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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA34AD it is the complementary color #55CB52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA34AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA34AD shade: #AF34A8, #C046BB, #D158CE, #E26AE1 and #F37CF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA34AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA34AD shade: #AA34AD, #99229A, #881087, #770074 and #660061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA34AD shade: #AA34AD, #AD348F, #AD346E, #AD344E and #AD3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA34AD shade: #AA34AD, #8934AD, #6834AD, #4834AD and #3434AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA34AD shade matches the following richer shades: #AA34AD, #BB21BF and #CC0FD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA34AD shade: #AA34AD, #99469B, #875888, #766A76 and #657C64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA34AD shade: #6834AD, #8834AD, #A934AD, #AD3491 and #AD3470

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA34AD shade: #6B216D, #8B2A8D, #AA34AD, #C443C7 and #CE63D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA34AD shade: #AA34AD, #AD4834 and #34AD78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA34AD shade: #AA34AD, #ADA934 and #34ADA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA34AD shade: #AA34AD, #AD4834, #38AD34 and #3499AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA34AD shade: #AA34AD, #AD6C34, #38AD34 and #3474AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

Complementary color

CMYK 58 / 0 / 60 / 20

HEX #55CB52

RGB 85 203 82

HSL 118.51, 0.54%, 0.56%

LAB 73.06, -56.71, 49.54

 

CMYK 0 / 70 / 4 / 31

HEX #AF34A8

RGB 175 52 168

HSL 303.41, 0.54%, 0.45%

LAB 44.8, 62.41, -36.55

 

CMYK 0 / 64 / 3 / 25

HEX #C046BB

RGB 192 70 187

HSL 302.46, 0.49%, 0.51%

LAB 50.89, 62.74, -37.92

 

CMYK 0 / 58 / 1 / 18

HEX #D158CE

RGB 209 88 206

HSL 301.49, 0.57%, 0.58%

LAB 57.07, 62.62, -38.95

 

CMYK 0 / 53 / 0 / 11

HEX #E26AE1

RGB 226 106 225

HSL 300.5, 0.67%, 0.65%

LAB 63.27, 62.23, -39.76

 

CMYK 0 / 49 / 0 / 4

HEX #F37CF4

RGB 243 124 244

HSL 299.5, 0.85%, 0.72%

LAB 69.47, 61.7, -40.42

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 1 / 78 / 0 / 40

HEX #99229A

RGB 153 34 154

HSL 299.5, 0.64%, 0.37%

LAB 38.29, 61.11, -38.71

 

CMYK 0 / 88 / 1 / 47

HEX #881087

RGB 136 16 135

HSL 300.5, 0.79%, 0.3%

LAB 32.6, 58.98, -36.29

 

CMYK 0 / 100 / 3 / 53

HEX #770074

RGB 119 0 116

HSL 301.51, 1%, 0.23%

LAB 27.25, 55.46, -33.03

 

CMYK 0 / 100 / 5 / 60

HEX #660061

RGB 102 0 97

HSL 302.94, 1%, 0.2%

LAB 22.61, 49.33, -28.29

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 0 / 70 / 17 / 32

HEX #AD348F

RGB 173 52 143

HSL 314.88, 0.54%, 0.44%

LAB 43.25, 58.09, -24

 

CMYK 0 / 70 / 36 / 32

HEX #AD346E

RGB 173 52 110

HSL 331.24, 0.54%, 0.44%

LAB 41.95, 53.82, -5.71

 

CMYK 0 / 70 / 55 / 32

HEX #AD344E

RGB 173 52 78

HSL 347.11, 0.54%, 0.44%

LAB 41.04, 50.72, 13.01

 

CMYK 0 / 70 / 70 / 32

HEX #AD3434

RGB 173 52 52

HSL 0, 0.54%, 0.44%

LAB 40.55, 49, 28.46

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 21 / 70 / 0 / 32

HEX #8934AD

RGB 137 52 173

HSL 282.15, 0.54%, 0.44%

LAB 39.23, 54.75, -48.75

 

CMYK 40 / 70 / 0 / 32

HEX #6834AD

RGB 104 52 173

HSL 265.79, 0.54%, 0.44%

LAB 34.83, 47.92, -56.06

 

CMYK 58 / 70 / 0 / 32

HEX #4834AD

RGB 72 52 173

HSL 249.92, 0.54%, 0.44%

LAB 31.46, 42.3, -61.71

 

CMYK 70 / 70 / 0 / 32

HEX #3434AD

RGB 52 52 173

HSL 240, 0.54%, 0.44%

LAB 29.92, 39.58, -64.3

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 2 / 83 / 0 / 25

HEX #BB21BF

RGB 187 33 191

HSL 298.48, 0.71%, 0.44%

LAB 46.2, 74.01, -47.74

 

