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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA4648 it is the complementary color #55B9B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA4648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA4648 shade: #AF4643, #C05856, #D16A69, #E27C7C and #F38E8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA4648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA4648 shade: #AA4648, #993435, #882222, #77100F and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA4648 shade: #AA4648 and #AA4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA4648 shade: #AA4648, #AA4663, #AA467E, #AA4699 and #A046AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA4648 shade matches the following richer shades: #AA4648, #BE3235, #D11F22 and #E40B10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA4648 shade: #AA4648, #97595A, #836C6D, #70807F and #5D9392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA4648 shade: #AA467F, #AA4664, #AA4649, #AA5D46 and #AA7846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA4648 shade: #702E2F, #8D3A3B, #AA4648, #BD5C5E and #C97A7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA4648 shade: #AA4648, #99AA46 and #4671AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA4648 shade: #AA4648, #49AA46 and #4649AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA4648 shade: #AA4648, #99AA46, #46AAA7 and #5646AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA4648 shade: #AA4648, #7BAA46, #46AAA7 and #7446AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

Complementary color

CMYK 54 / 0 / 1 / 27

HEX #55B9B7

RGB 85 185 183

HSL 178.8, 0.42%, 0.53%

LAB 69.5, -29.48, -7.87

 

CMYK 0 / 60 / 62 / 31

HEX #AF4643

RGB 175 70 67

HSL 1.67, 0.45%, 0.47%

LAB 44.09, 42.7, 23.89

 

CMYK 0 / 54 / 55 / 25

HEX #C05856

RGB 192 88 86

HSL 1.13, 0.46%, 0.55%

LAB 50.52, 41.58, 21.47

 

CMYK 0 / 49 / 50 / 18

HEX #D16A69

RGB 209 106 105

HSL 0.58, 0.53%, 0.62%

LAB 56.96, 40.44, 19.44

 

CMYK 0 / 45 / 45 / 11

HEX #E27C7C

RGB 226 124 124

HSL 0, 0.64%, 0.69%

LAB 63.38, 39.34, 17.69

 

CMYK 0 / 42 / 41 / 5

HEX #F38E8F

RGB 243 142 143

HSL 359.41, 0.81%, 0.75%

LAB 69.74, 38.29, 16.17

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 0 / 66 / 65 / 40

HEX #993435

RGB 153 52 53

HSL 359.41, 0.49%, 0.4%

LAB 36.9, 42.22, 22.54

 

CMYK 0 / 75 / 75 / 47

HEX #882222

RGB 136 34 34

HSL 0, 0.6%, 0.33%

LAB 30.63, 42.79, 26.03

 

CMYK 0 / 87 / 87 / 53

HEX #77100F

RGB 119 16 15

HSL 0.58, 0.78%, 0.26%

LAB 24.72, 42.48, 30.16

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 0 / 59 / 59 / 33

HEX #AA4646

RGB 170 70 70

HSL 0, 0.42%, 0.47%

LAB 43.31, 41.1, 20.91

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 0 / 59 / 42 / 33

HEX #AA4663

RGB 170 70 99

HSL 342.6, 0.42%, 0.47%

LAB 43.98, 43.81, 4.02

 

CMYK 0 / 59 / 26 / 33

HEX #AA467E

RGB 170 70 126

HSL 326.4, 0.42%, 0.47%

LAB 44.85, 47.18, -11.26

 

CMYK 0 / 59 / 10 / 33

HEX #AA4699

RGB 170 70 153

HSL 310.2, 0.42%, 0.47%

LAB 45.94, 51.29, -25.87

 

CMYK 6 / 59 / 0 / 33

HEX #A046AA

RGB 160 70 170

HSL 294, 0.42%, 0.47%

LAB 45.3, 51.56, -37.09

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 0 / 74 / 72 / 25

HEX #BE3235

RGB 190 50 53

HSL 358.71, 0.58%, 0.47%

LAB 43.49, 55.26, 32.12

 

CMYK 0 / 85 / 84 / 18

HEX #D11F22

RGB 209 31 34

HSL 358.99, 0.74%, 0.47%

LAB 45.15, 65.39, 45.61

 

CMYK 0 / 95 / 93 / 11

HEX #E40B10

RGB 228 11 16

HSL 358.62, 0.91%, 0.47%

LAB 47.97, 72.86, 57.26

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 0 / 41 / 40 / 41

HEX #97595A

RGB 151 89 90

HSL 359.03, 0.26%, 0.47%

LAB 44.89, 25.64, 10.43

 

