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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA50B6 it is the complementary color #55AF49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA50B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA50B6 shade: #AF50B1, #C062C4, #D174D7, #E286EA and #F398FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA50B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA50B6 shade: #AA50B6, #993EA3, #882C90, #771A7D and #66086A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA50B6 shade: #A94FB5, #B54FA6, #B54F8A, #B54F6E and #B54F53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA50B6 shade: #A94FB5, #8E4FB5, #724FB5, #564FB5 and #4F4FB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA50B6 shade matches the following richer shades: #A94FB5, #B93BC9, #C826DE and #D812F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA50B6 shade: #A94FB5, #9A63A1, #8A778D, #7B8B79 and #6BA064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA50B6 shade: #714FB5, #8C4FB5, #A84FB5, #B54FA8 and #B54F8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA50B6 shade: #75347D, #90419A, #A94FB5, #B76CC1 and #C689CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA50B6 shade: #AA50B6, #B5564F and #4FB57F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA50B6 shade: #AA50B6, #B5A84F and #4FB5A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA50B6 shade: #AA50B6, #B5564F, #5CB54F and #4FAEB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA50B6 shade: #AA50B6, #B5744F, #5CB54F and #4F90B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 56 / 0 / 29

HEX #AA50B6

RGB 170 80 182

HSL 292.94, 0.41%, 0.51%

LAB 49.08, 51.73, -38.07

 

Complementary color

CMYK 51 / 0 / 58 / 31

HEX #55AF49

RGB 85 175 73

HSL 112.94, 0.41%, 0.49%

LAB 64.22, -47, 43.45

 

CMYK 1 / 55 / 0 / 31

HEX #AF50B1

RGB 175 80 177

HSL 298.76, 0.38%, 0.5%

LAB 49.53, 52.15, -34.41

 

CMYK 2 / 50 / 0 / 23

HEX #C062C4

RGB 192 98 196

HSL 297.55, 0.45%, 0.58%

LAB 56.01, 51.59, -35.06

 

CMYK 3 / 46 / 0 / 16

HEX #D174D7

RGB 209 116 215

HSL 296.36, 0.55%, 0.65%

LAB 62.47, 50.91, -35.58

 

CMYK 3 / 43 / 0 / 8

HEX #E286EA

RGB 226 134 234

HSL 295.2, 0.7%, 0.72%

LAB 68.87, 50.2, -36.02

 

CMYK 4 / 40 / 0 / 1

HEX #F398FD

RGB 243 152 253

HSL 294.06, 0.96%, 0.79%

LAB 75.2, 49.47, -36.4

 

CMYK 7 / 56 / 0 / 29

HEX #AA50B6

RGB 170 80 182

HSL 292.94, 0.41%, 0.51%

LAB 49.08, 51.73, -38.07

 

CMYK 6 / 62 / 0 / 36

HEX #993EA3

RGB 153 62 163

HSL 294.06, 0.45%, 0.44%

LAB 42.55, 52.12, -37.34

 

CMYK 6 / 69 / 0 / 44

HEX #882C90

RGB 136 44 144

HSL 295.2, 0.53%, 0.37%

LAB 36.08, 52.1, -36.3

 

CMYK 5 / 79 / 0 / 51

HEX #771A7D

RGB 119 26 125

HSL 296.36, 0.66%, 0.3%

LAB 29.77, 51.31, -34.73

 

CMYK 4 / 92 / 0 / 58

HEX #66086A

RGB 102 8 106

HSL 297.55, 0.86%, 0.22%

LAB 23.8, 49.09, -32.29

 

CMYK 7 / 56 / 0 / 29

HEX #A94FB5

RGB 169 79 181

HSL 292.94, 0.41%, 0.51%

LAB 48.71, 51.75, -38.08

 

CMYK 0 / 56 / 8 / 29

HEX #B54FA6

RGB 181 79 166

HSL 308.82, 0.41%, 0.51%

LAB 49.7, 52.39, -27.62

 

CMYK 0 / 56 / 24 / 29

HEX #B54F8A

RGB 181 79 138

HSL 325.29, 0.41%, 0.51%

LAB 48.57, 48.06, -12.71

 

