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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA3378 it is the complementary color #55CC87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA3378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA3378 shade: #AF3373, #C04586, #D15799, #E269AC and #F37BBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA3378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA3378 shade: #AA3378, #992165, #880F52, #77003F and #66002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA3378 shade: #A93277, #A93257, #A93237 and #A93232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA3378 shade: #A93277, #A93297, #9B32A9, #7B32A9 and #5B32A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA3378 shade matches the following richer shades: #A93277, #BB217A and #CC0F7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA3378 shade: #A93277, #974474, #855671, #74686F and #62796C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA3378 shade: #9B32A9, #A93297, #A93278, #A93258 and #A93238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA3378 shade: #691F4A, #892961, #A93277, #C63F8D and #CF5FA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA3378 shade: #AA3378, #A97B32 and #32A7A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA3378 shade: #AA3378, #78A932 and #3278A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA3378 shade: #AA3378, #A97B32, #32A964 and #3260A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA3378 shade: #AA3378, #A99F32, #32A964 and #323CA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 29 / 33

HEX #AA3378

RGB 170 51 120

HSL 325.21, 0.54%, 0.43%

LAB 41.64, 54.54, -12.42

 

Complementary color

CMYK 58 / 0 / 34 / 20

HEX #55CC87

RGB 85 204 135

HSL 145.21, 0.54%, 0.57%

LAB 74.1, -49.04, 24.63

 

CMYK 0 / 71 / 34 / 31

HEX #AF3373

RGB 175 51 115

HSL 329.03, 0.55%, 0.44%

LAB 42.34, 55.34, -8.19

 

CMYK 0 / 64 / 30 / 25

HEX #C04586

RGB 192 69 134

HSL 328.29, 0.49%, 0.51%

LAB 48.49, 55.38, -10.27

 

CMYK 0 / 58 / 27 / 18

HEX #D15799

RGB 209 87 153

HSL 327.54, 0.57%, 0.58%

LAB 54.73, 55.04, -11.91

 

CMYK 0 / 54 / 24 / 11

HEX #E269AC

RGB 226 105 172

HSL 326.78, 0.68%, 0.65%

LAB 61, 54.48, -13.25

 

CMYK 0 / 49 / 21 / 5

HEX #F37BBF

RGB 243 123 191

HSL 326, 0.83%, 0.72%

LAB 67.26, 53.81, -14.37

 

CMYK 0 / 70 / 29 / 33

HEX #AA3378

RGB 170 51 120

HSL 325.21, 0.54%, 0.43%

LAB 41.64, 54.54, -12.42

 

CMYK 0 / 78 / 34 / 40

HEX #992165

RGB 153 33 101

HSL 326, 0.65%, 0.36%

LAB 35.6, 53.85, -9.94

 

CMYK 0 / 89 / 40 / 47

HEX #880F52

RGB 136 15 82

HSL 326.78, 0.8%, 0.3%

LAB 29.87, 52.03, -6.56

 

CMYK 0 / 100 / 47 / 53

HEX #77003F

RGB 119 0 63

HSL 328.24, 1%, 0.23%

LAB 24.58, 48.73, -2.04

 

CMYK 0 / 100 / 57 / 60

HEX #66002C

RGB 102 0 44

HSL 334.12, 1%, 0.2%

LAB 20.07, 42.88, 4.23

 

CMYK 0 / 70 / 30 / 34

HEX #A93277

RGB 169 50 119

HSL 325.21, 0.54%, 0.43%

LAB 41.29, 54.52, -12.35

 

CMYK 0 / 70 / 49 / 34

HEX #A93257

RGB 169 50 87

HSL 341.34, 0.54%, 0.43%

LAB 40.25, 51.02, 6.14

 

CMYK 0 / 70 / 67 / 34

HEX #A93237

RGB 169 50 55

HSL 357.48, 0.54%, 0.43%

LAB 39.57, 48.64, 25.27

 

CMYK 0 / 70 / 70 / 34

HEX #A93232

RGB 169 50 50

HSL 0, 0.54%, 0.43%

LAB 39.49, 48.37, 28.22

 

CMYK 0 / 70 / 30 / 34

HEX #A93277

RGB 169 50 119

HSL 325.21, 0.54%, 0.43%

LAB 41.29, 54.52, -12.35

 

CMYK 0 / 70 / 11 / 34

HEX #A93297

RGB 169 50 151

HSL 309.08, 0.54%, 0.43%

LAB 42.69, 59.01, -29.76

 

CMYK 8 / 70 / 0 / 34

HEX #9B32A9

RGB 155 50 169

HSL 292.94, 0.54%, 0.43%

LAB 41.4, 58.75, -42.74

 

CMYK 27 / 70 / 0 / 34

HEX #7B32A9

RGB 123 50 169

HSL 276.81, 0.54%, 0.43%

LAB 36.66, 51.76, -50.6

 

CMYK 46 / 70 / 0 / 34

HEX #5B32A9

RGB 91 50 169

HSL 260.67, 0.54%, 0.43%

LAB 32.63, 45.42, -57.32

 

CMYK 0 / 70 / 30 / 34

HEX #A93277

RGB 169 50 119

HSL 325.21, 0.54%, 0.43%

LAB 41.29, 54.52, -12.35

 

CMYK 0 / 82 / 35 / 27

HEX #BB217A

RGB 187 33 122

HSL 325.32, 0.7%, 0.43%

LAB 42.85, 64.76, -11.54

 

CMYK 0 / 93 / 39 / 20

HEX #CC0F7D

RGB 204 15 125

HSL 325.08, 0.86%, 0.43%

LAB 45.16, 72.09, -9.57

 

