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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA39BC it is the complementary color #55C643. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA39BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA39BC shade: #AF39B7, #C04BCA, #D15DDD, #E26FF0 and #F381FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA39BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA39BC shade: #AA39BC, #9927A9, #881596, #770383 and #660070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA39BC shade: #A93ABB, #BB3AAA, #BB3A87, #BB3A64 and #BB3A41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA39BC shade: #A93ABB, #863ABB, #633ABB, #403ABB and #3A3ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA39BC shade matches the following richer shades: #A93ABB, #B826CF and #C612E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA39BC shade: #A93ABB, #9B4DA7, #8D6194, #7E7580 and #70896C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA39BC shade: #633ABB, #853ABB, #A83ABB, #BB3AAC and #BB3A8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA39BC shade: #70267C, #8D309C, #A93ABB, #BA54CA and #C773D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA39BC shade: #AA39BC, #BB403A and #3ABB74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA39BC shade: #AA39BC, #BBA83A and #3ABBA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA39BC shade: #AA39BC, #BB403A, #4DBB3A and #3AB5BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA39BC shade: #AA39BC, #BB673A, #4DBB3A and #3A8EBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 70 / 0 / 26

HEX #AA39BC

RGB 170 57 188

HSL 291.76, 0.53%, 0.48%

LAB 45.78, 62.89, -46.82

 

Complementary color

CMYK 57 / 0 / 66 / 22

HEX #55C643

RGB 85 198 67

HSL 111.76, 0.53%, 0.52%

LAB 71.37, -56.42, 54.11

 

CMYK 4 / 69 / 0 / 28

HEX #AF39B7

RGB 175 57 183

HSL 296.19, 0.53%, 0.47%

LAB 46.26, 63.11, -43.08

 

CMYK 5 / 63 / 0 / 21

HEX #C04BCA

RGB 192 75 202

HSL 295.28, 0.55%, 0.54%

LAB 52.4, 63.26, -44.19

 

CMYK 5 / 58 / 0 / 13

HEX #D15DDD

RGB 209 93 221

HSL 294.38, 0.65%, 0.62%

LAB 58.61, 63.03, -45.01

 

CMYK 6 / 54 / 0 / 6

HEX #E26FF0

RGB 226 111 240

HSL 293.49, 0.81%, 0.69%

LAB 64.83, 62.57, -45.65

 

CMYK 5 / 49 / 0 / 0

HEX #F381FF

RGB 243 129 255

HSL 294.29, 1%, 0.75%

LAB 70.85, 61.26, -44.27

 

CMYK 10 / 70 / 0 / 26

HEX #AA39BC

RGB 170 57 188

HSL 291.76, 0.53%, 0.48%

LAB 45.78, 62.89, -46.82

 

CMYK 9 / 77 / 0 / 34

HEX #9927A9

RGB 153 39 169

HSL 292.62, 0.63%, 0.41%

LAB 39.73, 62.18, -45.43

 

CMYK 9 / 86 / 0 / 41

HEX #881596

RGB 136 21 150

HSL 293.49, 0.75%, 0.34%

LAB 33.93, 60.46, -43.41

 

CMYK 9 / 98 / 0 / 49

HEX #770383

RGB 119 3 131

HSL 294.38, 0.96%, 0.26%

LAB 28.45, 57.4, -40.62

 

CMYK 9 / 100 / 0 / 56

HEX #660070

RGB 102 0 112

HSL 294.64, 1%, 0.22%

LAB 23.65, 51.83, -36.41

 

CMYK 10 / 69 / 0 / 27

HEX #A93ABB

RGB 169 58 187

HSL 291.63, 0.53%, 0.48%

LAB 45.7, 62.1, -46.36

 

CMYK 0 / 69 / 9 / 27

HEX #BB3AAA

RGB 187 58 170

HSL 307.91, 0.53%, 0.48%

LAB 47.61, 63.42, -33.17

 

