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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA2C5E it is the complementary color #55D3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA2C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA2C5E shade: #AF2C59, #C03E6C, #D1507F, #E26292 and #F374A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA2C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA2C5E shade: #AA2C5E, #991A4B, #880838, #770025 and #660012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA2C5E shade: #AA2C5E, #AA2C3C and #AA2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA2C5E shade: #AA2C5E, #AA2C80, #AA2CA2, #902CAA and #6E2CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA2C5E shade matches the following richer shades: #AA2C5E, #BC1B5A and #CD0957

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA2C5E shade: #AA2C5E, #993D62, #884F65, #766069 and #65716C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA2C5E shade: #AA2CA2, #AA2C80, #AA2C5E, #AA2C3D and #AA3D2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA2C5E shade: #691B3A, #89234C, #AA2C5E, #CB3570 and #D35587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA2C5E shade: #AA2C5E, #AA912C and #2C91AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA2C5E shade: #AA2C5E, #5EAA2C and #2C5EAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA2C5E shade: #AA2C5E, #AA912C, #2CAA78 and #2C45AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA2C5E shade: #AA2C5E, #9EAA2C, #2CAA78 and #392CAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

Complementary color

CMYK 60 / 0 / 24 / 17

HEX #55D3A1

RGB 85 211 161

HSL 156.19, 0.59%, 0.58%

LAB 76.74, -46.63, 14.51

 

CMYK 0 / 75 / 49 / 31

HEX #AF2C59

RGB 175 44 89

HSL 339.39, 0.6%, 0.43%

LAB 40.63, 55.18, 5.57

 

CMYK 0 / 68 / 44 / 25

HEX #C03E6C

RGB 192 62 108

HSL 338.77, 0.51%, 0.5%

LAB 46.62, 55.34, 2.77

 

CMYK 0 / 62 / 39 / 18

HEX #D1507F

RGB 209 80 127

HSL 338.14, 0.58%, 0.57%

LAB 52.76, 55.03, 0.55

 

CMYK 0 / 57 / 35 / 11

HEX #E26292

RGB 226 98 146

HSL 337.5, 0.69%, 0.64%

LAB 58.96, 54.46, -1.26

 

CMYK 0 / 52 / 32 / 5

HEX #F374A5

RGB 243 116 165

HSL 336.85, 0.84%, 0.7%

LAB 65.17, 53.75, -2.78

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 83 / 51 / 40

HEX #991A4B

RGB 153 26 75

HSL 336.85, 0.71%, 0.35%

LAB 34.02, 53.24, 4.53

 

CMYK 0 / 94 / 59 / 47

HEX #880838

RGB 136 8 56

HSL 337.5, 0.89%, 0.28%

LAB 28.63, 50.97, 9.03

 

CMYK 0 / 100 / 69 / 53

HEX #770025

RGB 119 0 37

HSL 341.34, 1%, 0.23%

LAB 23.85, 46.8, 14.96

 

CMYK 0 / 100 / 82 / 60

HEX #660012

RGB 102 0 18

HSL 349.41, 1%, 0.2%

LAB 19.51, 41.37, 21.74

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 74 / 65 / 33

HEX #AA2C3C

RGB 170 44 60

HSL 352.38, 0.59%, 0.42%

LAB 39.03, 51.51, 21.52

 

CMYK 0 / 74 / 74 / 33

HEX #AA2C2C

RGB 170 44 44

HSL 0, 0.59%, 0.42%

LAB 38.78, 50.67, 31.03

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 74 / 25 / 33

HEX #AA2C80

RGB 170 44 128

HSL 320, 0.59%, 0.42%

LAB 41.07, 58.08, -18.24

 

CMYK 0 / 74 / 5 / 33

HEX #AA2CA2

RGB 170 44 162

HSL 303.81, 0.59%, 0.42%

LAB 42.7, 63.02, -36.35

 

CMYK 15 / 74 / 0 / 33

HEX #902CAA

RGB 144 44 170

HSL 287.62, 0.59%, 0.42%

LAB 38.96, 58.81, -47.34

 

CMYK 35 / 74 / 0 / 33

HEX #6E2CAA

RGB 110 44 170

HSL 271.43, 0.59%, 0.42%

LAB 34.02, 52.09, -55.56

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 86 / 52 / 26

HEX #BC1B5A

RGB 188 27 90

HSL 336.52, 0.75%, 0.42%

LAB 41.55, 63.4, 6.59

 

