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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA5887 it is the complementary color #55A778. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA5887. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA5887 shade: #AF5882, #C06A95, #D17CA8, #E28EBB and #F3A0CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA5887. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA5887 shade: #AA5887, #994674, #883461, #77224E and #66103B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA5887 shade: #AB5988, #AB5972, #AB595C and #AB5959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA5887 shade: #AB5988, #AB599E, #A259AB, #8C59AB and #7659AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA5887 shade matches the following richer shades: #AB5988, #C0458B, #D4308E, #E81C91 and #FC0894

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA5887 shade: #AB5988, #976D85, #838182, #6F957F and #5AAA7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA5887 shade: #A259AB, #AB599F, #AB5989, #AB5973 and #AB595D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA5887 shade: #763B5D, #924973, #AB5988, #B9749C and #C790AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA5887 shade: #AA5887, #AB8C59 and #59AAAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA5887 shade: #AA5887, #89AB59 and #5989AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA5887 shade: #AA5887, #AB8C59, #59AB7B and #5978AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA5887 shade: #AA5887, #ABA459, #59AB7B and #5960AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 21 / 33

HEX #AA5887

RGB 170 88 135

HSL 325.61, 0.33%, 0.51%

LAB 48.6, 39.48, -11.03

 

Complementary color

CMYK 49 / 0 / 28 / 35

HEX #55A778

RGB 85 167 120

HSL 145.61, 0.33%, 0.49%

LAB 62.44, -36.06, 16.77

 

CMYK 0 / 50 / 26 / 31

HEX #AF5882

RGB 175 88 130

HSL 331.03, 0.35%, 0.52%

LAB 49.14, 40.44, -7.17

 

CMYK 0 / 45 / 22 / 25

HEX #C06A95

RGB 192 106 149

HSL 330, 0.41%, 0.58%

LAB 55.77, 39.63, -8.26

 

CMYK 0 / 41 / 20 / 18

HEX #D17CA8

RGB 209 124 168

HSL 328.94, 0.48%, 0.65%

LAB 62.34, 38.81, -9.19

 

CMYK 0 / 37 / 17 / 11

HEX #E28EBB

RGB 226 142 187

HSL 327.86, 0.59%, 0.72%

LAB 68.83, 38.02, -10.01

 

CMYK 0 / 34 / 15 / 5

HEX #F3A0CE

RGB 243 160 206

HSL 326.75, 0.78%, 0.79%

LAB 75.23, 37.26, -10.74

 

CMYK 0 / 48 / 21 / 33

HEX #AA5887

RGB 170 88 135

HSL 325.61, 0.33%, 0.51%

LAB 48.6, 39.48, -11.03

 

CMYK 0 / 54 / 24 / 40

HEX #994674

RGB 153 70 116

HSL 326.75, 0.37%, 0.44%

LAB 41.87, 40.24, -9.89

 

CMYK 0 / 62 / 29 / 47

HEX #883461

RGB 136 52 97

HSL 327.86, 0.45%, 0.37%

LAB 35.11, 40.83, -8.42

 

CMYK 0 / 71 / 34 / 53

HEX #77224E

RGB 119 34 78

HSL 328.94, 0.56%, 0.3%

LAB 28.42, 41.01, -6.43

 

CMYK 0 / 84 / 42 / 60

HEX #66103B

RGB 102 16 59

HSL 330, 0.73%, 0.23%

LAB 21.98, 40.26, -3.53

 

CMYK 0 / 48 / 20 / 33

HEX #AB5988

RGB 171 89 136

HSL 325.61, 0.33%, 0.51%

LAB 48.98, 39.45, -11.04

 

CMYK 0 / 48 / 33 / 33

HEX #AB5972

RGB 171 89 114

HSL 341.71, 0.33%, 0.51%

LAB 48.28, 36.31, 1.12

 

CMYK 0 / 48 / 46 / 33

HEX #AB595C

RGB 171 89 92

HSL 357.8, 0.33%, 0.51%

LAB 47.72, 33.72, 13.58

 

