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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA27E4 it is the complementary color #55D81B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA27E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA27E4 shade: #AF27DF, #C039F2, #D14BFF, #E25DFF and #F36FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA27E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA27E4 shade: #AA27E4, #9915D1, #8803BE, #7700AB and #660098

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA27E4 shade: #A925E4, #DD25E4, #E425B8, #E42584 and #E42551

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA27E4 shade: #A925E4, #7625E4, #4325E4 and #2525E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA27E4 shade matches the following richer shades: #A925E4 and #B111F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA27E4 shade: #A925E4, #A239D0, #9A4DBC, #9361A9 and #8B7495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA27E4 shade: #4225E4, #7525E4, #A825E4, #DB25E4 and #E425BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA27E4 shade: #7714A3, #9219C7, #A925E4, #B84AE9 and #C66FED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA27E4 shade: #AA27E4, #E4253B and #25E45B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA27E4 shade: #AA27E4, #E4A825 and #25E4A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA27E4 shade: #AA27E4, #E4253B, #62E425 and #25E4CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA27E4 shade: #AA27E4, #E44825, #62E425 and #25C1E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 83 / 0 / 11

HEX #AA27E4

RGB 170 39 228

HSL 281.59, 0.78%, 0.52%

LAB 46.44, 76.15, -68.78

 

Complementary color

CMYK 61 / 0 / 88 / 15

HEX #55D81B

RGB 85 216 27

HSL 101.59, 0.78%, 0.48%

LAB 76.75, -65.14, 71.52

 

CMYK 22 / 83 / 0 / 13

HEX #AF27DF

RGB 175 39 223

HSL 284.35, 0.74%, 0.51%

LAB 46.83, 76, -65.27

 

CMYK 21 / 76 / 0 / 5

HEX #C039F2

RGB 192 57 242

HSL 283.78, 0.88%, 0.59%

LAB 52.45, 77.24, -66.79

 

CMYK 18 / 71 / 0 / 0

HEX #D14BFF

RGB 209 75 255

HSL 284.67, 1%, 0.65%

LAB 57.85, 76.66, -65.19

 

CMYK 11 / 64 / 0 / 0

HEX #E25DFF

RGB 226 93 255

HSL 289.26, 1%, 0.68%

LAB 62.69, 73.21, -57.31

 

CMYK 5 / 56 / 0 / 0

HEX #F36FFF

RGB 243 111 255

HSL 295, 1%, 0.72%

LAB 67.76, 69.55, -49.13

 

CMYK 25 / 83 / 0 / 11

HEX #AA27E4

RGB 170 39 228

HSL 281.59, 0.78%, 0.52%

LAB 46.44, 76.15, -68.78

 

CMYK 27 / 90 / 0 / 18

HEX #9915D1

RGB 153 21 209

HSL 282.13, 0.82%, 0.45%

LAB 41.08, 73.97, -66.74

 

CMYK 28 / 98 / 0 / 25

HEX #8803BE

RGB 136 3 190

HSL 282.67, 0.97%, 0.38%

LAB 36.02, 70.58, -64.03

 

CMYK 30 / 100 / 0 / 33

HEX #7700AB

RGB 119 0 171

HSL 281.75, 1%, 0.34%

LAB 31.49, 65.25, -60.23

 

CMYK 33 / 100 / 0 / 40

HEX #660098

RGB 102 0 152

HSL 280.26, 1%, 0.3%

LAB 26.99, 59.42, -56.16

 

CMYK 26 / 84 / 0 / 11

HEX #A925E4

RGB 169 37 228

HSL 281.47, 0.78%, 0.52%

LAB 46.12, 76.5, -69.31

 

CMYK 3 / 84 / 0 / 11

HEX #DD25E4

RGB 221 37 228

HSL 297.8, 0.78%, 0.52%

LAB 54.34, 85.01, -55.63

 

CMYK 0 / 84 / 19 / 11

HEX #E425B8

RGB 228 37 184

HSL 313.82, 0.78%, 0.52%

LAB 53.25, 80.23, -32.05

 

CMYK 0 / 84 / 42 / 11

HEX #E42584

RGB 228 37 132

HSL 330.16, 0.78%, 0.52%

LAB 51.25, 74.63, -4.28

 

CMYK 0 / 84 / 64 / 11

HEX #E42551

RGB 228 37 81

HSL 346.18, 0.78%, 0.52%

LAB 49.99, 70.98, 24.95

 

CMYK 26 / 84 / 0 / 11

HEX #A925E4

RGB 169 37 228

HSL 281.47, 0.78%, 0.52%

LAB 46.12, 76.5, -69.31

 

CMYK 48 / 84 / 0 / 11

HEX #7625E4

RGB 118 37 228

HSL 265.45, 0.78%, 0.52%

LAB 39.2, 69.69, -80.91

 

CMYK 71 / 84 / 0 / 11

HEX #4325E4

RGB 67 37 228

HSL 249.42, 0.78%, 0.52%

LAB 34.23, 65.11, -89.3

 

CMYK 84 / 84 / 0 / 11

HEX #2525E4

RGB 37 37 228

HSL 240, 0.78%, 0.52%

LAB 32.52, 63.61, -92.18

 

CMYK 26 / 84 / 0 / 11

HEX #A925E4

RGB 169 37 228

HSL 281.47, 0.78%, 0.52%

LAB 46.12, 76.5, -69.31

 

CMYK 29 / 93 / 0 / 3

HEX #B111F8

RGB 177 17 248

HSL 281.56, 0.94%, 0.52%

LAB 47.66, 84.94, -78.04

 

CMYK 26 / 84 / 0 / 11

HEX #A925E4

RGB 169 37 228

HSL 281.47, 0.78%, 0.52%

LAB 46.12, 76.5, -69.31

 

