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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA0A86 it is the complementary color #55F579. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA0A86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA0A86 shade: #AF0A81, #C01C94, #D12EA7, #E240BA and #F352CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA0A86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA0A86 shade: #AA0A86, #990073, #880060, #77004D and #66003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA0A86 shade: #A90A85, #A90A5A, #A90A2F and #A90A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA0A86 shade: #A90A85, #A20AA9, #770AA9, #4C0AA9 and #210AA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA0A86 shade matches the following richer shades: #A90A85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA0A86 shade: #A90A85, #9A187D, #8C2775, #7D356D and #6F4465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA0A86 shade: #760AA9, #A10AA9, #A90A86, #A90A5C and #A90A32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA0A86 shade: #5B0547, #820866, #A90A85, #D00CA4 and #F114BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA0A86 shade: #AA0A86, #A94C0A and #0AA98C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA0A86 shade: #AA0A86, #86A90A and #0A86A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA0A86 shade: #AA0A86, #A94C0A, #0AA92C and #0A66A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA0A86 shade: #AA0A86, #A97C0A, #0AA92C and #0A37A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 21 / 33

HEX #AA0A86

RGB 170 10 134

HSL 313.5, 0.89%, 0.35%

LAB 38.7, 66.45, -25.61

 

Complementary color

CMYK 65 / 0 / 51 / 4

HEX #55F579

RGB 85 245 121

HSL 133.5, 0.89%, 0.65%

LAB 86.31, -66.78, 47.38

 

CMYK 0 / 94 / 26 / 31

HEX #AF0A81

RGB 175 10 129

HSL 316.73, 0.89%, 0.36%

LAB 39.44, 66.87, -21.29

 

CMYK 0 / 85 / 23 / 25

HEX #C01C94

RGB 192 28 148

HSL 316.1, 0.75%, 0.43%

LAB 44.48, 69.99, -24.85

 

CMYK 0 / 78 / 20 / 18

HEX #D12EA7

RGB 209 46 167

HSL 315.46, 0.64%, 0.5%

LAB 49.86, 71.92, -27.62

 

CMYK 0 / 72 / 18 / 11

HEX #E240BA

RGB 226 64 186

HSL 314.81, 0.74%, 0.57%

LAB 55.46, 72.99, -29.79

 

CMYK 0 / 66 / 16 / 5

HEX #F352CD

RGB 243 82 205

HSL 314.16, 0.87%, 0.64%

LAB 61.22, 73.46, -31.53

 

CMYK 0 / 94 / 21 / 33

HEX #AA0A86

RGB 170 10 134

HSL 313.5, 0.89%, 0.35%

LAB 38.7, 66.45, -25.61

 

CMYK 0 / 100 / 25 / 40

HEX #990073

RGB 153 0 115

HSL 314.9, 1%, 0.3%

LAB 34, 61.87, -21.29

 

CMYK 0 / 100 / 29 / 47

HEX #880060

RGB 136 0 96

HSL 317.65, 1%, 0.27%

LAB 29.61, 56.07, -16.15

 

CMYK 0 / 100 / 35 / 53

HEX #77004D

RGB 119 0 77

HSL 321.18, 1%, 0.23%

LAB 25.13, 50.16, -10.74

 

CMYK 0 / 100 / 43 / 60

HEX #66003A

RGB 102 0 58

HSL 325.88, 1%, 0.2%

LAB 20.56, 44.16, -4.96

 

CMYK 0 / 94 / 21 / 34

HEX #A90A85

RGB 169 10 133

HSL 313.58, 0.89%, 0.35%

LAB 38.46, 66.12, -25.39

 

CMYK 0 / 94 / 47 / 34

HEX #A90A5A

RGB 169 10 90

HSL 329.81, 0.89%, 0.35%

LAB 36.73, 61.54, -0.87

 

CMYK 0 / 94 / 72 / 34

HEX #A90A2F

RGB 169 10 47

HSL 346.04, 0.89%, 0.35%

LAB 35.71, 58.74, 25.54

 

CMYK 0 / 94 / 94 / 34

HEX #A90A0A

RGB 169 10 10

HSL 0, 0.89%, 0.35%

LAB 35.35, 57.74, 45.42

 

CMYK 0 / 94 / 21 / 34

HEX #A90A85

RGB 169 10 133

HSL 313.58, 0.89%, 0.35%

LAB 38.46, 66.12, -25.39

 

CMYK 4 / 94 / 0 / 34

HEX #A20AA9

RGB 162 10 169

HSL 297.36, 0.89%, 0.35%

LAB 39.18, 69.95, -46.22

 

CMYK 30 / 94 / 0 / 34

HEX #770AA9

RGB 119 10 169

HSL 281.13, 0.89%, 0.35%

LAB 31.82, 63.37, -58.5

 

CMYK 55 / 94 / 0 / 34

HEX #4C0AA9

RGB 76 10 169

HSL 264.91, 0.89%, 0.35%

LAB 25.62, 58.61, -68.92

 

CMYK 80 / 94 / 0 / 34

HEX #210AA9

RGB 33 10 169

HSL 248.68, 0.89%, 0.35%

LAB 21.6, 56.12, -75.71

 

CMYK 0 / 94 / 21 / 34

HEX #A90A85

RGB 169 10 133

HSL 313.58, 0.89%, 0.35%

LAB 38.46, 66.12, -25.39

 

CMYK 0 / 94 / 21 / 34

HEX #A90A85

RGB 169 10 133

HSL 313.58, 0.89%, 0.35%

LAB 38.46, 66.12, -25.39

 

