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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3941 it is the complementary color #55C6BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3941. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3941 shade: #AF393C, #C04B4F, #D15D62, #E26F75 and #F38188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3941. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3941 shade: #AA3941, #99272E, #88151B, #770308 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3941 shade: #AC3942 and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3941 shade: #AC3942, #AC3960, #AC397F, #AC399E and #9B39AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3941 shade matches the following richer shades: #AC3942, #BF2732, #D11422 and #E40212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3941 shade: #AC3942, #9A4C51, #875F61, #747171 and #628481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3941 shade: #AC3980, #AC3962, #AC3943, #AC4E39 and #AC6D39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3941 shade: #6E252A, #8D2F36, #AC3942, #C34C54 and #CE6B72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3941 shade: #AA3941, #9FAC39 and #3971AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3941 shade: #AA3941, #43AC39 and #3943AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3941 shade: #AA3941, #9FAC39, #39ACA3 and #4739AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3941 shade: #AA3941, #7CAC39, #39ACA3 and #6939AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 62 / 33

HEX #AA3941

RGB 170 57 65

HSL 355.75, 0.5%, 0.45%

LAB 40.98, 46.71, 20.94

 

Complementary color

CMYK 57 / 0 / 4 / 22

HEX #55C6BE

RGB 85 198 190

HSL 175.75, 0.5%, 0.55%

LAB 73.57, -33.82, -5.67

 

CMYK 0 / 67 / 66 / 31

HEX #AF393C

RGB 175 57 60

HSL 358.47, 0.51%, 0.45%

LAB 41.79, 48.08, 25.22

 

CMYK 0 / 61 / 59 / 25

HEX #C04B4F

RGB 192 75 79

HSL 357.95, 0.48%, 0.52%

LAB 48.01, 47.27, 22.32

 

CMYK 0 / 56 / 53 / 18

HEX #D15D62

RGB 209 93 98

HSL 357.41, 0.56%, 0.59%

LAB 54.31, 46.28, 19.93

 

CMYK 0 / 51 / 48 / 11

HEX #E26F75

RGB 226 111 117

HSL 356.87, 0.66%, 0.66%

LAB 60.62, 45.23, 17.91

 

CMYK 0 / 47 / 44 / 5

HEX #F38188

RGB 243 129 136

HSL 356.32, 0.83%, 0.73%

LAB 66.93, 44.18, 16.17

 

CMYK 0 / 66 / 62 / 33

HEX #AA3941

RGB 170 57 65

HSL 355.75, 0.5%, 0.45%

LAB 40.98, 46.71, 20.94

 

CMYK 0 / 75 / 70 / 40

HEX #99272E

RGB 153 39 46

HSL 356.32, 0.59%, 0.38%

LAB 34.84, 47.12, 24.35

 

CMYK 0 / 85 / 80 / 47

HEX #88151B

RGB 136 21 27

HSL 356.87, 0.73%, 0.31%

LAB 29.03, 46.72, 28.59

 

CMYK 0 / 97 / 93 / 53

HEX #770308

RGB 119 3 8

HSL 357.41, 0.95%, 0.24%

LAB 23.69, 45.14, 32.29

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 67 / 62 / 33

HEX #AC3942

RGB 172 57 66

HSL 355.3, 0.5%, 0.45%

LAB 41.36, 47.45, 20.88

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 67 / 62 / 33

HEX #AC3942

RGB 172 57 66

HSL 355.3, 0.5%, 0.45%

LAB 41.36, 47.45, 20.88

 

CMYK 0 / 67 / 44 / 33

HEX #AC3960

RGB 172 57 96

HSL 339.65, 0.5%, 0.45%

LAB 42.06, 50, 3.16

 

CMYK 0 / 67 / 26 / 33

HEX #AC397F

RGB 172 57 127

HSL 323.48, 0.5%, 0.45%

LAB 43.11, 53.65, -14.48

 

CMYK 0 / 67 / 8 / 33

HEX #AC399E

RGB 172 57 158

HSL 307.3, 0.5%, 0.45%

LAB 44.47, 58.2, -31.14

 

CMYK 10 / 67 / 0 / 33

HEX #9B39AC

RGB 155 57 172

HSL 291.13, 0.5%, 0.45%

LAB 42.57, 56.5, -42.65

 

CMYK 0 / 67 / 62 / 33

HEX #AC3942

RGB 172 57 66

HSL 355.3, 0.5%, 0.45%

LAB 41.36, 47.45, 20.88

 

CMYK 0 / 80 / 74 / 25

HEX #BF2732

RGB 191 39 50

HSL 355.66, 0.66%, 0.45%

LAB 42.4, 58.91, 32.68

 

CMYK 0 / 90 / 84 / 18

HEX #D11422

RGB 209 20 34

HSL 355.56, 0.83%, 0.45%

LAB 44.48, 67.33, 45

 

CMYK 0 / 99 / 92 / 11

HEX #E40212

RGB 228 2 18

HSL 355.75, 0.98%, 0.45%

LAB 47.73, 73.6, 56.42

 

CMYK 0 / 67 / 62 / 33

HEX #AC3942

RGB 172 57 66

HSL 355.3, 0.5%, 0.45%

LAB 41.36, 47.45, 20.88

 

CMYK 0 / 51 / 47 / 40

HEX #9A4C51

RGB 154 76 81

HSL 356.15, 0.34%, 0.45%

LAB 42.2, 33, 12.26

 

