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Color name
HEX #A9F384

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9F384 it is the complementary color #560C7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9F384. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9F384 shade: #AEF37F, #BFFF92, #D0FFA5, #E1FFB8 and #F2FFCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9F384. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9F384 shade: #A9F384, #98E171, #87CF5E, #76BD4B and #65AB38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9F384 shade: #ABF386, #C8F386, #E5F386, #F3E486 and #F3C686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9F384 shade: #ABF386, #8DF386, #86F39D, #86F3BA and #86F3D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9F384 shade matches the following richer shades: #ABF386 and #A7FE7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9F384 shade: #ABF386, #AEE891, #B2DE9C, #B5D3A7 and #B9C8B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9F384 shade: #E5F386, #C8F386, #ABF386, #8EF386 and #86F39C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9F384 shade: #76EC3B, #90EF61, #ABF386, #C5F7AC and #DFFAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9F384 shade: #A9F384, #86F3E5 and #F386D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9F384 shade: #A9F384, #86ABF3 and #F386AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9F384 shade: #A9F384, #86F3E5, #CF86F3 and #F38695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9F384 shade: #A9F384, #86E1F3, #CF86F3 and #F39886

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 46 / 5

HEX #A9F384

RGB 169 243 132

HSL 100, 0.82%, 0.74%

LAB 89.02, -42.22, 46.21

 

Complementary color

CMYK 30 / 90 / 0 / 52

HEX #560C7B

RGB 86 12 123

HSL 280, 0.82%, 0.26%

LAB 22.55, 48.7, -45.39

 

CMYK 28 / 0 / 48 / 5

HEX #AEF37F

RGB 174 243 127

HSL 95.69, 0.83%, 0.73%

LAB 89.22, -41.12, 48.9

 

CMYK 25 / 0 / 43 / 0

HEX #BFFF92

RGB 191 255 146

HSL 95.23, 1%, 0.79%

LAB 93.74, -38.38, 45.68

 

CMYK 18 / 0 / 35 / 0

HEX #D0FFA5

RGB 208 255 165

HSL 91.33, 1%, 0.82%

LAB 95.01, -30.08, 38.24

 

CMYK 12 / 0 / 28 / 0

HEX #E1FFB8

RGB 225 255 184

HSL 85.35, 1%, 0.86%

LAB 96.41, -21.52, 30.81

 

CMYK 5 / 0 / 20 / 0

HEX #F2FFCB

RGB 242 255 203

HSL 75, 1%, 0.9%

LAB 97.92, -12.81, 23.47

 

CMYK 30 / 0 / 46 / 5

HEX #A9F384

RGB 169 243 132

HSL 100, 0.82%, 0.74%

LAB 89.02, -42.22, 46.21

 

CMYK 32 / 0 / 50 / 12

HEX #98E171

RGB 152 225 113

HSL 99.11, 0.65%, 0.66%

LAB 82.76, -42.3, 47.36

 

CMYK 35 / 0 / 55 / 19

HEX #87CF5E

RGB 135 207 94

HSL 98.23, 0.54%, 0.59%

LAB 76.43, -42.33, 48.49

 

CMYK 38 / 0 / 60 / 26

HEX #76BD4B

RGB 118 189 75

HSL 97.37, 0.46%, 0.52%

LAB 70, -42.27, 49.54

 

CMYK 41 / 0 / 67 / 33

HEX #65AB38

RGB 101 171 56

HSL 96.52, 0.51%, 0.45%

LAB 63.49, -42.08, 50.37

 

CMYK 30 / 0 / 45 / 5

HEX #ABF386

RGB 171 243 134

HSL 99.63, 0.82%, 0.74%

LAB 89.15, -41.3, 45.43

 

CMYK 18 / 0 / 45 / 5

HEX #C8F386

RGB 200 243 134

HSL 83.67, 0.82%, 0.74%

LAB 90.83, -31.13, 47.89

 

