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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9FD42 it is the complementary color #5602BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9FD42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9FD42 shade: #AEFD3D, #BFFF50, #D0FF63, #E1FF76 and #F2FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9FD42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9FD42 shade: #A9FD42, #98EB2F, #87D91C, #76C709 and #65B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9FD42 shade: #AAFD44, #DCFD44, #FDEC44, #FDBB44 and #FD8944

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9FD42 shade: #AAFD44, #78FD44, #46FD44, #44FD74 and #44FDA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9FD42 shade matches the following richer shades: #AAFD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9FD42 shade: #AAFD44, #A8EE53, #A7DF63, #A5CF72 and #A4C081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9FD42 shade: #FDEB44, #DEFD44, #ADFD44, #7CFD44 and #4AFD44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9FD42 shade: #83EC02, #97FD1B, #AAFD44, #BDFE6D and #CFFE96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9FD42 shade: #A9FD42, #44FDB9 and #FD44F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9FD42 shade: #A9FD42, #44ADFD and #FD44AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9FD42 shade: #A9FD42, #44FDB9, #9444FD and #FD4488

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9FD42 shade: #A9FD42, #44FDF1, #9444FD and #FD4451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 74 / 1

HEX #A9FD42

RGB 169 253 66

HSL 86.95, 0.98%, 0.63%

LAB 91.27, -52.2, 75.89

 

Complementary color

CMYK 54 / 99 / 0 / 26

HEX #5602BD

RGB 86 2 189

HSL 266.95, 0.98%, 0.37%

LAB 28.63, 65.53, -75.85

 

CMYK 31 / 0 / 76 / 1

HEX #AEFD3D

RGB 174 253 61

HSL 84.69, 0.98%, 0.62%

LAB 91.5, -50.72, 77.73

 

CMYK 25 / 0 / 69 / 0

HEX #BFFF50

RGB 191 255 80

HSL 81.94, 1%, 0.66%

LAB 93.09, -44.44, 73.37

 

CMYK 18 / 0 / 61 / 0

HEX #D0FF63

RGB 208 255 99

HSL 78.08, 1%, 0.69%

LAB 94.24, -36.87, 67.61

 

CMYK 12 / 0 / 54 / 0

HEX #E1FF76

RGB 225 255 118

HSL 73.14, 1%, 0.73%

LAB 95.51, -28.95, 61.27

 

CMYK 5 / 0 / 46 / 0

HEX #F2FF89

RGB 242 255 137

HSL 66.61, 1%, 0.77%

LAB 96.9, -20.76, 54.58

 

CMYK 33 / 0 / 74 / 1

HEX #A9FD42

RGB 169 253 66

HSL 86.95, 0.98%, 0.63%

LAB 91.27, -52.2, 75.89

 

CMYK 35 / 0 / 80 / 8

HEX #98EB2F

RGB 152 235 47

HSL 86.49, 0.82%, 0.55%

LAB 85.15, -51.64, 75.38

 

CMYK 38 / 0 / 87 / 15

HEX #87D91C

RGB 135 217 28

HSL 86.03, 0.77%, 0.48%

LAB 78.96, -50.88, 73.97

 

CMYK 41 / 0 / 95 / 22

HEX #76C709

RGB 118 199 9

HSL 85.58, 0.91%, 0.41%

LAB 72.71, -49.88, 71.26

 

CMYK 44 / 0 / 100 / 29

HEX #65B500

RGB 101 181 0

HSL 86.52, 1%, 0.35%

LAB 66.38, -48.59, 66.96

 

CMYK 33 / 0 / 73 / 1

HEX #AAFD44

RGB 170 253 68

HSL 86.92, 0.98%, 0.63%

LAB 91.33, -51.75, 75.33

 

CMYK 13 / 0 / 73 / 1

HEX #DCFD44

RGB 220 253 68

HSL 70.7, 0.98%, 0.63%

LAB 94.26, -33.21, 79.17

 

CMYK 0 / 7 / 73 / 1

HEX #FDEC44

RGB 253 236 68

HSL 54.49, 0.98%, 0.63%

LAB 92.26, -11.81, 78.15

 

CMYK 0 / 26 / 73 / 1

HEX #FDBB44

RGB 253 187 68

HSL 38.59, 0.98%, 0.63%

LAB 80.09, 13.12, 66.4

 

CMYK 0 / 46 / 73 / 1

HEX #FD8944

RGB 253 137 68

HSL 22.38, 0.98%, 0.63%

LAB 68.89, 39.06, 55.02

 

CMYK 33 / 0 / 73 / 1

HEX #AAFD44

RGB 170 253 68

HSL 86.92, 0.98%, 0.63%

LAB 91.33, -51.75, 75.33

 

CMYK 53 / 0 / 73 / 1

HEX #78FD44

RGB 120 253 68

HSL 103.14, 0.98%, 0.63%

LAB 89.23, -67.06, 72.56

 

CMYK 72 / 0 / 73 / 1

HEX #46FD44

RGB 70 253 68

HSL 119.35, 0.98%, 0.63%

LAB 87.95, -77.51, 70.86

 

CMYK 73 / 0 / 54 / 1

HEX #44FD74

RGB 68 253 116

HSL 135.57, 0.98%, 0.63%

LAB 88.32, -72.92, 52.05

 

CMYK 73 / 0 / 34 / 1

HEX #44FDA6

RGB 68 253 166

HSL 151.78, 0.98%, 0.63%

LAB 89.03, -64.79, 28.81

 

CMYK 33 / 0 / 73 / 1

HEX #AAFD44

RGB 170 253 68

HSL 86.92, 0.98%, 0.63%

LAB 91.33, -51.75, 75.33

 

