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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA56B2 it is the complementary color #55A94D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA56B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA56B2 shade: #AF56AD, #C068C0, #D17AD3, #E28CE6 and #F39EF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA56B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA56B2 shade: #AA56B2, #99449F, #88328C, #772079 and #660E66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA56B2 shade: #AA57B2, #B257A1, #B25789, #B25770 and #B25758

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA56B2 shade: #AA57B2, #9257B2, #7957B2, #6157B2 and #5757B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA56B2 shade matches the following richer shades: #AA57B2, #BA44C6, #CB30D9 and #DB1CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA56B2 shade: #AA57B2, #9A6B9E, #897F8A, #799376 and #69A763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA56B2 shade: #7957B2, #9157B2, #A957B2, #B257A3 and #B2578B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA56B2 shade: #773A7D, #924799, #AA57B2, #B874BF and #C790CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA56B2 shade: #AA56B2, #B26057 and #57B285

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA56B2 shade: #AA56B2, #B2A957 and #57B2A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA56B2 shade: #AA56B2, #B26057, #60B257 and #57A9B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA56B2 shade: #AA56B2, #B27C57, #60B257 and #578EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 52 / 0 / 30

HEX #AA56B2

RGB 170 86 178

HSL 294.78, 0.37%, 0.52%

LAB 50, 47.99, -34.3

 

Complementary color

CMYK 50 / 0 / 54 / 34

HEX #55A94D

RGB 85 169 77

HSL 114.78, 0.37%, 0.48%

LAB 62.37, -44.07, 39.35

 

CMYK 0 / 51 / 1 / 31

HEX #AF56AD

RGB 175 86 173

HSL 301.35, 0.36%, 0.51%

LAB 50.44, 48.49, -30.64

 

CMYK 0 / 46 / 0 / 25

HEX #C068C0

RGB 192 104 192

HSL 300, 0.41%, 0.58%

LAB 56.99, 47.83, -31.25

 

CMYK 1 / 42 / 0 / 17

HEX #D17AD3

RGB 209 122 211

HSL 298.65, 0.5%, 0.65%

LAB 63.49, 47.11, -31.75

 

CMYK 2 / 39 / 0 / 10

HEX #E28CE6

RGB 226 140 230

HSL 297.33, 0.64%, 0.73%

LAB 69.92, 46.37, -32.18

 

CMYK 2 / 37 / 0 / 2

HEX #F39EF9

RGB 243 158 249

HSL 296.04, 0.88%, 0.8%

LAB 76.28, 45.64, -32.57

 

CMYK 4 / 52 / 0 / 30

HEX #AA56B2

RGB 170 86 178

HSL 294.78, 0.37%, 0.52%

LAB 50, 47.99, -34.3

 

CMYK 4 / 57 / 0 / 38

HEX #99449F

RGB 153 68 159

HSL 296.04, 0.4%, 0.45%

LAB 43.37, 48.55, -33.66

 

CMYK 3 / 64 / 0 / 45

HEX #88328C

RGB 136 50 140

HSL 297.33, 0.47%, 0.37%

LAB 36.76, 48.82, -32.77

 

CMYK 2 / 74 / 0 / 53

HEX #772079

RGB 119 32 121

HSL 298.65, 0.58%, 0.3%

LAB 30.24, 48.51, -31.44

 

CMYK 0 / 86 / 0 / 60

HEX #660E66

RGB 102 14 102

HSL 300, 0.76%, 0.23%

LAB 23.99, 47.05, -29.37

 

CMYK 4 / 51 / 0 / 30

HEX #AA57B2

RGB 170 87 178

HSL 294.73, 0.37%, 0.52%

LAB 50.19, 47.48, -34

 

CMYK 0 / 51 / 10 / 30

HEX #B257A1

RGB 178 87 161

HSL 311.21, 0.37%, 0.52%

LAB 50.52, 46.78, -23.45

 

CMYK 0 / 51 / 23 / 30

HEX #B25789

RGB 178 87 137

HSL 327.03, 0.37%, 0.52%

LAB 49.6, 42.98, -10.61

 

