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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4AD6 it is the complementary color #55B529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4AD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4AD6 shade: #AF4AD1, #C05CE4, #D16EF7, #E280FF and #F392FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4AD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4AD6 shade: #AA4AD6, #9938C3, #8826B0, #77149D and #66028A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4AD6 shade: #A948D5, #CF48D5, #D548B6, #D54890 and #D54869

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4AD6 shade: #A948D5, #8348D5, #5D48D5 and #4848D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4AD6 shade matches the following richer shades: #A948D5, #B036E8 and #B724FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4AD6 shade: #A948D5, #A25AC3, #9C6CB1, #957F9F and #8E918D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4AD6 shade: #5D48D5, #8348D5, #A948D5, #CE48D5 and #D548B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4AD6 shade: #7D26A6, #972DC7, #A948D5, #B96ADD and #C98BE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4AD6 shade: #AA4AD6, #D54859 and #48D570

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4AD6 shade: #AA4AD6, #D5A948 and #48D5A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4AD6 shade: #AA4AD6, #D54859, #75D548 and #48D5C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4AD6 shade: #AA4AD6, #D56248, #75D548 and #48BCD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 65 / 0 / 16

HEX #AA4AD6

RGB 170 74 214

HSL 281.14, 0.63%, 0.56%

LAB 49.86, 60.92, -55.29

 

Complementary color

CMYK 53 / 0 / 77 / 29

HEX #55B529

RGB 85 181 41

HSL 101.14, 0.63%, 0.44%

LAB 65.86, -52.15, 58.1

 

CMYK 16 / 65 / 0 / 18

HEX #AF4AD1

RGB 175 74 209

HSL 284.89, 0.59%, 0.55%

LAB 50.23, 61.02, -51.79

 

CMYK 16 / 60 / 0 / 11

HEX #C05CE4

RGB 192 92 228

HSL 284.12, 0.72%, 0.63%

LAB 56.55, 60.64, -52.36

 

CMYK 15 / 55 / 0 / 3

HEX #D16EF7

RGB 209 110 247

HSL 283.36, 0.9%, 0.7%

LAB 62.86, 60.06, -52.76

 

CMYK 11 / 50 / 0 / 0

HEX #E280FF

RGB 226 128 255

HSL 286.3, 1%, 0.75%

LAB 68.63, 57.21, -47.91

 

CMYK 5 / 43 / 0 / 0

HEX #F392FF

RGB 243 146 255

HSL 293.39, 1%, 0.79%

LAB 74.08, 52.89, -39.22

 

CMYK 21 / 65 / 0 / 16

HEX #AA4AD6

RGB 170 74 214

HSL 281.14, 0.63%, 0.56%

LAB 49.86, 60.92, -55.29

 

CMYK 22 / 71 / 0 / 24

HEX #9938C3

RGB 153 56 195

HSL 281.87, 0.55%, 0.49%

LAB 43.57, 61.03, -54.58

 

CMYK 23 / 78 / 0 / 31

HEX #8826B0

RGB 136 38 176

HSL 282.61, 0.64%, 0.42%

LAB 37.4, 60.55, -53.49

 

CMYK 24 / 87 / 0 / 38

HEX #77149D

RGB 119 20 157

HSL 283.36, 0.77%, 0.35%

LAB 31.48, 59.06, -51.78

 

CMYK 26 / 99 / 0 / 46

HEX #66028A

RGB 102 2 138

HSL 284.12, 0.97%, 0.27%

LAB 25.87, 56.26, -49.32

 

CMYK 21 / 66 / 0 / 16

HEX #A948D5

RGB 169 72 213

HSL 281.28, 0.63%, 0.56%

LAB 49.34, 61.37, -55.55

 

CMYK 3 / 66 / 0 / 16

HEX #CF48D5

RGB 207 72 213

HSL 297.45, 0.63%, 0.56%

LAB 54.77, 69.85, -46.58

 

