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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3A2D it is the complementary color #55C5D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3A2D shade: #AF3A28, #C04C3B, #D15E4E, #E27061 and #F38274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3A2D shade: #AA3A2D, #99281A, #881607, #770400 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3A2D shade: #A93A2D and #A92D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3A2D shade: #A93A2D, #A95B2D, #A97D2D, #A99E2D and #93A92D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3A2D shade matches the following richer shades: #A93A2D, #BB2C1C and #CC1E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3A2D shade: #A93A2D, #98483E, #875550, #756361 and #647172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3A2D shade: #A92D63, #A92D42, #A9392D, #A95B2D and #A97C2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3A2D shade: #68241C, #892F24, #A93A2D, #CA4536 and #D26357

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3A2D shade: #AA3A2D, #84A92D and #2D52A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3A2D shade: #AA3A2D, #2DA939 and #392DA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3A2D shade: #AA3A2D, #84A92D, #2D9DA9 and #522DA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3A2D shade: #AA3A2D, #5FA92D, #2D9DA9 and #782DA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 74 / 33

HEX #AA3A2D

RGB 170 58 45

HSL 6.24, 0.58%, 0.42%

LAB 40.83, 45.12, 32.78

 

Complementary color

CMYK 60 / 6 / 0 / 18

HEX #55C5D2

RGB 85 197 210

HSL 186.24, 0.58%, 0.58%

LAB 73.88, -27.86, -16.06

 

CMYK 0 / 67 / 77 / 31

HEX #AF3A28

RGB 175 58 40

HSL 8, 0.63%, 0.42%

LAB 41.68, 46.66, 36.78

 

CMYK 0 / 60 / 69 / 25

HEX #C04C3B

RGB 192 76 59

HSL 7.67, 0.53%, 0.49%

LAB 47.87, 45.54, 33.86

 

CMYK 0 / 55 / 63 / 18

HEX #D15E4E

RGB 209 94 78

HSL 7.33, 0.59%, 0.56%

LAB 54.14, 44.3, 31.29

 

CMYK 0 / 50 / 57 / 11

HEX #E27061

RGB 226 112 97

HSL 6.98, 0.69%, 0.63%

LAB 60.44, 43.04, 29.06

 

CMYK 0 / 47 / 52 / 5

HEX #F38274

RGB 243 130 116

HSL 6.61, 0.84%, 0.7%

LAB 66.73, 41.83, 27.11

 

CMYK 0 / 66 / 74 / 33

HEX #AA3A2D

RGB 170 58 45

HSL 6.24, 0.58%, 0.42%

LAB 40.83, 45.12, 32.78

 

CMYK 0 / 74 / 83 / 40

HEX #99281A

RGB 153 40 26

HSL 6.61, 0.71%, 0.35%

LAB 34.73, 45.91, 36.05

 

CMYK 0 / 84 / 95 / 47

HEX #881607

RGB 136 22 7

HSL 6.98, 0.9%, 0.28%

LAB 28.96, 45.95, 38.88

 

CMYK 0 / 97 / 100 / 53

HEX #770400

RGB 119 4 0

HSL 2.02, 1%, 0.23%

LAB 23.7, 44.77, 35.56

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 66 / 73 / 34

HEX #A93A2D

RGB 169 58 45

HSL 6.29, 0.58%, 0.42%

LAB 40.66, 44.77, 32.53

 

CMYK 0 / 73 / 73 / 34

HEX #A92D2D

RGB 169 45 45

HSL 0, 0.58%, 0.42%

LAB 38.73, 50.03, 30.33

 

CMYK 0 / 66 / 73 / 34

HEX #A93A2D

RGB 169 58 45

HSL 6.29, 0.58%, 0.42%

LAB 40.66, 44.77, 32.53

 

CMYK 0 / 46 / 73 / 34

HEX #A95B2D

RGB 169 91 45

HSL 22.26, 0.58%, 0.42%

LAB 47.11, 28.18, 39.63

 

CMYK 0 / 26 / 73 / 34

HEX #A97D2D

RGB 169 125 45

HSL 38.71, 0.58%, 0.42%

LAB 55.37, 9.14, 48.22

 

CMYK 0 / 7 / 73 / 34

HEX #A99E2D

RGB 169 158 45

HSL 54.68, 0.58%, 0.42%

LAB 64.22, -8.94, 56.94

 

CMYK 13 / 0 / 73 / 34

HEX #93A92D

RGB 147 169 45

HSL 70.65, 0.58%, 0.42%

LAB 65.57, -24.15, 57.62

 

CMYK 0 / 66 / 73 / 34

HEX #A93A2D

RGB 169 58 45

HSL 6.29, 0.58%, 0.42%

LAB 40.66, 44.77, 32.53

 

CMYK 0 / 76 / 85 / 27

HEX #BB2C1C

RGB 187 44 28

HSL 6.04, 0.74%, 0.42%

LAB 41.92, 55.47, 44.08

 

CMYK 0 / 85 / 95 / 20

HEX #CC1E0A

RGB 204 30 10

HSL 6.19, 0.91%, 0.42%

LAB 43.93, 63.84, 54.25

 

CMYK 0 / 66 / 73 / 34

HEX #A93A2D

RGB 169 58 45

HSL 6.29, 0.58%, 0.42%

LAB 40.66, 44.77, 32.53

 

CMYK 0 / 53 / 59 / 40

HEX #98483E

RGB 152 72 62

HSL 6.67, 0.42%, 0.42%

LAB 40.67, 32.6, 21.78

 