CMYK 0 / 48 / 48 / 33

HEX #AB5959

RGB 171 89 89

HSL 0, 0.33%, 0.51%

LAB 47.65, 33.41, 15.29

 

CMYK 0 / 48 / 20 / 33

HEX #AB5988

RGB 171 89 136

HSL 325.61, 0.33%, 0.51%

LAB 48.98, 39.45, -11.04

 

CMYK 0 / 48 / 8 / 33

HEX #AB599E

RGB 171 89 158

HSL 309.51, 0.33%, 0.51%

LAB 49.82, 43.08, -22.83

 

CMYK 5 / 48 / 0 / 33

HEX #A259AB

RGB 162 89 171

HSL 293.41, 0.33%, 0.51%

LAB 49.21, 42.75, -31.51

 

CMYK 18 / 48 / 0 / 33

HEX #8C59AB

RGB 140 89 171

HSL 277.32, 0.33%, 0.51%

LAB 46.53, 36.26, -35.92

 

CMYK 31 / 48 / 0 / 33

HEX #7659AB

RGB 118 89 171

HSL 261.22, 0.33%, 0.51%

LAB 44.14, 29.98, -39.84

 

CMYK 0 / 48 / 20 / 33

HEX #AB5988

RGB 171 89 136

HSL 325.61, 0.33%, 0.51%

LAB 48.98, 39.45, -11.04

 

CMYK 0 / 64 / 28 / 25

HEX #C0458B

RGB 192 69 139

HSL 325.85, 0.49%, 0.51%

LAB 48.67, 56.02, -13

 

CMYK 0 / 77 / 33 / 17

HEX #D4308E

RGB 212 48 142

HSL 325.61, 0.66%, 0.51%

LAB 49.57, 69.1, -13.11

 

CMYK 0 / 88 / 38 / 9

HEX #E81C91

RGB 232 28 145

HSL 325.59, 0.82%, 0.51%

LAB 51.87, 78.37, -11.08

 

CMYK 0 / 97 / 41 / 1

HEX #FC0894

RGB 252 8 148

HSL 325.57, 0.98%, 0.51%

LAB 55.08, 84.98, -7.67

 

CMYK 0 / 48 / 20 / 33

HEX #AB5988

RGB 171 89 136

HSL 325.61, 0.33%, 0.51%

LAB 48.98, 39.45, -11.04

 

CMYK 0 / 28 / 12 / 41

HEX #976D85

RGB 151 109 133

HSL 325.71, 0.17%, 0.51%

LAB 50.93, 20.64, -6.6

 

CMYK 0 / 2 / 1 / 49

HEX #838182

RGB 131 129 130

HSL 330, 0.01%, 0.51%

LAB 54.17, 0.95, -0.28

 

CMYK 26 / 0 / 15 / 42

HEX #6F957F

RGB 111 149 127

HSL 145.26, 0.15%, 0.51%

LAB 58.42, -17.87, 7.4

 

CMYK 47 / 0 / 27 / 33

HEX #5AAA7C

RGB 90 170 124

HSL 145.5, 0.32%, 0.51%

LAB 63.65, -35.28, 16.28

 

CMYK 5 / 48 / 0 / 33

HEX #A259AB

RGB 162 89 171

HSL 293.41, 0.33%, 0.51%

LAB 49.21, 42.75, -31.51

 

CMYK 0 / 48 / 7 / 33

HEX #AB599F

RGB 171 89 159

HSL 308.78, 0.33%, 0.51%

LAB 49.87, 43.25, -23.35

 

CMYK 0 / 48 / 20 / 33

HEX #AB5989

RGB 171 89 137

HSL 324.88, 0.33%, 0.51%

LAB 49.02, 39.6, -11.59

 

CMYK 0 / 48 / 33 / 33

HEX #AB5973

RGB 171 89 115

HSL 340.98, 0.33%, 0.51%

LAB 48.31, 36.45, 0.56

 