CMYK 2 / 93 / 0 / 18

HEX #CC0FD1

RGB 204 15 209

HSL 298.45, 0.87%, 0.44%

LAB 49.23, 82.53, -53.15

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 1 / 55 / 0 / 39

HEX #99469B

RGB 153 70 155

HSL 298.59, 0.38%, 0.44%

LAB 43.54, 46.82, -31.01

 

CMYK 1 / 35 / 0 / 47

HEX #875888

RGB 135 88 136

HSL 298.75, 0.21%, 0.44%

LAB 44.1, 27.68, -18.9

 

CMYK 0 / 10 / 0 / 54

HEX #766A76

RGB 118 106 118

HSL 300, 0.05%, 0.44%

LAB 46.27, 7.08, -4.96

 

CMYK 19 / 0 / 19 / 51

HEX #657C64

RGB 101 124 100

HSL 117.5, 0.11%, 0.44%

LAB 49.62, -13.4, 10.38

 

CMYK 40 / 70 / 0 / 32

HEX #6834AD

RGB 104 52 173

HSL 265.79, 0.54%, 0.44%

LAB 34.83, 47.92, -56.06

 

CMYK 21 / 70 / 0 / 32

HEX #8834AD

RGB 136 52 173

HSL 281.65, 0.54%, 0.44%

LAB 39.08, 54.54, -48.99

 

CMYK 2 / 70 / 0 / 32

HEX #A934AD

RGB 169 52 173

HSL 298.02, 0.54%, 0.44%

LAB 44.1, 61.87, -40.68

 

CMYK 0 / 70 / 16 / 32

HEX #AD3491

RGB 173 52 145

HSL 313.88, 0.54%, 0.44%

LAB 43.34, 58.38, -25.07

 

CMYK 0 / 70 / 35 / 32

HEX #AD3470

RGB 173 52 112

HSL 330.25, 0.54%, 0.44%

LAB 42.02, 54.05, -6.85

 

CMYK 2 / 70 / 0 / 57

HEX #6B216D

RGB 107 33 109

HSL 298.42, 0.54%, 0.28%

LAB 27.62, 42.94, -28.09

 

CMYK 1 / 70 / 0 / 45

HEX #8B2A8D

RGB 139 42 141

HSL 298.79, 0.54%, 0.36%

LAB 36.11, 53.06, -34.37

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 2 / 66 / 0 / 22

HEX #C443C7

RGB 196 67 199

HSL 298.64, 0.54%, 0.52%

LAB 51.69, 66.87, -43.55

 

CMYK 1 / 52 / 0 / 18

HEX #CE63D0

RGB 206 99 208

HSL 298.9, 0.54%, 0.6%

LAB 58.6, 57.15, -37.71

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 0 / 58 / 70 / 32

HEX #AD4834

RGB 173 72 52

HSL 9.92, 0.54%, 0.44%

LAB 43.9, 40.06, 32.41

 

CMYK 70 / 0 / 31 / 32

HEX #34AD78

RGB 52 173 120

HSL 153.72, 0.54%, 0.44%

LAB 63.32, -45.75, 17.82

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 0 / 2 / 70 / 32

HEX #ADA934

RGB 173 169 52

HSL 58.02, 0.54%, 0.44%

LAB 67.66, -12.6, 57.76

 

CMYK 70 / 0 / 2 / 32

HEX #34ADA9

RGB 52 173 169

HSL 178.02, 0.54%, 0.44%

LAB 64.55, -33.28, -7.58

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 0 / 58 / 70 / 32

HEX #AD4834

RGB 173 72 52

HSL 9.92, 0.54%, 0.44%

LAB 43.9, 40.06, 32.41

 

CMYK 68 / 0 / 70 / 32

HEX #38AD34

RGB 56 173 52

HSL 118.02, 0.54%, 0.44%

LAB 62.49, -55.52, 50.45

 

CMYK 70 / 12 / 0 / 32

HEX #3499AD

RGB 52 153 173

HSL 189.92, 0.54%, 0.44%

LAB 58.54, -22.16, -18.88

 

CMYK 2 / 70 / 0 / 32

HEX #AA34AD

RGB 170 52 173

HSL 298.51, 0.54%, 0.44%

LAB 44.26, 62.1, -40.41

 

CMYK 0 / 38 / 70 / 32

HEX #AD6C34

RGB 173 108 52

HSL 27.77, 0.54%, 0.44%

LAB 51.68, 20.85, 41.18

 

CMYK 68 / 0 / 70 / 32

HEX #38AD34

RGB 56 173 52

HSL 118.02, 0.54%, 0.44%

LAB 62.49, -55.52, 50.45

 

CMYK 70 / 33 / 0 / 32

HEX #3474AD

RGB 52 116 173

HSL 208.26, 0.54%, 0.44%

LAB 47.29, -1.36, -36.32

 

Description

Color code: HEX #AA34AD | qconv.com Color code: HEX #AA34AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 52 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 52 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 70 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 70% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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