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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AA078D it is the complementary color #55F872. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AA078D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AA078D shade: #AF0788, #C0199B, #D12BAE, #E23DC1 and #F34FD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AA078D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AA078D shade: #AA078D, #99007A, #880067, #770054 and #660041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AA078D shade: #AB078E, #AB0762, #AB0736, #AB0709 and #AB0707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AA078D shade: #AB078E, #9C07AB, #7007AB, #4407AB and #1707AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AA078D shade matches the following richer shades: #AB078E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AA078D shade: #AB078E, #9D1685, #8E247C, #803272 and #724169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AA078D shade: #6F07AB, #9B07AB, #AB0790, #AB0764 and #AB0738

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AA078D shade: #5C044C, #84056D, #AB078E, #D309AF and #F510CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AA078D shade: #AA078D, #AB4307 and #07AB85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AA078D shade: #AA078D, #90AB07 and #0790AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AA078D shade: #AA078D, #AB4307, #07AB23 and #076FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AA078D shade: #AA078D, #AB7507, #07AB23 and #073EAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 17 / 33

HEX #AA078D

RGB 170 7 141

HSL 310.67, 0.92%, 0.35%

LAB 38.93, 67.68, -29.55

 

Complementary color

CMYK 66 / 0 / 54 / 3

HEX #55F872

RGB 85 248 114

HSL 130.67, 0.92%, 0.65%

LAB 87.13, -68.76, 51.61

 

CMYK 0 / 96 / 22 / 31

HEX #AF0788

RGB 175 7 136

HSL 313.93, 0.92%, 0.36%

LAB 39.65, 68.03, -25.28

 

CMYK 0 / 87 / 19 / 25

HEX #C0199B

RGB 192 25 155

HSL 313.29, 0.77%, 0.43%

LAB 44.62, 71.43, -28.86

 

CMYK 0 / 79 / 17 / 18

HEX #D12BAE

RGB 209 43 174

HSL 312.65, 0.66%, 0.49%

LAB 49.9, 73.62, -31.67

 

CMYK 0 / 73 / 15 / 11

HEX #E23DC1

RGB 226 61 193

HSL 312, 0.74%, 0.56%

LAB 55.44, 74.9, -33.87

 

CMYK 0 / 67 / 13 / 5

HEX #F34FD4

RGB 243 79 212

HSL 311.34, 0.87%, 0.63%

LAB 61.13, 75.53, -35.62

 

CMYK 0 / 96 / 17 / 33

HEX #AA078D

RGB 170 7 141

HSL 310.67, 0.92%, 0.35%

LAB 38.93, 67.68, -29.55

 

CMYK 0 / 100 / 20 / 40

HEX #99007A

RGB 153 0 122

HSL 312.16, 1%, 0.3%

LAB 34.35, 62.74, -25.17

 

CMYK 0 / 100 / 24 / 47

HEX #880067

RGB 136 0 103

HSL 314.56, 1%, 0.27%

LAB 29.94, 56.92, -20.19

 

CMYK 0 / 100 / 29 / 53

HEX #770054

RGB 119 0 84

HSL 317.65, 1%, 0.23%

LAB 25.45, 50.98, -14.95

 

CMYK 0 / 100 / 36 / 60

HEX #660041

RGB 102 0 65

HSL 321.76, 1%, 0.2%

LAB 20.85, 44.92, -9.4

 

CMYK 0 / 96 / 17 / 33

HEX #AB078E

RGB 171 7 142

HSL 310.61, 0.92%, 0.35%

LAB 39.18, 68.01, -29.77

 

CMYK 0 / 96 / 43 / 33

HEX #AB0762

RGB 171 7 98

HSL 326.71, 0.92%, 0.35%

LAB 37.28, 63.07, -5.13

 

CMYK 0 / 96 / 68 / 33

HEX #AB0736

RGB 171 7 54

HSL 342.8, 0.92%, 0.35%

LAB 36.13, 59.94, 21.68

 

CMYK 0 / 96 / 95 / 33

HEX #AB0709

RGB 171 7 9

HSL 359.27, 0.92%, 0.35%

LAB 35.65, 58.62, 46.21

 

CMYK 0 / 96 / 96 / 33

HEX #AB0707

RGB 171 7 7

HSL 0, 0.92%, 0.35%

LAB 35.65, 58.6, 46.98

 

CMYK 0 / 96 / 17 / 33

HEX #AB078E

RGB 171 7 142

HSL 310.61, 0.92%, 0.35%

LAB 39.18, 68.01, -29.77

 

CMYK 9 / 96 / 0 / 33

HEX #9C07AB

RGB 156 7 171

HSL 294.51, 0.92%, 0.35%

LAB 38.13, 69.62, -49.17

 

CMYK 35 / 96 / 0 / 33

HEX #7007AB

RGB 112 7 171

HSL 278.41, 0.92%, 0.35%

LAB 30.73, 63.32, -61.53

 

CMYK 60 / 96 / 0 / 33

HEX #4407AB

RGB 68 7 171

HSL 262.32, 0.92%, 0.35%

LAB 24.71, 59.09, -71.66

 

CMYK 87 / 96 / 0 / 33

HEX #1707AB

RGB 23 7 171

HSL 245.85, 0.92%, 0.35%

LAB 21.11, 57.13, -77.75

 

CMYK 0 / 96 / 17 / 33

HEX #AB078E

RGB 171 7 142

HSL 310.61, 0.92%, 0.35%

LAB 39.18, 68.01, -29.77

 

CMYK 0 / 96 / 17 / 33

HEX #AB078E

RGB 171 7 142

HSL 310.61, 0.92%, 0.35%

LAB 39.18, 68.01, -29.77

 

