 26.09, 0.7%, 0.62%

LAB 68.06, 23.63, 43.33

 

CMYK 0 / 32 / 56 / 5

HEX #F3A66B

RGB 243 166 107

HSL 26.03, 0.85%, 0.69%

LAB 74.44, 22.38, 41.77

 

CMYK 0 / 45 / 79 / 33

HEX #AA5E24

RGB 170 94 36

HSL 25.97, 0.65%, 0.4%

LAB 47.85, 26.56, 44.81

 

CMYK 0 / 50 / 89 / 40

HEX #994C11

RGB 153 76 17

HSL 26.03, 0.8%, 0.33%

LAB 41.19, 28.56, 45.75

 

CMYK 0 / 57 / 100 / 47

HEX #883A00

RGB 136 58 0

HSL 25.59, 1%, 0.27%

LAB 34.52, 30.73, 45.51

 

CMYK 0 / 66 / 100 / 53

HEX #772800

RGB 119 40 0

HSL 20.17, 1%, 0.23%

LAB 27.95, 32.97, 39.48

 

CMYK 0 / 78 / 100 / 60

HEX #661600

RGB 102 22 0

HSL 12.94, 1%, 0.2%

LAB 21.57, 34.51, 32.16

 

CMYK 0 / 45 / 79 / 34

HEX #A85D24

RGB 168 93 36

HSL 25.91, 0.65%, 0.4%

LAB 47.34, 26.25, 44.21

 

CMYK 0 / 66 / 79 / 34

HEX #A83924

RGB 168 57 36

HSL 9.55, 0.65%, 0.4%

LAB 40.21, 44.47, 37.05

 

CMYK 0 / 79 / 79 / 34

HEX #A82424

RGB 168 36 36

HSL 0, 0.65%, 0.4%

LAB 37.32, 52.41, 34.03

 

CMYK 0 / 45 / 79 / 34

HEX #A85D24

RGB 168 93 36

HSL 25.91, 0.65%, 0.4%

LAB 47.34, 26.25, 44.21

 

CMYK 0 / 23 / 79 / 34

HEX #A88124

RGB 168 129 36

HSL 42.27, 0.65%, 0.4%

LAB 56.24, 6.03, 52.7

 

CMYK 0 / 2 / 79 / 34

HEX #A8A524

RGB 168 165 36

HSL 58.64, 0.65%, 0.4%

LAB 66.03, -13.44, 61.63

 

CMYK 19 / 0 / 79 / 34

HEX #88A824

RGB 136 168 36

HSL 74.55, 0.65%, 0.4%

LAB 64.46, -28.7, 59.29

 

CMYK 40 / 0 / 79 / 34

HEX #64A824

RGB 100 168 36

HSL 90.91, 0.65%, 0.4%

LAB 62.37, -42.54, 56.6

 

CMYK 0 / 45 / 79 / 34

HEX #A85D24

RGB 168 93 36

HSL 25.91, 0.65%, 0.4%

LAB 47.34, 26.25, 44.21

 

CMYK 0 / 51 / 90 / 27

HEX #B95B13

RGB 185 91 19

HSL 26.02, 0.81%, 0.4%

LAB 49.31, 33.95, 53.55

 

CMYK 0 / 56 / 99 / 21

HEX #C95903

RGB 201 89 3

HSL 26.06, 0.97%, 0.4%

LAB 51.35, 41.12, 60

 

CMYK 0 / 45 / 79 / 34

HEX #A85D24

RGB 168 93 36

HSL 25.91, 0.65%, 0.4%

LAB 47.34, 26.25, 44.21

 

CMYK 0 / 38 / 66 / 40

HEX #985F34

RGB 152 95 52

HSL 25.8, 0.49%, 0.4%

LAB 45.78, 19.02, 33.8

 

CMYK 0 / 27 / 49 / 47

HEX #876245

RGB 135 98 69

HSL 26.36, 0.32%, 0.4%

LAB 44.68, 11.22, 22.35

 

CMYK 0 / 16 / 29 / 53

HEX #776455

RGB 119 100 85

HSL 26.47, 0.17%, 0.4%

LAB 43.79, 5.12, 11.34

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 0 / 79 / 70 / 34

HEX #A82433

RGB 168 36 51

HSL 353.18, 0.65%, 0.4%

LAB 37.53, 53.06, 25.18

 

CMYK 0 / 67 / 79 / 34

HEX #A83824

RGB 168 56 36

HSL 9.09, 0.65%, 0.4%

LAB 40.05, 44.91, 36.88

 

