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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA2291 it is the complementary color #55DD6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA2291. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA2291 shade: #AF228C, #C0349F, #D146B2, #E258C5 and #F36AD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA2291. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA2291 shade: #AA2291, #99107E, #88006B, #770058 and #660045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA2291 shade: #AA2291, #AA226C, #AA2247, #AA2223 and #AA2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA2291 shade: #AA2291, #9F22AA, #7A22AA, #5522AA and #3022AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA2291 shade matches the following richer shades: #AA2291, #BB119C and #CB01A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA2291 shade: #AA2291, #9A3287, #89437C, #795372 and #686467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA2291 shade: #7B22AA, #9F22AA, #AA2291, #AA226D and #AA2248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA2291 shade: #651456, #881B74, #AA2291, #CD28AF and #DA44BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA2291 shade: #AA2291, #AA5622 and #22AA8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA2291 shade: #AA2291, #91AA22 and #2291AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA2291 shade: #AA2291, #AA5622, #22AA3B and #2276AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA2291 shade: #AA2291, #AA7F22, #22AA3B and #224DAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

Complementary color

CMYK 62 / 0 / 50 / 13

HEX #55DD6E

RGB 85 221 110

HSL 131.03, 0.67%, 0.6%

LAB 78.91, -59.75, 43.47

 

CMYK 0 / 81 / 20 / 31

HEX #AF228C

RGB 175 34 140

HSL 314.89, 0.67%, 0.41%

LAB 41.46, 63.85, -24.93

 

CMYK 0 / 73 / 17 / 25

HEX #C0349F

RGB 192 52 159

HSL 314.14, 0.57%, 0.48%

LAB 47.19, 65.1, -27.24

 

CMYK 0 / 67 / 15 / 18

HEX #D146B2

RGB 209 70 178

HSL 313.38, 0.6%, 0.55%

LAB 53.11, 65.6, -29.01

 

CMYK 0 / 61 / 13 / 11

HEX #E258C5

RGB 226 88 197

HSL 312.61, 0.7%, 0.62%

LAB 59.14, 65.62, -30.4

 

CMYK 0 / 56 / 11 / 5

HEX #F36AD8

RGB 243 106 216

HSL 311.82, 0.85%, 0.68%

LAB 65.22, 65.35, -31.53

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 90 / 18 / 40

HEX #99107E

RGB 153 16 126

HSL 311.82, 0.81%, 0.33%

LAB 35.3, 61.08, -26.19

 

CMYK 0 / 100 / 21 / 47

HEX #88006B

RGB 136 0 107

HSL 312.79, 1%, 0.27%

LAB 30.15, 57.43, -22.45

 

CMYK 0 / 100 / 26 / 53

HEX #770058

RGB 119 0 88

HSL 315.63, 1%, 0.23%

LAB 25.64, 51.48, -17.32

 

CMYK 0 / 100 / 32 / 60

HEX #660045

RGB 102 0 69

HSL 319.41, 1%, 0.2%

LAB 21.04, 45.4, -11.88

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 80 / 36 / 33

HEX #AA226C

RGB 170 34 108

HSL 327.35, 0.67%, 0.4%

LAB 39.2, 58.77, -8.63

 

CMYK 0 / 80 / 58 / 33

HEX #AA2247

RGB 170 34 71

HSL 343.68, 0.67%, 0.4%

LAB 38.1, 55.45, 13.33

 

CMYK 0 / 80 / 79 / 33

HEX #AA2223

RGB 170 34 35

HSL 359.56, 0.67%, 0.4%

LAB 37.5, 53.58, 34.92

 

CMYK 0 / 80 / 80 / 33

HEX #AA2222

RGB 170 34 34

HSL 0, 0.67%, 0.4%

LAB 37.49, 53.55, 35.48

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 6 / 80 / 0 / 33

HEX #9F22AA

RGB 159 34 170

HSL 295.15, 0.67%, 0.4%

LAB 40.27, 65.02, -45.09

 

CMYK 28 / 80 / 0 / 33

HEX #7A22AA

RGB 122 34 170

HSL 278.82, 0.67%, 0.4%

LAB 34.36, 58.15, -54.93

 

CMYK 50 / 80 / 0 / 33

HEX #5522AA

RGB 85 34 170

HSL 262.5, 0.67%, 0.4%

LAB 29.36, 52.33, -63.32

 

CMYK 72 / 80 / 0 / 33

HEX #3022AA

RGB 48 34 170

HSL 246.18, 0.67%, 0.4%

LAB 25.79, 48.17, -69.33

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 91 / 17 / 27

HEX #BB119C

RGB 187 17 156

HSL 310.94, 0.83%, 0.4%

LAB 43.31, 71.8, -31.57

 