CMYK 33 / 0 / 73 / 1

HEX #AAFD44

RGB 170 253 68

HSL 86.92, 0.98%, 0.63%

LAB 91.33, -51.75, 75.33

 

CMYK 29 / 0 / 65 / 7

HEX #A8EE53

RGB 168 238 83

HSL 87.1, 0.82%, 0.63%

LAB 87.05, -45.2, 65.57

 

CMYK 25 / 0 / 56 / 13

HEX #A7DF63

RGB 167 223 99

HSL 87.1, 0.66%, 0.63%

LAB 82.86, -37.63, 54.16

 

CMYK 20 / 0 / 45 / 19

HEX #A5CF72

RGB 165 207 114

HSL 87.1, 0.49%, 0.63%

LAB 78.37, -29.38, 41.63

 

CMYK 15 / 0 / 33 / 25

HEX #A4C081

RGB 164 192 129

HSL 86.67, 0.33%, 0.63%

LAB 74.3, -20.5, 28.71

 

CMYK 0 / 7 / 73 / 1

HEX #FDEB44

RGB 253 235 68

HSL 54.16, 0.98%, 0.63%

LAB 92.01, -11.31, 77.91

 

CMYK 12 / 0 / 73 / 1

HEX #DEFD44

RGB 222 253 68

HSL 70.05, 0.98%, 0.63%

LAB 94.4, -32.43, 79.34

 

CMYK 32 / 0 / 73 / 1

HEX #ADFD44

RGB 173 253 68

HSL 85.95, 0.98%, 0.63%

LAB 91.48, -50.71, 75.53

 

CMYK 51 / 0 / 73 / 1

HEX #7CFD44

RGB 124 253 68

HSL 101.84, 0.98%, 0.63%

LAB 89.37, -65.99, 72.74

 

CMYK 71 / 0 / 73 / 1

HEX #4AFD44

RGB 74 253 68

HSL 118.05, 0.98%, 0.63%

LAB 88.03, -76.87, 70.96

 

CMYK 44 / 0 / 99 / 7

HEX #83EC02

RGB 131 236 2

HSL 86.92, 0.98%, 0.47%

LAB 84.39, -60.01, 81.39

 

CMYK 40 / 0 / 89 / 1

HEX #97FD1B

RGB 151 253 27

HSL 87.08, 0.98%, 0.55%

LAB 90.28, -59.69, 83.89

 

CMYK 33 / 0 / 73 / 1

HEX #AAFD44

RGB 170 253 68

HSL 86.92, 0.98%, 0.63%

LAB 91.33, -51.75, 75.33

 

CMYK 26 / 0 / 57 / 0

HEX #BDFE6D

RGB 189 254 109

HSL 86.9, 0.99%, 0.71%

LAB 92.93, -42.55, 61.65

 

CMYK 19 / 0 / 41 / 0

HEX #CFFE96

RGB 207 254 150

HSL 87.12, 0.98%, 0.79%

LAB 94.46, -31.85, 44.86

 

CMYK 33 / 0 / 74 / 1

HEX #A9FD42

RGB 169 253 66

HSL 86.95, 0.98%, 0.63%

LAB 91.27, -52.2, 75.89

 

CMYK 73 / 0 / 27 / 1

HEX #44FDB9

RGB 68 253 185

HSL 157.95, 0.98%, 0.63%

LAB 89.38, -60.93, 19.63

 

CMYK 0 / 73 / 2 / 1

HEX #FD44F7

RGB 253 68 247

HSL 301.95, 0.98%, 0.63%

LAB 63.12, 86.36, -51.97

 

CMYK 33 / 0 / 74 / 1

HEX #A9FD42

RGB 169 253 66

HSL 86.95, 0.98%, 0.63%

LAB 91.27, -52.2, 75.89

 

CMYK 73 / 32 / 0 / 1

HEX #44ADFD

RGB 68 173 253

HSL 205.95, 0.98%, 0.63%

LAB 68.17, -4.24, -48.27

 

CMYK 0 / 73 / 32 / 1

HEX #FD44AD

RGB 253 68 173

HSL 325.95, 0.98%, 0.63%

LAB 59.92, 76.71, -15.04

 

CMYK 33 / 0 / 74 / 1

HEX #A9FD42

RGB 169 253 66

HSL 86.95, 0.98%, 0.63%

LAB 91.27, -52.2, 75.89

 

CMYK 73 / 0 / 27 / 1

HEX #44FDB9

RGB 68 253 185

HSL 157.95, 0.98%, 0.63%

LAB 89.38, -60.93, 19.63

 

CMYK 42 / 73 / 0 / 1

HEX #9444FD

RGB 148 68 253

HSL 265.95, 0.98%, 0.63%

LAB 48.91, 68.08, -78.94

 

CMYK 0 / 73 / 46 / 1

HEX #FD4488

RGB 253 68 136

HSL 337.95, 0.98%, 0.63%

LAB 58.78, 73.1, 4.88

 

CMYK 33 / 0 / 74 / 1

HEX #A9FD42

RGB 169 253 66

HSL 86.95, 0.98%, 0.63%

LAB 91.27, -52.2, 75.89

 

CMYK 73 / 0 / 5 / 1

HEX #44FDF1

RGB 68 253 241

HSL 176.11, 0.98%, 0.63%

LAB 90.7, -47.38, -7.43

 

CMYK 42 / 73 / 0 / 1

HEX #9444FD

RGB 148 68 253

HSL 265.95, 0.98%, 0.63%

LAB 48.91, 68.08, -78.94

 

CMYK 0 / 73 / 68 / 1

HEX #FD4451

RGB 253 68 81

HSL 355.78, 0.98%, 0.63%

LAB 57.67, 69.44, 35.57

 

Description

Color code: HEX #A9FD42 | qconv.com Color code: HEX #A9FD42 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 253 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 253 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 74 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 74% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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