CMYK 0 / 46 / 79 / 34

HEX #A85B24

RGB 168 91 36

HSL 25, 0.65%, 0.4%

LAB 46.89, 27.35, 43.77

 

CMYK 0 / 25 / 79 / 34

HEX #A87E24

RGB 168 126 36

HSL 40.91, 0.65%, 0.4%

LAB 55.46, 7.71, 51.97

 

CMYK 0 / 4 / 79 / 34

HEX #A8A224

RGB 168 162 36

HSL 57.27, 0.65%, 0.4%

LAB 65.19, -11.88, 60.88

 

CMYK 0 / 45 / 79 / 61

HEX #643715

RGB 100 55 21

HSL 25.82, 0.65%, 0.24%

LAB 28.1, 17.03, 29.03

 

CMYK 0 / 45 / 79 / 47

HEX #864A1C

RGB 134 74 28

HSL 26.04, 0.65%, 0.32%

LAB 37.93, 21.74, 37.06

 

CMYK 0 / 45 / 79 / 34

HEX #A85D24

RGB 168 93 36

HSL 25.91, 0.65%, 0.4%

LAB 47.34, 26.25, 44.21

 

CMYK 0 / 45 / 79 / 21

HEX #CA702B

RGB 202 112 43

HSL 26.04, 0.65%, 0.48%

LAB 56.41, 30.54, 51.51

 

CMYK 0 / 38 / 67 / 15

HEX #D88647

RGB 216 134 71

HSL 26.07, 0.65%, 0.56%

LAB 63.43, 25.92, 46.24

 

CMYK 0 / 45 / 79 / 33

HEX #AA5E24

RGB 170 94 36

HSL 25.97, 0.65%, 0.4%

LAB 47.85, 26.56, 44.81

 

CMYK 48 / 0 / 79 / 34

HEX #57A824

RGB 87 168 36

HSL 96.82, 0.65%, 0.4%

LAB 61.79, -46.84, 55.84

 

CMYK 77 / 79 / 0 / 34

HEX #2624A8

RGB 38 36 168

HSL 240.91, 0.65%, 0.4%

LAB 25.26, 45.72, -69.01

 

CMYK 0 / 45 / 79 / 33

HEX #AA5E24

RGB 170 94 36

HSL 25.97, 0.65%, 0.4%

LAB 47.85, 26.56, 44.81

 

CMYK 79 / 0 / 46 / 34

HEX #24A85B

RGB 36 168 91

HSL 145, 0.65%, 0.4%

LAB 60.9, -51.88, 30.12

 

CMYK 46 / 79 / 0 / 34

HEX #5B24A8

RGB 91 36 168

HSL 265, 0.65%, 0.4%

LAB 30.19, 51.83, -60.72

 

CMYK 0 / 45 / 79 / 33

HEX #AA5E24

RGB 170 94 36

HSL 25.97, 0.65%, 0.4%

LAB 47.85, 26.56, 44.81

 

CMYK 48 / 0 / 79 / 34

HEX #57A824

RGB 87 168 36

HSL 96.82, 0.65%, 0.4%

LAB 61.79, -46.84, 55.84

 

CMYK 79 / 33 / 0 / 34

HEX #2471A8

RGB 36 113 168

HSL 205, 0.65%, 0.4%

LAB 45.65, -3.58, -36.01

 

CMYK 30 / 79 / 0 / 34

HEX #7524A8

RGB 117 36 168

HSL 276.82, 0.65%, 0.4%

LAB 33.71, 56.13, -54.82

 

CMYK 0 / 45 / 79 / 33

HEX #AA5E24

RGB 170 94 36

HSL 25.97, 0.65%, 0.4%

LAB 47.85, 26.56, 44.81

 

CMYK 72 / 0 / 79 / 34

HEX #2FA824

RGB 47 168 36

HSL 115, 0.65%, 0.4%

LAB 60.55, -56.82, 54.22

 

CMYK 79 / 33 / 0 / 34

HEX #2471A8

RGB 36 113 168

HSL 205, 0.65%, 0.4%

LAB 45.65, -3.58, -36.01

 

CMYK 7 / 79 / 0 / 34

HEX #9D24A8

RGB 157 36 168

HSL 295, 0.65%, 0.4%

LAB 40.01, 63.72, -44.34

 

Description

Color code: HEX #AA5E24 | qconv.com Color code: HEX #AA5E24 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 94 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 94 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 79 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 79% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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