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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4770 it is the complementary color #55B88F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4770 shade: #AF476B, #C0597E, #D16B91, #E27DA4 and #F38FB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4770 shade: #AA4770, #99355D, #88234A, #771137 and #660024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4770 shade: #A9476F, #A94755 and #A94747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4770 shade: #A9476F, #A9478A, #A947A4, #9347A9 and #7947A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4770 shade matches the following richer shades: #A9476F, #BC336C, #D02069 and #E30D65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4770 shade: #A9476F, #965A73, #826D76, #6F8179 and #5B947D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4770 shade: #A947A4, #A9478A, #A94770, #A94755 and #A95247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4770 shade: #6F2E49, #8C3B5C, #A9476F, #BB5E84 and #C87B9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4770 shade: #AA4770, #A99447 and #4797A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4770 shade: #AA4770, #70A947 and #4770A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4770 shade: #AA4770, #A99447, #47A980 and #475CA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4770 shade: #AA4770, #A1A947, #47A980 and #4F47A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 34 / 33

HEX #AA4770

RGB 170 71 112

HSL 335.15, 0.41%, 0.47%

LAB 44.55, 44.86, -3.14

 

Complementary color

CMYK 54 / 0 / 22 / 28

HEX #55B88F

RGB 85 184 143

HSL 155.15, 0.41%, 0.53%

LAB 68.16, -38.85, 12.14

 

CMYK 0 / 59 / 39 / 31

HEX #AF476B

RGB 175 71 107

HSL 339.23, 0.42%, 0.48%

LAB 45.2, 45.92, 0.96

 

CMYK 0 / 54 / 34 / 25

HEX #C0597E

RGB 192 89 126

HSL 338.45, 0.45%, 0.55%

LAB 51.68, 45.2, -0.75

 

CMYK 0 / 49 / 31 / 18

HEX #D16B91

RGB 209 107 145

HSL 337.65, 0.53%, 0.62%

LAB 58.15, 44.38, -2.15

 

CMYK 0 / 45 / 27 / 11

HEX #E27DA4

RGB 226 125 164

HSL 336.83, 0.64%, 0.69%

LAB 64.58, 43.53, -3.35

 

CMYK 0 / 41 / 25 / 5

HEX #F38FB7

RGB 243 143 183

HSL 336, 0.81%, 0.76%

LAB 70.95, 42.7, -4.4

 

CMYK 0 / 58 / 34 / 33

HEX #AA4770

RGB 170 71 112

HSL 335.15, 0.41%, 0.47%

LAB 44.55, 44.86, -3.14

 

CMYK 0 / 65 / 39 / 40

HEX #99355D

RGB 153 53 93

HSL 336, 0.49%, 0.4%

LAB 38.04, 45.36, -1.22

 

CMYK 0 / 74 / 46 / 47

HEX #88234A

RGB 136 35 74

HSL 336.83, 0.59%, 0.34%

LAB 31.65, 45.38, 1.34

 

CMYK 0 / 86 / 54 / 53

HEX #771137

RGB 119 17 55

HSL 337.65, 0.75%, 0.27%

LAB 25.56, 44.44, 4.87

 

CMYK 0 / 100 / 65 / 60

HEX #660024

RGB 102 0 36

HSL 338.82, 1%, 0.2%

LAB 19.85, 42.29, 9.64

 

CMYK 0 / 58 / 34 / 34

HEX #A9476F

RGB 169 71 111

HSL 335.51, 0.41%, 0.47%

LAB 44.36, 44.4, -2.83

 

CMYK 0 / 58 / 50 / 34

HEX #A94755

RGB 169 71 85

HSL 351.43, 0.41%, 0.47%

LAB 43.65, 41.54, 12.16

 

CMYK 0 / 58 / 58 / 34

HEX #A94747

RGB 169 71 71

HSL 0, 0.41%, 0.47%

LAB 43.35, 40.33, 20.33

 

CMYK 0 / 58 / 34 / 34

HEX #A9476F

RGB 169 71 111

HSL 335.51, 0.41%, 0.47%

LAB 44.36, 44.4, -2.83

 

CMYK 0 / 58 / 18 / 34

HEX #A9478A

RGB 169 71 138

HSL 318.98, 0.41%, 0.47%

LAB 45.33, 48.15, -17.82

 

CMYK 0 / 58 / 3 / 34

HEX #A947A4

RGB 169 71 164

HSL 303.06, 0.41%, 0.47%

LAB 46.47, 52.42, -31.6

 

CMYK 13 / 58 / 0 / 34

HEX #9347A9

RGB 147 71 169

HSL 286.53, 0.41%, 0.47%

LAB 43.62, 47.44, -39.28

 

CMYK 28 / 58 / 0 / 34

HEX #7947A9

RGB 121 71 169

HSL 270.61, 0.41%, 0.47%

LAB 40.31, 40.66, -44.75

 

CMYK 0 / 58 / 34 / 34

HEX #A9476F

RGB 169 71 111

HSL 335.51, 0.41%, 0.47%

LAB 44.36, 44.4, -2.83

 

CMYK 0 / 73 / 43 / 26

HEX #BC336C

RGB 188 51 108

HSL 335.04, 0.57%, 0.47%

LAB 44.44, 58.27, -0.5

 

CMYK 0 / 85 / 50 / 18

HEX #D02069

RGB 208 32 105

HSL 335.11, 0.73%, 0.47%

LAB 46.26, 68.54, 4.48

 

CMYK 0 / 94 / 56 / 11

HEX #E30D65

RGB 227 13 101

HSL 335.33, 0.89%, 0.47%

LAB 48.96, 75.55, 11.29

 

