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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA1C5E it is the complementary color #55E3A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA1C5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA1C5E shade: #AF1C59, #C02E6C, #D1407F, #E25292 and #F364A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA1C5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA1C5E shade: #AA1C5E, #990A4B, #880038, #770025 and #660012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA1C5E shade: #AB1C5E, #AB1C38 and #AB1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA1C5E shade: #AB1C5E, #AB1C85, #AA1CAB, #841CAB and #5D1CAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA1C5E shade matches the following richer shades: #AB1C5E and #BB0C5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA1C5E shade: #AB1C5E, #9B2C60, #8B3C61, #7B4C62 and #6B5C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA1C5E shade: #AB1CAB, #AB1C85, #AB1C5F, #AB1C38 and #AB251C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA1C5E shade: #641037, #88164B, #AB1C5E, #CF2272 and #DF3A87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA1C5E shade: #AA1C5E, #AB851C and #1C98AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA1C5E shade: #AA1C5E, #5FAB1C and #1C5FAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA1C5E shade: #AA1C5E, #AB851C, #1CAB68 and #1C42AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA1C5E shade: #AA1C5E, #A6AB1C, #1CAB68 and #211CAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 45 / 33

HEX #AA1C5E

RGB 170 28 94

HSL 332.11, 0.72%, 0.39%

LAB 38.17, 58.92, -1.28

 

Complementary color

CMYK 63 / 0 / 29 / 11

HEX #55E3A1

RGB 85 227 161

HSL 152.11, 0.72%, 0.61%

LAB 81.53, -53.2, 21.19

 

CMYK 0 / 84 / 49 / 31

HEX #AF1C59

RGB 175 28 89

HSL 335.1, 0.72%, 0.4%

LAB 39.01, 59.77, 3.25

 

CMYK 0 / 76 / 44 / 25

HEX #C02E6C

RGB 192 46 108

HSL 334.52, 0.61%, 0.47%

LAB 44.58, 61.03, -0.2

 

CMYK 0 / 69 / 39 / 18

HEX #D1407F

RGB 209 64 127

HSL 333.93, 0.61%, 0.54%

LAB 50.4, 61.48, -2.9

 

CMYK 0 / 64 / 35 / 11

HEX #E25292

RGB 226 82 146

HSL 333.33, 0.71%, 0.6%

LAB 56.37, 61.42, -5.08

 

CMYK 0 / 59 / 32 / 5

HEX #F364A5

RGB 243 100 165

HSL 332.73, 0.86%, 0.67%

LAB 62.41, 61.05, -6.86

 

CMYK 0 / 84 / 45 / 33

HEX #AA1C5E

RGB 170 28 94

HSL 332.11, 0.72%, 0.39%

LAB 38.17, 58.92, -1.28

 

CMYK 0 / 93 / 51 / 40

HEX #990A4B

RGB 153 10 75

HSL 332.73, 0.88%, 0.32%

LAB 32.91, 56.43, 2.94

 

CMYK 0 / 100 / 59 / 47

HEX #880038

RGB 136 0 56

HSL 335.29, 1%, 0.27%

LAB 28.17, 52.3, 8.39

 

CMYK 0 / 100 / 69 / 53

HEX #770025

RGB 119 0 37

HSL 341.34, 1%, 0.23%

LAB 23.85, 46.8, 14.96

 

CMYK 0 / 100 / 82 / 60

HEX #660012

RGB 102 0 18

HSL 349.41, 1%, 0.2%

LAB 19.51, 41.37, 21.74

 

CMYK 0 / 84 / 45 / 33

HEX #AB1C5E

RGB 171 28 94

HSL 332.31, 0.72%, 0.39%

LAB 38.37, 59.18, -0.97

 

CMYK 0 / 84 / 67 / 33

HEX #AB1C38

RGB 171 28 56

HSL 348.25, 0.72%, 0.39%

LAB 37.43, 56.41, 22.05

 

CMYK 0 / 84 / 84 / 33

HEX #AB1C1C

RGB 171 28 28

HSL 0, 0.72%, 0.39%

LAB 37.06, 55.29, 38.47

 

CMYK 0 / 84 / 45 / 33

HEX #AB1C5E

RGB 171 28 94

HSL 332.31, 0.72%, 0.39%

LAB 38.37, 59.18, -0.97

 

CMYK 0 / 84 / 22 / 33

HEX #AB1C85

RGB 171 28 133

HSL 315.94, 0.72%, 0.39%

LAB 39.89, 63.5, -23.13

 

CMYK 1 / 84 / 0 / 33

HEX #AA1CAB

RGB 170 28 171

HSL 299.58, 0.72%, 0.39%

LAB 41.72, 68.76, -43.28

 

CMYK 23 / 84 / 0 / 33

HEX #841CAB

RGB 132 28 171

HSL 283.64, 0.72%, 0.39%

LAB 35.35, 61.91, -53.85

 

CMYK 46 / 84 / 0 / 33

HEX #5D1CAB

RGB 93 28 171

HSL 267.27, 0.72%, 0.39%

LAB 29.66, 55.97, -63.39

 

CMYK 0 / 84 / 45 / 33

HEX #AB1C5E

RGB 171 28 94

HSL 332.31, 0.72%, 0.39%

LAB 38.37, 59.18, -0.97

 

CMYK 0 / 94 / 50 / 27

HEX #BB0C5D

RGB 187 12 93

HSL 332.23, 0.88%, 0.39%

LAB 40.6, 65.79, 3.31

 

CMYK 0 / 84 / 45 / 33

HEX #AB1C5E

RGB 171 28 94

HSL 332.31, 0.72%, 0.39%

LAB 38.37, 59.18, -0.97

 

