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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5E08 it is the complementary color #55A1F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5E08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5E08 shade: #AF5E03, #C07016, #D18229, #E2943C and #F3A64F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5E08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5E08 shade: #AA5E08, #994C00, #883A00, #772800 and #661600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5E08 shade: #AA5E08, #AA3208 and #AA0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5E08 shade: #AA5E08, #AA8A08, #9FAA08, #73AA08 and #47AA08

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5E08 shade matches the following richer shades: #AA5E08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5E08 shade: #AA5E08, #9C5D16, #8E5C25, #7F5C33 and #715B42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5E08 shade: #AA080B, #AA3108, #AA5C08, #AA8708 and #A2AA08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5E08 shade: #5C3304, #834806, #AA5E08, #D2740A and #F48911

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5E08 shade: #AA5E08, #36AA08 and #1B08AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5E08 shade: #AA5E08, #08AA5C and #5C08AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5E08 shade: #AA5E08, #36AA08, #0857AA and #7C08AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5E08 shade: #AA5E08, #08AA0B, #0857AA and #AA08A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

Complementary color

CMYK 66 / 35 / 0 / 3

HEX #55A1F7

RGB 85 161 247

HSL 211.85, 0.91%, 0.65%

LAB 65.07, 2.97, -49.87

 

CMYK 0 / 46 / 98 / 31

HEX #AF5E03

RGB 175 94 3

HSL 31.74, 0.97%, 0.35%

LAB 48.42, 27.92, 56.2

 

CMYK 0 / 42 / 89 / 25

HEX #C07016

RGB 192 112 22

HSL 31.76, 0.79%, 0.42%

LAB 54.92, 25.72, 57.43

 

CMYK 0 / 38 / 80 / 18

HEX #D18229

RGB 209 130 41

HSL 31.79, 0.67%, 0.49%

LAB 61.38, 23.75, 57.31

 

CMYK 0 / 35 / 73 / 11

HEX #E2943C

RGB 226 148 60

HSL 31.81, 0.74%, 0.56%

LAB 67.78, 22.03, 56.39

 

CMYK 0 / 32 / 67 / 5

HEX #F3A64F

RGB 243 166 79

HSL 31.83, 0.87%, 0.63%

LAB 74.12, 20.51, 55.14

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 0 / 50 / 100 / 40

HEX #994C00

RGB 153 76 0

HSL 29.8, 1%, 0.3%

LAB 41.12, 28.25, 50.8

 

CMYK 0 / 57 / 100 / 47

HEX #883A00

RGB 136 58 0

HSL 25.59, 1%, 0.27%

LAB 34.52, 30.73, 45.51

 

CMYK 0 / 66 / 100 / 53

HEX #772800

RGB 119 40 0

HSL 20.17, 1%, 0.23%

LAB 27.95, 32.97, 39.48

 

CMYK 0 / 78 / 100 / 60

HEX #661600

RGB 102 22 0

HSL 12.94, 1%, 0.2%

LAB 21.57, 34.51, 32.16

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 0 / 71 / 95 / 33

HEX #AA3208

RGB 170 50 8

HSL 15.56, 0.91%, 0.35%

LAB 39.32, 47.42, 48.67

 

CMYK 0 / 95 / 95 / 33

HEX #AA0808

RGB 170 8 8

HSL 0, 0.91%, 0.35%

LAB 35.47, 58.22, 46.37

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 0 / 19 / 95 / 33

HEX #AA8A08

RGB 170 138 8

HSL 48.15, 0.91%, 0.35%

LAB 58.73, 1.24, 62.17

 

CMYK 6 / 0 / 95 / 33

HEX #9FAA08

RGB 159 170 8

HSL 64.07, 0.91%, 0.35%

LAB 66.63, -20.64, 67.68

 

CMYK 32 / 0 / 95 / 33

HEX #73AA08

RGB 115 170 8

HSL 80.37, 0.91%, 0.35%

LAB 63.68, -38.86, 64.11

 

CMYK 58 / 0 / 95 / 33

HEX #47AA08

RGB 71 170 8

HSL 96.67, 0.91%, 0.35%

LAB 61.75, -53.31, 61.74

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 0 / 40 / 86 / 39

HEX #9C5D16

RGB 156 93 22

HSL 31.79, 0.75%, 0.35%

LAB 45.57, 20.5, 47.77

 

CMYK 0 / 35 / 74 / 44

HEX #8E5C25

RGB 142 92 37

HSL 31.43, 0.59%, 0.35%

LAB 43.56, 15.35, 38.77

 