CMYK 0 / 100 / 18 / 20

HEX #CB01A6

RGB 203 1 166

HSL 310.99, 0.99%, 0.4%

LAB 46.27, 77.68, -32.7

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 68 / 12 / 40

HEX #9A3287

RGB 154 50 135

HSL 310.96, 0.51%, 0.4%

LAB 39.41, 52.69, -25.33

 

CMYK 0 / 51 / 9 / 46

HEX #89437C

RGB 137 67 124

HSL 311.14, 0.34%, 0.4%

LAB 39.22, 37.84, -19.06

 

CMYK 0 / 31 / 6 / 53

HEX #795372

RGB 121 83 114

HSL 311.05, 0.19%, 0.4%

LAB 40.36, 21.25, -11.36

 

CMYK 0 / 4 / 1 / 59

HEX #686467

RGB 104 100 103

HSL 315, 0.02%, 0.4%

LAB 42.82, 2.19, -1.14

 

CMYK 28 / 80 / 0 / 33

HEX #7B22AA

RGB 123 34 170

HSL 279.26, 0.67%, 0.4%

LAB 34.51, 58.33, -54.68

 

CMYK 6 / 80 / 0 / 33

HEX #9F22AA

RGB 159 34 170

HSL 295.15, 0.67%, 0.4%

LAB 40.27, 65.02, -45.09

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 80 / 36 / 33

HEX #AA226D

RGB 170 34 109

HSL 326.91, 0.67%, 0.4%

LAB 39.23, 58.88, -9.21

 

CMYK 0 / 80 / 58 / 33

HEX #AA2248

RGB 170 34 72

HSL 343.24, 0.67%, 0.4%

LAB 38.12, 55.52, 12.72

 

CMYK 0 / 80 / 15 / 60

HEX #651456

RGB 101 20 86

HSL 311.11, 0.67%, 0.24%

LAB 23.47, 42.38, -19.65

 

CMYK 0 / 80 / 15 / 47

HEX #881B74

RGB 136 27 116

HSL 311.01, 0.67%, 0.32%

LAB 32.43, 53.38, -24.62

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 80 / 15 / 20

HEX #CD28AF

RGB 205 40 175

HSL 310.91, 0.67%, 0.48%

LAB 49, 73.64, -33.73

 

CMYK 0 / 69 / 12 / 15

HEX #DA44BF

RGB 218 68 191

HSL 310.8, 0.67%, 0.56%

LAB 54.87, 70.43, -33.71

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 49 / 80 / 33

HEX #AA5622

RGB 170 86 34

HSL 22.94, 0.67%, 0.4%

LAB 46.07, 30.83, 44

 

CMYK 80 / 0 / 17 / 33

HEX #22AA8D

RGB 34 170 141

HSL 167.21, 0.67%, 0.4%

LAB 62.52, -41.83, 5.03

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 15 / 0 / 80 / 33

HEX #91AA22

RGB 145 170 34

HSL 71.03, 0.67%, 0.4%

LAB 65.66, -25.99, 61.21

 

CMYK 80 / 15 / 0 / 33

HEX #2291AA

RGB 34 145 170

HSL 191.03, 0.67%, 0.4%

LAB 55.58, -21.17, -21.73

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 49 / 80 / 33

HEX #AA5622

RGB 170 86 34

HSL 22.94, 0.67%, 0.4%

LAB 46.07, 30.83, 44

 

CMYK 80 / 0 / 65 / 33

HEX #22AA3B

RGB 34 170 59

HSL 131.03, 0.67%, 0.4%

LAB 61.14, -57.43, 45.94

 

CMYK 80 / 31 / 0 / 33

HEX #2276AA

RGB 34 118 170

HSL 202.94, 0.67%, 0.4%

LAB 47.23, -6.05, -34.69

 

CMYK 0 / 80 / 15 / 33

HEX #AA2291

RGB 170 34 145

HSL 311.03, 0.67%, 0.4%

LAB 40.79, 63.41, -29.09

 

CMYK 0 / 25 / 80 / 33

HEX #AA7F22

RGB 170 127 34

HSL 41.03, 0.67%, 0.4%

LAB 55.93, 7.98, 53.23

 

CMYK 80 / 0 / 65 / 33

HEX #22AA3B

RGB 34 170 59

HSL 131.03, 0.67%, 0.4%

LAB 61.14, -57.43, 45.94

 

CMYK 80 / 55 / 0 / 33

HEX #224DAA

RGB 34 77 170

HSL 221.03, 0.67%, 0.4%

LAB 35.1, 20.17, -54.08

 

Description

Color code: HEX #AA2291 | qconv.com Color code: HEX #AA2291 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 34 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 34 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 15 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 15% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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