CMYK 0 / 70 / 30 / 34

HEX #A93277

RGB 169 50 119

HSL 325.21, 0.54%, 0.43%

LAB 41.29, 54.52, -12.35

 

CMYK 0 / 55 / 23 / 41

HEX #974474

RGB 151 68 116

HSL 325.3, 0.38%, 0.43%

LAB 41.18, 40.59, -10.96

 

CMYK 0 / 35 / 15 / 48

HEX #855671

RGB 133 86 113

HSL 325.53, 0.21%, 0.43%

LAB 42.51, 23.76, -7.35

 

CMYK 0 / 10 / 4 / 55

HEX #74686F

RGB 116 104 111

HSL 325, 0.05%, 0.43%

LAB 45.31, 6.09, -2.2

 

CMYK 19 / 0 / 11 / 53

HEX #62796C

RGB 98 121 108

HSL 146.09, 0.11%, 0.43%

LAB 48.7, -11.23, 4.35

 

CMYK 8 / 70 / 0 / 34

HEX #9B32A9

RGB 155 50 169

HSL 292.94, 0.54%, 0.43%

LAB 41.4, 58.75, -42.74

 

CMYK 0 / 70 / 11 / 34

HEX #A93297

RGB 169 50 151

HSL 309.08, 0.54%, 0.43%

LAB 42.69, 59.01, -29.76

 

CMYK 0 / 70 / 29 / 34

HEX #A93278

RGB 169 50 120

HSL 324.71, 0.54%, 0.43%

LAB 41.33, 54.64, -12.91

 

CMYK 0 / 70 / 48 / 34

HEX #A93258

RGB 169 50 88

HSL 340.84, 0.54%, 0.43%

LAB 40.28, 51.11, 5.55

 

CMYK 0 / 70 / 67 / 34

HEX #A93238

RGB 169 50 56

HSL 356.97, 0.54%, 0.43%

LAB 39.58, 48.7, 24.67

 

CMYK 0 / 70 / 30 / 59

HEX #691F4A

RGB 105 31 74

HSL 325.14, 0.54%, 0.27%

LAB 25.19, 37.4, -8.89

 

CMYK 0 / 70 / 29 / 46

HEX #892961

RGB 137 41 97

HSL 325, 0.54%, 0.35%

LAB 33.49, 46.03, -10.85

 

CMYK 0 / 70 / 30 / 34

HEX #A93277

RGB 169 50 119

HSL 325.21, 0.54%, 0.43%

LAB 41.29, 54.52, -12.35

 

CMYK 0 / 68 / 29 / 22

HEX #C63F8D

RGB 198 63 141

HSL 325.33, 0.54%, 0.51%

LAB 48.86, 60.37, -13.82

 

CMYK 0 / 54 / 23 / 19

HEX #CF5FA0

RGB 207 95 160

HSL 325.18, 0.54%, 0.59%

LAB 56.08, 51.66, -14

 

CMYK 0 / 70 / 29 / 33

HEX #AA3378

RGB 170 51 120

HSL 325.21, 0.54%, 0.43%

LAB 41.64, 54.54, -12.42

 

CMYK 0 / 27 / 70 / 34

HEX #A97B32

RGB 169 123 50

HSL 36.81, 0.54%, 0.43%

LAB 54.9, 10.53, 45.47

 

CMYK 70 / 1 / 0 / 34

HEX #32A7A9

RGB 50 167 169

HSL 181.01, 0.54%, 0.43%

LAB 62.66, -30.69, -10.41

 

CMYK 0 / 70 / 29 / 33

HEX #AA3378

RGB 170 51 120

HSL 325.21, 0.54%, 0.43%

LAB 41.64, 54.54, -12.42

 

CMYK 29 / 0 / 70 / 34

HEX #78A932

RGB 120 169 50

HSL 84.71, 0.54%, 0.43%

LAB 63.84, -34.77, 53.45

 

CMYK 70 / 29 / 0 / 34

HEX #3278A9

RGB 50 120 169

HSL 204.71, 0.54%, 0.43%

LAB 48.23, -5.49, -32.51

 

CMYK 0 / 70 / 29 / 33

HEX #AA3378

RGB 170 51 120

HSL 325.21, 0.54%, 0.43%

LAB 41.64, 54.54, -12.42

 

CMYK 0 / 27 / 70 / 34

HEX #A97B32

RGB 169 123 50

HSL 36.81, 0.54%, 0.43%

LAB 54.9, 10.53, 45.47

 

CMYK 70 / 0 / 41 / 34

HEX #32A964

RGB 50 169 100

HSL 145.21, 0.54%, 0.43%

LAB 61.63, -48.54, 26.36

 

CMYK 70 / 43 / 0 / 34

HEX #3260A9

RGB 50 96 169

HSL 216.81, 0.54%, 0.43%

LAB 41.07, 9.36, -43.84

 

CMYK 0 / 70 / 29 / 33

HEX #AA3378

RGB 170 51 120

HSL 325.21, 0.54%, 0.43%

LAB 41.64, 54.54, -12.42

 

CMYK 0 / 6 / 70 / 34

HEX #A99F32

RGB 169 159 50

HSL 54.96, 0.54%, 0.43%

LAB 64.53, -9.22, 55.33

 

CMYK 70 / 0 / 41 / 34

HEX #32A964

RGB 50 169 100

HSL 145.21, 0.54%, 0.43%

LAB 61.63, -48.54, 26.36

 

CMYK 70 / 64 / 0 / 34

HEX #323CA9

RGB 50 60 169

HSL 234.96, 0.54%, 0.43%

LAB 31.29, 32.94, -59.66

 

Description

Color code: HEX #AA3378 | qconv.com Color code: HEX #AA3378 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 51 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 51 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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