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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9B7B0 it is the complementary color #56484F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9B7B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9B7B0 shade: #AEB7AB, #BFC9BE, #D0DBD1, #E1EDE4 and #F2FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9B7B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9B7B0 shade: #A9B7B0, #98A59D, #87938A, #768177 and #656F64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9B7B0 shade: #A9B7B0, #A9B7AC, #A9B7A9, #ADB7A9 and #B1B7A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9B7B0 shade: #A9B7B0, #A9B7B4, #A9B7B7, #A9B3B7 and #A9AFB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9B7B0 shade matches the following richer shades: #A9B7B0, #9CC4B0, #8FD1B0, #82DDB0 and #76EAB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9B7B0 shade: #A9B7B0, #B6AAB0, #C29DB0, #CF91B0 and #DC84B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9B7B0 shade: #A9B7A9, #A9B7AC, #A9B7B0, #A9B7B4 and #A9B7B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9B7B0 shade: #7C9287, #92A49B, #A9B7B0, #BFCAC5 and #D6DDD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9B7B0 shade: #A9B7B0, #A9ADB7 and #B7AAA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9B7B0 shade: #A9B7B0, #B0A9B7 and #B7B0A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9B7B0 shade: #A9B7B0, #A9ADB7, #B7A9B0 and #B7B3A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9B7B0 shade: #A9B7B0, #A9A9B7, #B7A9B0 and #B7B7A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

Complementary color

CMYK 0 / 16 / 8 / 66

HEX #56484F

RGB 86 72 79

HSL 330, 0.09%, 0.31%

LAB 32.21, 7.3, -1.97

 

CMYK 5 / 0 / 7 / 28

HEX #AEB7AB

RGB 174 183 171

HSL 105, 0.08%, 0.69%

LAB 73.42, -5.38, 5.01

 

CMYK 5 / 0 / 5 / 21

HEX #BFC9BE

RGB 191 201 190

HSL 114.55, 0.09%, 0.77%

LAB 79.94, -5.45, 4.3

 

CMYK 5 / 0 / 5 / 14

HEX #D0DBD1

RGB 208 219 209

HSL 125.45, 0.13%, 0.84%

LAB 86.34, -5.53, 3.62

 

CMYK 5 / 0 / 4 / 7

HEX #E1EDE4

RGB 225 237 228

HSL 135, 0.25%, 0.91%

LAB 92.65, -5.6, 2.97

 

CMYK 5 / 0 / 3 / 0

HEX #F2FFF7

RGB 242 255 247

HSL 143.08, 1%, 0.97%

LAB 98.87, -5.67, 2.34

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 8 / 0 / 5 / 35

HEX #98A59D

RGB 152 165 157

HSL 143.08, 0.07%, 0.62%

LAB 66.54, -6.15, 2.56

 

CMYK 8 / 0 / 6 / 42

HEX #87938A

RGB 135 147 138

HSL 135, 0.05%, 0.55%

LAB 59.76, -6.12, 3.28

 

CMYK 9 / 0 / 8 / 49

HEX #768177

RGB 118 129 119

HSL 125.45, 0.04%, 0.48%

LAB 52.82, -6.09, 4.03

 

CMYK 9 / 0 / 10 / 56

HEX #656F64

RGB 101 111 100

HSL 114.55, 0.05%, 0.41%

LAB 45.71, -6.08, 4.83

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 8 / 0 / 6 / 28

HEX #A9B7AC

RGB 169 183 172

HSL 132.86, 0.09%, 0.69%

LAB 73.08, -6.95, 3.92

 

CMYK 8 / 0 / 8 / 28

HEX #A9B7A9

RGB 169 183 169

HSL 120, 0.09%, 0.69%

LAB 73, -7.51, 5.45

 

CMYK 5 / 0 / 8 / 28

HEX #ADB7A9

RGB 173 183 169

HSL 102.86, 0.09%, 0.69%

LAB 73.3, -6.1, 5.91

 

CMYK 3 / 0 / 8 / 28

HEX #B1B7A9

RGB 177 183 169

HSL 85.71, 0.09%, 0.69%

LAB 73.6, -4.67, 6.38

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 8 / 0 / 2 / 28

HEX #A9B7B4

RGB 169 183 180

HSL 167.14, 0.09%, 0.69%

LAB 73.28, -5.42, -0.15

 

CMYK 8 / 0 / 0 / 28

HEX #A9B7B7

RGB 169 183 183

HSL 180, 0.09%, 0.69%

LAB 73.36, -4.83, -1.67

 

CMYK 8 / 2 / 0 / 28

HEX #A9B3B7

RGB 169 179 183

HSL 197.14, 0.09%, 0.69%

LAB 72.29, -2.68, -3.25

 

CMYK 8 / 4 / 0 / 28

HEX #A9AFB7

RGB 169 175 183

HSL 214.29, 0.09%, 0.69%

LAB 71.22, -0.52, -4.82

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 20 / 0 / 10 / 23

HEX #9CC4B0

RGB 156 196 176

HSL 150, 0.25%, 0.69%

LAB 75.87, -17.34, 5.67

 

