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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA23CB it is the complementary color #55DC34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA23CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA23CB shade: #AF23C6, #C035D9, #D147EC, #E259FF and #F36BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA23CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA23CB shade: #AA23CB, #9911B8, #8800A5, #770092 and #66007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA23CB shade: #AC23CD, #CD23C0, #CD2393, #CD2365 and #CD2337

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA23CB shade: #AC23CD, #7E23CD, #5023CD and #2323CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA23CB shade matches the following richer shades: #AC23CD and #B70FE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA23CB shade: #AC23CD, #A036BA, #944AA6, #885D93 and #7C707F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA23CB shade: #5023CD, #7E23CD, #AB23CD, #CD23C2 and #CD2394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA23CB shade: #701786, #8E1DAA, #AC23CD, #BE3BDE and #CA5EE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA23CB shade: #AA23CB, #CD2323 and #23CD67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA23CB shade: #AA23CB, #CDAB23 and #23CDAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA23CB shade: #AA23CB, #CD2323, #45CD23 and #23CDCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA23CB shade: #AA23CB, #CD5623, #45CD23 and #239ACD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 83 / 0 / 20

HEX #AA23CB

RGB 170 35 203

HSL 288.21, 0.71%, 0.47%

LAB 44.32, 72.53, -57.89

 

Complementary color

CMYK 61 / 0 / 76 / 14

HEX #55DC34

RGB 85 220 52

HSL 108.21, 0.71%, 0.53%

LAB 78.09, -65.28, 66.41

 

CMYK 12 / 82 / 0 / 22

HEX #AF23C6

RGB 175 35 198

HSL 291.53, 0.7%, 0.46%

LAB 44.79, 72.52, -54.18

 

CMYK 12 / 76 / 0 / 15

HEX #C035D9

RGB 192 53 217

HSL 290.85, 0.68%, 0.53%

LAB 50.41, 73.96, -55.95

 

CMYK 11 / 70 / 0 / 7

HEX #D147EC

RGB 209 71 236

HSL 290.18, 0.81%, 0.6%

LAB 56.21, 74.64, -57.25

 

CMYK 11 / 65 / 0 / 0

HEX #E259FF

RGB 226 89 255

HSL 289.52, 1%, 0.67%

LAB 62.11, 74.82, -58.23

 

CMYK 5 / 58 / 0 / 0

HEX #F36BFF

RGB 243 107 255

HSL 295.14, 1%, 0.71%

LAB 67.12, 71.29, -50.14

 

CMYK 16 / 83 / 0 / 20

HEX #AA23CB

RGB 170 35 203

HSL 288.21, 0.71%, 0.47%

LAB 44.32, 72.53, -57.89

 

CMYK 17 / 91 / 0 / 28

HEX #9911B8

RGB 153 17 184

HSL 288.86, 0.83%, 0.39%

LAB 38.96, 70.06, -55.58

 

CMYK 18 / 100 / 0 / 35

HEX #8800A5

RGB 136 0 165

HSL 289.45, 1%, 0.32%

LAB 33.88, 66.41, -52.6

 

CMYK 18 / 100 / 0 / 43

HEX #770092

RGB 119 0 146

HSL 288.9, 1%, 0.29%

LAB 29.41, 60.55, -48.41

 

CMYK 20 / 100 / 0 / 50

HEX #66007F

RGB 102 0 127

HSL 288.19, 1%, 0.25%

LAB 24.82, 54.54, -44.12

 

CMYK 16 / 83 / 0 / 20

HEX #AC23CD

RGB 172 35 205

HSL 288.35, 0.71%, 0.47%

LAB 44.77, 73.23, -58.29

 

CMYK 0 / 83 / 6 / 20

HEX #CD23C0

RGB 205 35 192

HSL 304.59, 0.71%, 0.47%

LAB 49.48, 77.13, -42.91

 

CMYK 0 / 83 / 28 / 20

HEX #CD2393

RGB 205 35 147

HSL 320.47, 0.71%, 0.47%

LAB 47.35, 71.28, -19.62

 

CMYK 0 / 83 / 51 / 20

HEX #CD2365

RGB 205 35 101

HSL 336.71, 0.71%, 0.47%

LAB 45.8, 66.82, 6.21

 

CMYK 0 / 83 / 73 / 20

HEX #CD2337

RGB 205 35 55

HSL 352.94, 0.71%, 0.47%

LAB 44.88, 64.09, 33.3

 

CMYK 16 / 83 / 0 / 20

HEX #AC23CD

RGB 172 35 205

HSL 288.35, 0.71%, 0.47%

LAB 44.77, 73.23, -58.29

 

CMYK 39 / 83 / 0 / 20

HEX #7E23CD

RGB 126 35 205

HSL 272.12, 0.71%, 0.47%

LAB 37.92, 66.07, -69.74

 

CMYK 61 / 83 / 0 / 20

HEX #5023CD

RGB 80 35 205

HSL 255.88, 0.71%, 0.47%

LAB 32.51, 60.66, -78.84

 

CMYK 83 / 83 / 0 / 20

HEX #2323CD

RGB 35 35 205

HSL 240, 0.71%, 0.47%

LAB 29.33, 57.61, -84.21

 

CMYK 16 / 83 / 0 / 20

HEX #AC23CD

RGB 172 35 205

HSL 288.35, 0.71%, 0.47%

LAB 44.77, 73.23, -58.29

 

CMYK 18 / 93 / 0 / 12

HEX #B70FE0

RGB 183 15 224

HSL 288.23, 0.87%, 0.47%

LAB 46.7, 81.71, -66

 

