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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9F732 it is the complementary color #5608CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9F732. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9F732 shade: #AEF72D, #BFFF40, #D0FF53, #E1FF66 and #F2FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9F732. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9F732 shade: #A9F732, #98E51F, #87D30C, #76C100 and #65AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9F732 shade: #A8F631, #DEF631, #F6DA31, #F6A531 and #F67031

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9F732 shade: #A8F631, #73F631, #3EF631, #31F65A and #31F68F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9F732 shade matches the following richer shades: #A8F631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9F732 shade: #A8F631, #A5E543, #A1D454, #9EC265 and #9AB177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9F732 shade: #F6D931, #DFF631, #ABF631, #76F631 and #42F631

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9F732 shade: #7FCD09, #98F40A, #A8F631, #B9F859 and #CAFA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9F732 shade: #A9F732, #31F6A4 and #F331F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9F732 shade: #A9F732, #31ABF6 and #F631AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9F732 shade: #A9F732, #31F6A4, #7D31F6 and #F63183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9F732 shade: #A9F732, #31F6DF, #7D31F6 and #F63148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 80 / 3

HEX #A9F732

RGB 169 247 50

HSL 83.76, 0.92%, 0.58%

LAB 89.48, -50.5, 78.84

 

Complementary color

CMYK 58 / 96 / 0 / 20

HEX #5608CD

RGB 86 8 205

HSL 263.76, 0.92%, 0.42%

LAB 30.78, 68.21, -81.69

 

CMYK 30 / 0 / 82 / 3

HEX #AEF72D

RGB 174 247 45

HSL 81.68, 0.93%, 0.57%

LAB 89.72, -48.9, 80.39

 

CMYK 25 / 0 / 75 / 0

HEX #BFFF40

RGB 191 255 64

HSL 80.1, 1%, 0.63%

LAB 93, -45.31, 78.58

 

CMYK 18 / 0 / 67 / 0

HEX #D0FF53

RGB 208 255 83

HSL 76.4, 1%, 0.66%

LAB 94.12, -37.94, 73.66

 

CMYK 12 / 0 / 60 / 0

HEX #E1FF66

RGB 225 255 102

HSL 71.76, 1%, 0.7%

LAB 95.37, -30.2, 67.93

 

CMYK 5 / 0 / 53 / 0

HEX #F2FF79

RGB 242 255 121

HSL 65.82, 1%, 0.74%

LAB 96.73, -22.17, 61.66

 

CMYK 32 / 0 / 80 / 3

HEX #A9F732

RGB 169 247 50

HSL 83.76, 0.92%, 0.58%

LAB 89.48, -50.5, 78.84

 

CMYK 34 / 0 / 86 / 10

HEX #98E51F

RGB 152 229 31

HSL 83.33, 0.79%, 0.51%

LAB 83.34, -49.75, 77.44

 

CMYK 36 / 0 / 94 / 17

HEX #87D30C

RGB 135 211 12

HSL 82.91, 0.89%, 0.44%

LAB 77.14, -48.8, 74.84

 

CMYK 39 / 0 / 100 / 24

HEX #76C100

RGB 118 193 0

HSL 83.32, 1%, 0.38%

LAB 70.87, -47.61, 70.78

 

CMYK 42 / 0 / 100 / 31

HEX #65AF00

RGB 101 175 0

HSL 85.37, 1%, 0.34%

LAB 64.5, -46.19, 65.5

 

CMYK 32 / 0 / 80 / 4

HEX #A8F631

RGB 168 246 49

HSL 83.76, 0.92%, 0.58%

LAB 89.14, -50.48, 78.77

 

CMYK 10 / 0 / 80 / 4

HEX #DEF631

RGB 222 246 49

HSL 67.31, 0.92%, 0.58%

LAB 92.43, -29.94, 82.93

 

CMYK 0 / 11 / 80 / 4

HEX #F6DA31

RGB 246 218 49

HSL 51.47, 0.92%, 0.58%

LAB 86.98, -6.46, 78.92

 

CMYK 0 / 33 / 80 / 4

HEX #F6A531

RGB 246 165 49

HSL 35.33, 0.92%, 0.58%

LAB 74.01, 20.99, 67.49

 

CMYK 0 / 54 / 80 / 4

HEX #F67031

RGB 246 112 49

HSL 19.19, 0.92%, 0.58%

LAB 62.85, 47.97, 57.26

 

CMYK 32 / 0 / 80 / 4

HEX #A8F631

RGB 168 246 49

HSL 83.76, 0.92%, 0.58%

LAB 89.14, -50.48, 78.77

 

CMYK 53 / 0 / 80 / 4

HEX #73F631

RGB 115 246 49

HSL 99.9, 0.92%, 0.58%

LAB 86.89, -66.98, 75.88

 

CMYK 75 / 0 / 80 / 4

HEX #3EF631

RGB 62 246 49

HSL 116.04, 0.92%, 0.58%

LAB 85.58, -77.79, 74.2

 

CMYK 80 / 0 / 63 / 4

HEX #31F65A

RGB 49 246 90

HSL 132.49, 0.92%, 0.58%

LAB 85.66, -76.18, 60.15

 

CMYK 80 / 0 / 42 / 4

HEX #31F68F

RGB 49 246 143

HSL 148.63, 0.92%, 0.58%

LAB 86.28, -68.74, 36.59

 

CMYK 32 / 0 / 80 / 4

HEX #A8F631

RGB 168 246 49

HSL 83.76, 0.92%, 0.58%

LAB 89.14, -50.48, 78.77

 

CMYK 32 / 0 / 80 / 4

HEX #A8F631

RGB 168 246 49

HSL 83.76, 0.92%, 0.58%

LAB 89.14, -50.48, 78.77

 