CMYK 0 / 86 / 15 / 38

HEX #9D1685

RGB 157 22 133

HSL 310.67, 0.75%, 0.35%

LAB 36.81, 61.75, -28.13

 

CMYK 0 / 75 / 13 / 44

HEX #8E247C

RGB 142 36 124

HSL 310.19, 0.6%, 0.35%

LAB 34.94, 53.16, -25.66

 

CMYK 0 / 61 / 11 / 50

HEX #803272

RGB 128 50 114

HSL 310.77, 0.44%, 0.35%

LAB 34.16, 41.94, -20.77

 

CMYK 0 / 43 / 8 / 55

HEX #724169

RGB 114 65 105

HSL 311.02, 0.27%, 0.35%

LAB 34.76, 27.65, -14.34

 

CMYK 35 / 96 / 0 / 33

HEX #6F07AB

RGB 111 7 171

HSL 278.05, 0.92%, 0.35%

LAB 30.57, 63.2, -61.79

 

CMYK 9 / 96 / 0 / 33

HEX #9B07AB

RGB 155 7 171

HSL 294.15, 0.92%, 0.35%

LAB 37.95, 69.45, -49.46

 

CMYK 0 / 96 / 16 / 33

HEX #AB0790

RGB 171 7 144

HSL 309.88, 0.92%, 0.35%

LAB 39.28, 68.27, -30.83

 

CMYK 0 / 96 / 42 / 33

HEX #AB0764

RGB 171 7 100

HSL 325.98, 0.92%, 0.35%

LAB 37.35, 63.26, -6.3

 

CMYK 0 / 96 / 67 / 33

HEX #AB0738

RGB 171 7 56

HSL 342.07, 0.92%, 0.35%

LAB 36.17, 60.05, 20.44

 

CMYK 0 / 96 / 17 / 64

HEX #5C044C

RGB 92 4 76

HSL 310.91, 0.92%, 0.19%

LAB 19.57, 43.08, -19.13

 

CMYK 0 / 96 / 17 / 48

HEX #84056D

RGB 132 5 109

HSL 310.87, 0.93%, 0.27%

LAB 29.71, 56.09, -24.48

 

CMYK 0 / 96 / 17 / 33

HEX #AB078E

RGB 171 7 142

HSL 310.61, 0.92%, 0.35%

LAB 39.18, 68.01, -29.77

 

CMYK 0 / 96 / 17 / 17

HEX #D309AF

RGB 211 9 175

HSL 310.69, 0.92%, 0.43%

LAB 48.44, 79.62, -34.54

 

CMYK 0 / 93 / 17 / 4

HEX #F510CC

RGB 245 16 204

HSL 310.74, 0.92%, 0.51%

LAB 56.23, 88.87, -38.72

 

CMYK 0 / 96 / 17 / 33

HEX #AA078D

RGB 170 7 141

HSL 310.67, 0.92%, 0.35%

LAB 38.93, 67.68, -29.55

 

CMYK 0 / 61 / 96 / 33

HEX #AB4307

RGB 171 67 7

HSL 21.95, 0.92%, 0.35%

LAB 42.29, 40.29, 50.94

 

CMYK 96 / 0 / 22 / 33

HEX #07AB85

RGB 7 171 133

HSL 166.1, 0.92%, 0.35%

LAB 62.39, -46.14, 9.27

 

CMYK 0 / 96 / 17 / 33

HEX #AA078D

RGB 170 7 141

HSL 310.67, 0.92%, 0.35%

LAB 38.93, 67.68, -29.55

 

CMYK 16 / 0 / 96 / 33

HEX #90AB07

RGB 144 171 7

HSL 69.88, 0.92%, 0.35%

LAB 65.8, -27.6, 66.69

 

CMYK 96 / 16 / 0 / 33

HEX #0790AB

RGB 7 144 171

HSL 189.88, 0.92%, 0.35%

LAB 55, -22.08, -23.21

 

CMYK 0 / 96 / 17 / 33

HEX #AA078D

RGB 170 7 141

HSL 310.67, 0.92%, 0.35%

LAB 38.93, 67.68, -29.55

 

CMYK 0 / 61 / 96 / 33

HEX #AB4307

RGB 171 67 7

HSL 21.95, 0.92%, 0.35%

LAB 42.29, 40.29, 50.94

 

CMYK 96 / 0 / 80 / 33

HEX #07AB23

RGB 7 171 35

HSL 130.24, 0.92%, 0.35%

LAB 61.04, -62.14, 54.84

 

CMYK 96 / 35 / 0 / 33

HEX #076FAB

RGB 7 111 171

HSL 201.95, 0.92%, 0.35%

LAB 44.74, -3.37, -39.24

 

CMYK 0 / 96 / 17 / 33

HEX #AA078D

RGB 170 7 141

HSL 310.67, 0.92%, 0.35%

LAB 38.93, 67.68, -29.55

 

CMYK 0 / 32 / 96 / 33

HEX #AB7507

RGB 171 117 7

HSL 40.24, 0.92%, 0.35%

LAB 53.38, 13.4, 58.5

 

CMYK 96 / 0 / 80 / 33

HEX #07AB23

RGB 7 171 35

HSL 130.24, 0.92%, 0.35%

LAB 61.04, -62.14, 54.84

 

CMYK 96 / 64 / 0 / 33

HEX #073EAB

RGB 7 62 171

HSL 219.88, 0.92%, 0.35%

LAB 30.47, 28.93, -62.26

 

Description

Color code: HEX #AA078D | qconv.com Color code: HEX #AA078D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 7 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 7 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 17% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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