CMYK 22 / 73 / 0 / 18

HEX #A239D0

RGB 162 57 208

HSL 281.72, 0.62%, 0.52%

LAB 45.85, 65.08, -58.35

 

CMYK 18 / 59 / 0 / 26

HEX #9A4DBC

RGB 154 77 188

HSL 281.62, 0.45%, 0.52%

LAB 46.72, 50.25, -45.44

 

CMYK 13 / 43 / 0 / 34

HEX #9361A9

RGB 147 97 169

HSL 281.67, 0.3%, 0.52%

LAB 49.03, 33.39, -30.76

 

CMYK 7 / 22 / 0 / 42

HEX #8B7495

RGB 139 116 149

HSL 281.82, 0.13%, 0.52%

LAB 52.01, 15.34, -14.53

 

CMYK 71 / 84 / 0 / 11

HEX #4225E4

RGB 66 37 228

HSL 249.11, 0.78%, 0.52%

LAB 34.15, 65.04, -89.42

 

CMYK 49 / 84 / 0 / 11

HEX #7525E4

RGB 117 37 228

HSL 265.13, 0.78%, 0.52%

LAB 39.08, 69.58, -81.11

 

CMYK 26 / 84 / 0 / 11

HEX #A825E4

RGB 168 37 228

HSL 281.15, 0.78%, 0.52%

LAB 45.97, 76.35, -69.56

 

CMYK 4 / 84 / 0 / 11

HEX #DB25E4

RGB 219 37 228

HSL 297.17, 0.78%, 0.52%

LAB 54.01, 84.66, -56.18

 

CMYK 0 / 84 / 18 / 11

HEX #E425BB

RGB 228 37 187

HSL 312.88, 0.78%, 0.52%

LAB 53.39, 80.61, -33.58

 

CMYK 27 / 88 / 0 / 36

HEX #7714A3

RGB 119 20 163

HSL 281.54, 0.78%, 0.36%

LAB 31.96, 60.26, -54.65

 

CMYK 27 / 87 / 0 / 22

HEX #9219C7

RGB 146 25 199

HSL 281.72, 0.78%, 0.44%

LAB 39.46, 70.29, -63.61

 

CMYK 26 / 84 / 0 / 11

HEX #A925E4

RGB 169 37 228

HSL 281.47, 0.78%, 0.52%

LAB 46.12, 76.5, -69.31

 

CMYK 21 / 68 / 0 / 9

HEX #B84AE9

RGB 184 74 233

HSL 281.51, 0.78%, 0.6%

LAB 52.92, 67.77, -61.04

 

CMYK 16 / 53 / 0 / 7

HEX #C66FED

RGB 198 111 237

HSL 281.43, 0.78%, 0.68%

LAB 61.21, 54.74, -49.93

 

CMYK 25 / 83 / 0 / 11

HEX #AA27E4

RGB 170 39 228

HSL 281.59, 0.78%, 0.52%

LAB 46.44, 76.15, -68.78

 

CMYK 0 / 84 / 74 / 11

HEX #E4253B

RGB 228 37 59

HSL 353.09, 0.78%, 0.52%

LAB 49.66, 69.99, 37.63

 

CMYK 84 / 0 / 60 / 11

HEX #25E45B

RGB 37 228 91

HSL 136.96, 0.78%, 0.52%

LAB 79.97, -71.76, 53.27

 

CMYK 25 / 83 / 0 / 11

HEX #AA27E4

RGB 170 39 228

HSL 281.59, 0.78%, 0.52%

LAB 46.44, 76.15, -68.78

 

CMYK 0 / 26 / 84 / 11

HEX #E4A825

RGB 228 168 37

HSL 41.15, 0.78%, 0.52%

LAB 72.65, 11.39, 69.35

 

CMYK 84 / 0 / 26 / 11

HEX #25E4A8

RGB 37 228 168

HSL 161.15, 0.78%, 0.52%

LAB 81.13, -58.33, 16.85

 

CMYK 25 / 83 / 0 / 11

HEX #AA27E4

RGB 170 39 228

HSL 281.59, 0.78%, 0.52%

LAB 46.44, 76.15, -68.78

 

CMYK 0 / 84 / 74 / 11

HEX #E4253B

RGB 228 37 59

HSL 353.09, 0.78%, 0.52%

LAB 49.66, 69.99, 37.63

 

CMYK 57 / 0 / 84 / 11

HEX #62E425

RGB 98 228 37

HSL 100.84, 0.78%, 0.52%

LAB 80.86, -65.67, 73.17

 

CMYK 84 / 0 / 10 / 11

HEX #25E4CE

RGB 37 228 206

HSL 173.09, 0.78%, 0.52%

LAB 82.02, -48.91, -1.91

 

CMYK 25 / 83 / 0 / 11

HEX #AA27E4

RGB 170 39 228

HSL 281.59, 0.78%, 0.52%

LAB 46.44, 76.15, -68.78

 

CMYK 0 / 68 / 84 / 11

HEX #E44825

RGB 228 72 37

HSL 10.99, 0.78%, 0.52%

LAB 53.24, 58.74, 52.73

 

CMYK 57 / 0 / 84 / 11

HEX #62E425

RGB 98 228 37

HSL 100.84, 0.78%, 0.52%

LAB 80.86, -65.67, 73.17

 

CMYK 84 / 15 / 0 / 11

HEX #25C1E4

RGB 37 193 228

HSL 190.99, 0.78%, 0.52%

LAB 72.32, -26.32, -28.3

 

Description

Color code: HEX #AA27E4 | qconv.com Color code: HEX #AA27E4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 39 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 39 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 83 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 83% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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