CMYK 28 / 0 / 71 / 10

HEX #A5E543

RGB 165 229 67

HSL 83.7, 0.76%, 0.58%

LAB 84.2, -43.49, 68.55

 

CMYK 24 / 0 / 60 / 17

HEX #A1D454

RGB 161 212 84

HSL 83.91, 0.6%, 0.58%

LAB 79.22, -36.22, 56.55

 

CMYK 19 / 0 / 48 / 24

HEX #9EC265

RGB 158 194 101

HSL 83.23, 0.43%, 0.58%

LAB 74.06, -27.28, 42.61

 

CMYK 13 / 0 / 33 / 31

HEX #9AB177

RGB 154 177 119

HSL 83.79, 0.27%, 0.58%

LAB 69.22, -18.11, 27.13

 

CMYK 0 / 12 / 80 / 4

HEX #F6D931

RGB 246 217 49

HSL 51.17, 0.92%, 0.58%

LAB 86.72, -5.96, 78.7

 

CMYK 9 / 0 / 80 / 4

HEX #DFF631

RGB 223 246 49

HSL 67.01, 0.92%, 0.58%

LAB 92.5, -29.54, 83.02

 

CMYK 30 / 0 / 80 / 4

HEX #ABF631

RGB 171 246 49

HSL 82.84, 0.92%, 0.58%

LAB 89.3, -49.41, 78.96

 

CMYK 52 / 0 / 80 / 4

HEX #76F631

RGB 118 246 49

HSL 98.98, 0.92%, 0.58%

LAB 86.99, -66.19, 76.02

 

CMYK 73 / 0 / 80 / 4

HEX #42F631

RGB 66 246 49

HSL 114.82, 0.92%, 0.58%

LAB 85.65, -77.2, 74.29

 

CMYK 38 / 0 / 96 / 20

HEX #7FCD09

RGB 127 205 9

HSL 83.88, 0.92%, 0.42%

LAB 74.95, -49.2, 73.23

 

CMYK 38 / 0 / 96 / 4

HEX #98F40A

RGB 152 244 10

HSL 83.59, 0.92%, 0.5%

LAB 87.68, -56.17, 83.73

 

CMYK 32 / 0 / 80 / 4

HEX #A8F631

RGB 168 246 49

HSL 83.76, 0.92%, 0.58%

LAB 89.14, -50.48, 78.77

 

CMYK 25 / 0 / 64 / 3

HEX #B9F859

RGB 185 248 89

HSL 83.77, 0.92%, 0.66%

LAB 90.86, -42.98, 67.56

 

CMYK 19 / 0 / 48 / 2

HEX #CAFA81

RGB 202 250 129

HSL 83.8, 0.92%, 0.74%

LAB 92.8, -34.16, 52.7

 

CMYK 32 / 0 / 80 / 3

HEX #A9F732

RGB 169 247 50

HSL 83.76, 0.92%, 0.58%

LAB 89.48, -50.5, 78.84

 

CMYK 80 / 0 / 33 / 4

HEX #31F6A4

RGB 49 246 164

HSL 155.03, 0.92%, 0.58%

LAB 86.63, -64.79, 26.51

 

CMYK 1 / 80 / 0 / 4

HEX #F331F6

RGB 243 49 246

HSL 299.09, 0.92%, 0.58%

LAB 59.8, 89.15, -56.79

 

CMYK 32 / 0 / 80 / 3

HEX #A9F732

RGB 169 247 50

HSL 83.76, 0.92%, 0.58%

LAB 89.48, -50.5, 78.84

 

CMYK 80 / 30 / 0 / 4

HEX #31ABF6

RGB 49 171 246

HSL 202.84, 0.92%, 0.58%

LAB 66.85, -7.6, -46.58

 

CMYK 0 / 80 / 30 / 4

HEX #F631AB

RGB 246 49 171

HSL 322.84, 0.92%, 0.58%

LAB 56.81, 80.01, -18.71

 

CMYK 32 / 0 / 80 / 3

HEX #A9F732

RGB 169 247 50

HSL 83.76, 0.92%, 0.58%

LAB 89.48, -50.5, 78.84

 

CMYK 80 / 0 / 33 / 4

HEX #31F6A4

RGB 49 246 164

HSL 155.03, 0.92%, 0.58%

LAB 86.63, -64.79, 26.51

 

CMYK 49 / 80 / 0 / 4

HEX #7D31F6

RGB 125 49 246

HSL 263.15, 0.92%, 0.58%

LAB 43.08, 70.72, -84.69

 

CMYK 0 / 80 / 47 / 4

HEX #F63183

RGB 246 49 131

HSL 335.03, 0.92%, 0.58%

LAB 55.51, 76.2, 2.96

 

CMYK 32 / 0 / 80 / 3

HEX #A9F732

RGB 169 247 50

HSL 83.76, 0.92%, 0.58%

LAB 89.48, -50.5, 78.84

 

CMYK 80 / 0 / 9 / 4

HEX #31F6DF

RGB 49 246 223

HSL 172.99, 0.92%, 0.58%

LAB 87.92, -51.02, -2.19

 

CMYK 49 / 80 / 0 / 4

HEX #7D31F6

RGB 125 49 246

HSL 263.15, 0.92%, 0.58%

LAB 43.08, 70.72, -84.69

 

CMYK 0 / 80 / 71 / 4

HEX #F63148

RGB 246 49 72

HSL 352.99, 0.92%, 0.58%

LAB 54.3, 72.54, 36.39

 

Description

Color code: HEX #A9F732 | qconv.com Color code: HEX #A9F732 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 247 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 247 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 80 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 80% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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