CMYK 0 / 18 / 17 / 49

HEX #836C6D

RGB 131 108 109

HSL 357.39, 0.1%, 0.47%

LAB 47.82, 9.26, 2.85

 

CMYK 13 / 0 / 1 / 50

HEX #70807F

RGB 112 128 127

HSL 176.25, 0.07%, 0.47%

LAB 52.3, -6.05, -1.45

 

CMYK 37 / 0 / 1 / 42

HEX #5D9392

RGB 93 147 146

HSL 178.89, 0.23%, 0.47%

LAB 57.34, -18.04, -5.14

 

CMYK 0 / 59 / 25 / 33

HEX #AA467F

RGB 170 70 127

HSL 325.8, 0.42%, 0.47%

LAB 44.88, 47.32, -11.81

 

CMYK 0 / 59 / 41 / 33

HEX #AA4664

RGB 170 70 100

HSL 342, 0.42%, 0.47%

LAB 44.01, 43.92, 3.45

 

CMYK 0 / 59 / 57 / 33

HEX #AA4649

RGB 170 70 73

HSL 358.2, 0.42%, 0.47%

LAB 43.37, 41.34, 19.16

 

CMYK 0 / 45 / 59 / 33

HEX #AA5D46

RGB 170 93 70

HSL 13.8, 0.42%, 0.47%

LAB 48.03, 29.13, 26.97

 

CMYK 0 / 29 / 59 / 33

HEX #AA7846

RGB 170 120 70

HSL 30, 0.42%, 0.47%

LAB 54.47, 14.02, 34.91

 

CMYK 0 / 59 / 58 / 56

HEX #702E2F

RGB 112 46 47

HSL 359.09, 0.42%, 0.31%

LAB 28.39, 29.35, 13.93

 

CMYK 0 / 59 / 58 / 45

HEX #8D3A3B

RGB 141 58 59

HSL 359.28, 0.42%, 0.39%

LAB 35.99, 35.39, 17.2

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 0 / 51 / 50 / 26

HEX #BD5C5E

RGB 189 92 94

HSL 358.76, 0.42%, 0.55%

LAB 51.01, 39.15, 17.32

 

CMYK 0 / 39 / 39 / 21

HEX #C97A7B

RGB 201 122 123

HSL 359.24, 0.42%, 0.63%

LAB 59.68, 30.89, 12.63

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 10 / 0 / 59 / 33

HEX #99AA46

RGB 153 170 70

HSL 70.2, 0.42%, 0.47%

LAB 66.49, -20.45, 48.44

 

CMYK 59 / 34 / 0 / 33

HEX #4671AA

RGB 70 113 170

HSL 214.2, 0.42%, 0.47%

LAB 46.99, 2.74, -34.98

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 57 / 0 / 59 / 33

HEX #49AA46

RGB 73 170 70

HSL 118.2, 0.42%, 0.47%

LAB 62.18, -48.62, 42.37

 

CMYK 59 / 57 / 0 / 33

HEX #4649AA

RGB 70 73 170

HSL 238.2, 0.42%, 0.47%

LAB 35.93, 28.15, -52.66

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 10 / 0 / 59 / 33

HEX #99AA46

RGB 153 170 70

HSL 70.2, 0.42%, 0.47%

LAB 66.49, -20.45, 48.44

 

CMYK 59 / 0 / 2 / 33

HEX #46AAA7

RGB 70 170 167

HSL 178.2, 0.42%, 0.47%

LAB 64.03, -29.48, -7.18

 

CMYK 49 / 59 / 0 / 33

HEX #5646AA

RGB 86 70 170

HSL 249.6, 0.42%, 0.47%

LAB 36.48, 33.26, -51.69

 

CMYK 0 / 59 / 58 / 33

HEX #AA4648

RGB 170 70 72

HSL 358.8, 0.42%, 0.47%

LAB 43.35, 41.26, 19.75

 

CMYK 28 / 0 / 59 / 33

HEX #7BAA46

RGB 123 170 70

HSL 88.2, 0.42%, 0.47%

LAB 64.49, -32.44, 45.63

 

CMYK 59 / 0 / 2 / 33

HEX #46AAA7

RGB 70 170 167

HSL 178.2, 0.42%, 0.47%

LAB 64.03, -29.48, -7.18

 

CMYK 32 / 59 / 0 / 33

HEX #7446AA

RGB 116 70 170

HSL 267.6, 0.42%, 0.47%

LAB 39.57, 40.22, -46.55

 

Description

Color code: HEX #AA4648 | qconv.com Color code: HEX #AA4648 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 70 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 70 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 58 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 58% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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