CMYK 0 / 72 / 38 / 39

HEX #9B2C60

RGB 155 44 96

HSL 331.89, 0.56%, 0.39%

LAB 37.14, 50.03, -4.4

 

CMYK 0 / 57 / 30 / 45

HEX #8B3C61

RGB 139 60 97

HSL 331.9, 0.4%, 0.39%

LAB 37.08, 37.87, -5.42

 

CMYK 0 / 38 / 20 / 52

HEX #7B4C62

RGB 123 76 98

HSL 331.91, 0.24%, 0.39%

LAB 38.31, 23.25, -4.48

 

CMYK 0 / 14 / 7 / 58

HEX #6B5C63

RGB 107 92 99

HSL 332, 0.08%, 0.39%

LAB 40.7, 7.41, -1.76

 

CMYK 0 / 84 / 0 / 33

HEX #AB1CAB

RGB 171 28 171

HSL 300, 0.72%, 0.39%

LAB 41.89, 68.95, -42.99

 

CMYK 0 / 84 / 22 / 33

HEX #AB1C85

RGB 171 28 133

HSL 315.94, 0.72%, 0.39%

LAB 39.89, 63.5, -23.13

 

CMYK 0 / 84 / 44 / 33

HEX #AB1C5F

RGB 171 28 95

HSL 331.89, 0.72%, 0.39%

LAB 38.4, 59.27, -1.56

 

CMYK 0 / 84 / 67 / 33

HEX #AB1C38

RGB 171 28 56

HSL 348.25, 0.72%, 0.39%

LAB 37.43, 56.41, 22.05

 

CMYK 0 / 78 / 84 / 33

HEX #AB251C

RGB 171 37 28

HSL 3.78, 0.72%, 0.39%

LAB 37.96, 52.76, 39.31

 

CMYK 0 / 84 / 45 / 61

HEX #641037

RGB 100 16 55

HSL 332.14, 0.72%, 0.23%

LAB 21.42, 39.24, -1.64

 

CMYK 0 / 84 / 45 / 47

HEX #88164B

RGB 136 22 75

HSL 332.11, 0.72%, 0.31%

LAB 30.2, 49.68, -1.45

 

CMYK 0 / 84 / 45 / 33

HEX #AB1C5E

RGB 171 28 94

HSL 332.31, 0.72%, 0.39%

LAB 38.37, 59.18, -0.97

 

CMYK 0 / 84 / 45 / 19

HEX #CF2272

RGB 207 34 114

HSL 332.25, 0.72%, 0.47%

LAB 46.48, 68.62, -0.79

 

CMYK 0 / 74 / 39 / 13

HEX #DF3A87

RGB 223 58 135

HSL 332, 0.72%, 0.55%

LAB 52.36, 68.18, -4.54

 

CMYK 0 / 84 / 45 / 33

HEX #AA1C5E

RGB 170 28 94

HSL 332.11, 0.72%, 0.39%

LAB 38.17, 58.92, -1.28

 

CMYK 0 / 22 / 84 / 33

HEX #AB851C

RGB 171 133 28

HSL 44.06, 0.72%, 0.39%

LAB 57.58, 4.89, 56.77

 

CMYK 84 / 11 / 0 / 33

HEX #1C98AB

RGB 28 152 171

HSL 187.97, 0.72%, 0.39%

LAB 57.7, -25.01, -19.07

 

CMYK 0 / 84 / 45 / 33

HEX #AA1C5E

RGB 170 28 94

HSL 332.11, 0.72%, 0.39%

LAB 38.17, 58.92, -1.28

 

CMYK 44 / 0 / 84 / 33

HEX #5FAB1C

RGB 95 171 28

HSL 91.89, 0.72%, 0.39%

LAB 63.05, -45.86, 59.43

 

CMYK 84 / 44 / 0 / 33

HEX #1C5FAB

RGB 28 95 171

HSL 211.89, 0.72%, 0.39%

LAB 40.2, 8.05, -46.46

 

CMYK 0 / 84 / 45 / 33

HEX #AA1C5E

RGB 170 28 94

HSL 332.11, 0.72%, 0.39%

LAB 38.17, 58.92, -1.28

 

CMYK 0 / 22 / 84 / 33

HEX #AB851C

RGB 171 133 28

HSL 44.06, 0.72%, 0.39%

LAB 57.58, 4.89, 56.77

 

CMYK 84 / 0 / 39 / 33

HEX #1CAB68

RGB 28 171 104

HSL 151.89, 0.72%, 0.39%

LAB 61.97, -51.43, 24.6

 

CMYK 84 / 61 / 0 / 33

HEX #1C42AB

RGB 28 66 171

HSL 224.06, 0.72%, 0.39%

LAB 32, 27.4, -59.74

 

CMYK 0 / 84 / 45 / 33

HEX #AA1C5E

RGB 170 28 94

HSL 332.11, 0.72%, 0.39%

LAB 38.17, 58.92, -1.28

 

CMYK 3 / 0 / 84 / 33

HEX #A6AB1C

RGB 166 171 28

HSL 62.1, 0.72%, 0.39%

LAB 67.51, -17.67, 65.05

 

CMYK 84 / 0 / 39 / 33

HEX #1CAB68

RGB 28 171 104

HSL 151.89, 0.72%, 0.39%

LAB 61.97, -51.43, 24.6

 

CMYK 81 / 84 / 0 / 33

HEX #211CAB

RGB 33 28 171

HSL 242.1, 0.72%, 0.39%

LAB 23.98, 50.33, -72.95

 

Description

Color code: HEX #AA1C5E | qconv.com Color code: HEX #AA1C5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 28 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 28 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 45 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 45% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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