CMYK 0 / 84 / 19 / 40

HEX #9A187D

RGB 154 24 125

HSL 313.38, 0.73%, 0.35%

LAB 35.99, 59.56, -24.47

 

CMYK 0 / 72 / 16 / 45

HEX #8C2775

RGB 140 39 117

HSL 313.66, 0.56%, 0.35%

LAB 34.62, 50.5, -21.78

 

CMYK 0 / 58 / 13 / 51

HEX #7D356D

RGB 125 53 109

HSL 313.33, 0.4%, 0.35%

LAB 34, 38.67, -17.89

 

CMYK 0 / 39 / 9 / 56

HEX #6F4465

RGB 111 68 101

HSL 313.95, 0.24%, 0.35%

LAB 34.91, 24.01, -11.62

 

CMYK 30 / 94 / 0 / 34

HEX #760AA9

RGB 118 10 169

HSL 280.75, 0.89%, 0.35%

LAB 31.65, 63.23, -58.77

 

CMYK 5 / 94 / 0 / 34

HEX #A10AA9

RGB 161 10 169

HSL 296.98, 0.89%, 0.35%

LAB 39, 69.78, -46.52

 

CMYK 0 / 94 / 21 / 34

HEX #A90A86

RGB 169 10 134

HSL 313.21, 0.89%, 0.35%

LAB 38.5, 66.25, -25.93

 

CMYK 0 / 94 / 46 / 34

HEX #A90A5C

RGB 169 10 92

HSL 329.06, 0.89%, 0.35%

LAB 36.79, 61.71, -2.06

 

CMYK 0 / 94 / 70 / 34

HEX #A90A32

RGB 169 10 50

HSL 344.91, 0.89%, 0.35%

LAB 35.76, 58.88, 23.68

 

CMYK 0 / 95 / 22 / 64

HEX #5B0547

RGB 91 5 71

HSL 313.95, 0.9%, 0.19%

LAB 19.17, 41.86, -16.34

 

CMYK 0 / 94 / 22 / 49

HEX #820866

RGB 130 8 102

HSL 313.77, 0.88%, 0.27%

LAB 29.1, 54.24, -20.94

 

CMYK 0 / 94 / 21 / 34

HEX #A90A85

RGB 169 10 133

HSL 313.58, 0.89%, 0.35%

LAB 38.46, 66.12, -25.39

 

CMYK 0 / 94 / 21 / 18

HEX #D00CA4

RGB 208 12 164

HSL 313.47, 0.89%, 0.43%

LAB 47.43, 77.45, -29.62

 

CMYK 0 / 92 / 21 / 5

HEX #F114BF

RGB 241 20 191

HSL 313.57, 0.89%, 0.51%

LAB 55.03, 86.18, -33.16

 

CMYK 0 / 94 / 21 / 33

HEX #AA0A86

RGB 170 10 134

HSL 313.5, 0.89%, 0.35%

LAB 38.7, 66.45, -25.61

 

CMYK 0 / 55 / 94 / 34

HEX #A94C0A

RGB 169 76 10

HSL 24.91, 0.89%, 0.35%

LAB 43.69, 35.07, 50.9

 

CMYK 94 / 0 / 17 / 34

HEX #0AA98C

RGB 10 169 140

HSL 169.06, 0.89%, 0.35%

LAB 61.94, -43.36, 4.73

 

CMYK 0 / 94 / 21 / 33

HEX #AA0A86

RGB 170 10 134

HSL 313.5, 0.89%, 0.35%

LAB 38.7, 66.45, -25.61

 

CMYK 21 / 0 / 94 / 34

HEX #86A90A

RGB 134 169 10

HSL 73.21, 0.89%, 0.35%

LAB 64.54, -30.79, 65.02

 

CMYK 94 / 21 / 0 / 34

HEX #0A86A9

RGB 10 134 169

HSL 193.21, 0.89%, 0.35%

LAB 51.81, -17.31, -26.98

 

CMYK 0 / 94 / 21 / 33

HEX #AA0A86

RGB 170 10 134

HSL 313.5, 0.89%, 0.35%

LAB 38.7, 66.45, -25.61

 

CMYK 0 / 55 / 94 / 34

HEX #A94C0A

RGB 169 76 10

HSL 24.91, 0.89%, 0.35%

LAB 43.69, 35.07, 50.9

 

CMYK 94 / 0 / 74 / 34

HEX #0AA92C

RGB 10 169 44

HSL 132.83, 0.89%, 0.35%

LAB 60.45, -60.71, 51.19

 

CMYK 94 / 40 / 0 / 34

HEX #0A66A9

RGB 10 102 169

HSL 205.28, 0.89%, 0.35%

LAB 41.89, 1.55, -42.58

 

CMYK 0 / 94 / 21 / 33

HEX #AA0A86

RGB 170 10 134

HSL 313.5, 0.89%, 0.35%

LAB 38.7, 66.45, -25.61

 

CMYK 0 / 27 / 94 / 34

HEX #A97C0A

RGB 169 124 10

HSL 43.02, 0.89%, 0.35%

LAB 54.94, 8.6, 58.98

 

CMYK 94 / 0 / 74 / 34

HEX #0AA92C

RGB 10 169 44

HSL 132.83, 0.89%, 0.35%

LAB 60.45, -60.71, 51.19

 

CMYK 94 / 67 / 0 / 34

HEX #0A37A9

RGB 10 55 169

HSL 223.02, 0.89%, 0.35%

LAB 28.54, 32.94, -64.23

 

Description

Color code: HEX #AA0A86 | qconv.com Color code: HEX #AA0A86 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 10 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 10 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 21 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 21% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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