CMYK 0 / 69 / 28 / 27

HEX #BB3A87

RGB 187 58 135

HSL 324.19, 0.53%, 0.48%

LAB 46.1, 58.49, -14.57

 

CMYK 0 / 69 / 47 / 27

HEX #BB3A64

RGB 187 58 100

HSL 340.47, 0.53%, 0.48%

LAB 44.96, 54.62, 5.18

 

CMYK 0 / 69 / 65 / 27

HEX #BB3A41

RGB 187 58 65

HSL 356.74, 0.53%, 0.48%

LAB 44.19, 51.95, 25.67

 

CMYK 10 / 69 / 0 / 27

HEX #A93ABB

RGB 169 58 187

HSL 291.63, 0.53%, 0.48%

LAB 45.7, 62.1, -46.36

 

CMYK 28 / 69 / 0 / 27

HEX #863ABB

RGB 134 58 187

HSL 275.35, 0.53%, 0.48%

LAB 40.71, 54.52, -54.65

 

CMYK 47 / 69 / 0 / 27

HEX #633ABB

RGB 99 58 187

HSL 259.07, 0.53%, 0.48%

LAB 36.49, 47.66, -61.69

 

CMYK 66 / 69 / 0 / 27

HEX #403ABB

RGB 64 58 187

HSL 242.79, 0.53%, 0.48%

LAB 33.36, 42.17, -66.94

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABB

RGB 58 58 187

HSL 240, 0.53%, 0.48%

LAB 32.95, 41.42, -67.63

 

CMYK 10 / 69 / 0 / 27

HEX #A93ABB

RGB 169 58 187

HSL 291.63, 0.53%, 0.48%

LAB 45.7, 62.1, -46.36

 

CMYK 11 / 82 / 0 / 19

HEX #B826CF

RGB 184 38 207

HSL 291.83, 0.69%, 0.48%

LAB 47.08, 74.93, -55.63

 

CMYK 13 / 92 / 0 / 11

HEX #C612E3

RGB 198 18 227

HSL 291.67, 0.85%, 0.48%

LAB 49.48, 84.07, -63.09

 

CMYK 10 / 69 / 0 / 27

HEX #A93ABB

RGB 169 58 187

HSL 291.63, 0.53%, 0.48%

LAB 45.7, 62.1, -46.36

 

CMYK 7 / 54 / 0 / 35

HEX #9B4DA7

RGB 155 77 167

HSL 292, 0.37%, 0.48%

LAB 45.72, 46.18, -34.69

 

CMYK 5 / 34 / 0 / 42

HEX #8D6194

RGB 141 97 148

HSL 291.76, 0.21%, 0.48%

LAB 47.43, 26.95, -20.9

 

CMYK 2 / 9 / 0 / 50

HEX #7E7580

RGB 126 117 128

HSL 289.09, 0.04%, 0.48%

LAB 50.35, 5.63, -4.78

 

CMYK 18 / 0 / 21 / 46

HEX #70896C

RGB 112 137 108

HSL 111.72, 0.12%, 0.48%

LAB 54.47, -14.84, 12.66

 

CMYK 47 / 69 / 0 / 27

HEX #633ABB

RGB 99 58 187

HSL 259.07, 0.53%, 0.48%

LAB 36.49, 47.66, -61.69

 

CMYK 29 / 69 / 0 / 27

HEX #853ABB

RGB 133 58 187

HSL 274.88, 0.53%, 0.48%

LAB 40.57, 54.31, -54.87

 

CMYK 10 / 69 / 0 / 27

HEX #A83ABB

RGB 168 58 187

HSL 291.16, 0.53%, 0.48%

LAB 45.55, 61.88, -46.61

 

CMYK 0 / 69 / 8 / 27

HEX #BB3AAC

RGB 187 58 172

HSL 306.98, 0.53%, 0.48%

LAB 47.71, 63.73, -34.19

 

CMYK 0 / 69 / 26 / 27

HEX #BB3A8A

RGB 187 58 138

HSL 322.79, 0.53%, 0.48%

LAB 46.21, 58.87, -16.21

 