CMYK 6 / 0 / 45 / 5

HEX #E5F386

RGB 229 243 134

HSL 67.71, 0.82%, 0.74%

LAB 92.79, -20.26, 50.75

 

CMYK 0 / 6 / 45 / 5

HEX #F3E486

RGB 243 228 134

HSL 51.74, 0.82%, 0.74%

LAB 89.98, -7.42, 47.52

 

CMYK 0 / 19 / 45 / 5

HEX #F3C686

RGB 243 198 134

HSL 35.23, 0.82%, 0.74%

LAB 82.47, 7.94, 38.03

 

CMYK 30 / 0 / 45 / 5

HEX #ABF386

RGB 171 243 134

HSL 99.63, 0.82%, 0.74%

LAB 89.15, -41.3, 45.43

 

CMYK 42 / 0 / 45 / 5

HEX #8DF386

RGB 141 243 134

HSL 116.15, 0.82%, 0.74%

LAB 87.72, -50.74, 43.33

 

CMYK 45 / 0 / 35 / 5

HEX #86F39D

RGB 134 243 157

HSL 132.66, 0.82%, 0.74%

LAB 87.78, -49.23, 31.98

 

CMYK 45 / 0 / 23 / 5

HEX #86F3BA

RGB 134 243 186

HSL 148.62, 0.82%, 0.74%

LAB 88.31, -44, 17.89

 

CMYK 45 / 0 / 12 / 5

HEX #86F3D7

RGB 134 243 215

HSL 164.59, 0.82%, 0.74%

LAB 88.96, -37.91, 3.76

 

CMYK 30 / 0 / 45 / 5

HEX #ABF386

RGB 171 243 134

HSL 99.63, 0.82%, 0.74%

LAB 89.15, -41.3, 45.43

 

CMYK 34 / 0 / 51 / 0

HEX #A7FE7C

RGB 167 254 124

HSL 100.15, 0.98%, 0.74%

LAB 91.93, -48.53, 53.51

 

CMYK 30 / 0 / 45 / 5

HEX #ABF386

RGB 171 243 134

HSL 99.63, 0.82%, 0.74%

LAB 89.15, -41.3, 45.43

 

CMYK 25 / 0 / 38 / 9

HEX #AEE891

RGB 174 232 145

HSL 100, 0.65%, 0.74%

LAB 86.38, -33.89, 36.52

 

CMYK 20 / 0 / 30 / 13

HEX #B2DE9C

RGB 178 222 156

HSL 100, 0.5%, 0.74%

LAB 84.02, -26.21, 27.83

 

CMYK 14 / 0 / 21 / 17

HEX #B5D3A7

RGB 181 211 167

HSL 100.91, 0.33%, 0.74%

LAB 81.4, -18.04, 18.53

 

CMYK 8 / 0 / 12 / 22

HEX #B9C8B1

RGB 185 200 177

HSL 99.13, 0.17%, 0.74%

LAB 78.92, -9.34, 9.76

 

CMYK 6 / 0 / 45 / 5

HEX #E5F386

RGB 229 243 134

HSL 67.71, 0.82%, 0.74%

LAB 92.79, -20.26, 50.75

 

CMYK 18 / 0 / 45 / 5

HEX #C8F386

RGB 200 243 134

HSL 83.67, 0.82%, 0.74%

LAB 90.83, -31.13, 47.89

 

CMYK 30 / 0 / 45 / 5

HEX #ABF386

RGB 171 243 134

HSL 99.63, 0.82%, 0.74%

LAB 89.15, -41.3, 45.43

 

CMYK 42 / 0 / 45 / 5

HEX #8EF386

RGB 142 243 134

HSL 115.6, 0.82%, 0.74%

LAB 87.76, -50.44, 43.39

 

CMYK 45 / 0 / 36 / 5

HEX #86F39C

RGB 134 243 156

HSL 132.11, 0.82%, 0.74%

LAB 87.76, -49.4, 32.46

 

