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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA202D it is the complementary color #55DFD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA202D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA202D shade: #AF2028, #C0323B, #D1444E, #E25661 and #F36874

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA202D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA202D shade: #AA202D, #990E1A, #880007, #770000 and #660000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA202D shade: #AB212E and #AB2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA202D shade: #AB212E, #AB2153, #AB2179, #AB219E and #9321AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA202D shade matches the following richer shades: #AB212E and #BC1020

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA202D shade: #AB212E, #9B313B, #8A4248, #7A5256 and #696363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA202D shade: #AB2178, #AB2154, #AB212F, #AB3821 and #AB5D21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA202D shade: #66131B, #891A24, #AB212E, #CE2737 and #DB4352

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA202D shade: #AA202D, #9DAB21 and #2166AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA202D shade: #AA202D, #2FAB21 and #212FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA202D shade: #AA202D, #9DAB21, #21AB9D and #2F21AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA202D shade: #AA202D, #74AB21, #21AB9D and #5821AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 74 / 33

HEX #AA202D

RGB 170 32 45

HSL 354.35, 0.68%, 0.4%

LAB 37.42, 54.54, 28.87

 

Complementary color

CMYK 62 / 0 / 6 / 13

HEX #55DFD2

RGB 85 223 210

HSL 174.35, 0.68%, 0.6%

LAB 81.49, -40.08, -4.72

 

CMYK 0 / 82 / 77 / 31

HEX #AF2028

RGB 175 32 40

HSL 356.64, 0.69%, 0.41%

LAB 38.38, 55.8, 33.24

 

CMYK 0 / 74 / 69 / 25

HEX #C0323B

RGB 192 50 59

HSL 356.2, 0.59%, 0.47%

LAB 43.95, 56.16, 29.19

 

CMYK 0 / 67 / 63 / 18

HEX #D1444E

RGB 209 68 78

HSL 355.74, 0.61%, 0.54%

LAB 49.79, 55.88, 25.79

 

CMYK 0 / 62 / 57 / 11

HEX #E25661

RGB 226 86 97

HSL 355.29, 0.71%, 0.61%

LAB 55.77, 55.22, 22.95

 

CMYK 0 / 57 / 52 / 5

HEX #F36874

RGB 243 104 116

HSL 354.82, 0.85%, 0.68%

LAB 61.84, 54.37, 20.56

 

CMYK 0 / 81 / 74 / 33

HEX #AA202D

RGB 170 32 45

HSL 354.35, 0.68%, 0.4%

LAB 37.42, 54.54, 28.87

 

CMYK 0 / 91 / 83 / 40

HEX #990E1A

RGB 153 14 26

HSL 354.82, 0.83%, 0.33%

LAB 32.17, 53.12, 33.57

 

CMYK 0 / 100 / 95 / 47

HEX #880007

RGB 136 0 7

HSL 356.91, 1%, 0.27%

LAB 27.43, 50.32, 37.62

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 100 / 100 / 60

HEX #660000

RGB 102 0 0

HSL 0, 1%, 0.2%

LAB 19.33, 40.88, 29.66

 

CMYK 0 / 81 / 73 / 33

HEX #AB212E

RGB 171 33 46

HSL 354.35, 0.68%, 0.4%

LAB 37.74, 54.6, 28.68

 

CMYK 0 / 81 / 81 / 33

HEX #AB2121

RGB 171 33 33

HSL 0, 0.68%, 0.4%

LAB 37.58, 54.1, 36.21

 

CMYK 0 / 81 / 73 / 33

HEX #AB212E

RGB 171 33 46

HSL 354.35, 0.68%, 0.4%

LAB 37.74, 54.6, 28.68

 

CMYK 0 / 81 / 51 / 33

HEX #AB2153

RGB 171 33 83

HSL 338.26, 0.68%, 0.4%

LAB 38.5, 56.93, 6.24

 

CMYK 0 / 81 / 29 / 33

HEX #AB2179

RGB 171 33 121

HSL 321.74, 0.68%, 0.4%

LAB 39.79, 60.78, -15.84

 

CMYK 0 / 81 / 8 / 33

HEX #AB219E

RGB 171 33 158

HSL 305.65, 0.68%, 0.4%

LAB 41.55, 65.78, -35.74

 

CMYK 14 / 81 / 0 / 33

HEX #9321AB

RGB 147 33 171

HSL 289.57, 0.68%, 0.4%

LAB 38.25, 63.18, -49.04

 

CMYK 0 / 81 / 73 / 33

HEX #AB212E

RGB 171 33 46

HSL 354.35, 0.68%, 0.4%

LAB 37.74, 54.6, 28.68

 

CMYK 0 / 91 / 83 / 26

HEX #BC1020

RGB 188 16 32

HSL 354.42, 0.84%, 0.4%

LAB 39.86, 62.38, 40.19

 

CMYK 0 / 81 / 73 / 33

HEX #AB212E

RGB 171 33 46

HSL 354.35, 0.68%, 0.4%

LAB 37.74, 54.6, 28.68

 

CMYK 0 / 68 / 62 / 39

HEX #9B313B

RGB 155 49 59

HSL 354.34, 0.52%, 0.4%

LAB 36.89, 44.62, 18.84

 

