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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA2578 it is the complementary color #55DA87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA2578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA2578 shade: #AF2573, #C03786, #D14999, #E25BAC and #F36DBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA2578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA2578 shade: #AA2578, #991365, #880152, #77003F and #66002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA2578 shade: #AB2679, #AB2655, #AB2631 and #AB2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA2578 shade: #AB2679, #AB269D, #9626AB, #7226AB and #4D26AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA2578 shade matches the following richer shades: #AB2679, #BC157D and #CD0482

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA2578 shade: #AB2679, #9B3775, #8A4771, #79586D and #686968

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA2578 shade: #9526AB, #AB269E, #AB267A, #AB2657 and #AB2633

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA2578 shade: #681749, #8A1E61, #AB2679, #CD2D91 and #D84CA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA2578 shade: #AA2578, #AB7126 and #26ABA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA2578 shade: #AA2578, #7AAB26 and #267AAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA2578 shade: #AA2578, #AB7126, #26AB57 and #2660AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA2578 shade: #AA2578, #AB9A26, #26AB57 and #2637AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 29 / 33

HEX #AA2578

RGB 170 37 120

HSL 322.56, 0.64%, 0.41%

LAB 39.96, 59.29, -14.99

 

Complementary color

CMYK 61 / 0 / 38 / 15

HEX #55DA87

RGB 85 218 135

HSL 142.56, 0.64%, 0.59%

LAB 78.36, -54.62, 30.33

 

CMYK 0 / 79 / 34 / 31

HEX #AF2573

RGB 175 37 115

HSL 326.09, 0.65%, 0.42%

LAB 40.69, 59.97, -10.67

 

CMYK 0 / 71 / 30 / 25

HEX #C03786

RGB 192 55 134

HSL 325.4, 0.55%, 0.48%

LAB 46.53, 60.82, -13.23

 

CMYK 0 / 65 / 27 / 18

HEX #D14999

RGB 209 73 153

HSL 324.71, 0.6%, 0.55%

LAB 52.53, 61.02, -15.23

 

CMYK 0 / 60 / 24 / 11

HEX #E25BAC

RGB 226 91 172

HSL 324, 0.7%, 0.62%

LAB 58.63, 60.82, -16.83

 

CMYK 0 / 55 / 21 / 5

HEX #F36DBF

RGB 243 109 191

HSL 323.28, 0.85%, 0.69%

LAB 64.77, 60.37, -18.15

 

CMYK 0 / 78 / 29 / 33

HEX #AA2578

RGB 170 37 120

HSL 322.56, 0.64%, 0.41%

LAB 39.96, 59.29, -14.99

 

CMYK 0 / 88 / 34 / 40

HEX #991365

RGB 153 19 101

HSL 323.28, 0.78%, 0.34%

LAB 34.35, 57.42, -11.83

 

CMYK 0 / 99 / 40 / 47

HEX #880152

RGB 136 1 82

HSL 324, 0.99%, 0.27%

LAB 29.07, 54.37, -7.77

 

CMYK 0 / 100 / 47 / 53

HEX #77003F

RGB 119 0 63

HSL 328.24, 1%, 0.23%

LAB 24.58, 48.73, -2.04

 

CMYK 0 / 100 / 57 / 60

HEX #66002C

RGB 102 0 44

HSL 334.12, 1%, 0.2%

LAB 20.07, 42.88, 4.23

 

CMYK 0 / 78 / 29 / 33

HEX #AB2679

RGB 171 38 121

HSL 322.56, 0.64%, 0.41%

LAB 40.29, 59.36, -15.09

 

CMYK 0 / 78 / 50 / 33

HEX #AB2655

RGB 171 38 85

HSL 338.8, 0.64%, 0.41%

LAB 39.07, 55.63, 5.77

 

CMYK 0 / 78 / 71 / 33

HEX #AB2631

RGB 171 38 49

HSL 355.04, 0.64%, 0.41%

LAB 38.32, 53.24, 27.52

 

CMYK 0 / 78 / 78 / 33

HEX #AB2626

RGB 171 38 38

HSL 0, 0.64%, 0.41%

LAB 38.17, 52.77, 33.95

 

CMYK 0 / 78 / 29 / 33

HEX #AB2679

RGB 171 38 121

HSL 322.56, 0.64%, 0.41%

LAB 40.29, 59.36, -15.09

 

CMYK 0 / 78 / 8 / 33

HEX #AB269D

RGB 171 38 157

HSL 306.32, 0.64%, 0.41%

LAB 41.97, 64.29, -34.49

 

CMYK 12 / 78 / 0 / 33

HEX #9626AB

RGB 150 38 171

HSL 290.53, 0.64%, 0.41%

LAB 39.26, 62.26, -47.4

 

CMYK 33 / 78 / 0 / 33

HEX #7226AB

RGB 114 38 171

HSL 274.29, 0.64%, 0.41%

LAB 33.78, 55.52, -56.52

 

CMYK 55 / 78 / 0 / 33

HEX #4D26AB

RGB 77 38 171

HSL 257.59, 0.64%, 0.41%

LAB 29.17, 49.73, -64.26

 

CMYK 0 / 78 / 29 / 33

HEX #AB2679

RGB 171 38 121

HSL 322.56, 0.64%, 0.41%

LAB 40.29, 59.36, -15.09

 

CMYK 0 / 89 / 34 / 26

HEX #BC157D

RGB 188 21 125

HSL 322.63, 0.8%, 0.41%

LAB 42.32, 67.73, -14.17

 

CMYK 0 / 98 / 37 / 20

HEX #CD0482

RGB 205 4 130

HSL 322.39, 0.96%, 0.41%

LAB 45.19, 73.82, -12.59

 