CMYK 50 / 0 / 75 / 7

HEX #76EC3B

RGB 118 236 59

HSL 100, 0.82%, 0.58%

LAB 84.05, -62.07, 70.35

 

CMYK 40 / 0 / 59 / 6

HEX #90EF61

RGB 144 239 97

HSL 100.14, 0.82%, 0.66%

LAB 86.27, -52.49, 58.63

 

CMYK 30 / 0 / 45 / 5

HEX #ABF386

RGB 171 243 134

HSL 99.63, 0.82%, 0.74%

LAB 89.15, -41.3, 45.43

 

CMYK 20 / 0 / 30 / 3

HEX #C5F7AC

RGB 197 247 172

HSL 100, 0.82%, 0.82%

LAB 92.3, -29.16, 31.01

 

CMYK 11 / 0 / 16 / 2

HEX #DFFAD1

RGB 223 250 209

HSL 99.51, 0.8%, 0.9%

LAB 95.44, -16, 16.75

 

CMYK 30 / 0 / 46 / 5

HEX #A9F384

RGB 169 243 132

HSL 100, 0.82%, 0.74%

LAB 89.02, -42.22, 46.21

 

CMYK 45 / 0 / 6 / 5

HEX #86F3E5

RGB 134 243 229

HSL 172.29, 0.82%, 0.74%

LAB 89.31, -34.7, -3.03

 

CMYK 0 / 45 / 12 / 5

HEX #F386D6

RGB 243 134 214

HSL 315.96, 0.82%, 0.74%

LAB 70.15, 51.86, -22.83

 

CMYK 30 / 0 / 46 / 5

HEX #A9F384

RGB 169 243 132

HSL 100, 0.82%, 0.74%

LAB 89.02, -42.22, 46.21

 

CMYK 45 / 30 / 0 / 5

HEX #86ABF3

RGB 134 171 243

HSL 219.63, 0.82%, 0.74%

LAB 69.94, 6.04, -39.87

 

CMYK 0 / 45 / 30 / 5

HEX #F386AB

RGB 243 134 171

HSL 339.63, 0.82%, 0.74%

LAB 68.78, 45.68, -0.87

 

CMYK 30 / 0 / 46 / 5

HEX #A9F384

RGB 169 243 132

HSL 100, 0.82%, 0.74%

LAB 89.02, -42.22, 46.21

 

CMYK 45 / 0 / 6 / 5

HEX #86F3E5

RGB 134 243 229

HSL 172.29, 0.82%, 0.74%

LAB 89.31, -34.7, -3.03

 

CMYK 15 / 45 / 0 / 5

HEX #CF86F3

RGB 207 134 243

HSL 280.18, 0.82%, 0.74%

LAB 67.12, 46.53, -43.86

 

CMYK 0 / 45 / 39 / 5

HEX #F38695

RGB 243 134 149

HSL 351.74, 0.82%, 0.74%

LAB 68.22, 43.04, 10.68

 

CMYK 30 / 0 / 46 / 5

HEX #A9F384

RGB 169 243 132

HSL 100, 0.82%, 0.74%

LAB 89.02, -42.22, 46.21

 

CMYK 45 / 7 / 0 / 5

HEX #86E1F3

RGB 134 225 243

HSL 189.91, 0.82%, 0.74%

LAB 84.68, -22.61, -17.27

 

CMYK 15 / 45 / 0 / 5

HEX #CF86F3

RGB 207 134 243

HSL 280.18, 0.82%, 0.74%

LAB 67.12, 46.53, -43.86

 

CMYK 0 / 37 / 45 / 5

HEX #F39886

RGB 243 152 134

HSL 9.91, 0.82%, 0.74%

LAB 71.71, 32.16, 23.85

 

Description

Color code: HEX #A9F384 | qconv.com Color code: HEX #A9F384 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 243 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 243 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 46 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 46% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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