CMYK 0 / 58 / 34 / 34

HEX #A9476F

RGB 169 71 111

HSL 335.51, 0.41%, 0.47%

LAB 44.36, 44.4, -2.83

 

CMYK 0 / 40 / 23 / 41

HEX #965A73

RGB 150 90 115

HSL 335, 0.25%, 0.47%

LAB 45.68, 28.16, -3.63

 

CMYK 0 / 16 / 9 / 49

HEX #826D76

RGB 130 109 118

HSL 334.29, 0.09%, 0.47%

LAB 48.25, 9.9, -1.91

 

CMYK 14 / 0 / 6 / 49

HEX #6F8179

RGB 111 129 121

HSL 153.33, 0.08%, 0.47%

LAB 52.35, -8.26, 2.12

 

CMYK 39 / 0 / 16 / 42

HEX #5B947D

RGB 91 148 125

HSL 155.79, 0.24%, 0.47%

LAB 56.96, -24.18, 6.3

 

CMYK 0 / 58 / 3 / 34

HEX #A947A4

RGB 169 71 164

HSL 303.06, 0.41%, 0.47%

LAB 46.47, 52.42, -31.6

 

CMYK 0 / 58 / 18 / 34

HEX #A9478A

RGB 169 71 138

HSL 318.98, 0.41%, 0.47%

LAB 45.33, 48.15, -17.82

 

CMYK 0 / 58 / 34 / 34

HEX #A94770

RGB 169 71 112

HSL 334.9, 0.41%, 0.47%

LAB 44.39, 44.53, -3.4

 

CMYK 0 / 58 / 50 / 34

HEX #A94755

RGB 169 71 85

HSL 351.43, 0.41%, 0.47%

LAB 43.65, 41.54, 12.16

 

CMYK 0 / 51 / 58 / 34

HEX #A95247

RGB 169 82 71

HSL 6.73, 0.41%, 0.47%

LAB 45.53, 34.72, 23.16

 

CMYK 0 / 59 / 34 / 56

HEX #6F2E49

RGB 111 46 73

HSL 335.08, 0.41%, 0.31%

LAB 28.94, 31.93, -2.51

 

CMYK 0 / 58 / 34 / 45

HEX #8C3B5C

RGB 140 59 92

HSL 335.56, 0.41%, 0.39%

LAB 36.89, 38.05, -2.53

 

CMYK 0 / 58 / 34 / 34

HEX #A9476F

RGB 169 71 111

HSL 335.51, 0.41%, 0.47%

LAB 44.36, 44.4, -2.83

 

CMYK 0 / 50 / 29 / 27

HEX #BB5E84

RGB 187 94 132

HSL 335.48, 0.41%, 0.55%

LAB 52.1, 41.74, -3.77

 

CMYK 0 / 39 / 23 / 22

HEX #C87B9B

RGB 200 123 155

HSL 335.06, 0.41%, 0.63%

LAB 60.62, 34.25, -4.43

 

CMYK 0 / 58 / 34 / 33

HEX #AA4770

RGB 170 71 112

HSL 335.15, 0.41%, 0.47%

LAB 44.55, 44.86, -3.14

 

CMYK 0 / 12 / 58 / 34

HEX #A99447

RGB 169 148 71

HSL 47.14, 0.41%, 0.47%

LAB 61.71, -1.93, 42.91

 

CMYK 58 / 11 / 0 / 34

HEX #4797A9

RGB 71 151 169

HSL 191.02, 0.41%, 0.47%

LAB 58.36, -19.06, -16.83

 

CMYK 0 / 58 / 34 / 33

HEX #AA4770

RGB 170 71 112

HSL 335.15, 0.41%, 0.47%

LAB 44.55, 44.86, -3.14

 

CMYK 34 / 0 / 58 / 34

HEX #70A947

RGB 112 169 71

HSL 94.9, 0.41%, 0.47%

LAB 63.57, -35.94, 43.95

 

CMYK 58 / 34 / 0 / 34

HEX #4770A9

RGB 71 112 169

HSL 214.9, 0.41%, 0.47%

LAB 46.7, 3.23, -34.85

 

CMYK 0 / 58 / 34 / 33

HEX #AA4770

RGB 170 71 112

HSL 335.15, 0.41%, 0.47%

LAB 44.55, 44.86, -3.14

 

CMYK 0 / 12 / 58 / 34

HEX #A99447

RGB 169 148 71

HSL 47.14, 0.41%, 0.47%

LAB 61.71, -1.93, 42.91

 

CMYK 58 / 0 / 24 / 34

HEX #47A980

RGB 71 169 128

HSL 154.9, 0.41%, 0.47%

LAB 62.74, -38.65, 12.69

 

CMYK 58 / 46 / 0 / 34

HEX #475CA9

RGB 71 92 169

HSL 227.14, 0.41%, 0.47%

LAB 40.99, 15.79, -43.91

 

CMYK 0 / 58 / 34 / 33

HEX #AA4770

RGB 170 71 112

HSL 335.15, 0.41%, 0.47%

LAB 44.55, 44.86, -3.14

 

CMYK 5 / 0 / 58 / 34

HEX #A1A947

RGB 161 169 71

HSL 64.9, 0.41%, 0.47%

LAB 66.83, -16.51, 48.53

 

CMYK 58 / 0 / 24 / 34

HEX #47A980

RGB 71 169 128

HSL 154.9, 0.41%, 0.47%

LAB 62.74, -38.65, 12.69

 

CMYK 53 / 58 / 0 / 34

HEX #4F47A9

RGB 79 71 169

HSL 244.9, 0.41%, 0.47%

LAB 36.05, 30.86, -51.83

 

Description

Color code: HEX #AA4770 | qconv.com Color code: HEX #AA4770 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 71 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 71 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 34 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 34% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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