CMYK 0 / 78 / 29 / 33

HEX #AB2679

RGB 171 38 121

HSL 322.56, 0.64%, 0.41%

LAB 40.29, 59.36, -15.09

 

CMYK 0 / 65 / 25 / 39

HEX #9B3775

RGB 155 55 117

HSL 322.8, 0.48%, 0.41%

LAB 39.56, 48.17, -13.97

 

CMYK 0 / 49 / 18 / 46

HEX #8A4771

RGB 138 71 113

HSL 322.39, 0.32%, 0.41%

LAB 39.75, 34.12, -11.44

 

CMYK 0 / 27 / 10 / 53

HEX #79586D

RGB 121 88 109

HSL 321.82, 0.16%, 0.41%

LAB 41.45, 17.27, -6.64

 

CMYK 1 / 0 / 1 / 59

HEX #686968

RGB 104 105 104

HSL 120, 0%, 0.41%

LAB 44.3, -0.59, 0.42

 

CMYK 13 / 78 / 0 / 33

HEX #9526AB

RGB 149 38 171

HSL 290.08, 0.64%, 0.41%

LAB 39.1, 62.06, -47.67

 

CMYK 0 / 78 / 8 / 33

HEX #AB269E

RGB 171 38 158

HSL 305.86, 0.64%, 0.41%

LAB 42.02, 64.44, -35.01

 

CMYK 0 / 78 / 29 / 33

HEX #AB267A

RGB 171 38 122

HSL 322.11, 0.64%, 0.41%

LAB 40.33, 59.48, -15.65

 

CMYK 0 / 78 / 49 / 33

HEX #AB2657

RGB 171 38 87

HSL 337.89, 0.64%, 0.41%

LAB 39.13, 55.81, 4.58

 

CMYK 0 / 78 / 70 / 33

HEX #AB2633

RGB 171 38 51

HSL 354.14, 0.64%, 0.41%

LAB 38.35, 53.33, 26.32

 

CMYK 0 / 78 / 30 / 59

HEX #681749

RGB 104 23 73

HSL 322.96, 0.64%, 0.25%

LAB 23.79, 40.21, -10.36

 

CMYK 0 / 78 / 30 / 46

HEX #8A1E61

RGB 138 30 97

HSL 322.78, 0.64%, 0.33%

LAB 32.25, 50.34, -12.73

 

CMYK 0 / 78 / 29 / 33

HEX #AB2679

RGB 171 38 121

HSL 322.56, 0.64%, 0.41%

LAB 40.29, 59.36, -15.09

 

CMYK 0 / 78 / 29 / 20

HEX #CD2D91

RGB 205 45 145

HSL 322.5, 0.64%, 0.49%

LAB 48.13, 68.57, -17.22

 

CMYK 0 / 65 / 25 / 15

HEX #D84CA3

RGB 216 76 163

HSL 322.71, 0.64%, 0.57%

LAB 54.46, 63.05, -18.08

 

CMYK 0 / 78 / 29 / 33

HEX #AA2578

RGB 170 37 120

HSL 322.56, 0.64%, 0.41%

LAB 39.96, 59.29, -14.99

 

CMYK 0 / 34 / 78 / 33

HEX #AB7126

RGB 171 113 38

HSL 33.83, 0.64%, 0.41%

LAB 52.52, 16.47, 48.49

 

CMYK 78 / 0 / 2 / 33

HEX #26ABA7

RGB 38 171 167

HSL 178.2, 0.64%, 0.41%

LAB 63.61, -34.6, -7.89

 

CMYK 0 / 78 / 29 / 33

HEX #AA2578

RGB 170 37 120

HSL 322.56, 0.64%, 0.41%

LAB 39.96, 59.29, -14.99

 

CMYK 29 / 0 / 78 / 33

HEX #7AAB26

RGB 122 171 38

HSL 82.11, 0.64%, 0.41%

LAB 64.49, -35.62, 58.37

 

CMYK 78 / 29 / 0 / 33

HEX #267AAB

RGB 38 122 171

HSL 202.11, 0.64%, 0.41%

LAB 48.6, -7.59, -33.12

 

CMYK 0 / 78 / 29 / 33

HEX #AA2578

RGB 170 37 120

HSL 322.56, 0.64%, 0.41%

LAB 39.96, 59.29, -14.99

 

CMYK 0 / 34 / 78 / 33

HEX #AB7126

RGB 171 113 38

HSL 33.83, 0.64%, 0.41%

LAB 52.52, 16.47, 48.49

 

CMYK 78 / 0 / 49 / 33

HEX #26AB57

RGB 38 171 87

HSL 142.11, 0.64%, 0.41%

LAB 61.85, -53.39, 33.4

 

CMYK 78 / 44 / 0 / 33

HEX #2660AB

RGB 38 96 171

HSL 213.83, 0.64%, 0.41%

LAB 40.76, 8.46, -45.54

 

CMYK 0 / 78 / 29 / 33

HEX #AA2578

RGB 170 37 120

HSL 322.56, 0.64%, 0.41%

LAB 39.96, 59.29, -14.99

 

CMYK 0 / 10 / 78 / 33

HEX #AB9A26

RGB 171 154 38

HSL 52.33, 0.64%, 0.41%

LAB 63.27, -6.23, 58.58

 

CMYK 78 / 0 / 49 / 33

HEX #26AB57

RGB 38 171 87

HSL 142.11, 0.64%, 0.41%

LAB 61.85, -53.39, 33.4

 

CMYK 78 / 68 / 0 / 33

HEX #2637AB

RGB 38 55 171

HSL 232.33, 0.64%, 0.41%

LAB 29.63, 35.51, -63.62

 

Description

Color code: HEX #AA2578 | qconv.com Color code: HEX #AA2578 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 37 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 37 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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