CMYK 0 / 30 / 28 / 47

HEX #875F61

RGB 135 95 97

HSL 357, 0.17%, 0.45%

LAB 44.52, 16.61, 5.37

 

CMYK 0 / 3 / 3 / 55

HEX #747171

RGB 116 113 113

HSL 0, 0.01%, 0.45%

LAB 47.9, 1.15, 0.4

 

CMYK 26 / 0 / 2 / 48

HEX #628481

RGB 98 132 129

HSL 174.71, 0.15%, 0.45%

LAB 52.6, -12.61, -2.28

 

CMYK 0 / 67 / 26 / 33

HEX #AC3980

RGB 172 57 128

HSL 322.96, 0.5%, 0.45%

LAB 43.15, 53.78, -15.03

 

CMYK 0 / 67 / 43 / 33

HEX #AC3962

RGB 172 57 98

HSL 338.61, 0.5%, 0.45%

LAB 42.12, 50.21, 2

 

CMYK 0 / 67 / 61 / 33

HEX #AC3943

RGB 172 57 67

HSL 354.78, 0.5%, 0.45%

LAB 41.38, 47.52, 20.29

 

CMYK 0 / 55 / 67 / 33

HEX #AC4E39

RGB 172 78 57

HSL 10.96, 0.5%, 0.45%

LAB 44.96, 36.97, 30.76

 

CMYK 0 / 37 / 67 / 33

HEX #AC6D39

RGB 172 109 57

HSL 27.13, 0.5%, 0.45%

LAB 51.84, 20.15, 38.77

 

CMYK 0 / 66 / 62 / 57

HEX #6E252A

RGB 110 37 42

HSL 355.89, 0.5%, 0.29%

LAB 26.17, 32.77, 14.23

 

CMYK 0 / 67 / 62 / 45

HEX #8D2F36

RGB 141 47 54

HSL 355.53, 0.5%, 0.37%

LAB 33.9, 40.29, 17.62

 

CMYK 0 / 67 / 62 / 33

HEX #AC3942

RGB 172 57 66

HSL 355.3, 0.5%, 0.45%

LAB 41.36, 47.45, 20.88

 

CMYK 0 / 61 / 57 / 24

HEX #C34C54

RGB 195 76 84

HSL 355.97, 0.5%, 0.53%

LAB 48.77, 48.22, 20.43

 

CMYK 0 / 48 / 45 / 19

HEX #CE6B72

RGB 206 107 114

HSL 355.76, 0.5%, 0.61%

LAB 56.93, 39.7, 14.1

 

CMYK 0 / 66 / 62 / 33

HEX #AA3941

RGB 170 57 65

HSL 355.75, 0.5%, 0.45%

LAB 40.98, 46.71, 20.94

 

CMYK 8 / 0 / 67 / 33

HEX #9FAC39

RGB 159 172 57

HSL 66.78, 0.5%, 0.45%

LAB 67.41, -19.87, 55.17

 

CMYK 67 / 34 / 0 / 33

HEX #3971AC

RGB 57 113 172

HSL 210.78, 0.5%, 0.45%

LAB 46.52, 0.94, -36.93

 

CMYK 0 / 66 / 62 / 33

HEX #AA3941

RGB 170 57 65

HSL 355.75, 0.5%, 0.45%

LAB 40.98, 46.71, 20.94

 

CMYK 61 / 0 / 67 / 33

HEX #43AC39

RGB 67 172 57

HSL 114.78, 0.5%, 0.45%

LAB 62.5, -52.28, 48.5

 

CMYK 67 / 61 / 0 / 33

HEX #3943AC

RGB 57 67 172

HSL 234.78, 0.5%, 0.45%

LAB 33.7, 30.49, -57.51

 

CMYK 0 / 66 / 62 / 33

HEX #AA3941

RGB 170 57 65

HSL 355.75, 0.5%, 0.45%

LAB 40.98, 46.71, 20.94

 

CMYK 8 / 0 / 67 / 33

HEX #9FAC39

RGB 159 172 57

HSL 66.78, 0.5%, 0.45%

LAB 67.41, -19.87, 55.17

 

CMYK 67 / 0 / 5 / 33

HEX #39ACA3

RGB 57 172 163

HSL 175.3, 0.5%, 0.45%

LAB 64.18, -33.78, -4.78

 

CMYK 59 / 67 / 0 / 33

HEX #4739AC

RGB 71 57 172

HSL 247.3, 0.5%, 0.45%

LAB 32.36, 38.92, -59.65

 

CMYK 0 / 66 / 62 / 33

HEX #AA3941

RGB 170 57 65

HSL 355.75, 0.5%, 0.45%

LAB 40.98, 46.71, 20.94

 

CMYK 28 / 0 / 67 / 33

HEX #7CAC39

RGB 124 172 57

HSL 85.04, 0.5%, 0.45%

LAB 65.03, -34.11, 51.96

 

CMYK 67 / 0 / 5 / 33

HEX #39ACA3

RGB 57 172 163

HSL 175.3, 0.5%, 0.45%

LAB 64.18, -33.78, -4.78

 

CMYK 39 / 67 / 0 / 33

HEX #6939AC

RGB 105 57 172

HSL 265.04, 0.5%, 0.45%

LAB 35.81, 45.3, -53.88

 

Description

Color code: HEX #AA3941 | qconv.com Color code: HEX #AA3941 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 57 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 57 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 62 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 62% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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