CMYK 0 / 56 / 39 / 29

HEX #B54F6E

RGB 181 79 110

HSL 341.76, 0.41%, 0.51%

LAB 47.68, 44.46, 2.85

 

CMYK 0 / 56 / 54 / 29

HEX #B54F53

RGB 181 79 83

HSL 357.65, 0.41%, 0.51%

LAB 47.03, 41.76, 18.3

 

CMYK 7 / 56 / 0 / 29

HEX #A94FB5

RGB 169 79 181

HSL 292.94, 0.41%, 0.51%

LAB 48.71, 51.75, -38.08

 

CMYK 22 / 56 / 0 / 29

HEX #8E4FB5

RGB 142 79 181

HSL 277.06, 0.41%, 0.51%

LAB 45.19, 44.59, -43.89

 

CMYK 37 / 56 / 0 / 29

HEX #724FB5

RGB 114 79 181

HSL 260.59, 0.41%, 0.51%

LAB 42.01, 37.5, -49.16

 

CMYK 52 / 56 / 0 / 29

HEX #564FB5

RGB 86 79 181

HSL 244.12, 0.41%, 0.51%

LAB 39.42, 31.16, -53.45

 

CMYK 56 / 56 / 0 / 29

HEX #4F4FB5

RGB 79 79 181

HSL 240, 0.41%, 0.51%

LAB 38.88, 29.75, -54.35

 

CMYK 7 / 56 / 0 / 29

HEX #A94FB5

RGB 169 79 181

HSL 292.94, 0.41%, 0.51%

LAB 48.71, 51.75, -38.08

 

CMYK 8 / 71 / 0 / 21

HEX #B93BC9

RGB 185 59 201

HSL 293.24, 0.57%, 0.51%

LAB 49.08, 67.73, -48.96

 

CMYK 10 / 83 / 0 / 13

HEX #C826DE

RGB 200 38 222

HSL 292.83, 0.74%, 0.51%

LAB 50.62, 80.22, -58.39

 

CMYK 11 / 93 / 0 / 5

HEX #D812F2

RGB 216 18 242

HSL 293.04, 0.9%, 0.51%

LAB 53.43, 89.16, -65.02

 

CMYK 7 / 56 / 0 / 29

HEX #A94FB5

RGB 169 79 181

HSL 292.94, 0.41%, 0.51%

LAB 48.71, 51.75, -38.08

 

CMYK 4 / 39 / 0 / 37

HEX #9A63A1

RGB 154 99 161

HSL 293.23, 0.25%, 0.51%

LAB 49.94, 32.78, -24.59

 

CMYK 2 / 16 / 0 / 45

HEX #8A778D

RGB 138 119 141

HSL 291.82, 0.09%, 0.51%

LAB 52.42, 11.55, -9.23

 

CMYK 12 / 0 / 13 / 45

HEX #7B8B79

RGB 123 139 121

HSL 113.33, 0.07%, 0.51%

LAB 56.14, -9.41, 7.68

 

CMYK 33 / 0 / 38 / 37

HEX #6BA064

RGB 107 160 100

HSL 113, 0.24%, 0.51%

LAB 60.95, -29.71, 25.85

 

CMYK 38 / 56 / 0 / 29

HEX #714FB5

RGB 113 79 181

HSL 260, 0.41%, 0.51%

LAB 41.91, 37.26, -49.33

 

CMYK 23 / 56 / 0 / 29

HEX #8C4FB5

RGB 140 79 181

HSL 275.88, 0.41%, 0.51%

LAB 44.95, 44.07, -44.29

 

CMYK 7 / 56 / 0 / 29

HEX #A84FB5

RGB 168 79 181

HSL 292.35, 0.41%, 0.51%

LAB 48.58, 51.49, -38.3

 

CMYK 0 / 56 / 7 / 29

HEX #B54FA8

RGB 181 79 168

HSL 307.65, 0.41%, 0.51%

LAB 49.79, 52.72, -28.66

 