CMYK 0 / 37 / 41 / 47

HEX #875550

RGB 135 85 80

HSL 5.45, 0.26%, 0.42%

LAB 41.57, 20.15, 11.58

 

CMYK 0 / 15 / 17 / 54

HEX #756361

RGB 117 99 97

HSL 6, 0.09%, 0.42%

LAB 43.61, 6.85, 3.81

 

CMYK 12 / 1 / 0 / 55

HEX #647172

RGB 100 113 114

HSL 184.29, 0.07%, 0.42%

LAB 46.62, -4.64, -2.22

 

CMYK 0 / 73 / 41 / 34

HEX #A92D63

RGB 169 45 99

HSL 333.87, 0.58%, 0.42%

LAB 39.94, 54.06, -1.88

 

CMYK 0 / 73 / 61 / 34

HEX #A92D42

RGB 169 45 66

HSL 349.84, 0.58%, 0.42%

LAB 39.08, 51.22, 17.79

 

CMYK 0 / 66 / 73 / 34

HEX #A9392D

RGB 169 57 45

HSL 5.81, 0.58%, 0.42%

LAB 40.49, 45.21, 32.34

 

CMYK 0 / 46 / 73 / 34

HEX #A95B2D

RGB 169 91 45

HSL 22.26, 0.58%, 0.42%

LAB 47.11, 28.18, 39.63

 

CMYK 0 / 27 / 73 / 34

HEX #A97C2D

RGB 169 124 45

HSL 38.23, 0.58%, 0.42%

LAB 55.11, 9.7, 47.96

 

CMYK 0 / 65 / 73 / 59

HEX #68241C

RGB 104 36 28

HSL 6.32, 0.58%, 0.26%

LAB 24.6, 29.97, 21.21

 

CMYK 0 / 66 / 74 / 46

HEX #892F24

RGB 137 47 36

HSL 6.53, 0.58%, 0.34%

LAB 32.87, 37.72, 27.43

 

CMYK 0 / 66 / 73 / 34

HEX #A93A2D

RGB 169 58 45

HSL 6.29, 0.58%, 0.42%

LAB 40.66, 44.77, 32.53

 

CMYK 0 / 66 / 73 / 21

HEX #CA4536

RGB 202 69 54

HSL 6.08, 0.58%, 0.5%

LAB 48.36, 51.88, 37.69

 

CMYK 0 / 53 / 59 / 18

HEX #D26357

RGB 210 99 87

HSL 5.85, 0.58%, 0.58%

LAB 55.39, 42.84, 27.77

 

CMYK 0 / 66 / 74 / 33

HEX #AA3A2D

RGB 170 58 45

HSL 6.24, 0.58%, 0.42%

LAB 40.83, 45.12, 32.78

 

CMYK 22 / 0 / 73 / 34

HEX #84A92D

RGB 132 169 45

HSL 77.9, 0.58%, 0.42%

LAB 64.54, -30.35, 56.27

 

CMYK 73 / 51 / 0 / 34

HEX #2D52A9

RGB 45 82 169

HSL 222.1, 0.58%, 0.42%

LAB 36.85, 17.77, -50.63

 

CMYK 0 / 66 / 74 / 33

HEX #AA3A2D

RGB 170 58 45

HSL 6.24, 0.58%, 0.42%

LAB 40.83, 45.12, 32.78

 

CMYK 73 / 0 / 66 / 34

HEX #2DA939

RGB 45 169 57

HSL 125.81, 0.58%, 0.42%

LAB 60.98, -55.7, 46.69

 

CMYK 66 / 73 / 0 / 34

HEX #392DA9

RGB 57 45 169

HSL 245.81, 0.58%, 0.42%

LAB 28.41, 42.94, -64.37

 

CMYK 0 / 66 / 74 / 33

HEX #AA3A2D

RGB 170 58 45

HSL 6.24, 0.58%, 0.42%

LAB 40.83, 45.12, 32.78

 

CMYK 22 / 0 / 73 / 34

HEX #84A92D

RGB 132 169 45

HSL 77.9, 0.58%, 0.42%

LAB 64.54, -30.35, 56.27

 

CMYK 73 / 7 / 0 / 34

HEX #2D9DA9

RGB 45 157 169

HSL 185.81, 0.58%, 0.42%

LAB 59.47, -26.41, -15.22

 

CMYK 51 / 73 / 0 / 34

HEX #522DA9

RGB 82 45 169

HSL 257.9, 0.58%, 0.42%

LAB 30.72, 46.47, -60.48

 

CMYK 0 / 66 / 74 / 33

HEX #AA3A2D

RGB 170 58 45

HSL 6.24, 0.58%, 0.42%

LAB 40.83, 45.12, 32.78

 

CMYK 44 / 0 / 73 / 34

HEX #5FA92D

RGB 95 169 45

HSL 95.81, 0.58%, 0.42%

LAB 62.51, -44.09, 53.57

 

CMYK 73 / 7 / 0 / 34

HEX #2D9DA9

RGB 45 157 169

HSL 185.81, 0.58%, 0.42%

LAB 59.47, -26.41, -15.22

 

CMYK 29 / 73 / 0 / 34

HEX #782DA9

RGB 120 45 169

HSL 276.29, 0.58%, 0.42%

LAB 35.47, 53.34, -52.55

 

Description

Color code: HEX #AA3A2D | qconv.com Color code: HEX #AA3A2D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 58 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 58 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 74 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 74% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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