CMYK 32 / 0 / 16 / 18

HEX #8FD1B0

RGB 143 209 176

HSL 150, 0.42%, 0.69%

LAB 78.8, -27.87, 9.76

 

CMYK 41 / 0 / 20 / 13

HEX #82DDB0

RGB 130 221 176

HSL 150.33, 0.57%, 0.69%

LAB 81.62, -37.23, 13.68

 

CMYK 50 / 0 / 25 / 8

HEX #76EAB0

RGB 118 234 176

HSL 150, 0.73%, 0.69%

LAB 84.91, -46.04, 18.23

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 0 / 7 / 3 / 29

HEX #B6AAB0

RGB 182 170 176

HSL 330, 0.08%, 0.69%

LAB 70.75, 5.39, -1.53

 

CMYK 0 / 19 / 9 / 24

HEX #C29DB0

RGB 194 157 176

HSL 329.19, 0.23%, 0.69%

LAB 68.55, 16.84, -4.66

 

CMYK 0 / 30 / 15 / 19

HEX #CF91B0

RGB 207 145 176

HSL 330, 0.39%, 0.69%

LAB 67.01, 28.07, -6.77

 

CMYK 0 / 40 / 20 / 14

HEX #DC84B0

RGB 220 132 176

HSL 330, 0.56%, 0.69%

LAB 65.63, 39.56, -8.67

 

CMYK 8 / 0 / 8 / 28

HEX #A9B7A9

RGB 169 183 169

HSL 120, 0.09%, 0.69%

LAB 73, -7.51, 5.45

 

CMYK 8 / 0 / 6 / 28

HEX #A9B7AC

RGB 169 183 172

HSL 132.86, 0.09%, 0.69%

LAB 73.08, -6.95, 3.92

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 8 / 0 / 2 / 28

HEX #A9B7B4

RGB 169 183 180

HSL 167.14, 0.09%, 0.69%

LAB 73.28, -5.42, -0.15

 

CMYK 8 / 0 / 0 / 28

HEX #A9B7B7

RGB 169 183 183

HSL 180, 0.09%, 0.69%

LAB 73.36, -4.83, -1.67

 

CMYK 15 / 0 / 8 / 43

HEX #7C9287

RGB 124 146 135

HSL 150, 0.09%, 0.53%

LAB 58.59, -10.11, 3.2

 

CMYK 11 / 0 / 5 / 36

HEX #92A49B

RGB 146 164 155

HSL 150, 0.09%, 0.61%

LAB 65.77, -8.12, 2.51

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 5 / 0 / 2 / 21

HEX #BFCAC5

RGB 191 202 197

HSL 152.73, 0.09%, 0.77%

LAB 80.38, -4.69, 1.19

HEX #BFCAC5

CMYK 3 / 0 / 2 / 13

HEX #D6DDD9

RGB 214 221 217

HSL 145.71, 0.09%, 0.85%

LAB 87.49, -3.08, 1.13

HEX #D6DDD9

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 8 / 5 / 0 / 28

HEX #A9ADB7

RGB 169 173 183

HSL 222.86, 0.09%, 0.69%

LAB 70.69, 0.56, -5.61

 

CMYK 0 / 7 / 8 / 28

HEX #B7AAA9

RGB 183 170 169

HSL 4.29, 0.09%, 0.69%

LAB 70.65, 4.5, 2.19

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 4 / 8 / 0 / 28

HEX #B0A9B7

RGB 176 169 183

HSL 270, 0.09%, 0.69%

LAB 70.19, 5.16, -6.28

 

CMYK 0 / 4 / 8 / 28

HEX #B7B0A9

RGB 183 176 169

HSL 30, 0.09%, 0.69%

LAB 72.22, 1.24, 4.46

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 8 / 5 / 0 / 28

HEX #A9ADB7

RGB 169 173 183

HSL 222.86, 0.09%, 0.69%

LAB 70.69, 0.56, -5.61

 

CMYK 0 / 8 / 4 / 28

HEX #B7A9B0

RGB 183 169 176

HSL 330, 0.09%, 0.69%

LAB 70.58, 6.3, -1.78

 

CMYK 0 / 2 / 8 / 28

HEX #B7B3A9

RGB 183 179 169

HSL 42.86, 0.09%, 0.69%

LAB 73.01, -0.37, 5.59

 

CMYK 8 / 0 / 4 / 28

HEX #A9B7B0

RGB 169 183 176

HSL 150, 0.09%, 0.69%

LAB 73.18, -6.19, 1.88

 

CMYK 8 / 8 / 0 / 28

HEX #A9A9B7

RGB 169 169 183

HSL 240, 0.09%, 0.69%

LAB 69.63, 2.75, -7.17

 

CMYK 0 / 8 / 4 / 28

HEX #B7A9B0

RGB 183 169 176

HSL 330, 0.09%, 0.69%

LAB 70.58, 6.3, -1.78

 

CMYK 0 / 0 / 8 / 28

HEX #B7B7A9

RGB 183 183 169

HSL 60, 0.09%, 0.69%

LAB 74.06, -2.51, 7.11

 

Description

Color code: HEX #A9B7B0 | qconv.com Color code: HEX #A9B7B0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 183 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 183 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 4 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 4% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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