CMYK 0 / 48 / 46 / 33

HEX #AB595D

RGB 171 89 93

HSL 357.07, 0.33%, 0.51%

LAB 47.74, 33.83, 13.01

 

CMYK 0 / 50 / 21 / 54

HEX #763B5D

RGB 118 59 93

HSL 325.42, 0.33%, 0.35%

LAB 33.5, 30.39, -8.58

 

CMYK 0 / 50 / 21 / 43

HEX #924973

RGB 146 73 115

HSL 325.48, 0.33%, 0.43%

LAB 41.4, 36.13, -10.08

 

CMYK 0 / 48 / 20 / 33

HEX #AB5988

RGB 171 89 136

HSL 325.61, 0.33%, 0.51%

LAB 48.98, 39.45, -11.04

 

CMYK 0 / 37 / 16 / 27

HEX #B9749C

RGB 185 116 156

HSL 325.22, 0.33%, 0.59%

LAB 57.27, 32.91, -10.17

 

CMYK 0 / 28 / 12 / 22

HEX #C790AF

RGB 199 144 175

HSL 326.18, 0.33%, 0.67%

LAB 65.89, 25.62, -7.97

 

CMYK 0 / 48 / 21 / 33

HEX #AA5887

RGB 170 88 135

HSL 325.61, 0.33%, 0.51%

LAB 48.6, 39.48, -11.03

 

CMYK 0 / 18 / 48 / 33

HEX #AB8C59

RGB 171 140 89

HSL 37.32, 0.33%, 0.51%

LAB 60.01, 4.96, 31.55

 

CMYK 48 / 1 / 0 / 33

HEX #59AAAB

RGB 89 170 171

HSL 180.73, 0.33%, 0.51%

LAB 64.81, -24.41, -8.18

 

CMYK 0 / 48 / 21 / 33

HEX #AA5887

RGB 170 88 135

HSL 325.61, 0.33%, 0.51%

LAB 48.6, 39.48, -11.03

 

CMYK 20 / 0 / 48 / 33

HEX #89AB59

RGB 137 171 89

HSL 84.88, 0.33%, 0.51%

LAB 65.88, -25.53, 38.26

 

CMYK 48 / 20 / 0 / 33

HEX #5989AB

RGB 89 137 171

HSL 204.88, 0.33%, 0.51%

LAB 55.03, -6.7, -22.99

 

CMYK 0 / 48 / 21 / 33

HEX #AA5887

RGB 170 88 135

HSL 325.61, 0.33%, 0.51%

LAB 48.6, 39.48, -11.03

 

CMYK 0 / 18 / 48 / 33

HEX #AB8C59

RGB 171 140 89

HSL 37.32, 0.33%, 0.51%

LAB 60.01, 4.96, 31.55

 

CMYK 48 / 0 / 28 / 33

HEX #59AB7B

RGB 89 171 123

HSL 144.88, 0.33%, 0.51%

LAB 63.9, -36.21, 17.16

 

CMYK 48 / 30 / 0 / 33

HEX #5978AB

RGB 89 120 171

HSL 217.32, 0.33%, 0.51%

LAB 50.09, 3.24, -30.63

 

CMYK 0 / 48 / 21 / 33

HEX #AA5887

RGB 170 88 135

HSL 325.61, 0.33%, 0.51%

LAB 48.6, 39.48, -11.03

 

CMYK 0 / 4 / 48 / 33

HEX #ABA459

RGB 171 164 89

HSL 54.88, 0.33%, 0.51%

LAB 66.47, -8.08, 39.57

 

CMYK 48 / 0 / 28 / 33

HEX #59AB7B

RGB 89 171 123

HSL 144.88, 0.33%, 0.51%

LAB 63.9, -36.21, 17.16

 

CMYK 48 / 44 / 0 / 33

HEX #5960AB

RGB 89 96 171

HSL 234.88, 0.33%, 0.51%

LAB 43.4, 18.02, -41.17

 

Description

Color code: HEX #AA5887 | qconv.com Color code: HEX #AA5887 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 88 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 88 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 21 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 21% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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