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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9F33B it is the complementary color #560CC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9F33B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9F33B shade: #AEF336, #BFFF49, #D0FF5C, #E1FF6F and #F2FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9F33B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9F33B shade: #A9F33B, #98E128, #87CF15, #76BD02 and #65AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9F33B shade: #A8F23A, #DAF23A, #F2D93A, #F2A83A and #F2763A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9F33B shade: #A8F23A, #77F23A, #45F23A, #3AF261 and #3AF293

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9F33B shade matches the following richer shades: #A8F23A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9F33B shade: #A8F23A, #A5E24B, #A2D15C, #9FC06D and #9BAF7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9F33B shade: #F2DA3A, #DAF23A, #A9F23A, #78F23A and #47F23A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9F33B shade: #80CD0D, #97F014, #A8F23A, #BAF561 and #CBF788

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9F33B shade: #A9F33B, #3AF2A9 and #F23AF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9F33B shade: #A9F33B, #3AA9F2 and #F23AA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9F33B shade: #A9F33B, #3AF2A9, #843AF2 and #F23A84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9F33B shade: #A9F33B, #3AF2E0, #843AF2 and #F23A4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 76 / 5

HEX #A9F33B

RGB 169 243 59

HSL 84.13, 0.88%, 0.59%

LAB 88.38, -48.43, 75.29

 

Complementary color

CMYK 56 / 94 / 0 / 23

HEX #560CC4

RGB 86 12 196

HSL 264.13, 0.88%, 0.41%

LAB 29.98, 65.46, -77.75

 

CMYK 28 / 0 / 78 / 5

HEX #AEF336

RGB 174 243 54

HSL 81.9, 0.89%, 0.58%

LAB 88.62, -46.87, 77.07

 

CMYK 25 / 0 / 71 / 0

HEX #BFFF49

RGB 191 255 73

HSL 81.1, 1%, 0.64%

LAB 93.05, -44.85, 75.75

 

CMYK 18 / 0 / 64 / 0

HEX #D0FF5C

RGB 208 255 92

HSL 77.3, 1%, 0.68%

LAB 94.19, -37.37, 70.33

 

CMYK 12 / 0 / 56 / 0

HEX #E1FF6F

RGB 225 255 111

HSL 72.5, 1%, 0.72%

LAB 95.44, -29.52, 64.24

 

CMYK 5 / 0 / 49 / 0

HEX #F2FF82

RGB 242 255 130

HSL 66.24, 1%, 0.75%

LAB 96.82, -21.4, 57.71

 

CMYK 30 / 0 / 76 / 5

HEX #A9F33B

RGB 169 243 59

HSL 84.13, 0.88%, 0.59%

LAB 88.38, -48.43, 75.29

 

CMYK 32 / 0 / 82 / 12

HEX #98E128

RGB 152 225 40

HSL 83.68, 0.76%, 0.52%

LAB 82.21, -47.81, 74.51

 

CMYK 35 / 0 / 90 / 19

HEX #87CF15

RGB 135 207 21

HSL 83.23, 0.82%, 0.45%

LAB 75.97, -46.98, 72.69

 

CMYK 38 / 0 / 99 / 26

HEX #76BD02

RGB 118 189 2

HSL 82.78, 0.98%, 0.37%

LAB 69.65, -45.94, 69.61

 

CMYK 41 / 0 / 100 / 33

HEX #65AB00

RGB 101 171 0

HSL 84.56, 1%, 0.34%

LAB 63.25, -44.57, 64.52

 

CMYK 31 / 0 / 76 / 5

HEX #A8F23A

RGB 168 242 58

HSL 84.13, 0.88%, 0.59%

LAB 88.03, -48.42, 75.25

 

CMYK 10 / 0 / 76 / 5

HEX #DAF23A

RGB 218 242 58

HSL 67.83, 0.88%, 0.59%

LAB 91.11, -29.36, 79.21

 

CMYK 0 / 10 / 76 / 5

HEX #F2D93A

RGB 242 217 58

HSL 51.85, 0.88%, 0.59%

LAB 86.41, -7.33, 75.61

 

CMYK 0 / 31 / 76 / 5

HEX #F2A83A

RGB 242 168 58

HSL 35.87, 0.88%, 0.59%

LAB 74.31, 18.05, 64.28

 

CMYK 0 / 51 / 76 / 5

HEX #F2763A

RGB 242 118 58

HSL 19.57, 0.88%, 0.59%

LAB 63.46, 43.89, 53.6

 

CMYK 31 / 0 / 76 / 5

HEX #A8F23A

RGB 168 242 58

HSL 84.13, 0.88%, 0.59%

LAB 88.03, -48.42, 75.25

 

CMYK 51 / 0 / 76 / 5

HEX #77F23A

RGB 119 242 58

HSL 100.11, 0.88%, 0.59%

LAB 85.87, -64.02, 72.44

 

CMYK 71 / 0 / 76 / 5

HEX #45F23A

RGB 69 242 58

HSL 116.41, 0.88%, 0.59%

LAB 84.52, -75.01, 70.67

 

CMYK 76 / 0 / 60 / 5

HEX #3AF261

RGB 58 242 97

HSL 132.72, 0.88%, 0.59%

LAB 84.62, -73.11, 56.08

 

CMYK 76 / 0 / 39 / 5

HEX #3AF293

RGB 58 242 147

HSL 149.02, 0.88%, 0.59%

LAB 85.26, -65.66, 33.28

 

CMYK 31 / 0 / 76 / 5

HEX #A8F23A

RGB 168 242 58

HSL 84.13, 0.88%, 0.59%

LAB 88.03, -48.42, 75.25

 

CMYK 31 / 0 / 76 / 5

HEX #A8F23A

RGB 168 242 58

HSL 84.13, 0.88%, 0.59%

LAB 88.03, -48.42, 75.25

 