CMYK 0 / 28 / 60 / 50

HEX #7F5C33

RGB 127 92 51

HSL 32.37, 0.43%, 0.35%

LAB 41.85, 9.41, 28.94

 

CMYK 0 / 19 / 42 / 56

HEX #715B42

RGB 113 91 66

HSL 31.91, 0.26%, 0.35%

LAB 40.22, 5.2, 17.81

 

CMYK 0 / 95 / 94 / 33

HEX #AA080B

RGB 170 8 11

HSL 358.89, 0.91%, 0.35%

LAB 35.49, 58.26, 45.24

 

CMYK 0 / 71 / 95 / 33

HEX #AA3108

RGB 170 49 8

HSL 15.19, 0.91%, 0.35%

LAB 39.17, 47.82, 48.58

 

CMYK 0 / 46 / 95 / 33

HEX #AA5C08

RGB 170 92 8

HSL 31.11, 0.91%, 0.35%

LAB 47.26, 26.93, 53.92

 

CMYK 0 / 21 / 95 / 33

HEX #AA8708

RGB 170 135 8

HSL 47.04, 0.91%, 0.35%

LAB 57.93, 2.89, 61.58

 

CMYK 5 / 0 / 95 / 33

HEX #A2AA08

RGB 162 170 8

HSL 62.96, 0.91%, 0.35%

LAB 66.86, -19.32, 67.96

 

CMYK 0 / 45 / 96 / 64

HEX #5C3304

RGB 92 51 4

HSL 32.05, 0.92%, 0.19%

LAB 25.72, 14.96, 34.09

 

CMYK 0 / 45 / 95 / 49

HEX #834806

RGB 131 72 6

HSL 31.68, 0.91%, 0.27%

LAB 36.88, 20.87, 44.5

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 0 / 45 / 95 / 18

HEX #D2740A

RGB 210 116 10

HSL 31.8, 0.91%, 0.43%

LAB 58.24, 30.99, 63.72

 

CMYK 0 / 44 / 93 / 4

HEX #F48911

RGB 244 137 17

HSL 31.72, 0.91%, 0.51%

LAB 67.4, 34.09, 70.95

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 68 / 0 / 95 / 33

HEX #36AA08

RGB 54 170 8

HSL 102.96, 0.91%, 0.35%

LAB 61.27, -57.31, 61.15

 

CMYK 84 / 95 / 0 / 33

HEX #1B08AA

RGB 27 8 170

HSL 247.04, 0.91%, 0.35%

LAB 21.24, 56.71, -76.92

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 95 / 0 / 46 / 33

HEX #08AA5C

RGB 8 170 92

HSL 151.11, 0.91%, 0.35%

LAB 61.28, -54.73, 30.03

 

CMYK 46 / 95 / 0 / 33

HEX #5C08AA

RGB 92 8 170

HSL 271.11, 0.91%, 0.35%

LAB 27.71, 60.7, -65.99

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 68 / 0 / 95 / 33

HEX #36AA08

RGB 54 170 8

HSL 102.96, 0.91%, 0.35%

LAB 61.27, -57.31, 61.15

 

CMYK 95 / 49 / 0 / 33

HEX #0857AA

RGB 8 87 170

HSL 210.74, 0.91%, 0.35%

LAB 37.43, 11.62, -50.34

 

CMYK 27 / 95 / 0 / 33

HEX #7C08AA

RGB 124 8 170

HSL 282.96, 0.91%, 0.35%

LAB 32.62, 64.53, -57.76

 

CMYK 0 / 45 / 95 / 33

HEX #AA5E08

RGB 170 94 8

HSL 31.85, 0.91%, 0.35%

LAB 47.71, 25.83, 54.24

 

CMYK 95 / 0 / 94 / 33

HEX #08AA0B

RGB 8 170 11

HSL 121.11, 0.91%, 0.35%

LAB 60.63, -62.91, 59.95

 

CMYK 95 / 49 / 0 / 33

HEX #0857AA

RGB 8 87 170

HSL 210.74, 0.91%, 0.35%

LAB 37.43, 11.62, -50.34

 

CMYK 0 / 95 / 1 / 33

HEX #AA08A8

RGB 170 8 168

HSL 300.74, 0.91%, 0.35%

LAB 40.49, 71.37, -43.45

 

Description

Color code: HEX #AA5E08 | qconv.com Color code: HEX #AA5E08 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 94 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 94 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 95 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 95% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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