CMYK 0 / 56 / 23 / 29

HEX #B54F8C

RGB 181 79 140

HSL 324.12, 0.41%, 0.51%

LAB 48.65, 48.34, -13.8

 

CMYK 6 / 58 / 0 / 51

HEX #75347D

RGB 117 52 125

HSL 293.42, 0.41%, 0.35%

LAB 33.39, 39.78, -29

 

CMYK 6 / 58 / 0 / 40

HEX #90419A

RGB 144 65 154

HSL 293.26, 0.41%, 0.43%

LAB 41.28, 46.59, -34.04

 

CMYK 7 / 56 / 0 / 29

HEX #A94FB5

RGB 169 79 181

HSL 292.94, 0.41%, 0.51%

LAB 48.71, 51.75, -38.08

 

CMYK 5 / 44 / 0 / 24

HEX #B76CC1

RGB 183 108 193

HSL 292.94, 0.41%, 0.59%

LAB 56.73, 43.25, -32.32

 

CMYK 4 / 33 / 0 / 19

HEX #C689CE

RGB 198 137 206

HSL 293.04, 0.41%, 0.67%

LAB 65.24, 34.77, -26.35

 

CMYK 7 / 56 / 0 / 29

HEX #AA50B6

RGB 170 80 182

HSL 292.94, 0.41%, 0.51%

LAB 49.08, 51.73, -38.07

 

CMYK 0 / 52 / 56 / 29

HEX #B5564F

RGB 181 86 79

HSL 4.12, 0.41%, 0.51%

LAB 48.32, 37.91, 22.39

 

CMYK 56 / 0 / 30 / 29

HEX #4FB57F

RGB 79 181 127

HSL 148.24, 0.41%, 0.51%

LAB 66.7, -42.31, 18.78

 

CMYK 7 / 56 / 0 / 29

HEX #AA50B6

RGB 170 80 182

HSL 292.94, 0.41%, 0.51%

LAB 49.08, 51.73, -38.07

 

CMYK 0 / 7 / 56 / 29

HEX #B5A84F

RGB 181 168 79

HSL 52.35, 0.41%, 0.51%

LAB 68.31, -6.84, 46.9

 

CMYK 56 / 0 / 7 / 29

HEX #4FB5A8

RGB 79 181 168

HSL 172.35, 0.41%, 0.51%

LAB 67.68, -32.75, -2.32

 

CMYK 7 / 56 / 0 / 29

HEX #AA50B6

RGB 170 80 182

HSL 292.94, 0.41%, 0.51%

LAB 49.08, 51.73, -38.07

 

CMYK 0 / 52 / 56 / 29

HEX #B5564F

RGB 181 86 79

HSL 4.12, 0.41%, 0.51%

LAB 48.32, 37.91, 22.39

 

CMYK 49 / 0 / 56 / 29

HEX #5CB54F

RGB 92 181 79

HSL 112.35, 0.41%, 0.51%

LAB 66.43, -46.71, 43.28

 

CMYK 56 / 4 / 0 / 29

HEX #4FAEB5

RGB 79 174 181

HSL 184.12, 0.41%, 0.51%

LAB 65.96, -25.8, -12.08

 

CMYK 7 / 56 / 0 / 29

HEX #AA50B6

RGB 170 80 182

HSL 292.94, 0.41%, 0.51%

LAB 49.08, 51.73, -38.07

 

CMYK 0 / 36 / 56 / 29

HEX #B5744F

RGB 181 116 79

HSL 21.76, 0.41%, 0.51%

LAB 54.95, 21.71, 30.88

 

CMYK 49 / 0 / 56 / 29

HEX #5CB54F

RGB 92 181 79

HSL 112.35, 0.41%, 0.51%

LAB 66.43, -46.71, 43.28

 

CMYK 56 / 20 / 0 / 29

HEX #4F90B5

RGB 79 144 181

HSL 201.76, 0.41%, 0.51%

LAB 57.02, -9.92, -25.67

 

Description

Color code: HEX #AA50B6 | qconv.com Color code: HEX #AA50B6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 80 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 80 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 56 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 56% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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