CMYK 0 / 52 / 48 / 46

HEX #8A4248

RGB 138 66 72

HSL 355, 0.35%, 0.4%

LAB 37.42, 31.25, 10.86

 

CMYK 0 / 33 / 30 / 52

HEX #7A5256

RGB 122 82 86

HSL 354, 0.2%, 0.4%

LAB 39.32, 17.34, 4.46

 

CMYK 0 / 6 / 6 / 59

HEX #696363

RGB 105 99 99

HSL 0, 0.03%, 0.4%

LAB 42.5, 2.37, 0.84

 

CMYK 0 / 81 / 30 / 33

HEX #AB2178

RGB 171 33 120

HSL 322.17, 0.68%, 0.4%

LAB 39.75, 60.66, -15.28

 

CMYK 0 / 81 / 51 / 33

HEX #AB2154

RGB 171 33 84

HSL 337.83, 0.68%, 0.4%

LAB 38.53, 57.01, 5.64

 

CMYK 0 / 81 / 73 / 33

HEX #AB212F

RGB 171 33 47

HSL 353.91, 0.68%, 0.4%

LAB 37.75, 54.64, 28.08

 

CMYK 0 / 67 / 81 / 33

HEX #AB3821

RGB 171 56 33

HSL 10, 0.68%, 0.4%

LAB 40.57, 45.86, 39.19

 

CMYK 0 / 46 / 81 / 33

HEX #AB5D21

RGB 171 93 33

HSL 26.09, 0.68%, 0.4%

LAB 47.75, 27.42, 46.1

 

CMYK 0 / 81 / 74 / 60

HEX #66131B

RGB 102 19 27

HSL 354.22, 0.69%, 0.24%

LAB 21.47, 36.59, 18.02

 

CMYK 0 / 81 / 74 / 46

HEX #891A24

RGB 137 26 36

HSL 354.59, 0.68%, 0.32%

LAB 29.87, 45.96, 23.94

 

CMYK 0 / 81 / 73 / 33

HEX #AB212E

RGB 171 33 46

HSL 354.35, 0.68%, 0.4%

LAB 37.74, 54.6, 28.68

 

CMYK 0 / 81 / 73 / 19

HEX #CE2737

RGB 206 39 55

HSL 354.25, 0.68%, 0.48%

LAB 45.43, 63.38, 33.98

 

CMYK 0 / 69 / 63 / 14

HEX #DB4352

RGB 219 67 82

HSL 354.08, 0.68%, 0.56%

LAB 51.48, 59.66, 25.94

 

CMYK 0 / 81 / 74 / 33

HEX #AA202D

RGB 170 32 45

HSL 354.35, 0.68%, 0.4%

LAB 37.42, 54.54, 28.87

 

CMYK 8 / 0 / 81 / 33

HEX #9DAB21

RGB 157 171 33

HSL 66.09, 0.68%, 0.4%

LAB 66.83, -21.41, 62.87

 

CMYK 81 / 40 / 0 / 33

HEX #2166AB

RGB 33 102 171

HSL 210, 0.68%, 0.4%

LAB 42.41, 4.05, -42.92

 

CMYK 0 / 81 / 74 / 33

HEX #AA202D

RGB 170 32 45

HSL 354.35, 0.68%, 0.4%

LAB 37.42, 54.54, 28.87

 

CMYK 73 / 0 / 81 / 33

HEX #2FAB21

RGB 47 171 33

HSL 113.91, 0.68%, 0.4%

LAB 61.52, -57.99, 56.07

 

CMYK 81 / 73 / 0 / 33

HEX #212FAB

RGB 33 47 171

HSL 233.91, 0.68%, 0.4%

LAB 27.56, 40.07, -67.02

 

CMYK 0 / 81 / 74 / 33

HEX #AA202D

RGB 170 32 45

HSL 354.35, 0.68%, 0.4%

LAB 37.42, 54.54, 28.87

 

CMYK 8 / 0 / 81 / 33

HEX #9DAB21

RGB 157 171 33

HSL 66.09, 0.68%, 0.4%

LAB 66.83, -21.41, 62.87

 

CMYK 81 / 0 / 8 / 33

HEX #21AB9D

RGB 33 171 157

HSL 173.91, 0.68%, 0.4%

LAB 63.25, -37.99, -2.85

 

CMYK 73 / 81 / 0 / 33

HEX #2F21AB

RGB 47 33 171

HSL 246.09, 0.68%, 0.4%

LAB 25.66, 48.89, -70.14

 

CMYK 0 / 81 / 74 / 33

HEX #AA202D

RGB 170 32 45

HSL 354.35, 0.68%, 0.4%

LAB 37.42, 54.54, 28.87

 

CMYK 32 / 0 / 81 / 33

HEX #74AB21

RGB 116 171 33

HSL 83.91, 0.68%, 0.4%

LAB 64.12, -38.16, 59.43

 

CMYK 81 / 0 / 8 / 33

HEX #21AB9D

RGB 33 171 157

HSL 173.91, 0.68%, 0.4%

LAB 63.25, -37.99, -2.85

 

CMYK 49 / 81 / 0 / 33

HEX #5821AB

RGB 88 33 171

HSL 263.91, 0.68%, 0.4%

LAB 29.67, 53.41, -63.39

 

Description

Color code: HEX #AA202D | qconv.com Color code: HEX #AA202D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 32 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 32 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 74 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 74% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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