CMYK 0 / 51 / 37 / 30

HEX #B25770

RGB 178 87 112

HSL 343.52, 0.37%, 0.52%

LAB 48.82, 39.63, 3.24

 

CMYK 0 / 51 / 51 / 30

HEX #B25758

RGB 178 87 88

HSL 359.34, 0.37%, 0.52%

LAB 48.24, 37.05, 16.86

 

CMYK 4 / 51 / 0 / 30

HEX #AA57B2

RGB 170 87 178

HSL 294.73, 0.37%, 0.52%

LAB 50.19, 47.48, -34

 

CMYK 18 / 51 / 0 / 30

HEX #9257B2

RGB 146 87 178

HSL 278.9, 0.37%, 0.52%

LAB 47.16, 40.68, -38.98

 

CMYK 32 / 51 / 0 / 30

HEX #7957B2

RGB 121 87 178

HSL 262.42, 0.37%, 0.52%

LAB 44.37, 33.82, -43.58

 

CMYK 46 / 51 / 0 / 30

HEX #6157B2

RGB 97 87 178

HSL 246.59, 0.37%, 0.52%

LAB 42.11, 27.73, -47.32

 

CMYK 51 / 51 / 0 / 30

HEX #5757B2

RGB 87 87 178

HSL 240, 0.37%, 0.52%

LAB 41.31, 25.42, -48.65

 

CMYK 4 / 51 / 0 / 30

HEX #AA57B2

RGB 170 87 178

HSL 294.73, 0.37%, 0.52%

LAB 50.19, 47.48, -34

 

CMYK 6 / 66 / 0 / 22

HEX #BA44C6

RGB 186 68 198

HSL 294.46, 0.53%, 0.52%

LAB 50.28, 64, -45.31

 

CMYK 6 / 78 / 0 / 15

HEX #CB30D9

RGB 203 48 217

HSL 295.03, 0.69%, 0.52%

LAB 51.63, 77.5, -53.89

 

CMYK 8 / 88 / 0 / 7

HEX #DB1CED

RGB 219 28 237

HSL 294.83, 0.85%, 0.52%

LAB 54.03, 87.59, -61.22

 

CMYK 4 / 51 / 0 / 30

HEX #AA57B2

RGB 170 87 178

HSL 294.73, 0.37%, 0.52%

LAB 50.19, 47.48, -34

 

CMYK 3 / 32 / 0 / 38

HEX #9A6B9E

RGB 154 107 158

HSL 295.29, 0.21%, 0.52%

LAB 51.67, 27.62, -20.17

 

CMYK 1 / 8 / 0 / 46

HEX #897F8A

RGB 137 127 138

HSL 294.55, 0.04%, 0.52%

LAB 54.38, 5.92, -4.57

 

CMYK 18 / 0 / 20 / 42

HEX #799376

RGB 121 147 118

HSL 113.79, 0.12%, 0.52%

LAB 58.26, -15.03, 12.37

 

CMYK 37 / 0 / 41 / 35

HEX #69A763

RGB 105 167 99

HSL 114.71, 0.28%, 0.52%

LAB 62.96, -33.84, 29

 

CMYK 32 / 51 / 0 / 30

HEX #7957B2

RGB 121 87 178

HSL 262.42, 0.37%, 0.52%

LAB 44.37, 33.82, -43.58

 

CMYK 19 / 51 / 0 / 30

HEX #9157B2

RGB 145 87 178

HSL 278.24, 0.37%, 0.52%

LAB 47.04, 40.4, -39.17

 

CMYK 5 / 51 / 0 / 30

HEX #A957B2

RGB 169 87 178

HSL 294.07, 0.37%, 0.52%

LAB 50.06, 47.2, -34.22

 

CMYK 0 / 51 / 8 / 30

HEX #B257A3

RGB 178 87 163

HSL 309.89, 0.37%, 0.52%

LAB 50.6, 47.12, -24.5

 