CMYK 16 / 83 / 0 / 20

HEX #AC23CD

RGB 172 35 205

HSL 288.35, 0.71%, 0.47%

LAB 44.77, 73.23, -58.29

 

CMYK 14 / 71 / 0 / 27

HEX #A036BA

RGB 160 54 186

HSL 288.18, 0.55%, 0.47%

LAB 43.74, 61.5, -49

 

CMYK 11 / 55 / 0 / 35

HEX #944AA6

RGB 148 74 166

HSL 288.26, 0.38%, 0.47%

LAB 44.16, 45.57, -36.64

 

CMYK 7 / 37 / 0 / 42

HEX #885D93

RGB 136 93 147

HSL 287.78, 0.23%, 0.47%

LAB 45.87, 27.4, -22.77

 

CMYK 2 / 12 / 0 / 50

HEX #7C707F

RGB 124 112 127

HSL 288, 0.06%, 0.47%

LAB 48.77, 7.63, -6.56

 

CMYK 61 / 83 / 0 / 20

HEX #5023CD

RGB 80 35 205

HSL 255.88, 0.71%, 0.47%

LAB 32.51, 60.66, -78.84

 

CMYK 39 / 83 / 0 / 20

HEX #7E23CD

RGB 126 35 205

HSL 272.12, 0.71%, 0.47%

LAB 37.92, 66.07, -69.74

 

CMYK 17 / 83 / 0 / 20

HEX #AB23CD

RGB 171 35 205

HSL 288, 0.71%, 0.47%

LAB 44.61, 73.06, -58.56

 

CMYK 0 / 83 / 5 / 20

HEX #CD23C2

RGB 205 35 194

HSL 303.88, 0.71%, 0.47%

LAB 49.59, 77.42, -43.9

 

CMYK 0 / 83 / 28 / 20

HEX #CD2394

RGB 205 35 148

HSL 320.12, 0.71%, 0.47%

LAB 47.39, 71.39, -20.16

 

CMYK 16 / 83 / 0 / 47

HEX #701786

RGB 112 23 134

HSL 288.11, 0.71%, 0.31%

LAB 28.85, 52.49, -41.92

 

CMYK 16 / 83 / 0 / 33

HEX #8E1DAA

RGB 142 29 170

HSL 288.09, 0.71%, 0.39%

LAB 36.99, 63.18, -50.53

 

CMYK 16 / 83 / 0 / 20

HEX #AC23CD

RGB 172 35 205

HSL 288.35, 0.71%, 0.47%

LAB 44.77, 73.23, -58.29

 

CMYK 14 / 73 / 0 / 13

HEX #BE3BDE

RGB 190 59 222

HSL 288.22, 0.71%, 0.55%

LAB 51.09, 72.52, -57.71

 

CMYK 11 / 59 / 0 / 11

HEX #CA5EE4

RGB 202 94 228

HSL 288.36, 0.71%, 0.63%

LAB 58.19, 62.14, -49.66

 

CMYK 16 / 83 / 0 / 20

HEX #AA23CB

RGB 170 35 203

HSL 288.21, 0.71%, 0.47%

LAB 44.32, 72.53, -57.89

 

CMYK 0 / 83 / 83 / 20

HEX #CD2323

RGB 205 35 35

HSL 0, 0.71%, 0.47%

LAB 44.66, 63.43, 44.35

 

CMYK 83 / 0 / 50 / 20

HEX #23CD67

RGB 35 205 103

HSL 144, 0.71%, 0.47%

LAB 72.89, -62.91, 39.19

 

CMYK 16 / 83 / 0 / 20

HEX #AA23CB

RGB 170 35 203

HSL 288.21, 0.71%, 0.47%

LAB 44.32, 72.53, -57.89

 

CMYK 0 / 17 / 83 / 20

HEX #CDAB23

RGB 205 171 35

HSL 48, 0.71%, 0.47%

LAB 71.03, -0.29, 67.59

 

CMYK 83 / 0 / 17 / 20

HEX #23CDAB

RGB 35 205 171

HSL 168, 0.71%, 0.47%

LAB 74.16, -48.68, 5.37

 

CMYK 16 / 83 / 0 / 20

HEX #AA23CB

RGB 170 35 203

HSL 288.21, 0.71%, 0.47%

LAB 44.32, 72.53, -57.89

 

CMYK 0 / 83 / 83 / 20

HEX #CD2323

RGB 205 35 35

HSL 0, 0.71%, 0.47%

LAB 44.66, 63.43, 44.35

 

CMYK 66 / 0 / 83 / 20

HEX #45CD23

RGB 69 205 35

HSL 108, 0.71%, 0.47%

LAB 72.92, -64.7, 66.23

 

CMYK 83 / 0 / 0 / 20

HEX #23CDCD

RGB 35 205 205

HSL 180, 0.71%, 0.47%

LAB 75.09, -39.3, -11.63

 

CMYK 16 / 83 / 0 / 20

HEX #AA23CB

RGB 170 35 203

HSL 288.21, 0.71%, 0.47%

LAB 44.32, 72.53, -57.89

 

CMYK 0 / 58 / 83 / 20

HEX #CD5623

RGB 205 86 35

HSL 18, 0.71%, 0.47%

LAB 51.56, 44.65, 50.64

 

CMYK 66 / 0 / 83 / 20

HEX #45CD23

RGB 69 205 35

HSL 108, 0.71%, 0.47%

LAB 72.92, -64.7, 66.23

 

CMYK 83 / 25 / 0 / 20

HEX #239ACD

RGB 35 154 205

HSL 198, 0.71%, 0.47%

LAB 59.78, -13.84, -35.04

 

Description

Color code: HEX #AA23CB | qconv.com Color code: HEX #AA23CB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 35 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 35 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 83 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 83% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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