CMYK 0 / 66 / 15 / 16

HEX #D548B6

RGB 213 72 182

HSL 313.19, 0.63%, 0.56%

LAB 54.19, 66.43, -29.61

 

CMYK 0 / 66 / 32 / 16

HEX #D54890

RGB 213 72 144

HSL 329.36, 0.63%, 0.56%

LAB 52.72, 61.45, -9.54

 

CMYK 0 / 66 / 51 / 16

HEX #D54869

RGB 213 72 105

HSL 345.96, 0.63%, 0.56%

LAB 51.61, 57.52, 12.18

 

CMYK 21 / 66 / 0 / 16

HEX #A948D5

RGB 169 72 213

HSL 281.28, 0.63%, 0.56%

LAB 49.34, 61.37, -55.55

 

CMYK 38 / 66 / 0 / 16

HEX #8348D5

RGB 131 72 213

HSL 265.11, 0.63%, 0.56%

LAB 44.61, 53.41, -63.43

 

CMYK 56 / 66 / 0 / 16

HEX #5D48D5

RGB 93 72 213

HSL 248.94, 0.63%, 0.56%

LAB 40.84, 46.53, -69.73

 

CMYK 66 / 66 / 0 / 16

HEX #4848D5

RGB 72 72 213

HSL 240, 0.63%, 0.56%

LAB 39.27, 43.48, -72.37

 

CMYK 21 / 66 / 0 / 16

HEX #A948D5

RGB 169 72 213

HSL 281.28, 0.63%, 0.56%

LAB 49.34, 61.37, -55.55

 

CMYK 24 / 77 / 0 / 9

HEX #B036E8

RGB 176 54 232

HSL 281.12, 0.79%, 0.56%

LAB 49.12, 73.5, -66.66

 

CMYK 27 / 86 / 0 / 2

HEX #B724FA

RGB 183 36 250

HSL 281.21, 0.96%, 0.56%

LAB 49.78, 82.93, -75.66

 

CMYK 21 / 66 / 0 / 16

HEX #A948D5

RGB 169 72 213

HSL 281.28, 0.63%, 0.56%

LAB 49.34, 61.37, -55.55

 

CMYK 17 / 54 / 0 / 24

HEX #A25AC3

RGB 162 90 195

HSL 281.14, 0.47%, 0.56%

LAB 50.61, 47.19, -43.26

 

CMYK 12 / 39 / 0 / 31

HEX #9C6CB1

RGB 156 108 177

HSL 281.74, 0.31%, 0.56%

LAB 52.91, 31.68, -29.29

 

CMYK 6 / 20 / 0 / 38

HEX #957F9F

RGB 149 127 159

HSL 281.25, 0.14%, 0.56%

LAB 56.16, 14.55, -13.97

 

CMYK 2 / 0 / 3 / 43

HEX #8E918D

RGB 142 145 141

HSL 105, 0.02%, 0.56%

LAB 59.82, -1.87, 1.73

 

CMYK 56 / 66 / 0 / 16

HEX #5D48D5

RGB 93 72 213

HSL 248.94, 0.63%, 0.56%

LAB 40.84, 46.53, -69.73

 

CMYK 38 / 66 / 0 / 16

HEX #8348D5

RGB 131 72 213

HSL 265.11, 0.63%, 0.56%

LAB 44.61, 53.41, -63.43

 

CMYK 21 / 66 / 0 / 16

HEX #A948D5

RGB 169 72 213

HSL 281.28, 0.63%, 0.56%

LAB 49.34, 61.37, -55.55

 

CMYK 3 / 66 / 0 / 16

HEX #CE48D5

RGB 206 72 213

HSL 297.02, 0.63%, 0.56%

LAB 54.62, 69.63, -46.83

 

CMYK 0 / 66 / 14 / 16

HEX #D548B7

RGB 213 72 183

HSL 312.77, 0.63%, 0.56%

LAB 54.24, 66.57, -30.12

 