CMYK 0 / 51 / 22 / 30

HEX #B2578B

RGB 178 87 139

HSL 325.71, 0.37%, 0.52%

LAB 49.67, 43.28, -11.7

 

CMYK 5 / 54 / 0 / 51

HEX #773A7D

RGB 119 58 125

HSL 294.63, 0.37%, 0.36%

LAB 34.86, 37.21, -26.66

 

CMYK 5 / 54 / 0 / 40

HEX #924799

RGB 146 71 153

HSL 294.88, 0.37%, 0.44%

LAB 42.64, 43.93, -31.29

 

CMYK 4 / 51 / 0 / 30

HEX #AA57B2

RGB 170 87 178

HSL 294.73, 0.37%, 0.52%

LAB 50.19, 47.48, -34

 

CMYK 4 / 39 / 0 / 25

HEX #B874BF

RGB 184 116 191

HSL 294.4, 0.37%, 0.6%

LAB 58.45, 38.87, -28.49

 

CMYK 2 / 29 / 0 / 20

HEX #C790CC

RGB 199 144 204

HSL 295, 0.37%, 0.68%

LAB 66.86, 30.87, -22.75

 

CMYK 4 / 52 / 0 / 30

HEX #AA56B2

RGB 170 86 178

HSL 294.78, 0.37%, 0.52%

LAB 50, 47.99, -34.3

 

CMYK 0 / 46 / 51 / 30

HEX #B26057

RGB 178 96 87

HSL 5.93, 0.37%, 0.52%

LAB 50.12, 32.18, 19.98

 

CMYK 51 / 0 / 25 / 30

HEX #57B285

RGB 87 178 133

HSL 150.33, 0.37%, 0.52%

LAB 66.18, -37.84, 14.84

 

CMYK 4 / 52 / 0 / 30

HEX #AA56B2

RGB 170 86 178

HSL 294.78, 0.37%, 0.52%

LAB 50, 47.99, -34.3

 

CMYK 0 / 5 / 51 / 30

HEX #B2A957

RGB 178 169 87

HSL 54.07, 0.37%, 0.52%

LAB 68.41, -7.96, 43.05

 

CMYK 51 / 0 / 5 / 30

HEX #57B2A9

RGB 87 178 169

HSL 174.07, 0.37%, 0.52%

LAB 67.08, -29.35, -3.73

 

CMYK 4 / 52 / 0 / 30

HEX #AA56B2

RGB 170 86 178

HSL 294.78, 0.37%, 0.52%

LAB 50, 47.99, -34.3

 

CMYK 0 / 46 / 51 / 30

HEX #B26057

RGB 178 96 87

HSL 5.93, 0.37%, 0.52%

LAB 50.12, 32.18, 19.98

 

CMYK 46 / 0 / 51 / 30

HEX #60B257

RGB 96 178 87

HSL 114.07, 0.37%, 0.52%

LAB 65.76, -43.28, 38.62

 

CMYK 51 / 5 / 0 / 30

HEX #57A9B2

RGB 87 169 178

HSL 185.93, 0.37%, 0.52%

LAB 64.66, -22.44, -12.33

 

CMYK 4 / 52 / 0 / 30

HEX #AA56B2

RGB 170 86 178

HSL 294.78, 0.37%, 0.52%

LAB 50, 47.99, -34.3

 

CMYK 0 / 30 / 51 / 30

HEX #B27C57

RGB 178 124 87

HSL 24.4, 0.37%, 0.52%

LAB 56.65, 16.69, 28.53

 

CMYK 46 / 0 / 51 / 30

HEX #60B257

RGB 96 178 87

HSL 114.07, 0.37%, 0.52%

LAB 65.76, -43.28, 38.62

 

CMYK 51 / 20 / 0 / 30

HEX #578EB2

RGB 87 142 178

HSL 203.74, 0.37%, 0.52%

LAB 56.67, -7.93, -24.48

 

Description

Color code: HEX #AA56B2 | qconv.com Color code: HEX #AA56B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 86 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 86 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 52 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 52% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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