CMYK 0 / 96 / 58 / 20

HEX #CD0957

RGB 205 9 87

HSL 336.12, 0.92%, 0.42%

LAB 44.04, 69.89, 12.47

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 60 / 36 / 40

HEX #993D62

RGB 153 61 98

HSL 335.87, 0.43%, 0.42%

LAB 39.57, 42.26, -2.12

 

CMYK 0 / 42 / 26 / 47

HEX #884F65

RGB 136 79 101

HSL 336.84, 0.27%, 0.42%

LAB 40.84, 26.97, -2.4

 

CMYK 0 / 19 / 11 / 54

HEX #766069

RGB 118 96 105

HSL 335.45, 0.1%, 0.42%

LAB 43.12, 10.51, -1.76

 

CMYK 11 / 0 / 4 / 56

HEX #65716C

RGB 101 113 108

HSL 155, 0.06%, 0.42%

LAB 46.52, -5.58, 1.23

 

CMYK 0 / 74 / 5 / 33

HEX #AA2CA2

RGB 170 44 162

HSL 303.81, 0.59%, 0.42%

LAB 42.7, 63.02, -36.35

 

CMYK 0 / 74 / 25 / 33

HEX #AA2C80

RGB 170 44 128

HSL 320, 0.59%, 0.42%

LAB 41.07, 58.08, -18.24

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 74 / 64 / 33

HEX #AA2C3D

RGB 170 44 61

HSL 351.9, 0.59%, 0.42%

LAB 39.04, 51.57, 20.92

 

CMYK 0 / 64 / 74 / 33

HEX #AA3D2C

RGB 170 61 44

HSL 8.1, 0.59%, 0.42%

LAB 41.32, 43.74, 33.9

 

CMYK 0 / 74 / 45 / 59

HEX #691B3A

RGB 105 27 58

HSL 336.15, 0.59%, 0.26%

LAB 23.98, 37.09, 0.16

 

CMYK 0 / 74 / 45 / 46

HEX #89234C

RGB 137 35 76

HSL 335.88, 0.59%, 0.34%

LAB 31.9, 45.89, 0.42

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 74 / 45 / 20

HEX #CB3570

RGB 203 53 112

HSL 336.4, 0.59%, 0.5%

LAB 47.51, 62.18, 1.85

 

CMYK 0 / 60 / 36 / 17

HEX #D35587

RGB 211 85 135

HSL 336.19, 0.59%, 0.58%

LAB 54.13, 54.34, -2.16

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 15 / 74 / 33

HEX #AA912C

RGB 170 145 44

HSL 48.1, 0.59%, 0.42%

LAB 60.76, -1.55, 54

 

CMYK 74 / 15 / 0 / 33

HEX #2C91AA

RGB 44 145 170

HSL 191.9, 0.59%, 0.42%

LAB 55.77, -20.03, -21.41

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 45 / 0 / 74 / 33

HEX #5EAA2C

RGB 94 170 44

HSL 96.19, 0.59%, 0.42%

LAB 62.77, -44.9, 54.18

 

CMYK 74 / 45 / 0 / 33

HEX #2C5EAA

RGB 44 94 170

HSL 216.19, 0.59%, 0.42%

LAB 40.32, 10.14, -45.65

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 0 / 15 / 74 / 33

HEX #AA912C

RGB 170 145 44

HSL 48.1, 0.59%, 0.42%

LAB 60.76, -1.55, 54

 

CMYK 74 / 0 / 29 / 33

HEX #2CAA78

RGB 44 170 120

HSL 156.19, 0.59%, 0.42%

LAB 62.2, -45.74, 16.26

 

CMYK 74 / 59 / 0 / 33

HEX #2C45AA

RGB 44 69 170

HSL 228.1, 0.59%, 0.42%

LAB 33.34, 26.66, -56.93

 

CMYK 0 / 74 / 45 / 33

HEX #AA2C5E

RGB 170 44 94

HSL 336.19, 0.59%, 0.42%

LAB 39.84, 54.19, 1.15

 

CMYK 7 / 0 / 74 / 33

HEX #9EAA2C

RGB 158 170 44

HSL 65.71, 0.59%, 0.42%

LAB 66.67, -20.01, 59.32

 

CMYK 74 / 0 / 29 / 33

HEX #2CAA78

RGB 44 170 120

HSL 156.19, 0.59%, 0.42%

LAB 62.2, -45.74, 16.26

 

CMYK 66 / 74 / 0 / 33

HEX #392CAA

RGB 57 44 170

HSL 246.19, 0.59%, 0.42%

LAB 28.31, 43.82, -65.14

 

Description

Color code: HEX #AA2C5E | qconv.com Color code: HEX #AA2C5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 44 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 44 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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