CMYK 25 / 77 / 0 / 35

HEX #7D26A6

RGB 125 38 166

HSL 280.78, 0.63%, 0.4%

LAB 35, 56.43, -51.47

 

CMYK 24 / 77 / 0 / 22

HEX #972DC7

RGB 151 45 199

HSL 281.3, 0.63%, 0.48%

LAB 42.12, 65.54, -59.26

 

CMYK 21 / 66 / 0 / 16

HEX #A948D5

RGB 169 72 213

HSL 281.28, 0.63%, 0.56%

LAB 49.34, 61.37, -55.55

 

CMYK 16 / 52 / 0 / 13

HEX #B96ADD

RGB 185 106 221

HSL 281.22, 0.63%, 0.64%

LAB 57.89, 50.55, -46.35

 

CMYK 12 / 39 / 0 / 10

HEX #C98BE5

RGB 201 139 229

HSL 281.33, 0.63%, 0.72%

LAB 66.93, 39.22, -36.49

 

CMYK 21 / 65 / 0 / 16

HEX #AA4AD6

RGB 170 74 214

HSL 281.14, 0.63%, 0.56%

LAB 49.86, 60.92, -55.29

 

CMYK 0 / 66 / 58 / 16

HEX #D54859

RGB 213 72 89

HSL 352.77, 0.63%, 0.56%

LAB 51.27, 56.28, 21.3

 

CMYK 66 / 0 / 47 / 16

HEX #48D570

RGB 72 213 112

HSL 137.02, 0.63%, 0.56%

LAB 76.15, -59.1, 38.99

 

CMYK 21 / 65 / 0 / 16

HEX #AA4AD6

RGB 170 74 214

HSL 281.14, 0.63%, 0.56%

LAB 49.86, 60.92, -55.29

 

CMYK 0 / 21 / 66 / 16

HEX #D5A948

RGB 213 169 72

HSL 41.28, 0.63%, 0.56%

LAB 71.55, 5.87, 54.6

 

CMYK 66 / 0 / 21 / 16

HEX #48D5A9

RGB 72 213 169

HSL 161.28, 0.63%, 0.56%

LAB 77.18, -48, 10.84

 

CMYK 21 / 65 / 0 / 16

HEX #AA4AD6

RGB 170 74 214

HSL 281.14, 0.63%, 0.56%

LAB 49.86, 60.92, -55.29

 

CMYK 0 / 66 / 58 / 16

HEX #D54859

RGB 213 72 89

HSL 352.77, 0.63%, 0.56%

LAB 51.27, 56.28, 21.3

 

CMYK 45 / 0 / 66 / 16

HEX #75D548

RGB 117 213 72

HSL 100.85, 0.63%, 0.56%

LAB 77.18, -52.74, 58.68

 

CMYK 66 / 0 / 8 / 16

HEX #48D5C5

RGB 72 213 197

HSL 173.19, 0.63%, 0.56%

LAB 77.87, -41.05, -3.14

 

CMYK 21 / 65 / 0 / 16

HEX #AA4AD6

RGB 170 74 214

HSL 281.14, 0.63%, 0.56%

LAB 49.86, 60.92, -55.29

 

CMYK 0 / 54 / 66 / 16

HEX #D56248

RGB 213 98 72

HSL 11.06, 0.63%, 0.56%

LAB 55.43, 43.45, 36.36

 

CMYK 45 / 0 / 66 / 16

HEX #75D548

RGB 117 213 72

HSL 100.85, 0.63%, 0.56%

LAB 77.18, -52.74, 58.68

 

CMYK 66 / 12 / 0 / 16

HEX #48BCD5

RGB 72 188 213

HSL 190.64, 0.63%, 0.56%

LAB 70.97, -24.65, -22.14

 

Description

Color code: HEX #AA4AD6 | qconv.com Color code: HEX #AA4AD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 74 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 74 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 65 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 65% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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