CMYK 10 / 69 / 0 / 51

HEX #70267C

RGB 112 38 124

HSL 291.63, 0.53%, 0.32%

LAB 30.12, 44.95, -33.6

 

CMYK 10 / 69 / 0 / 39

HEX #8D309C

RGB 141 48 156

HSL 291.67, 0.53%, 0.4%

LAB 38.16, 53.92, -40.24

 

CMYK 10 / 69 / 0 / 27

HEX #A93ABB

RGB 169 58 187

HSL 291.63, 0.53%, 0.48%

LAB 45.7, 62.1, -46.36

 

CMYK 8 / 58 / 0 / 21

HEX #BA54CA

RGB 186 84 202

HSL 291.86, 0.53%, 0.56%

LAB 53, 57.81, -43.3

 

CMYK 6 / 46 / 0 / 17

HEX #C773D4

RGB 199 115 212

HSL 291.96, 0.53%, 0.64%

LAB 60.92, 47.97, -36.4

 

CMYK 10 / 70 / 0 / 26

HEX #AA39BC

RGB 170 57 188

HSL 291.76, 0.53%, 0.48%

LAB 45.78, 62.89, -46.82

 

CMYK 0 / 66 / 69 / 27

HEX #BB403A

RGB 187 64 58

HSL 2.79, 0.53%, 0.48%

LAB 44.99, 49.08, 30.82

 

CMYK 69 / 0 / 38 / 27

HEX #3ABB74

RGB 58 187 116

HSL 146.98, 0.53%, 0.48%

LAB 67.8, -51.14, 26.06

 

CMYK 10 / 70 / 0 / 26

HEX #AA39BC

RGB 170 57 188

HSL 291.76, 0.53%, 0.48%

LAB 45.78, 62.89, -46.82

 

CMYK 0 / 10 / 69 / 27

HEX #BBA83A

RGB 187 168 58

HSL 51.16, 0.53%, 0.48%

LAB 68.66, -5.65, 56.8

 

CMYK 69 / 0 / 10 / 27

HEX #3ABBA8

RGB 58 187 168

HSL 171.16, 0.53%, 0.48%

LAB 68.94, -39.16, -0.53

 

CMYK 10 / 70 / 0 / 26

HEX #AA39BC

RGB 170 57 188

HSL 291.76, 0.53%, 0.48%

LAB 45.78, 62.89, -46.82

 

CMYK 0 / 66 / 69 / 27

HEX #BB403A

RGB 187 64 58

HSL 2.79, 0.53%, 0.48%

LAB 44.99, 49.08, 30.82

 

CMYK 59 / 0 / 69 / 27

HEX #4DBB3A

RGB 77 187 58

HSL 111.16, 0.53%, 0.48%

LAB 67.59, -55.22, 53.63

 

CMYK 69 / 3 / 0 / 27

HEX #3AB5BB

RGB 58 181 187

HSL 182.79, 0.53%, 0.48%

LAB 67.68, -31.03, -12.88

 

CMYK 10 / 70 / 0 / 26

HEX #AA39BC

RGB 170 57 188

HSL 291.76, 0.53%, 0.48%

LAB 45.78, 62.89, -46.82

 

CMYK 0 / 45 / 69 / 27

HEX #BB673A

RGB 187 103 58

HSL 20.93, 0.53%, 0.48%

LAB 52.48, 29.86, 39.51

 

CMYK 59 / 0 / 69 / 27

HEX #4DBB3A

RGB 77 187 58

HSL 111.16, 0.53%, 0.48%

LAB 67.59, -55.22, 53.63

 

CMYK 69 / 24 / 0 / 27

HEX #3A8EBB

RGB 58 142 187

HSL 200.93, 0.53%, 0.48%

LAB 55.92, -10.7, -30.85

 

Description

Color code: HEX #AA39BC | qconv.com Color code: HEX #AA39BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 57 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 57 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 70 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 70% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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