CMYK 27 / 0 / 67 / 11

HEX #A5E24B

RGB 165 226 75

HSL 84.24, 0.72%, 0.59%

LAB 83.39, -41.66, 64.78

 

CMYK 22 / 0 / 56 / 18

HEX #A2D15C

RGB 162 209 92

HSL 84.1, 0.56%, 0.59%

LAB 78.49, -33.76, 52.21

 

CMYK 17 / 0 / 43 / 25

HEX #9FC06D

RGB 159 192 109

HSL 83.86, 0.4%, 0.59%

LAB 73.66, -25, 38.14

 

CMYK 11 / 0 / 28 / 31

HEX #9BAF7E

RGB 155 175 126

HSL 84.49, 0.23%, 0.59%

LAB 68.85, -15.68, 22.89

 

CMYK 0 / 10 / 76 / 5

HEX #F2DA3A

RGB 242 218 58

HSL 52.17, 0.88%, 0.59%

LAB 86.67, -7.84, 75.84

 

CMYK 10 / 0 / 76 / 5

HEX #DAF23A

RGB 218 242 58

HSL 67.83, 0.88%, 0.59%

LAB 91.11, -29.36, 79.21

 

CMYK 30 / 0 / 76 / 5

HEX #A9F23A

RGB 169 242 58

HSL 83.8, 0.88%, 0.59%

LAB 88.09, -48.06, 75.32

 

CMYK 50 / 0 / 76 / 5

HEX #78F23A

RGB 120 242 58

HSL 99.78, 0.88%, 0.59%

LAB 85.91, -63.75, 72.48

 

CMYK 71 / 0 / 76 / 5

HEX #47F23A

RGB 71 242 58

HSL 115.76, 0.88%, 0.59%

LAB 84.56, -74.68, 70.72

 

CMYK 38 / 0 / 94 / 20

HEX #80CD0D

RGB 128 205 13

HSL 84.06, 0.88%, 0.43%

LAB 75, -48.79, 72.87

 

CMYK 37 / 0 / 92 / 6

HEX #97F014

RGB 151 240 20

HSL 84.27, 0.88%, 0.51%

LAB 86.48, -54.79, 81.74

 

CMYK 31 / 0 / 76 / 5

HEX #A8F23A

RGB 168 242 58

HSL 84.13, 0.88%, 0.59%

LAB 88.03, -48.42, 75.25

 

CMYK 24 / 0 / 60 / 4

HEX #BAF561

RGB 186 245 97

HSL 83.92, 0.88%, 0.67%

LAB 90.14, -40.69, 63.56

 

CMYK 18 / 0 / 45 / 3

HEX #CBF788

RGB 203 247 136

HSL 83.78, 0.87%, 0.75%

LAB 92.13, -31.67, 48.6

 

CMYK 30 / 0 / 76 / 5

HEX #A9F33B

RGB 169 243 59

HSL 84.13, 0.88%, 0.59%

LAB 88.38, -48.43, 75.29

 

CMYK 76 / 0 / 30 / 5

HEX #3AF2A9

RGB 58 242 169

HSL 156.2, 0.88%, 0.59%

LAB 85.64, -61.36, 22.63

 

CMYK 0 / 76 / 0 / 5

HEX #F23AF2

RGB 242 58 242

HSL 300, 0.88%, 0.59%

LAB 60.17, 86.19, -53.98

 

CMYK 30 / 0 / 76 / 5

HEX #A9F33B

RGB 169 243 59

HSL 84.13, 0.88%, 0.59%

LAB 88.38, -48.43, 75.29

 

CMYK 76 / 30 / 0 / 5

HEX #3AA9F2

RGB 58 169 242

HSL 203.8, 0.88%, 0.59%

LAB 66.28, -6.96, -45.28

 

CMYK 0 / 76 / 30 / 5

HEX #F23AA9

RGB 242 58 169

HSL 323.8, 0.88%, 0.59%

LAB 56.85, 76.54, -17.55

 

CMYK 30 / 0 / 76 / 5

HEX #A9F33B

RGB 169 243 59

HSL 84.13, 0.88%, 0.59%

LAB 88.38, -48.43, 75.29

 

CMYK 76 / 0 / 30 / 5

HEX #3AF2A9

RGB 58 242 169

HSL 156.2, 0.88%, 0.59%

LAB 85.64, -61.36, 22.63

 

CMYK 45 / 76 / 0 / 5

HEX #843AF2

RGB 132 58 242

HSL 264.13, 0.88%, 0.59%

LAB 44.72, 67.19, -79.72

 

CMYK 0 / 76 / 45 / 5

HEX #F23A84

RGB 242 58 132

HSL 335.87, 0.88%, 0.59%

LAB 55.65, 72.88, 2.48

 

CMYK 30 / 0 / 76 / 5

HEX #A9F33B

RGB 169 243 59

HSL 84.13, 0.88%, 0.59%

LAB 88.38, -48.43, 75.29

 

CMYK 76 / 0 / 7 / 5

HEX #3AF2E0

RGB 58 242 224

HSL 174.13, 0.88%, 0.59%

LAB 86.89, -48.25, -4.2

 

CMYK 45 / 76 / 0 / 5

HEX #843AF2

RGB 132 58 242

HSL 264.13, 0.88%, 0.59%

LAB 44.72, 67.19, -79.72

 

CMYK 0 / 76 / 68 / 5

HEX #F23A4D

RGB 242 58 77

HSL 353.8, 0.88%, 0.59%

LAB 54.49, 69.2, 33.54

 

Description

Color code: HEX #A9F33B | qconv.com Color code: HEX #A9F33B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 243 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 243 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 76% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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